THE EVERLY BROTHERS COMPLETE LYRICS Compilation Coordinated by Robin Dunn - with Lots of Help
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Everyday a Friday
CONTENTS Dedication Acknowledgments PART I: DON’T GIVE AWAY YOUR POWER Chapter 1: Make Every Day a Friday Chapter 2: Don’t Give Away Your Power Chapter 3: Express Your Joy Chapter 4: Bloom Where You Are Planted Chapter 5: Enjoy The Journey PART 2: KNOW WHAT TO IGNORE Chapter 6: The Right Perspective Chapter 7: Know What To Ignore Chapter 8: Silencing The Voice Of The Accuser Chapter 9: A No-Excuses Life Chapter 10: You Can Have The Last Laugh PART 3: LIVE WITHOUT CRUTCHES Chapter 11: Living Without Crutches Chapter 12: Don’t Live For The Approval Of Others Chapter 13: Freedom From Competition Chapter 14: Connecting With The Right People PART 4: TRAVEL LIGHT Chapter 15: Forgive So You Can Be Free Chapter 16: Overcoming Discouragement Chapter 17: Dealing With Unexpected Difficulties Chapter 18: Don’t Have A Critical Spirit Chapter 19: Seeing Through Eyes Of Love PART 5: LAUGH OFTEN Chapter 20: The Healing Power Of Laughter Chapter 21: Smile, And The World Smiles With You PART 6: BE A DREAM RELEASER Chapter 22: Help Others To Win Chapter 23: Be A People Builder Chapter 24: Living As A Healer PART 7: CELEBRATE YOURSELF Chapter 25: Encourage Yourself Chapter 26: The Voice Of Victory Chapter 27: Wear Your Blessings Well DEDICATION This book is dedicated to Victoria, Jonathan, and Alexandra. I cherish each of you. Your love, joy, and happiness brighten my life, and I wake each morning looking forward to another day spent with you. You truly do make every day a Friday. ACKNOWLEDGMENTS It is fitting that this book is called Every Day a Friday because I’ve learned that every day brings a deadline when you are writing a book. -
ألبوù… (الألبوù…ات & الجØ
Lee Konitz ألبوم قائمة (الألبوم ات & الجدول الزمني) Jazz Nocturne https://ar.listvote.com/lists/music/albums/jazz-nocturne-30595290/songs Live at the Half Note https://ar.listvote.com/lists/music/albums/live-at-the-half-note-25096883/songs Lee Konitz with Warne Marsh https://ar.listvote.com/lists/music/albums/lee-konitz-with-warne-marsh-20813610/songs Lee Konitz Meets Jimmy Giuffre https://ar.listvote.com/lists/music/albums/lee-konitz-meets-jimmy-giuffre-3228897/songs Organic-Lee https://ar.listvote.com/lists/music/albums/organic-lee-30642878/songs https://ar.listvote.com/lists/music/albums/lee-konitz-meets-warne-marsh-again- Lee Konitz Meets Warne Marsh Again 28405627/songs Subconscious-Lee https://ar.listvote.com/lists/music/albums/subconscious-lee-7630954/songs https://ar.listvote.com/lists/music/albums/an-image%3A-lee-konitz-with-strings- An Image: Lee Konitz with Strings 24966652/songs Lee Konitz Plays with the Gerry https://ar.listvote.com/lists/music/albums/lee-konitz-plays-with-the-gerry-mulligan- Mulligan Quartet quartet-24078058/songs Anti-Heroes https://ar.listvote.com/lists/music/albums/anti-heroes-28452844/songs Alto Summit https://ar.listvote.com/lists/music/albums/alto-summit-28126595/songs Pyramid https://ar.listvote.com/lists/music/albums/pyramid-28452798/songs Live at Birdland https://ar.listvote.com/lists/music/albums/live-at-birdland-19978246/songs Oleo https://ar.listvote.com/lists/music/albums/oleo-28452776/songs Very Cool https://ar.listvote.com/lists/music/albums/very-cool-25096889/songs -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
Shoosh 800-900 Series Master Tracklist 800-977
SHOOSH CDs -- 800 and 900 Series www.opalnations.com CD # Track Title Artist Label / # Date 801 1 I need someone to stand by me Johnny Nash & Group ABC-Paramount 10212 1961 801 2 A thousand miles away Johnny Nash & Group ABC-Paramount 10212 1961 801 3 You don't own your love Nat Wright & Singers ABC-Paramount 10045 1959 801 4 Please come back Gary Warren & Group ABC-Paramount 9861 1957 801 5 Into each life some rain must fall Zilla & Jay ABC-Paramount 10558 1964 801 6 (I'm gonna) cry some time Hoagy Lands & Singers ABC-Paramount 10171 1961 801 7 Jealous love Bobby Lewis & Group ABC-Paramount 10592 1964 801 8 Nice guy Martha Jean Love & Group ABC-Paramount 10689 1965 801 9 Little by little Micki Marlo & Group ABC-Paramount 9762 1956 801 10 Why don't you fall in love Cozy Morley & Group ABC-Paramount 9811 1957 801 11 Forgive me, my love Sabby Lewis & the Vibra-Tones ABC-Paramount 9697 1956 801 12 Never love again Little Tommy & The Elgins ABC-Paramount 10358 1962 801 13 Confession of love Del-Vikings ABC-Paramount 10341 1962 801 14 My heart V-Eights ABC-Paramount 10629 1965 801 15 Uptown - Downtown Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 16 Bring back your heart Del-Vikings ABC-Paramount 10208 1961 801 17 Don't restrain me Joe Corvets ABC-Paramount 9891 1958 801 18 Traveler of love Ronnie Haig & Group ABC-Paramount 9912 1958 801 19 High school romance Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 20 I walk on Little Tommy & The Elgins ABC-Paramount 10358 1962 801 21 I found a girl Scott Stevens & The Cavaliers ABC-Paramount -
Aproximación Al Lenguaje Del Saxofonista Lee Konitz a Travéz De La Trascripción, Análisis Y Comparación
APROXIMACIÓN AL LENGUAJE DEL SAXOFONISTA LEE KONITZ A TRAVÉZ DE LA TRASCRIPCIÓN, ANÁLISIS Y COMPARACIÓN JULIÁN CASTILLO PROYECTO DE GRADO ASESOR JUAN BENAVIDES PONIFICIA UNIVERSIDAD JAVERIANA FACULTAD DE ARTES DEPARTAMENTO DE MÚSICA ENFASIS DE JAZZ BOGOTÁ JUNIO DE 2009 CONTENIDO pág. INTRODUCCIÓN 1 1. BIOGRAFÍA 3 2. HI BECK-CONCEPTION 5 2.1. CONCEPTION 5 2.2. HI BECK 5 2.3. CROMATISMOS 5 2.3.1. Bordados Cromáticos 6 2.3.2. Notas de paso cromáticas 6 2.3.3. Apoyaturas 7 2.4. GIROS MELÓDICOS 8 2.5. SECUENCIAS MELÓDICAS Y DESARROLLOS MOTIVICOS 10 2.6. FINALES DE FRASE 11 3. YOU’D BE SO NICE TO COME HOME TO-MOTION 13 3.1. MOTION 13 3.2. YOU’D BE SO NICE TO COME HOME TO 13 3.3. APROXIMACIONES CROMÁTICAS Y BORDADOS 14 3.3.1. Combinación con Bajadas Cromáticas 14 3.3.2. Combinación con final de Frase Característico 15 3.3.3. Combinación con Motivo 16 3.4. MOTIVOS, SECUENCIAS Y TENSIONES 17 3.4.1. Tensiones 19 4. JUST FRIENDS-SATORI 20 4.1. SATORI 20 4.2. JUST FRIENDS 20 4.3. ELEMENTOS PRIMER CORO 21 4.4. ELEMENTOS SEGUNDO CORO 22 4.5. ELEMENTOS TERCER CORO 24 4.6. ELEMENTOS CUARTO CORO 25 5. WHAT IS THIS THING CALLLED LOVE-ALONE TOGETHER 27 5.1. ALONE TOGETHER 27 5.2. WHAT IS THIS THING CALLED LOVE 27 5.3. ELEMENTOS RÍTMICOS 28 5.3.1. Contratiempos 29 5.4. OTROS RECURSOS 30 6. HI BECK-SOUND OF SURPRISE 32 6.1. -
The Dhammapada: the Way of the Buddha, Vol 6
The Dhammapada: The Way of the Buddha, Vol 6 Talks given from 21/10/79 am to 30/10/79 am English Discourse series 10 Chapters Year published: 1990 The Dhammapada: The Way of the Buddha, Vol 6 Chapter #1 Chapter title: The security of insecurity 21 October 1979 am in Buddha Hall HE IS AWAKE. THE VICTORY IS HIS. HE HAS CONQUERED THE WORLD. HOW CAN HE LOSE THE WAY WHO IS BEYOND THE WAY? HIS EYE IS OPEN. HIS FOOT IS FREE. WHO CAN FOLLOW AFTER HIM? THE WORLD CANNOT RECLAIM HIM OR LEAD HIM ASTRAY, NOR CAN THE POISONED NET OF DESIRE HOLD HIM. HE IS AWAKE! THE GODS WATCH OVER HIM. HE IS AWAKE AND FINDS JOY IN THE STILLNESS OF MEDITATION AND IN THE SWEETNESS OF SURRENDER. HARD IT IS TO BE BORN, HARD IT IS TO LIVE, HARDER STILL TO HEAR OF THE WAY, AND HARD TO RISE, FOLLOW, AND AWAKE. YET THE TEACHING IS SIMPLE. DO WHAT IS RIGHT. BE PURE. AT THE END OF THE WAY IS FREEDOM. TILL THEN, PATIENCE. IF YOU WOUND OR GRIEVE ANOTHER, YOU HAVE NOT LEARNED DETACHMENT. OFFEND IN NEITHER WORD NOR DEED. EAT WITH MODERATION. LIVE IN YOUR HEART. SEEK THE HIGHEST CONSCIOUSNESS. Gautama the Buddha is talking today about the very essence of buddhahood: the height of buddhahood and the depth of it, the glory and the grace, the tremendous freedom that it brings, the light that it showers, the love, the joy, the bliss, the awakening. These sutras are rare -- rarest amongst the most rare sutras, because Buddha is opening his own heart to you. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Ilistung Spec:131
-FEBRUARY 28,1981 s Po, (tZtoo 4)0 1. .(1 C06/24,a402-(7/2,4 tE0 ic . ilistung SPeC:131.. SLEEPERS ND JEFFREYS, "96 TEARS" (prod. EMMYLOU HARRIS, -MISTER SAM' by Jeffreys-Clearmountain) (writ- (prod. by Ahern) (writer..f' er: Martinez) (ABKO, BMI) (3:06). (EdwinH.Morris&" The unforgettable organ riff intro ASCAP)(2:20).Putifr`!- forewarns of somethi-hg .special watch your speakers flo about to happen and Jeffreys' Emmylou's luscious voc vocal fever doesn't disappoint. .4 age to recreate the Ch marvelous update of the '67 hit full sound. Great for any to Epic 19-51008. WB 49684. RAY PARKER JR. & RAYDIO, "A WOMAN THE FOOLS, "RUNNING SCARED" (prod. GAHLANu NEEDS LOVE (JustLike You by Poncia) (writers: Orbison-Mel- ARTIST." From tha *Sr Do)" (prod. by Parker Jr.) (writer: son: (Acuff -Rose,BMI)(2:28). "Modern Lovers," it's obvious,k ParkerJr.)(Raydiola,ASCAP;, Roy Orbison is a hot commodity this prolific songwrte- and dramat (3:46). A velvet -smooth chorus these days and the Fools make a performerhasmeldedthetwo adorns Ray's loving tenor on the wise choice withthis cover of talents into his ideal album. Reggae classy hook, giviig st-ong multi - his'61 hit.Mike Girard's poplike"Christine" andchilling format appeal. From theJpco m- vocal captures the drama of the finales like "Mystery Kids" will cor- in g "Just Love" LP. A-ista 0592 original. EMI -America 8072. ner airplay. Epic JE 36983 (7.98) DAN HARTMAN, "HEAVEN IN YOUR HAWKS, "RIGHT AWAY" (prod. by Wer- PHIL COLLINS, "FACE VALUE." At ARMS" (prod. -
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds. -
IFC Bans Dorm Contact Next Week by ROBBIE HOOKER Davidsonian Staff Writer Frosh, Fraternity Men Dr
HOMECOMING SURPRISING'CATS PLANS ANNOUNCED TOMEET CITADEL (See Page Three) * (See Page Four) The News And Editorial Voice Of The Davidson College Student Body VOL. LV DAVIDSON COLLEGE. DAVIDSON, N. C, FRIDAY, OCTOBER 1. 1965 NUMBER THREE Theologian Will Speak IFC Bans Dorm Contact Next Week By ROBBIE HOOKER Davidsonian Staff Writer Frosh, Fraternity Men Dr. Dietrich Ritschl. Otts Of Lecturer for 1965-66. will speak on campus four times next week on "The Vicar- ious Work of the Church, Dirty Rush Charge the Structure of Political Ethics." Dr. Ritschl is professorof Sys- tematic Theology and History ,■ Prompts Alteration of Doctrine at Pittsburgh The ■ JH in dorm fraternity men any ological Seminary in Pittsburgh. OR. DIETRICH RtTSCHL Freshman contact with on campus was prohibited by the InterfraternityCouncil Pa. A native of Switzerland. ap Dr. Ritschl studiedmathematics good hearing." as part of several changes in the rush regulations The Otts Lectures began in proved Monday and physics at the Universities night. 4.K B^Hui iJTSflWeiH^^^ J. Tubingen 1893 when the Rev. M. P. <f:° and Basel and LLD, IFC President Jim Terry non. Duke, or I. theology philosophy at Otts. established a fund and the purpose explained that the new rule Universities of Bern and Basel. for the of securing dis- The other major innovation is the Christian faith. restricts fraternity men He received his PhD from the of entering that all freshmen who wish to from freshmen participate in "will be re- University of Edinburgh. Otts himself delivered the any through rush Dr. dorms at time quired visit all 12 fralerni " first series of lectures. -
THE KNIGHTS of SALISBURY by Tim Caron 87 Beacon St #1 Boston
THE KNIGHTS OF SALISBURY By Tim Caron 87 Beacon St #1 Boston, MA 02108 978-886-8677 [email protected] 1 CHARACTERS: VINCENT CARTIER - male, 30s, white SELMA CARTIER - female, 30s, middle eastern MIKE JOHNSON - male, 17, white JAKE FLAHERTY - male, 17, white JOE KATZ - male, 18, any ethnicity DANNY CAESERTA - 18, any ethnicity CHRISTINA PHILLIPS - female, 17, any ethnicity BEN FLAHERTY - male, 40s, white SUSAN JOHNSON - female, 40s, white BILL JOHNSON - male, 40s, white MICK BRANDON - male, 60s, any ethnicity DEVON BROOKS - male, 30s/40s, any ethnicity GREG PORTO - male, early 50s, any ethnicity JIM STIMPSON - male, 30s/40s, any ethnicity JESSICA COMSTOCK - female, 17, any ethnicity BARGOERS 1 and 2 - male or female, 50s/60s, any ethnicity V.O. BROADCASTER FOR RED SOX GAME - male, 20s-70s, any ethnicity POTENTIAL DOUBLED CHARACTERS: Bill Johnson/Mick Brandon/Jim Stimpson/Bargoer 1 Devon Brooks/Greg Porto/Bargoer 2 Songs: 1. “Time In Transit” - Selma & Vincent 2. “In My Own Hands” - Mike & Jake 3. “Persuasion” - Mike, Vincent & Jake 4. “Come On (Decide)” - Danny, Jake, Joe, Mike, Vincent & Selma 5. “Two (On Graham Ave) - Mike 6. “Benny Talks” - Ben, Bargoer 1, Bargoer 2 & Jake 7. “House of the Rising Sun” - Jake, Mike & Joe 8. “Bradon Bound” - Vincent & Selma 9. “Genuine Connection” - Mike 10. “Fight the Fight” - Christina & Mike 11. “Graniteland” - Jake 12. “This Moment Here and Now” - Mike & Christina 13. “Genuine Connection” (Reprise)- Mike 14. “Old Back Bay” - Jessica & Jake 15. “That Sucker’s Ours” - Vincent 16. “Detente On the Dancefloor” - Jake 17. “Bigger Fish to Fry” - Mike 18. “Relationship Anxiety” - Mike 19.