THE POWER BEHIND the PRESS English Newspapers in The
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How Enemies Become Friends: the Sources of Stable Peace by Charles A
HOW ENEMIES BECOME FRIENDS 00-Kupchan i-xvi.indd i 11/18/2009 10:49:37 AM PRINCETON STUDIES IN INTERNATIONAL HISTORY AND POLITICS G. John Ikenberry and Marc Trachtenberg, SERIES EDITORS Recent Titles How Enemies Become Friends: The Sources of Stable Peace by Charles A. Kupchan 1989: The Struggle to Create Post–Cold War Europe by Mary Elise Sarotte The Struggle for Power in Early Modern Europe: Religious Confl ict, Dynastic Empires, and International Change by Daniel H. Nexon Strong Borders, Secure Nation: Cooperation and Confl ict in China’s Territorial Disputes by M. Taylor Fravel The Sino-Soviet Split: Cold War in the Communist World by Lorenz M. Lüthi Nuclear Logics: Contrasting Paths in East Asia and the Middle East by Etel Solingen Social States: China in International Institutions, 1980–2000 by Alastair Iain Johnston Appeasing Bankers: Financial Caution on the Road to War by Jonathan Kirshner The Politics of Secularism in International Relations by Elizabeth Shakman Hurd Unanswered Threats: Political Constraints on the Balance of Power by Randall L. Schweller Producing Security: Multinational Corporations, Globalization, and the Changing Calculus of Confl ict by Stephen G. Brooks Driving the Soviets up the Wall: Soviet–East German Relations, 1953–1961 by Hope M. Harrison Legitimacy and Power Politics: The American and French Revolutions in International Political Culture by Mlada Bukovansky Rhetoric and Reality in Air Warfare: The Evolution of British and American Ideas about Strategic Bombing, 1914–1945 by Tami Davis Biddle Revolutions in Sovereignty: How Ideas Shaped Modern International Relations by Daniel Philpott 00-Kupchan i-xvi.indd ii 11/18/2009 10:49:38 AM HOW ENEMIES BECOME FRIENDS THE SOURCES OF STABLE PEACE Charles A. -
The Archive of American Journalism Richard Harding Davis Collection the Sun September 6, 1896 Jameson's Fatal Error John Hays
The Archive of American Journalism Richard Harding Davis Collection The Sun September 6, 1896 Jameson’s Fatal Error John Hays Hammond’s Side of the Transvaal Plot Although Thrice Warned Back by the Reform Committee, Jameson Persisted in Descending on the Boer Republic Before the Conspirators Were Ready for Him—He Thought They Were Afraid and Wished to Have the Sole Glory of a Grand Victory—Thus He Placed the Reformers in Far More Danger Than Ever Threatened Him— Their Lack of Arms—No Expectation that They Would Reinforce Him Half Way— Threats of Lynching—Hammond’s Resolution On the day that Dr. Jameson and his officers were found guilty of infringing the Foreign Enlistment act, and sent to Holloway prison, Mr. John Hays Hammond, the American engineer, who was a most active member of the Reform Committee in Johannesburg at the time of the raid, was staying in London at the Savoy Hotel. I happened to hear this, and remembering that Mr. Hammond had been one of those who invited Jameson to enter Johannesburg, and who had then left him to fight his way there unsupported, said that if I had to choose, I would rather be in Holloway with Jameson than in the Savoy with Hammond, This remark was carried to Mr. Hammond by a mutual friend, a classmate of Hammond's at Yale, who asked me to keep my opinion in abeyance until I had heard Hammond's side of the story. The same mutual friend then invited me to dine with Hammond and himself, and for the first time I heard the story of the Jameson raid told in a manner which convinced me that the charges of cowardice laid against the Reform Committee were unmerited. -
DOORNFONTEIN and ITS AFRICAN WORKING CLASS, 1914 to 1935*• a STUDY of POPULAR CULTURE in JOHANNESBURG Edward Koch a Dissertati
DOORNFONTEIN AND ITS AFRICAN WORKING CLASS, 1914 TO 1935*• A STUDY OF POPULAR CULTURE IN JOHANNESBURG Edward Koch I A Dissertation Submitted to the Faculty of Arts University of the witwatersrand, Johannesburg for the Degree of Master of Arts. Johannesburg 1983. Fc Tina I declare that this dissertation is my own, unaided work. It is being submitted for the degree of Master of Arts in the University of the Wlj Witwaterirand Johanneaourg. It has not been submitted before for any H 1 9 n degree or examination- in any other University. till* dissertation is a study of the culture that was made by tha working people who lived in the slums of Johannesburg in the inter war years. This was a period in which a large proportion of the city's black working classes lived in slums that spread across the western, central and eastern districts of the central city area E B 8 mKBE M B ' -'; of Johannesburg. Only after the mid 1930‘s did the state effectively segregate the city and move most of the black working classes to the municipal locations that they live in today. The culture that was created in the slums of Johannesburg is significant for a number of reasons. This culture shows that the newly formed 1 urban african classes wore not merely the passive agents of capitalism. These people were able to respond, collectively, to the conditions that the development of capitalism thrust them into and to shape and influence the conditions and pro cesses that they were subjected to. The culture that embodied these popular res ponses was so pervasive that it's name, Marabi, is also the name given by many people to the era, between the two world wars, when it thrived. -
History 1886
How many bones must you bury before you can call yourself an African? Updated December 2009 A South African Diary: Contested Identity, My Family - Our Story Part D: 1886 - 1909 Compiled by: Dr. Anthony Turton [email protected] Caution in the use and interpretation of these data This document consists of events data presented in chronological order. It is designed to give the reader an insight into the complex drivers at work over time, by showing how many events were occurring simultaneously. It is also designed to guide future research by serious scholars, who would verify all data independently as a matter of sound scholarship and never accept this as being valid in its own right. Read together, they indicate a trend, whereas read in isolation, they become sterile facts devoid of much meaning. Given that they are “facts”, their origin is generally not cited, as a fact belongs to nobody. On occasion where an interpretation is made, then the commentator’s name is cited as appropriate. Where similar information is shown for different dates, it is because some confusion exists on the exact detail of that event, so the reader must use caution when interpreting it, because a “fact” is something over which no alternate interpretation can be given. These events data are considered by the author to be relevant, based on his professional experience as a trained researcher. Own judgement must be used at all times . All users are urged to verify these data independently. The individual selection of data also represents the author’s bias, so the dataset must not be regarded as being complete. -
Brighter South Africa
BRIGHTER SOUTH AFRICA. 101 CHAPTER I. Off to the Cape-SIr Donald Currie-Need of InformatlOD The Cape as a Health Resorr.-The Umon Company-The Great Scot. I AM off to the Cape. It is true a rolling stone gathers no moss, but no man can travel fc1r without having his ignorance enlightened, his narrow views wiclened, his prejudices removed, and without coming home a wiser and better man:l When many years ago my friend, the late gallant ~d1lJ.iral Sir King Hall, intro duced me to Sir Donald Currie, I had 110 idea. that at any time I should have the pleabure of sailIng as a passenger on one of those grand steamers of his which have brought the Cape and England so close together. 2 Brighter South Ajnca. The last ship of the Castle line has beaten all the others, having accomplished the passage between England and the Cape in a little more than sixteen days. I go out in the Rosslyn Oastle, which, till the recent achievements of the Dunotta,· Oastle, had per formed the journey in the quickest time. Captain Robinson, the able commander, is glad to hear I am going out with her. I am equally glad to put myself under the captain's care. We have sailed together before now, and I am able to speak of the captain as a gentleman and sailor of the highest type. I am glad to be in one of Sir Donald Currie's ships. They have carried the Grand Old Man and the Poet Laureate many a hundred miles. -
John Buchan's Uncollected Journalism a Critical and Bibliographic Investigation
JOHN BUCHAN’S UNCOLLECTED JOURNALISM A CRITICAL AND BIBLIOGRAPHIC INVESTIGATION PART II CATALOGUE OF BUCHAN’S UNCOLLECTED JOURNALISM PART II CATALOGUE OF BUCHAN’S UNCOLLECTED JOURNALISM Volume One INTRODUCTION............................................................................................. 1 A: LITERATURE AND BOOKS…………………………………………………………………….. 11 B: POETRY AND VERSE…………………………………………………………………………….. 30 C: BIOGRAPHY, MEMOIRS, AND LETTERS………………………………………………… 62 D: HISTORY………………………………………………………………………………………………. 99 E: RELIGION……………………………………………………………………………………………. 126 F: PHILOSOPHY AND SCIENCE………………………………………………………………… 130 G: POLITICS AND SOCIETY……………………………………………………………………… 146 Volume Two H: IMPERIAL AND FOREIGN AFFAIRS……………………………………………………… 178 I: WAR, MILITARY, AND NAVAL AFFAIRS……………………………………………….. 229 J: ECONOMICS, BUSINESS, AND TRADE UNIONS…………………………………… 262 K: EDUCATION……………………………………………………………………………………….. 272 L: THE LAW AND LEGAL CASES………………………………………………………………. 278 M: TRAVEL AND EXPLORATION……………………………………………………………… 283 N: FISHING, HUNTING, MOUNTAINEERING, AND OTHER SPORTS………….. 304 PART II CATALOGUE OF BUCHAN’S UNCOLLECTED JOURNALISM INTRODUCTION This catalogue has been prepared to assist Buchan specialists and other scholars of all levels and interests who are seeking to research his uncollected journalism. It is based on the standard reference work for Buchan scholars, Robert G Blanchard’s The First Editions of John Buchan: A Collector’s Bibliography (1981), which is generally referred to as Blanchard. The catalogue builds on this work -
Graduation Ceremonies December 2019
GRADUATION CEREMONIES DECEMBER 2019 CONTENTS Morning Ceremony – Thursday 12 December at 10h00............................................................……...3 Faculties of Health Sciences 1 and Law Afternoon Ceremony – Thursday 12 December at 15h00 ………..............….........…………………22 Faculties of Engineering & the Built Environment and Science Morning Ceremony – Friday 13 December at 09h00 …………................……................…………..48 Faculty of Humanities Afternoon Ceremony – Friday 13 December at 14h00 …….....…………..............................………66 Faculty of Commerce Evening Ceremony – Friday 13 December at 18h00 …………................……................…………..78 Faculty of Health Sciences 2 NATIONAL ANTHEM Nkosi sikelel’ iAfrika Maluphakanyisw’ uphondolwayo, Yizwa imithandazo yethu, Nkosi sikelela, thina lusapho lwayo. Morena boloka etjhaba sa heso, O fedise dintwa la matshwenyeho, O se boloke, O se boloke setjhaba sa heso, Setjhaba sa South Afrika – South Afrika. Uit die blou van onse hemel, Uit die diepte van ons see, Oor ons ewige gebergtes, Waar die kranse antwoord gee, Sounds the call to come together, And united we shall stand, Let us live and strive for freedom, In South Africa our land. 2 FACULTIES OF HEALTH SCIENCES (CEREMONY 1) AND LAW ORDER OF PROCEEDINGS Academic Procession. (The congregation is requested to stand as the procession enters the hall) The Presiding Officer will constitute the congregation. The National Anthem. The University Dedication will be read by a member of the SRC. Musical Item. Welcome by the Master of Ceremonies. The Master of Ceremonies will present Peter Zilla for the award of a Fellowship. The graduands and diplomates will be presented to the Presiding Officer by the Deans of the faculties. The Presiding Officer will congratulate the new graduates and diplomates. The Master of Ceremonies will make closing announcements and invite the congregation to stand. -
Elhanan Bicknell - Collection of Paintings
Elhanan Bicknell - Collection of paintings. Detail of those by JMW Turner Index Himalayan mountains ....................................................................................................2 Himalayan mountains ....................................................................................................3 Giudecca, la Donna della Salute and San Georgio ........................................................4 Campo Santo, Venice.....................................................................................................5 Palestrina – a Composition ............................................................................................6 Sun rising through Vapour.............................................................................................7 Calder Bridge.................................................................................................................8 Ivy Bridge Mill ..............................................................................................................9 Port Ruysdael...............................................................................................................10 Wreckers - Coast of Northumberland,.........................................................................11 Ehrenbreitstein:............................................................................................................12 Helvoetsluys: ‘The City of Utrecht’, 64, going to sea .................................................14 Antwerp: Van Goyen Looking for a Subject -
36339 12-4 Legala Layout 1
Government Gazette Staatskoerant REPUBLIC OF SOUTH AFRICA REPUBLIEK VAN SUID-AFRIKA Vol. 574 Pretoria, 12 April 2013 No. 36339 LEGAL NOTICES A WETLIKE SEE PART C SIEN DEEL C KENNISGEWINGS N.B. The Government Printing Works will not be held responsible for the quality of “Hard Copies” or “Electronic Files” submitted for publication purposes AIDS HELPLINE: 0800-0123-22 Prevention is the cure 301359—A 36339—1 2 No. 36339 GOVERNMENT GAZETTE, 12 APRIL 2013 IMPORTANT NOTICE The Government Printing Works will not be held responsible for faxed documents not received due to errors on the fax machine or faxes received which are unclear or incomplete. Please be advised that an “OK” slip, received from a fax machine, will not be accepted as proof that documents were received by the GPW for printing. If documents are faxed to the GPW it will be the sender’s respon- sibility to phone and confirm that the documents were received in good order. Furthermore the Government Printing Works will also not be held responsible for cancellations and amendments which have not been done on original documents received from clients. TABLE OF CONTENTS LEGAL NOTICES Page BUSINESS NOTICES.............................................................................................................................................. 11 Gauteng..................................................................................................................................................... 11 KwaZulu-Natal .......................................................................................................................................... -
Skin, Body and Interior in South African Twentieth Century Mining Photography
Beneath: skin, body and interior in South African twentieth century mining photography by Fernanda Pinto de Almeida Thesis presented in fulfilment of the requirements of the degree of Master of Arts (Psychology) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr. Desmond Painter Co-supervisor: Prof. Steven Robins April 2014 Stellenbosch University http://scholar.sun.ac.za DECLARATION I, the undersigned, hereby declare that the work contained in this assignment is my original work and that I have not previously in its entirety or in part submitted it at any university for a degree. Signature: ______________________________ Date: February 25, 2014 Copyright © 2014 Stellenbosch University. All rights reserved Stellenbosch University http://scholar.sun.ac.za ABSTRACT In South Africa, documentary photographs are met with suspicion in critical psychology scholarship either for their connivance with colonial and postcolonial classificatory strategies or their epistemic violence against racialized subjects. This has helped us to take photography, and mining photography within it, at face value, in other words, as particularly embedded in the form of geographic displacement, material dispossession and structural discrimination that race has been historically set to index. Questioning this assumption, while sympathetic to the conditions for its emergence, my method in this thesis is akin to Benjamin’s “literary montage” in Arcades Project (1999, p. 460) – a meaningful and poetic assemblage of a collection of mining photographs from 1910 to 2000, assuming that the figure of the black miner they help to produce is expressed through race, but also, to use Durrheim’s term, troubles it. In other words, my critique constitutes what Nash (2009, p. -
Live Music Audiences Johannesburg (Gauteng) South Africa
Live Music Audiences Johannesburg (Gauteng) South Africa 1 Live Music and Audience Development The role and practice of arts marketing has evolved over the last decade from being regarded as subsidiary to a vital function of any arts and cultural organisation. Many organisations have now placed the audience at the heart of their operation, becoming artistically-led, but audience-focused. Artistically-led, audience-focused organisations segment their audiences into target groups by their needs, motivations and attitudes, rather than purely their physical and demographic attributes. Finally, they adapt the audience experience and marketing approach for each target groupi. Within the arts marketing profession and wider arts and culture sector, a new Anglo-American led field has emerged, called audience development. While the definition of audience development may differ among academics, it’s essentially about: understanding your audiences through research; becoming more audience-focused (or customer-centred); and seeking new audiences through short and long-term strategies. This report investigates what importance South Africa places on arts marketing and audiences as well as their current understanding of, and appetite for, audience development. It also acts as a roadmap, signposting you to how the different aspects of the research can be used by arts and cultural organisations to understand and grow their audiences. While audience development is the central focus of this study, it has been located within the live music scene in Johannesburg and wider Gauteng. Emphasis is also placed on young audiences as they represent a large existing, and important potential, audience for the live music and wider arts sector. -
African Communist, No. 82
African Communist, No. 82 http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.0001.9976.000.082.1980 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org African Communist, No. 82 Alternative title African Communist Author/Creator South African Communist Party Publisher South African Communist Party Date 1980 Resource type Magazines (Periodicals) Language English Subject Coverage (spatial) South Africa, Zimbabwe Coverage (temporal) 1980 Description Editorial Notes; From Rhodesia to Zimbabwe; Trade Unions at the Crossroads; Africa's links with the EEC lead to dependence; Why Communists Supported Khomeini: The Anti-Imperialist Tide in Iran; Is there a place for Black Consciousness?; Armed Struggle in South Africa; Africa Notes and Comment; Role of Trade Unions in the SA Revolution Portrait of a Bantustan; Book Reviews; Letter to the Editor.