Immovable Historical and Cultural Monuments of Shusha
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
About the Artistic and Performing Features of Violin Works Gara Garayev About the Artistic and Performing Features of Violin Works of Gara Garayev
CEYLA GANİOĞLU CEYLA ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV OF VIOLIN WORKS GARA AND PERFORMING FEATURES ARTISTIC THE ABOUT ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV Art Proficiency Thesis by CEYLA GANİOĞLU Department of Bilkent University 2019 Music İhsan Doğramacı Bilkent University Ankara May 2019 ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV The Graduate School of Economics and Social Sciences of İhsan Doğramacı Bilkent University by CEYLA GANİOĞLU In Partial Fulfillment of the Requirements for the Degree of ART PROFICIENCY IN MUSIC THE DEPARTMENT OF MUSIC İHSAN DOĞRAMACI BİLKENT UNIVERSITY ANKARA May 2019 ABSTRACT ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV Ganioğlu, Ceyla Proficiency in Music, Department of Music Supervisor: Prof. Gürer Aykal May 2019 Garayev’s unique talents of music opened a new page in Azerbaijan’s music of 20th century. He adapted an untypical way of making music in which he was able to combine the traditional and the modern type. There are several substances that were brought in music of Azerbaijan by Garayev such as new themes, new images, and new means of composing. He achieved success not only in the areas of the national ballet, choral, and chamber music but also panned out well considering sonata for violin and piano and the violin concerto. These works represents main aspects and characteristics of Garayev’s music like implementation of national traditions while applying new methods of the 20th century, specifically neo-classicism and serial technique. In both sonata for violin and piano and the violin concerto, he reflects a perspective of synthesis of the two musical systems that are the Eastern and the Western. -
SUMGAYIT – Beginning of the Collapse of the USSR
SUMGAYIT – Beginning of the Collapse of the USSR Aslan Ismayilov SUMGAYIT - BEGINNING OF THE COLLAPSE OF THE USSR 1 Aslan Ismayilov ЧАШЫОЬЛУ 2011 Aslan Ismayilov Sumgayit – Beginning of the Collapse of the USSR Baku Aslan Ismayilov Sumgayit – Beginning of the Collapse of the USSR Baku Translated by Vagif Ismayil and Vusal Kazimli 2 SUMGAYIT – Beginning of the Collapse of the USSR SUMGAYIT PROCEEDINGS 3 Aslan Ismayilov 4 SUMGAYIT – Beginning of the Collapse of the USSR HOW I WAS APPOINTED AS THE PUBLIC PROSECUTOR IN THE CASE AND OBTAINED INSIGHT OF IT Dear readers! Before I start telling you about Sumgayit events, which I firmly believe are of vital importance for Azerbaijan, and in the trial of which I represented the government, about peripeteia of this trial and other happenings which became echoes and continuation of the tragedy in Sumgayit, and finally about inferences I made about all the abovementioned as early as in 1989, I would like to give you some brief background about myself, in order to demonstrate you that I was not involved in the process occasionally and that my conclusions and position regarding the case are well grounded. Thus, after graduating from the Law Faculty of of the Kuban State University of Russia with honours, I was appointed to the Neftekumsk district court of the Stavropol region as an interne. After the lapse of some time I became the assistant for Mr Krasnoperov, the chairman of the court, who used to be the chairman of the Altay region court and was known as a good professional. The existing legislation at that time allowed two people’s assessors to participate in the court trials in the capacity of judges alongside with the actual judge. -
The Election Process of the Regional Representatives to the Parliament of the Democratic Republic of Azerbaijan
№ 20 ♦ УДК 342 DOI https://doi.org/10.32782/2663-6170/2020.20.7 THE ELECTION PROCESS OF THE REGIONAL REPRESENTATIVES TO THE PARLIAMENT OF THE DEMOCRATIC REPUBLIC OF AZERBAIJAN ВИБОРЧИЙ ПРОЦЕС РЕГІОНАЛЬНИХ ПРЕДСТАВНИКІВ У ПАРЛАМЕНТ АЗЕРБАЙДЖАНСЬКОЇ ДЕМОКРАТИЧНОЇ РЕСПУБЛІКИ Malikli Nurlana, PhD Student of the Lankaran State University The mine goal of this article is to investigate the history of the creation of the Democratic Republic of Azerbaijan par- liament, laws on parliamentary elections, and the regional election process in parliament. In addition, an analysis of the law on elections to the Azerbaijan Assembly of Enterprises. The article covers the periods of 1918–1920. The presented article analyzes historical processes, carefully studied and studied the process of elections of regional representatives to the Parliament of the Democratic Republic of Azerbaijan. Realities are reflected in an objective approach. A comparative historical study of the election of regional representatives was carried out in the context of the creation of the parliament of the Democratic Republic of Azerbaijan and the holding of parliamentary elections. The scientific novelty of the article is to summarize the actions of the parliament of the first democratic republic of the Muslim East. Here, attention is drawn to the fact that before the formation of the parliament, the National Assembly, in which the highest executive power, trans- ferred its powers to the legislative body and announced the termination of its activities. It is noted that the Declaration of Independence of Azerbaijan made the Republic of Azerbaijan a democratic state. It is from this point of view that attention is drawn to the fact that the government of the Azerbaijan Democratic Republic had to complete the formation of institutions capable of creating a solid legislative base in a short time. -
History of Azerbaijan (Textbook)
DILGAM ISMAILOV HISTORY OF AZERBAIJAN (TEXTBOOK) Azerbaijan Architecture and Construction University Methodological Council of the meeting dated July 7, 2017, was published at the direction of № 6 BAKU - 2017 Dilgam Yunis Ismailov. History of Azerbaijan, AzMİU NPM, Baku, 2017, p.p.352 Referents: Anar Jamal Iskenderov Konul Ramiq Aliyeva All rights reserved. No part of this book may be reproduced or transmitted in any form by any means. Electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the copyright owner. In Azerbaijan University of Architecture and Construction, the book “History of Azerbaijan” is written on the basis of a syllabus covering all topics of the subject. Author paid special attention to the current events when analyzing the different periods of Azerbaijan. This book can be used by other high schools that also teach “History of Azerbaijan” in English to bachelor students, master students, teachers, as well as to the independent learners of our country’s history. 2 © Dilgam Ismailov, 2017 TABLE OF CONTENTS Foreword…………………………………….……… 9 I Theme. Introduction to the history of Azerbaijan 10 II Theme: The Primitive Society in Azerbaijan…. 18 1.The Initial Residential Dwellings……….............… 18 2.The Stone Age in Azerbaijan……………………… 19 3.The Copper, Bronze and Iron Ages in Azerbaijan… 23 4.The Collapse of the Primitive Communal System in Azerbaijan………………………………………….... 28 III Theme: The Ancient and Early States in Azer- baijan. The Atropatena and Albanian Kingdoms.. 30 1.The First Tribal Alliances and Initial Public Institutions in Azerbaijan……………………………. 30 2.The Kingdom of Manna…………………………… 34 3.The Atropatena and Albanian Kingdoms…………. -
Central Asia the Caucasus
CENTRAL ASIA AND THE CAUCASUS Volume 13 Issue 4 2012 CENTRAL ASIA AND THE CAUCASUS Journal of Social and Political Studies Published since 2000 Volume 13 Issue 4 2012 CA&CC Press® SWEDEN 1 Volume 13 IssueFOUNDED 4 2012 AND PUBLISHEDCENTRAL ASIA AND BYTHE CAUCASUS INSTITUTE INSTITUTE OF FOR CENTRAL ASIAN AND STRATEGIC STUDIES OF CAUCASIAN STUDIES THE CAUCASUS Registration number: 620720-0459 Registration number: M-770 State Administration for Ministry of Justice of Patents and Registration of Sweden Azerbaijan Republic PUBLISHING HOUSE CA&CC Press®. SWEDEN Registration number: 556699-5964 Journal registration number: 23 614 State Administration for Patents and Registration of Sweden E d i t o r i a l C o u n c i l Eldar Chairman of the Editorial Council ISMAILOV Tel./fax: (994 - 12) 497 12 22 E-mail: [email protected] Murad ESENOV Editor-in-Chief Tel./fax: (46) 920 62016 E-mail: [email protected] Jannatkhan Deputy Editor-in-Chief EYVAZOV Tel./fax: (994 - 12) 596 11 73 E-mail: [email protected] Timur represents the journal in Kazakhstan (Astana) SHAYMERGENOV Tel./fax: (+7 - 701) 531 61 46 E-mail: [email protected] Leonid represents the journal in Kyrgyzstan (Bishkek) BONDARETS Tel.: (+996 - 312) 65-48-33 E-mail: [email protected] Saodat OLIMOVA represents the journal in Tajikistan (Dushanbe) Tel.: (+992-37) 221 89 95; (+992) 907 72 82 25 (mobile phone) E-mail: [email protected] [email protected] Farkhad represents the journal in Uzbekistan (Tashkent) TOLIPOV Tel.: (9987-1) 125 43 22 E-mail: [email protected] Ziya KENGERLI represents -
Baku, the Philharmonic and Shostakovich
D O C U M E N T A R Y I I I Baku, The Philharmonic and Shostakovich Aida Huseynova On January 27, 2004 a quite special event took place in Baku, A z e r b a i j a n ’s capital: the Azerbaijan State Philharmonic Hall opened after seven years of complete renovation. A splendid ceremony was held in the presence of Ilham A l i y e v, President of the Azerbaijan Republic and other dignitaries. A z e r b a i j a n ’s State Symphonic Orchestra conducted by Rauf Abdullayev also performed works by local composers - big names of the twentieth century in fact - namely which Azerbaijan passed during the common words heard at school at the Uzeyir Hajibeyov, Kara Karaev and past century: N i k o l a y e v s k a y a ( i n end of each day. Baku Philharmonic Fikrat A m i r o v. honour of the last Russian Ts a r, Nicolas had a reputation as one of the best II), Kommunisticheskaya (each city or concert halls in the Soviet Union. The Then came a solo performance by even a small village in the Soviet Union beauty of its architectural design and Mstislav (‘Slava’) Rostropovich of had a street named corresponding to the i n t e r i o r, the perfect acoustics, the B a c h ’s S a r a b a n d e from the Suite No. ruling party) and now I s t i g l a l i y y a t intellect and Eastern warmth of the 3 followed by the premiere of a piece (‘Independence’, in Azerbaijani). -
Second Half of the XIX Century: Beginning of the XX Century
How to Cite: Suleymanli, M. (2021). Modernization and culture in Azerbaijan: second half of the XIX century: beginning of the XX century. Linguistics and Culture Review, 5(S1), 125-138. https://doi.org/10.37028/lingcure.v5nS1.1324 Modernization and Culture in Azerbaijan: Second Half of the XIX Century: Beginning of the XX Century Mubariz Suleymanli Professor of the Azerbaijan State Culture and Art University, Baku, Azerbaijan Abstract---The end of the 19th century and the beginning of the 20th century, characterized by the expansion of enlightenment, development of education, press and art in Azerbaijan, marked by many cultural events, went down in history as the formation of national thought and national statehood. But these facts have been ignored for many years, and were presented from a subjective and biased point of view during the Soviet times. However, the cultural heritage of that period, especially the reforms implemented in 1918- 1920 to give equal rights to all citizens, regardless of ethnic, religious and political affiliation, gender, state attributes and reforms in education, science and culture, restored the state independence of the Azerbaijan people. In this sense, the study of cultural processes and modernization in Azerbaijan, including cultural reforms during the Azerbaijan Democratic Republic (1918-1920) is relevant both in the terms of studying historical experience and the successful implementation of cultural construction and integration into the world in modern times. The main purpose of the study is to explore the cultural basis of the process of historical renewal and modernization in Azerbaijan, to use the results of this experience in building a modern democratic civil society. -
Western Xenophobia Demonstrated in Karabakh
Western xenophobia demonstrated in Karabakh The case of Karabakh has clearly demonstrated double standards of the Western civilization. Despite the conventional reasoning about the values of multiculturalism, the West sends the world an unambiguous message: Muslim sacred sites and cultural monuments can be destroyed, Christian ones – in no case! In May 1988 more than 90% of the 14,000 population of the city of Shusha [1] were Azerbaijanis. The city had 184 registered architectural monuments [2]. On May 8-9, 1992, Armenian militias captured the city of Shusha. Hovik Vardumyan, who fought on the Armenian side has published in 2012 a book dedicated to the occupation of Shusha [3]. He used the memoirs of other participants in the hostilities from the Armenian side and documents of the Armenian militias’ commanders. The tale of the events of May 8-9th, 1992 by Vardumyan includes the description of especially massive shelling of the city’s 18th century fortress and battles, which were fought in the area of the mosque [4]. On May 11th, 1992, the interim president of Azerbaijan, Yagub Mammadov, sent a missive to Russian President Boris Yeltsin. It said that “the city of Shusha is practically destroyed” [5]. In the same month, the Minister of Culture of Azerbaijan, Polad Bulbuloglu, sent messages to UNESCO Director Frederic Mayor, to the Secretary General of the International Council of Museums Elisabeth de Port, as well as to the Ministers of Culture of European countries [6]. The message contained a request to protect cultural and historical monuments of Shusha. The Azerbaijani minister indicated the following: “In this once beautiful city – resort, rich in monuments of ancient architecture and art, museums of the history of the city and Karabakh, memorial museums of the founders of Azerbaijani professional music and vocal art Uzeyir Hajibeyov and Bul-Bul, a branch of the State Carpet Museum, Shusha art gallery were created. -
Black Garden : Armenia and Azerbaijan Through Peace and War / Thomas De Waal
BLACK GARDEN THOMAS DE WAAL BLACK GARDEN Armenia and Azerbaijan through Peace and War a New York University Press • New York and London NEW YORK UNIVERSITY PRESS New York and London © 2003 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data De Waal, Thomas. Black garden : Armenia and Azerbaijan through peace and war / Thomas de Waal. p. cm. Includes bibliographical references and index. ISBN 0-8147-1944-9 (cloth : alk. paper) 1. Nagorno-Karabakh Conflict, 1988–1994. 2. Armenia (Republic)— Relations—Azerbaijan. 3. Azerbaijan—Relations—Armenia (Republic) I. Title. DK699.N34 D4 2003 947.54085'4—dc21 2002153482 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America 10987654321 War is kindled by the death of one man, or at most, a few; but it leads to the death of tremendous numbers. —Elias Canetti, Crowds and Power Mercy on the old master building a bridge, The passer-by may lay a stone to his foundation. I have sacrificed my soul, worn out my life, for the nation. A brother may arrange a rock upon my grave. —Sayat-Nova Contents Author’s Note ix Two Maps, of the South Caucasus and of Nagorny Karabakh xii–xiii. Introduction: Crossing the Line 1 1 February 1988: An Armenian Revolt 10 2 February 1988: Azerbaijan: Puzzlement and Pogroms 29 3 Shusha: The Neighbors’ Tale 45 4 1988–1989: An Armenian Crisis 55 5 Yerevan: Mysteries of the East 73 6 1988–1990: An Azerbaijani Tragedy 82 7 -
The Land of Fire - Azerbaijan
Beat: Travel THE LAND OF FIRE - AZERBAIJAN AZERBAIJAN Baku, 14.02.2016, 20:08 Time USPA NEWS - Today, we would like to talk about a miraculous country of Azerbaijan with its unlimited natural resources, centuries- old culture, history and ancient people, whose lifestyle presents a unique and harmonious combination of the traditions and ceremonies of different cultures and civilizations. Azerbaijan is a geographical name. On the one hand this name is linked with the population, which lived in this region for thousand of years before our era, and who were mostly fire-worshippers. Local population considered that fire was their God and so they worshipped the fire. "Azer" means fire. The Turkic name "Azer" was used for this territory for a long time. The word "Azer" consists of two parts - "az" and "er". In Turkic languages, "az" means a good intention and a fate of success. Thus, the word "Azer" means "a brave man", "a brave boy", "the fire keeper". The word "Azerbaijan" originates from the name of an ancient Turkish tribe, who resided in those territories. Azerbaijan is one of the most ancient sites of humankind. The humankind was present here at every stage of their historical development. There were living settlements in Azerbaijan even at the earliest stages of humankind. Azerbaijan made its own contribution into the establishment of the current culture and civilization, progress and dialectics. The time kept a range of ancient archeological and architectural monuments for us. The ancient headstones, manuscripts and models of carpets, preserved to the present times from the ancient ages, can provide much information to those who can and want to read them. -
Azerbaijan's Journey Through Jazz
Art 40 www.irs-az.com 43, SPRING 2020 Ian PEART Saadat IBRAHIMOVA Azerbaijan’s journey through jazz - Another Sarabski Milestone - www.irs-az.com 41 Art Outstanding Azerbaijani composer Uzeyir Hajibeyov istory, geography and character have Azerbaijani was finally persuaded to take on the role of Leyli. As for people ideally placed to enrich their own cul- Majnun, the role proved to be the springboard for the Hture with the best of the many others that pass long and distinguished career of Huseyngulu Sarabski. this way. Cultural exchange was a feature of the ancient An operatic tenor, Sarabski was equally proficient at Silk Road and is likely to continue as the current Belt and singing mugham and in 1926 was a soloist with the Road Initiative progresses. This has been no one-way Eastern Orchestra entrancing Moscow audiences with process; spot the carpets from this region that found traditional songs and music1. Remember that family their way into Renaissance paintings. And over the last name, its reappearance 83 years later forms the second hundred years or so, Azerbaijan has made remarkable part of this story. contributions to cross-cultural exchanges of music. As if Uzeyir bey did not do enough in introducing Musical pioneer opera, promoting local culture and women’s eman- On 12 January 1908, an opera was staged in a Baku cipation among other more liberal social values in his theatre. Composed by the 22-year-old Uzeyir Hajibeyov, theatrical works, he was also instrumental in the found- it was the first opera in the Muslim East; the first to fea- ing of the Azerbaijan State Conservatoire in 1920 (since ture traditional Azerbaijani folk instruments alongside 1991 the Baku Academy of Music). -
Libretto - Leyli and Majnun Mugham Opera in Five Acts (1908) by Uzeyir Hajibeyov and Jeyhun Hajibeyli
Libretto - Leyli and Majnun Mugham Opera in Five Acts (1908) by Uzeyir Hajibeyov and Jeyhun Hajibeyli From HAJIBEYOV.com, a website celebrating the legacy of Uzeyir Hajibeyov © 2002 Azerbaijan International Translation (Azeri to English): Gulnar Aydamirova Editing: Jala Garibova, Jean Patterson, Betty Blair Webmaster: Arzu Aghayeva Characters: Geys (Majnun)—Lyrical Tenor Leyli—Lyrical Soprano Geys’ father—Tenor Geys’ mother—Mezzo-soprano Ibn Salam—Tenor Nofal—Baritone Zeyd—Tenor First Arab—Tenor Second Arab—Tenor Matchmakers, messengers, guests, schoolboys and girls Prologue Chorus: My soul burns from separation; I cry bloody tears. The people are awakened by my moaning. Will my bad luck reverse itself? Bloody tears pour from my eyes Because I want to see your beautiful face. Darling, it’s spring, the season of flowers, Won’t the floating waters blur? 1 Act 1 The curtain goes up. At a meadow near the school, Majnun is waiting for Leyli to arrive. (Based on the mugham Mahur-Hindi) Majnun: My soul is burning because of separation, I want to join with my beloved’s soul. I’m miserable because I’m alone, I want the remedy of seeing my beloved. I’m a nightingale that moans, and my moaning is not for nothing. I’m in a cage lamenting, I want a flower garden. Leyli: I’ve been groaning since love overtook me. What kind of trouble is this that has overtaken me? I don’t have the power to explain to anybody the sorrow of my heart. I’ve become sick because of separation. (Based on the mugham Shikasteyi-Fars.