John Two-Hawks Coco Montoya a C2g Christmas

Total Page:16

File Type:pdf, Size:1020Kb

John Two-Hawks Coco Montoya a C2g Christmas ---------------------------------- Feature • Chicago --------------------------------- Across the Generational Divide By Michele DeVinney which included now-classic hits like the apt- they veered from their Roman numeral al- ly titled “Beginnings” and “Does Anybody bum titles. With the song “Alive Again,” Once upon a time, in the early days of Really Know What Time It Is?” Although the band indicated only months after Kath’s rock n’ roll, music divided the generations. double albums were quite the rage for awhile passing that they were prepared to move Parents, appalled by the long hair and sheer (George Harrison even had a triple album), forward, with Cetera now handling the lead volume of this new genre, railed against art- new bands have seldom thrown down the vocals almost exclusively. It proved a com- ists like Elvis Presley and the Beatles. But gauntlet in such bold fashion. But the group mercial boon for the band which now began a new day has dawned, and what once provided fodder for family disharmony now unites the generations as much as it once divided. Oh, there are still squabbles, to Saturday, Nov. 10 • 8:00pm be sure (not all parents have embraced hip-hop or are pre- pared to call themselves Be- JOHN liebers), but when it comes to classic rock or oldies radio stations or concerts featur- TWO-HAWKS ing bands from 30 or even WITH SPECIAL GUEST 40 years ago, age becomes almost irrelevant. MIMI BURNS BAND I have seen this phenom- enon with my own kids. Our $15 Adv., $20 D.O.S. rather large blended family has experienced the shared bliss of Springsteen concerts in recent years. I’ve attended an Alice Cooper concert with my oldest, and my daughter is currently requesting Otis Redding on the car stereo because “it relaxes her” before she heads to work. Then CHICAGO there’s my middle Friday, November 16 • 7:30 p.m. clearly had plenty charting with softer, 80s-friendly ballads child, Jamie, who Honeywell Center to say, and their featuring Cetera’s smooth voice. While the has taken this retro 275 W. Market St., Wabash musical offerings horn section remained, the band seemed to thing in a direction I featured a seam- be moving to a more pop-oriented sound had not anticipated: Tix: $45-$125 thru box office, less fusion of jazz, with a new voice at the forefront and pro- he collects vinyl 260-563-1102 rock and pop which ducer David Foster at the helm. records. While I found an audience The new era was short-lived when Cet- Thursday, Dec. 6 • 8:00pm have spent the last quarter-century trying to immediately. Nearly everyone climbed era left the band in the mid-1980s. Tired of replace my vinyl with CDs (don’t even talk aboard this Chicago Transit Authority (ex- life on the road and already having launched to me about iPods), Jamie has spent the last cept, ironically, the actual CTA which ap- a successful solo career, Cetera’s voice re- COCO several years doing the exact opposite. parently doesn’t cotton to rock bands paying mained a mainstay of pop radio while Chi- As that collection was first taking shape, homage to their hometown mass transit sys- cago moved forward with a new bassist/ MONTOYA Jamie’s friend Briana gifted him with a va- tem in such fashion). Fortunately, the Windy vocalist/songwriter to fill Cetera’s hefty role $25 Adv., $30 D.O.S. riety of albums, including Chicago II. Of City proved more forgiving when the band (Jason Scheff) and continued to have success course, I had grown up listening to Chicago, shortened their moniker to the far simpler of its own. Change again altered the lineup and I played Chicago VII constantly for a name of Chicago. through the years, with founding member Saturday, Dec. 22 • 6:00pm time. But I guess I hadn’t played it enough By this time Chicago included saxo- Seraphine leaving in 1990. (His memoir, in later years to expose my kids to their mu- phonist Walter Parazaider, guitarist Terry Street Player – My Chicago Story, was re- sic, so this album was a great revelation to Kath, drummer Danny Seraphine, trombonist leased in 2010.) Yet despite these signifi- A C2G Jamie, a musician himself. He was hooked, James Pankow, trumpet player Lee Lough- cant upheavals, Chicago boast a remarkably and soon he had me helping him to acquire nane, keyboardist Robert Lamm and bassist sturdy lineup of musicians, with Parazaider, the entire Roman numeric assortment of Peter Cetera, with Kath handling most of the Pankow, Loughnane and Lamm still on CHRISTMAS Chicago LPs. lead vocals. Eventually, Cetera’s voice was board. Even some of the replacement play- This story is not unique in families to- also heard more regularly, with his ballads ers, most notably Scheff, have now been part CONCERT day. Check out audiences at most concerts “If You Leave Me Now” and “Baby What of the band longer than their predecessors. featuring artists from yesteryear, and you a Big Surprise” providing a counterpoint to Most significantly, the music and popu- Go to our website for ticket are going to find smiling faces of all ages the band’s other hits like “Saturday in the larity of Chicago has endured through suc- information & more mouthing along to lyrics several decades Park.” Chicago covered a lot of musical ter- cess and tragedy, change and consistency. old. What is remarkable is how a band like ritory, and the diverse talents of its members It’s for that reason that their appearance at ALL SHOWS ALL AGES Chicago, which runs the gamut from jazzy allowed them to tap into the varied tastes the Honeywell Center in Wabash proved a rock to adult contemporary, has managed to and radio expectations of the 1970s. But that hot ticket upon availability. Those catchy sustain not only the often changing whims of perfect balance was shattered in 1978 when grooves, those hot horns and an unspeakably the music industry but changes in lineup that Kath was killed by an accidental, self-inflict- recognizable catalog of music have taken might have crippled other groups. ed gunshot wound. Chicago into its fifth decade and will con- The band, originally dubbed Chicago In the wake of Kath’s death, Chicago tinue to bring together generations of music Transit Authority, debuted with a bang in seemed to shift direction, naming their sub- lovers who will happily share them for years 1969, releasing an eponymous double album sequent release Hot Streets, the first time to come. 6 ----------------------------------------------------------------------------------- www.whatzup.com --------------------------------------------------------------- November 8, ’12.
Recommended publications
  • Intermezzo May/June 2021
    Virtual Membership Meeting: Virtual Membership Meeting: May/June 2021 Monday, May 10th, 2021 Monday, June 14th, 2021 Vol. 81 No. 3 @ 6:00 pm @ 6:00 pm Musician Profile: Chicago’s Jimmy Pankow and Lee Loughnane Page 6 Looking Back Page 11 The Passing of Dorothy Katz Page 28 Local 10-208 of AFM CHICAGO FEDERATION OF MUSICIANS TABLE OF CONTENTS OFFICERS – DELEGATES 2020-2022 Terryl Jares President Leo Murphy Vice-President B.J. Levy Secretary-Treasurer BOARD OF DIRECTORS FROM THE PRESIDENT Robert Bauchens Nick Moran Rich Daniels Charles Schuchat Jeff Handley Joe Sonnefeldt Janice MacDonald FROM THE VICE-PRESIDENT CONTRACT DEPARTMENT Leo Murphy – Vice-President ASSISTANTS TO THE PRESIDENT - JURISDICTIONS FROM THE SECRETARY-TREASURER Leo Murphy - Vice-President Supervisor - Entire jurisdiction including theaters (Cell Phone: 773-569-8523) Dean Rolando CFM MUSICIANS Recordings, Transcriptions, Documentaries, Etc. (Cell Phone: 708-380-6219) DELEGATES TO CONVENTIONS OF THE RESOLUTION ILLINOIS STATE FEDERATION OF LABOR AND CONGRESS OF INDUSTRIAL ORGANIZATIONS Terryl Jares Leo Murphy WHO, WHERE, WHEN B.J. Levy DELEGATES TO CHICAGO FEDERATION OF LABOR AND INDUSTRIAL UNION COUNCIL Rich Daniels Leo Murphy LOOKING BACK Terryl Jares DELEGATES TO CONVENTIONS OF THE AMERICAN FEDERATION OF MUSICIANS Rich Daniels B.J. Levy HEALTH CARE UPDATE Terryl Jares Leo Murphy Alternate: Charles Schuchat PUBLISHER, THE INTERMEZZO FAIR EMPLOYMENT PRACTICES COMMITTEE Terryl Jares CO-EDITORS, THE INTERMEZZO Sharon Jones Leo Murphy PRESIDENTS EMERITI CFM SCHOLARSHIP WINNERS Gary Matts Ed Ward VICE-PRESIDENT EMERITUS Tom Beranek OBITUARIES SECRETARY-TREASURER EMERITUS Spencer Aloisio BOARD OF DIRECTORS EMERITUS ADDRESS AND PHONE CHANGES Bob Lizik Open Daily, except Saturday, Sunday and Holidays Office Hours 9 A.M.
    [Show full text]
  • AXS TV Schedule for Mon. July 1, 2019 to Sun. July 7, 2019 Monday
    AXS TV Schedule for Mon. July 1, 2019 to Sun. July 7, 2019 Monday July 1, 2019 4:00 PM ET / 1:00 PM PT 6:00 AM ET / 3:00 AM PT The Top Ten Revealed Classic Albums Guitar Rock Intros - Find out which epic Guitar Intros make our list as rock experts like Lita Ford, Black Sabbath: Paranoid - The second album by Black Sabbath, released in 1970, has long at- Steven Adler (GnR) and Vinnie Paul (Pantera) count us down! tained classic status. Paranoid not only changed the face of rock music forever, but also defined the sound and style of Heavy Metal more than any other record in rock history. 4:30 PM ET / 1:30 PM PT Cyndi Lauper 7:00 AM ET / 4:00 AM PT Punk princess Cyndi Lauper performs “Walk On By” and fun flashbacks like “Time After Time”, Rock Legends “True Colors” and “Girls Just Want To Have Fun”. Jimi Hendrix - Hailed by Rolling Stone as the greatest guitarist of all time, Jimi Hendrix was also one of the biggest cultural figures of the Sixties, a psychedelic voodoo child. Leading music 5:30 PM ET / 2:30 PM PT critics cast fresh light on the career of Jimi Hendrix. Rock Legends Blondie - The perfect punk pop band fronted by the most iconic woman in music. Always 7:30 AM ET / 4:30 AM PT creating, never following, always setting trends. After forming in the 1970s, Blondie continue to Rock & Roll Road Trip With Sammy Hagar make music and tour the world. Sunset Strip - Sammy heads to Sunset Blvd to reminisce at the Whisky A-Go-Go before visit- ing with former Mötley Crüe drummer Tommy Lee at his house.
    [Show full text]
  • CONGRESSIONAL RECORD— Extensions of Remarks E2431 HON
    November 15, 2007 CONGRESSIONAL RECORD — Extensions of Remarks E2431 their staff on many of our most critical edu- Chicago reached the top of the charts with fa- In 1959, he was appointed by U.S. Presi- cational issues. In the past 10 years, she has vorites such as ‘‘If You Leave Me Now,’’ ‘‘Hard dent Dwight D. Eisenhower to serve as special specialized in elementary and secondary edu- to Say I’m Sorry,’’ and ‘‘Look Away.’’ In addi- assistant to U.S. Secretary of State John Fos- cation, including No Child Left Behind. Sandra tion to their incredible commercial success, ter Dulles. A year later, he ran and was elect- was involved in helping to pass NCLB and has Chicago has garnered considerable respect ed to the U.S. House of Representatives from kept the lines of communication open between among critics and has won numerous awards, the 10th Congressional District of Pennsyl- the Executive and Legislative branches of including three Grammy Awards as well as a vania. Government. Favorite Rock Group award at the American In 1962, he was elected governor of the Sandra is a career civil servant who knows Music Awards. Commonwealth of Pennsylvania and, during that Federal education policy matters. She has Awards and honors aside, Chicago has a his term, he signed into law sweeping reforms served under administrations of both parties special gift for bringing people together, some- in the State’s educational system including and has consistently received internal recogni- thing I have personally experienced. My wife, creation of the State community college sys- tion for her professionalism and commitment Judy, and I are long-time fans of the band, tem, the State board of education and the to excellence.
    [Show full text]
  • If You Leave Me Now Tenor Sax Sheet Music
    If You Leave Me Now Tenor Sax Sheet Music Download if you leave me now tenor sax sheet music pdf now available in our library. We give you 2 pages partial preview of if you leave me now tenor sax sheet music that you can try for free. This music notes has been read 4962 times and last read at 2021-09-30 00:23:00. In order to continue read the entire sheet music of if you leave me now tenor sax you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Tenor Saxophone Ensemble: Mixed Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Leave Her Johnny Leave Her Haunting Sea Shanty Arranged For A Cappella Choir Leave Her Johnny Leave Her Haunting Sea Shanty Arranged For A Cappella Choir sheet music has been read 7833 times. Leave her johnny leave her haunting sea shanty arranged for a cappella choir arrangement is for Beginning level. The music notes has 1 preview and last read at 2021-09-29 16:09:49. [ Read More ] Leave Her Johnny Leave Her Easy Cello Duet Leave Her Johnny Leave Her Easy Cello Duet sheet music has been read 5710 times. Leave her johnny leave her easy cello duet arrangement is for Beginning level. The music notes has 2 preview and last read at 2021-09-29 04:23:33. [ Read More ] Leave The Pieces Leave The Pieces sheet music has been read 3884 times. Leave the pieces arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-29 22:44:11.
    [Show full text]
  • Starr-Waterman American Popular Music Chapter 11: the 1970S: Rock Music, Disco, and the Popular Mainstream Key People Allman
    Starr-Waterman American Popular Music Chapter 11: The 1970s: Rock Music, Disco, and the Popular Mainstream Key People Allman Brothers Band: Most important southern rock band of the late 1960s and early 1970s who reconnected the generative power of the blues to the mainstream of rock music. Barry White (1944‒2004): Multitalented African American singer, songwriter, arranger, conductor, and producer who achieved success as an artist in the 1970s with his Love Unlimited Orchestra; perhaps best known for his full, deep voice. Carlos Santana (b. 1947): Mexican-born rock guitarist who combined rock, jazz, and Afro-Latin elements on influential albums like Abraxas. Carole King (b. 1942): Singer-songwriter who recorded influential songs in New York’s Brill Building and later recorded the influential album Tapestry in 1971. Charlie Rich (b. 1932): Country performer known as the “Silver Fox” who won the Country Music Association’s Entertainer of the Year award in 1974 for his song “The Most Beautiful Girl.” Chic: Disco group who recorded the hit “Good Times.” Chicago: Most long-lived and popular jazz rock band of the 1970s, known today for anthemic love songs such as “If You Leave Me Now” (1976), “Hard to Say I’m Sorry” (1982), and “Look Away” (1988). David Bowie (1947‒2016): Glam rock pioneer who recorded the influential album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in 1972. Dolly Parton (b. 1946): Country music star whose flexible soprano voice, songwriting ability, and carefully crafted image as a cheerful sex symbol combined to gain her a loyal following among country fans.
    [Show full text]
  • Pacad286-All Access#7
    The band Chicago has always boasted multiple singer/songwriters—that’s one reason they’ve been able to generate so many memorable hits during their 38-year career. But the man most responsible for the songs that put the group on the map is keyboardist/vocalist Robert Lamm, who wrote such classics as “Beginnings,” “Does Anybody Really Know What Time It Is?” and “Saturday in the Park.” “P EOPLE HAVE NO IDEA HOW MUCH I APPRECIATE IT WHEN THEY TELL ME In the ensuing years, Lamm created four solo albums, most how much those songs have meant in their lives,” says recently 2003’s Subtlety and Passion . While they’ve never Lamm. “That’s always been hard to grasp for me. But I do sold as astronomically as some Chicago discs, they are “I realized the Motif know that I love doing what I do, and I’m lucky to be able beloved by many of the group’s fans, some of whom insist could do everything to have done it for so long. And I’m still engaged in the the Lamm records are closer to the original sound and spirit exploration and discovery that is songwriting.” of Chicago than many of the group’s own releases. Says that’s required in the Lamm, “Those solo albums have been as necessary to me as Brooklyn-born Lamm relocated to Chicago as a teen, where live version of Chicago, life itself.” he studied classical music while also playing in bands. “By so now it’s the only the time Chicago formed, I was a total Beatles kid,” he recalls.
    [Show full text]
  • A CHICAGO Tribute Band
    A CHICAGO Tribute Band “Close your eyes and you just might forget who it is you’re listening to.” A tribute within a tribute... OTA SHOW LIST 1ST SET Chicago is a rock-infused, horn-driven musical Beginnings powerhouse that has inspired generations of Question 67 & 68 professional musicians over the last 40 years. Some Just You & Me of the very best of those musicians found their way to central Florida and came together to form Orlando Color My World Transit Authority. OTA is a high-energy Chicago Feeling Stronger Every Day tribute show made up of A-list players who are, first Saturday in the Park and foremost, Chicago FANS. Founder Stan Allen and Old Days Musical Director Carl Dirkes hand-picked each member If You Leave Me Now of the band based on one simple criteria: The degree to Does Anybody Really Know What which he naturally sounds like the corresponding original Time it is member of Chicago. Any time you assemble players of this caliber, a great-sounding band is a given – but that wasn’t enough. OTA went one step further by seeking 2ND SET to emulate every stylistic nuance of the Chicago sound, Make Me Smile/More Than Ever both vocally and instrumentally. The vocal harmonies Spinning Wheel are right. The solos are right. The guitar sounds are God Bless the Child right. EVERYTHING is right. Close your eyes and you just I’ve Been Searching So Long might forget who it is you’re listening to. You’re the Inspiration Dialogue I & II If you are moved by the technical virtuosity and sheer Hard to Say I’m Sorry/Getaway power of the greatest horn bands in pop music history, you will LOVE Orlando Transit Authority.
    [Show full text]
  • Band Program
    t tapam ow 10/16/70 Mfttft row want somoont know you anprwctofo ovofythtng about hot, Try a prodout gom from IUPUI News Wo know you goto ■ lot Students make parking hard for handicapped uoahowyquhowtotolhor. byJehaRaatey Student* at IUPUI are making a dtl la OUbart, an iaeatod hcuit altuatloo warn by cenUnut* to aide at Blake Straat Library whan tha lag dock ana. at both M b Straat Igaora univanity regulation by pari- tag »a spaces raaarvad far uaa by baa- dkappad atudonta and staff, tayi Ma­ areat at tha lav acbool. waat of the It la important tor tha studant body jor John OUbart ot tha ua!vanity Union Building, on Middle Street araat to watch out for Um ot tha Nuntng Building, aouth of Riley Gilbert laid White no proctea (Utiatica ara avaii- ot ear* toured APO sets blood drive record by JehnKmky APO plant to have another blood coataa* that at many aa T or I can a A record waa aat by the aomi-annual * t n , in coopantton with Um Central day have bean towed from ouch teca- Omega (APO) blood (blve Indiana Regional Blood Cantor in ttoaa. Tha importance ot maintaining bold at IUPUI during the Pobranry, according to Oermaan, tbaao apacoa for Um hambeappod waa flrat weak at October After two dnye and It tentatively la planning to devote atnaaoa by Don Wakafleid. director ot at taking pledgee and throe daya at re­ ana day at Um frtve to each at Um ceiving dona tiaaaot blood, thefrator mN at IUPUI lUPUI'a Hambeappod Student Sor- nity obtoinad l « pinto at wboto blood ricoa, arhoa boaaid that the phyaicaliy for Um Central Indiana Regional Blood Cantor IUPUI Band organizes igaatad for handicapped parting have Jim Tagbort, co-chairman at tbo baaa datign to mittgato Um taadkapa APO blood *tvo, termed the drive aa Tom Woodward, IUPUI Band Dir actor, taid that aU inatrumonta ara ■aid.
    [Show full text]
  • CHICAGO TRANSIT AUTHORITY 50 Th ANNIVERSARY REMIX
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] CHICAGO TRANSIT AUTHORITY 50 th ANNIVERSARY REMIX Chicago feiern das 50-jährige Jubiläum ihres bahnbrechenden Debüts mit einer neu abgemischten Version ihres 2-fach Platin-ausgezeichneten Doppelalbums LOS ANGELES – Chicagos Debütalbum Chicago Transit Authority (bei Erscheinen noch selbstbetitelt) war eine bahnbrechende Doppel-LP, die das einfallsreiche Songwriting der Band, ihre meisterliche Musikalität und eine Genre-übergreifende Mixtur aus Rock, Jazz, Funk und Pop unter Beweis stellte. In Anerkennung seines prägenden Einflusses wurde das Album 2014 in die Grammy Hall of Fame aufgenommen. Anlässlich des 50. Jubiläums des Albums haben sich Chicago mit Toningenieur Tim Jessup zusammengetan, um das gesamte Album neu abzumischen. CHICAGO TRANSIT AUTHORITY (50th ANNIVERSARY REMIX) erscheint am 30. August auf CD und Doppel-LP auf 180g-Vinyl. Es wird auch eine nummerierte Limited Edition des 2LP-Sets auf Gold-Vinyl geben, die über rhino.com erhältlich ist. Das neu abgemischte Album wird am 30.August auch als Download und Stream veröffentlicht. Ursprünglich veröffentlicht am 28. April 1969, stieg Chicago Transit Authority in die US-Charts ein, erreichte Doppel- Platin und erhielt eine Grammy-Nominierung als „Best New Artist“. Das Werk erreichte zudem das seltene Alleinstellungsmarkmal, sich ganze drei Jahre (171 Wochen) in den US-Charts zu halten – zur damaligen Zeit ein neuer Rekord. Das zeitlose Doppelalbum enthält einige der unvergesslichsten Hits der Band: „Beginnings”, „Does Anybody Really Know What Time It Is?” und „Questions 67 and 68”. Es enthält außerdem das unverkennbare Gitarrenspiel des 1978 verstorbenen Terry Kath auf „South California Purple”, „Free Form Guitar” und ein gleißendes Cover von „I’m A Man”.
    [Show full text]
  • Alicia Warrington Arrington a Licia Licia the BLACK PAGE 3Rd Anniversary Edition: Dedicated to James Forbes Chapin
    AUGUST 2009 Alicia arrington WThe Many Sides of Alicia Warrington THE BLACK PAGE THE BLACK PAGE 3rd Anniversary Edition: Dedicated to James Forbes Chapin Forward by Dom Famularo first met Jim in 1969 here on Long Island. He was friends Iwith my teacher Al Miller, and we would go to see Buddy Rich perform backstage. Jim would tell me what Buddy was doing and an- alyze it to the slightest movement. My visit with the “Chapin Magic” started. Jim was always so sharing with his hard-earned knowledge. He simply taught the best drummers in the 20th century and was work- ing on the 21st century. His books, CDs and DVD is a university of information; owning them all is a must! I have learned from him, taught with him, performed with him and even played for him while he sang. He loved life and music equally. I am a better person for having experienced the “Chapin Mag- ic!” He was called the Father of Drumming Independence. How ironic of him to pass away on July 4th, America’s Independence. Jim will live long in his contributions ... I ask the future generations of drummers to continue in seeking out the wealth of sharing that Jim gave us. Now on the 4th of July, look up at the fireworks and cel- ebrate the magic of Jim Chapin! Dom Famularo THE BLACK PAGE AUGUST 2009 5 Alicia Warrington by Sean Mitchell Independence, eh?: 12 by Sean Mitchell The Kenny Aronoff Experience: 15 by Jayson Brinkworth Virg’n It Up Part II 20 by Ryan Carver Global Educators Database 21 Solo drums, beautiful drums, warm drum tones and full-on exhilarating 23 The Final Word drums.
    [Show full text]
  • Legendary American Rock Band Chicago to Perform Live with Charlotte Symphony One Night Only: 8 Pm Sat, Sept 21 at Belk Theater
    FOR IMMEDIATE RELEASE Contact: Jamie Wolf, 704-714-5112 or [email protected] LEGENDARY AMERICAN ROCK BAND CHICAGO TO PERFORM LIVE WITH CHARLOTTE SYMPHONY ONE NIGHT ONLY: 8 PM SAT, SEPT 21 AT BELK THEATER August 21, 2013 | CHARLOTTE, NC - Chicago—one of the most successful rock groups in history—is bringing its powerful live show to open the Charlotte Symphony's Pops Series this fall. From the signature sound of the Chicago horns, their iconic vocalists and a few dozen ever-classic songs, this band’s concerts are celebrations! The band line-up includes original Chicago members Robert Lamm on keyboards and vocals, Lee Loughnane on trumpet, James Pankow on trombone and Walt Parazaider on woodwinds. Other members are Jason Scheff on bass and vocals, drummer Tris Imboden, guitarist Keith Howla, Lou Pardini on keyboards and vocals and Wally Reyes on percussion. Symphony-goers may find this interesting: original member Parazaider, a De Paul University graduate, was offered a spot with the Chicago Symphony in the early years but opted to stick with the band instead. The “legendary rock and roll band with horns,” Chicago is the first American rock band to chart Top 40 albums in six consecutive decades. In Billboard Magazine's list of Top 100 artists of all time, Chicago came in at #13, the highest charting American band, having produced an incredible 47 gold and platinum records. Most recently, in March of 2013, Chicago’s multi-platinum two-disc bestseller, The Very Best Of Chicago, Only The Beginning charted at #1 on two Billboard charts: the Catalog Chart and the Digital Catalog chart.
    [Show full text]
  • Venturing in the Slipstream
    VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts.
    [Show full text]