Sean Jones Quartet Schooltime Performance Series
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Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Leadership, Teamwork, Innovation and All That Jazz
ENABLING COLLECTIVE IMPROVISATION ADRIAN CHO in AGILE SOFTWARE DEVELOPMENT “Modern Business is Pure Chaos” Fast Company, January 2012 © Copyright Adrian Cho 2009-2012. All Rights Reserved. 2 THE AGILE RESPONSE Change Innovate Complexity Improvise Iterate Confusion © Copyright Adrian Cho 2009-2012. All Rights Reserved. 3 TAKING FALSE COMFORT IN RIGIDITY PREDICT Tools Technology Processes Practices © Copyright Adrian Cho 2009-2012. All Rights Reserved. 4 LEARNING FROM THE MILITARY “We know that the best equipment in the world without the right person operating it will not accomplish the mission. On the other hand, the right person will find a way to succeed with almost any equipment available.” Gen.Wayne A. Downing, Commander, U.S. Special Operations Command “People, ideas, hardware – in that order” Col. John Boyd, fighter pilot, instructor, strategist and aircraft designer The Special Operations Forces Truths 1. Humans are more important than Hardware. 2. Quality is better than Quantity. 3. Special Operations Forces cannot be mass produced. 4. Competent Special Operations Forces cannot be created after emergencies occur. Brig. Gen. David J. Baratto, Commander, JFK Special Warfare Center © Copyright Adrian Cho 2009-2012. All Rights Reserved. 5 LEARNING FROM MANUFACTURING “There is something called standard work, but standards should be changed constantly. Instead, if you think of the standard as the best you can do, it's all over. The standard work is only a baseline for doing further kaizen. It is kai-aku [change for the worse] if things get worse than now, and it is kaizen [change for the better] if things get better than now. Standards are set arbitrarily by humans, so how can they not change?” Taiichi Ohno, originator of the Toyota Production System Aim for continuous improvement Conduct regular retrospectives Beware of taking false comfort in best practices Best practices are the best...until something changes © Copyright Adrian Cho 2009-2012. -
Bright Moments!
Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough . -
2012 Festival Brochure
BOARD OF DIRECTORS Jessica Felix ARTISTIC DIRECTOR Gloria Hersch CHAIR Elizabeth Candelario VICE CHAIR Edward Flesch SECRETARY Dennis Abbe TREASURER Rollie Atkinson Randy Coleman Roy Gattinella Loretta Rosas HONORARY BOARD MEMBERS Frank Carrubba Doug Lipton Circe Sher GENERAL COUNSEL James DeMartini PROGRAM NOTES David Rubien NEA Jazz Masters is a program of the DESIGN National Endowment of the Arts in Ranch7 Creative partnership with Arts Midwest. PRINTING Healdsburg Area Fund Barlow Printing Healdsburg Rotary Club Healdsburg Sunrise Rotary Club Kiwanis Club of Healdsburg Tompkins/Imhoff Family Fund Steinway Pianos provided by Sherman Clay, San Francisco FRIDAY 6/1 TUESDAY 6/5 SATURDAY 6/9 Calvin Keys Organ Quartet Azesu: Latin Rhythms, South Master Vocal Class KRUG EVENT CENTER American Folklorico & Jazz with Sheila Jordan 198 Dry Creek Road HEALDSBURG PLAZA HEALDSBURG HIGH SCHOOL (entrance on Grove Street) 6-8PM | Free 1028 Prince Avenue/Band Room 7-9PM | $20 11AM-2PM Vintage Blues on Vinyl Robb Fisher & Matt Clark Duo $50 participants | $25 to audit with David Katznelson HOTEL HEALDSBURG LOBBY Panel Discussion 7:30-11PM BERGAMOT ALLEY with the Roy-al Family 328a Healdsburg Avenue Moderated by Billy Hart 8-11PM | $10 SATURDAY 6/2 RAVEN THEATER Jazz & Wine Tasting: 115 North Street Benny Barth Trio with Randy WEDNESDAY 6/6 2-4PM | Free Jazz Night at the Movies Vincent & Chris Amberger with Mark Cantor Music, Wine & Food SEASONS OF THE VINEYARD RAVEN THEATER Cocktail Hour: Susan Sutton Trio 113 Plaza Street ACROSS FROM RAVEN THEATER -
Spilleliste: Åtti Deilige År Med Blue Note Foredrag Oslo Jazz Circle, 14
Spilleliste: Åtti deilige år med Blue Note Foredrag Oslo Jazz Circle, 14. januar 2020 av Johan Hauknes Preludium BLP 1515/16 Jutta Hipp At The Hickory House /1956 Hickory House, NYC, April 5, 1956 Jutta Hipp, piano / Peter Ind, bass / Ed Thigpen, drums Volume 1: Take Me In Your Arms / Dear Old Stockholm / Billie's Bounce / I'll Remember April / Lady Bird / Mad About The Boy / Ain't Misbehavin' / These Foolish Things / Jeepers Creepers / The Moon Was Yellow Del I Forhistorien Meade Lux Lewis, Albert Ammons & Pete Johnson Jumpin' Blues From Spiritals to Swing, Carnegie Hall, NYC, December 23, 1938 BN 4 Albert Ammons - Chicago In Mind / Meade "Lux" Lewis, Albert Ammons - Two And Fews Albert Ammons Chicago in Mind probably WMGM Radio Station, NYC, January 6, 1939 BN 6 Port of Harlem Seven - Pounding Heart Blues / Sidney Bechet - Summertime 1939 Sidney Bechet, soprano sax; Meade "Lux" Lewis, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums Summertime probably WMGM Radio Station, NYC, June 8, 1939 Del II 1500-serien BLP 1517 Patterns in Jazz /1956 Gil Mellé, baritone sax; Eddie Bert [Edward Bertolatus], trombone; Joe Cinderella, guitar; Oscar Pettiford, bass; Ed Thigpen, drums The Set Break Van Gelder Studio, Hackensack, NJ, April 1, 1956 BLP 1521/22 Art Blakey Quintet: A Night at Birdland Clifford Brown, trumpet; Lou Donaldson, alto sax; Horace Silver, piano; Curly Russell, bass; Art Blakey, drums A Night in Tunisia (Dizzy Gillespie) Birdland, NYC, February 21, 1954 BLP 1523 Introducing Kenny Burrell /1956 Tommy Flanagan, -
SUS Ad for 2011 1
The Foundation for Music Education is announcing the 7th annual summer “Stars Under The Stars,” featuring the Brad Leali Quartet with Brad Leali on Saxophone, Claus Raible on piano, Giorgos Antiniou on bass, Alvester Garnett on drums, and joined by vocalist Martha Burks. The event will be on Friday, August 12, 2011 from 7:00 to 10:00 PM at the Louise Underwood Center. “Stars Under the Stars” is an evening concert benefitting music scholarships that will include an hour of socializing with sensational food and drink from “Stella’s.” The event benefits music education scholarships. Our traditional guest host and emcee will be local TV and Radio personality Jeff Klotzman. The “Stars” this year are brilliant world-class jazz artists from the United States, Greece, and Germany! For information about tickets and/or making donations for “Stars Under the Stars,” please call 806- 687-0861, 806-300-2474, and www.foundationformusiceducation.org. Information - The Quartet is captivating through the spontaneity and homogeneousness of the performance as well as with the communicative, non-verbal interaction of the four musicians. The band book consists, besides grand jazz classics, mainly of original compositions by the members. BRAD LEALI Saxophone http://www.bradleali.com/ CLAUS RAIBLE Piano, compositions and arrangements http://www.clausraible.com/Projects.htm GIORGIOS ANTONIOU Bass http://www.norwichjazzparty.com/Musician.asp?ID=22 ALVESTER GARNETT Drums http://www.alvestergarnett.com/ MARTHA BURKS Vocalist http://www.marthaburks.com/ Some comments about the quartet in the press: “This quartet enchanted the audience from the first, almost explosion like saxophone note and put them under their spell .. -
Harry Allen Valerie Capers Linda May Han Oh Charnett Moffett
202509_HH_July_0 6/24/19 12:27 PM Page 1 The only jazz magazine THE LATIN SIDE in NY in print, online and on apps! OF HOT HOUSE P31 July 2019 www.hothousejazz.com Jazz Forum Page 10 Village Vanguard Page 10 Charnett Moffett Linda May Han Oh Valerie Capers Harry Allen Jazz at Kitano Page 17 Zinc, 75 Club and 92Y Page 21 Where To Go & Who To See Since 1982 202509_HH_July_0 6/24/19 11:39 AM Page 2 2 202509_HH_July_0 6/24/19 11:39 AM Page 3 3 202509_HH_July_0 6/24/19 11:39 AM Page 4 4 202509_HH_July_0 6/24/19 11:39 AM Page 5 5 202509_HH_July_0 6/24/19 12:26 PM Page 6 6 202509_HH_July_0 6/24/19 11:39 AM Page 7 7 202509_HH_July_0 6/24/19 11:39 AM Page 8 8 202509_HH_July_0 6/24/19 11:39 AM Page 9 9 202509_HH_July_0 6/24/19 11:39 AM Page 10 WINNING SPINS By George Kanzler WO MUSICIANS KNOWN FOR under Charnett's chant of "Free the slaves, intrepidly anchoring vibrant rhythm let 'em go." Jana contributes one composi- sectionsT over the years explore other tion to the album, "Precious Air," a song aspects of their artistry on new albums. with her own lyrics, delivered in a breathy Both Charnett Moffett and Linda May Han voice and the musical textures of folk-rock. Oh are bassists and the principal com- Linda May Han Oh's Aventurine posers on their latest releases, but for the (Biophilia), is what was called third- first time, Charnett exclusively plays fret- stream music in the mid-20th century. -
The Modality of Miles Davis and John Coltrane14
CURRENT A HEAD ■ 371 MILES DAVIS so what JOHN COLTRANE giant steps JOHN COLTRANE acknowledgement MILES DAVIS e.s.p. THE MODALITY OF MILES DAVIS AND JOHN COLTRANE14 ■ THE SORCERER: MILES DAVIS (1926–1991) We have encountered Miles Davis in earlier chapters, and will again in later ones. No one looms larger in the postwar era, in part because no one had a greater capacity for change. Davis was no chameleon, adapting himself to the latest trends. His innovations, signaling what he called “new directions,” changed the ground rules of jazz at least fi ve times in the years of his greatest impact, 1949–69. ■ In 1949–50, Davis’s “birth of the cool” sessions (see Chapter 12) helped to focus the attentions of a young generation of musicians looking beyond bebop, and launched the cool jazz movement. ■ In 1954, his recording of “Walkin’” acted as an antidote to cool jazz’s increasing deli- cacy and reliance on classical music, and provided an impetus for the development of hard bop. ■ From 1957 to 1960, Davis’s three major collaborations with Gil Evans enlarged the scope of jazz composition, big-band music, and recording projects, projecting a deep, meditative mood that was new in jazz. At twenty-three, Miles Davis had served a rigorous apprenticeship with Charlie Parker and was now (1949) about to launch the cool jazz © HERMAN LEONARD PHOTOGRAPHY LLC/CTS IMAGES.COM movement with his nonet. wwnorton.com/studyspace 371 7455_e14_p370-401.indd 371 11/24/08 3:35:58 PM 372 ■ CHAPTER 14 THE MODALITY OF MILES DAVIS AND JOHN COLTRANE ■ In 1959, Kind of Blue, the culmination of Davis’s experiments with modal improvisation, transformed jazz performance, replacing bebop’s harmonic complexity with a style that favored melody and nuance. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Flamenco Sketches”
Fyffe, Jamie Robert (2017) Kind of Blue and the Signifyin(g) Voice of Miles Davis. PhD thesis. http://theses.gla.ac.uk/8066/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] Kind of Blue and the Signifyin(g) Voice of Miles Davis Jamie Robert Fyffe Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow October 2016 Abstract Kind of Blue remains one of the most influential and successful jazz albums ever recorded, yet we know surprisingly few details concerning how it was written and the creative roles played by its participants. Previous studies in the literature emphasise modal and blues content within the album, overlooking the creative principle that underpins Kind of Blue – repetition and variation. Davis composed his album by Signifyin(g), transforming and recombining musical items of interest adopted from recent recordings of the period. This thesis employs an interdisciplinary framework that combines note-based observations with intertextual theory. -
February 2013 Calendar of Events
FEBRUARY 2013 CALENDAR OF EVENTS For complete up-to-date information on the campus-wide performance schedule, visit www.LincolnCenter.org. Calendar information NEW YORK CITY BALLET LINCOLN CENTER PRESENTS February 3 Sunday Wheeldon/Forsythe/ AMERICAN SONGBOOK is current as of JAZZ AT LINCOLN CENTER Balanchine/Martins Cécile McLorin Salvant January 3, 2012 Polyphonia The Allen Room 8:30 PM René Marie Quartet with Elias Bailey, Quentin Baxter, Herman Schmerman (Pas de Deux) Kevin Bales Variations pour une Porte et un Soupir February 1 Friday LINCOLN CENTER THEATER Dizzy's Club Coca-Cola The Waltz Project Luck of the Irish 7:30 & 9:30 PM FILM SOCIETY David H. Koch Theater 8 PM OF LINCOLN CENTER A New Play by Kirsten Greenidge To view the Film Society's February NEW YORK PHILHARMONIC LINCOLN CENTER PRESENTS schedule, visit www. Filmlinc.com. Directed by Rebecca Taichman GREAT PERFORMERS Christoph von Dohnanyi, Claire Tow Theater 2 & 7 PM conductor Angelika Kirchschlager, JAZZ AT LINCOLN CENTER mezzo-soprano Radu Lupu, piano METROPOLITAN OPERA René Marie Quartet Beethoven: Overture to Ian Bostridge, tenor with Elias Bailey, Quentin Baxter, Le Comte Ory Julius Drake, piano The Creatures of Prometheus Metropolitan Opera House 1 PM Kevin Bales Beethoven: Piano Concerto No. 1 Wolf: Selections from Dizzy's Club Coca-Cola Spanisches Liederbuch Beethoven Symphony No. 5 METROPOLITAN OPERA 7:30 & 9:30 PM Avery Fisher Hall 8 PM Alice Tully Hall 5 PM L'Elisir d'Amore JUILLIARD SCHOOL February 2 Saturday Metropolitan Opera House 8 PM LINCOLN CENTER THEATER David Westen, trombone Luck of the Irish Morse Hall 4 PM DAVID RUBENSTEIN ATRIUM NEW YORK CITY BALLET AT LINCOLN CENTER A New Play by Robbins/Peck/Balanchine Kirsten Greenidge JUILLIARD SCHOOL Meet the Artist Saturdays Glass Pieces Directed by Rebecca Taichman Mina Um, violin Harlem Gospel Choir Year of the Rabbit Claire Tow Theater 2 & 7 PM Paul Hall 6 PM David Rubenstein Atrium 11 AM Vienna Waltzes David H. -
With Sketches of Spain and Portugal
iiiiUiLuiiiiiiuiHuiiiiiniiiffniiniriiiifiminiiii! ITALY; WITH SKETCHES OF SPAIN AND PORTUGAL. VOL. II. : LONDON PRINTED BY SAMUEL BENTLEY, Dorset Street, Fleet Street. ITALY; WITH SKETCHES OF SPAIN AND PORTUGAL. BY THE AUTHOR OF "VATHEK." SECOND EDITION, REVISED. IN TWO VOLUMES. VOL. n. LONDON; RICHARD BENTLEY, NEW BURLINGTON STREET, 3Piiblt)Si)fr in (©rtimary to W^ iMajetitg. 1834. — CONTENTS THE SECOND VOLUME. PORTUGAL. LETTER I. Detained at Falmouth.—Navigation at a stop.—An even- ing ramble. ..... Page 5 LETTER IL Mines in the parish of Gwynnap.—Piety and gin.—Rapid progress of Methodism.—Freaks of fortune. —Pernicious extravagance. — Minerals. — Mr. Beauchamp's mansion. — still Beautiful lake.—The wind contrary. 8 LETTER IIL A lovely morning. — Antiquated mansion,—Its lady.—An- cestral effigies.—Collection of animals.—Serene evening. Owls.—Expected dreams. .12 LETTER IV. A blustering night. —Tedium of the language of the compass.—Another excursion to Trefusis. 16 VOL. II. b VI CONTENTS. LETTER V. Regrets produced by contrasts. .19 LETTER VL Still no prospect of embarkation.—Pen-dennis Castle. —Luxuriant vegetation—A serene day. —Anticipations of the voyage. 21 LETTER VIL Portugal. —Excursion to Pagliavam.—The villa. —Dismal labyrinths in the Dutch style. — Roses.—Anglo-Portuguese Master of the Horse— Interior of the Palace. — Furniture in petticoats. —Force of education.—Royalty without power. —Return from the Palace. .23 LETTER VIIL Glare of the climate in Portugal.—Apish luxury. —Bo- tanic Gardens.— A9afatas. —Description of the Gardens and Terraces. .... 29 LETTER IX. Consecration of the Bishop of Algarve.—Pathetic Music. —Valley of Alcantara. — Enormous Aqueduct.—Visit to the Marialva Palace.—Its much revered Masters.