Revista Mexicana de Estudios Canadienses (nueva época) Asociación Mexicana de Estudios sobre Canadá, A.C.
[email protected] ISSN (Versión impresa): 1405-8251 MÉXICO 2007 Johanne Sloan HUMANISTS AND MODERNISTS AT EXPO 67 Revista Mexicana de Estudios Canadienses (nueva época), primavera-verano, número 013 Asociación Mexicana de Estudios sobre Canadá, A.C. Culiacán, México pp. 79-87 Red de Revistas Científicas de América Latina y el Caribe, España y Portugal Universidad Autónoma del Estado de México http://redalyc.uaemex.mx HUMANISTS AND MODERNISTS AT EXPO 67 JOHANNE SLOAN Abstract This essay addresses the status of modernism at Expo 67, the world’s fair held in Montreal during the summer of 1967, insofar as it intersects with the humanist aspirations of this event, epitomized by the theme, “Man and his World.” The intersection of art, architecture, design, and technology is discussed, as are monumental artworks such as Alexander Calder’s sculp- ture Man, and Rufino Tamayo’s mural for the Mexico Pavilion. Key words: Art history, Expo 67, cultural studies of the XX century, Montreal. lexander Calder’s enormous abstract sculpture Man (1967) still resides on a Aman-made island adjoining the city of Montreal, where it was first installed as part of Expo 67, the world’s fair held in Montreal in the summer of 1967.1 Calder’s monumental artwork, along with Buckminster Fuller’s geodesic dome (originally the USA pavilion), remains one of the city’s most conspicuous material reminders of that epochal event. While Fuller’s building is a government-run