World's Fairs Collection, 1893-1965
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History of Mormon Exhibits in World Expositions
Brigham Young University BYU ScholarsArchive Theses and Dissertations 1974 History of Mormon Exhibits in World Expositions Gerald Joseph Peterson Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the History Commons, Missions and World Christianity Commons, and the Mormon Studies Commons BYU ScholarsArchive Citation Peterson, Gerald Joseph, "History of Mormon Exhibits in World Expositions" (1974). Theses and Dissertations. 5041. https://scholarsarchive.byu.edu/etd/5041 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. aloojloo nn HISTORY OF moreonMOMIONMORKON exlEXHIBITSEXI abitsabets IN WELDWRLD expositionsEXPOSI TIMS A thesis presented to the department of church history and doctrine brigham young university in partial fulfillment of the requirements for the degree master of arts by gerald joseph peterson august 1941974 this thesis by gerald josephjoseph peterson isifc accepted in its pre- sent form by the department of church history and doctrine in the college of religious instruction of brighamBrig hainhalhhajn young university as satis- fyjfyingbyj ng the thesis requirements for the degree of master of arts julyIZJWJL11. 19rh biudiugilgilamQM jwAAIcowan completionemplompl e tion THdatee richardlalial0 committeeCowcomlittee chairman 02v -
Guide to the Larry Zim World's Fair Collection
Guide to the Larry Zim World's Fair Collection NMAH.AC.0519 Angela Baccala 1999 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 5 Series 1: World 's Fairs Materials, 1841-1988......................................................... 5 Series 2: Reference and Miscellaneous Materials................................................. 39 Series 3: Larry Zim Materials................................................................................. 40 Series 4: Oversize Materials, 1909-1968.............................................................. -
The Cultural Significance of World's Fair Architecture
The Kentucky Review Volume 2 | Number 1 Article 4 1980 Structuring the Ephemeral: The ulturC al Significance of World's Fair Architecture Raymond F. Betts University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the Architecture Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Betts, Raymond F. (1980) "Structuring the Ephemeral: The ulturC al Significance of World's Fair Architecture," The Kentucky Review: Vol. 2 : No. 1 , Article 4. Available at: https://uknowledge.uky.edu/kentucky-review/vol2/iss1/4 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. Structuring the Ephemeral: The Cultural Significance of World's Fair Architecture Raymond F. Betts For a period of slightly more than one hundred years international expositions created their own majesty as "phantom kingdoms": grandly planned, hastily constructed, greatly admired, quickly forgotten. These "world's fairs" were the emblems of an era confident that its technological achievements would assure greater human progress and international harmony. The ceremonial opening of the Great Exhibition of London was depicted in the Illustrated London News of 3 May 1851 "as the commencement of a new era of peace and good-will." On the occasion of the -
World's Fairs: 1850- 1900." Metropolitan Museum of Art Bulletin 56:3 (Winter 1998/1999): 3-56
World’s Fairs: A Guide to Selected English-Language Resources Compiled for the Center for the Study of Global Change by Kira Homo John Russell Jason Schultz Claudia Silverman Skye Thomsen Under the Direction of Robert Goehlert Indiana University Bloomington 2005 Table of Contents Reference Sources ........................................................................3 Primary Sources............................................................................ 5 Bibliography Comprehensive Resources (multiple fairs) ................................ 9 Chronological Bibliography (individual fairs) .............................. 18 Index .......................................................................................... 86 1 2 Reference Sources Bertuca, David J., Donald K. Hartman, et al. The World's Columbian Exposition: A Centennial Bibliographic Guide. Westport, CT: Greenwood Press, 1996. Burke, Bridget J. “World's Fairs and International Expositions: Selected References 1987-1993.” Fair Representations: World's Fairs and the Modern World. Robert Rydell and Nancy E. Gwinn, eds. Amsterdam: VU University Press, 1994. Cagle, William R., Rebecca Campbell Cape, et al. The Grand Event: International Expositions, 1851-1904. Bloomington: Lilly Library, Indiana University Libraries, 2001. Dybwad, G. L. and Joy V. Bliss. Annotated Bibliography: World's Columbian Exposition, Chicago, 1893: Supplement with 440 Illustrations and Price Guide, Master Index for Both Volumes Including Subjects, Master Source List with 140 New Entries, over 3500 -
Encyclopediayclopedia EXEX
EX encencyclopediayclopedia EXEX encyclopedia EX encyclopedia ELECTROSONIC EXPO ENCYCLOPEDIA CONTENTS 9 Foreword 14 History of EXPOs 16 The EXPO Challenge 18 EXPO 2020 Dubai 22 Electrosonic EXPO Projects 44 Other Projects 70 About Electrosonic 6 7 ELECTROSONIC EXPO ENCYCLOPEDIA FOREWORD rom my first ever attendance, standing in Le Corbusier’s Philips Pavilion at the 1958 EXPO in Brussels, I’ve loved EXPOs. They Fpresent a fantastic opportunity to indulge the creative’s ambition to realise experiences which command the attention of a broad spectrum of visitors. Controversial, educational, stunning, provocative, utterly perplexing - I’ve seen pavilions be all these things, and rightly so. EXPOs are the time to showcase our boldest ideas, confront the issues facing us as a global society and stimulate debate for resolution. The tricky part is conveying these messages to a diverse audience in an entertaining and innovative way. EX Over the last 50 years, Electrosonic has been involved in creating lasting memories for 15 EXPOs, in nine countries, providing AV solutions to over 80 pavilions. We have worked with some of the greatest pavilion teams to bring their aspirations to life, innovating to raise our capabilities in sound and visual experiences to deliver the designers’ dreams, no matter how wild they might initially appear. As with our experience in the entertainment arena, we understand a pavilion’s success is measured in its ability to engage the visitor and offer an experience they have never had before. With technology now playing a central role in all our lives, to capture an audience’s attention and provide an opportunity to demonstrate their role in achieving change requires an ability to rise above the ordinary and dare for something beyond. -
Faces of Israel at Expo 67 Conference Program May 23 – 24, 2017 Room Atrium, Samuel Bronfman Building, 1590 Docteur Penfield
Faces of Israel at Expo 67 Conference Program May 23 – 24, 2017 Room Atrium, Samuel Bronfman Building, 1590 Docteur Penfield Tuesday, May 23, 2017 9:00 am Registration and coffee 9:30 am Opening Remarks Csaba Nikolenyi, Director of the Azrieli Institute of Israel Studies Jason Camlot, Associate Dean of Faculty Affairs for the Faculty of Arts and Science Ziv Nevo Kulman, Consul General of Israel for Quebec and the Atlantic provinces 10:00 am A Tale of Two Pavilions: Jewish Participation in Expo 67 Harold Troper, University of Toronto Department of Curriculum, Teaching and Learning Expo 67 in the Israeli and the Jewish Press Csaba Nikolenyi, Concordia University Department of Political Science 11:00 am 1967: Cells, Clusters, Systems Inderbir Singh Riar, Carleton University Azrieli School of Architecture & Urbanism On Unfamiliar Ground: Habitat 67 as Representation, Home and Myth Irena Murray, Executive Director, Kaplicky Architectural Centre and Foundation, Prague Lunch break at noon – not provided 1 1:30 to 3 pm Photographic Boxes — Art Installations: A Study of the Role of Photography in the Israel Pavilion at Expo 67 Tal-Or Ben-Choreen, Concordia University Department of Art History Via Cyprus: Naftali Bezem’s Art Workshop for Shoah Refugees Carol Zemel, York University School of the Arts, Media, Performance & Design The Israeli Visual Narrative of Nationhood at World Fairs Loren Lerner, Concordia University Department of Art History 3 – 3:30 pm Israeli Newsreel about Expo 67 Opening Ceremony of the Israel Pavilion at Expo 67 (audio -
International Exhibitions, Expositions Universelles and World's Fairs, 1851-2005: a Bibliography
Freie Universität Berlin, Germany California State University, Fresno, USA International Exhibitions, Expositions Universelles and World’s Fairs, 1851-2005: A Bibliography by Alexander C.T. Geppert, Jean Coffey and Tammy Lau 1. Introduction _________________________________________________________ 5 2. Research Aids ______________________________________________________ 7 2.1 Research Aids General _________________________________________________7 2.2 Bibliographies ________________________________________________________8 2.3 Review Articles ______________________________________________________10 2.4 Journals and Newsletters ______________________________________________10 3. History and Theory of International Exhibitions: General Works _______________ 11 3.1 Official Exhibition Regulations ___________________________________________11 3.2 Exhibition Theory _____________________________________________________11 3.3 Exhibition History _____________________________________________________13 4. International Exhibitions, 1851-2005 ____________________________________ 28 4.1 Australia ____________________________________________________________28 4.1.0 Australia Genera l _____________________________________________28 4.1.1 International Exhibition, Sydney 1879-1880 _________________________28 4.1.2 International Exhibition, Melbourne 1880-1881 ______________________28 4.1.3 Centennial International Exhibition, Melbourne 1888-1889 _____________28 4.1.4 Expo 88, Brisbane 1988 ________________________________________28 4.2 Austria _____________________________________________________________28 -
A History of the Otis Elevator Company
www.PDHcenter.com www.PDHonline.org Going Up! Table of Contents Slide/s Part Description Going Down! 1N/ATitle 2 N/A Table of Contents 3~182 1 LkiLooking BkBack 183~394 2 Reach for the Sky A History 395~608 3 Elevatoring of the 609~732 4 Escalating 733~790 5 Law of Gravity Otis Elevator Company 791~931 6 A Fair to Remember 932~1,100 7 Through the Years 1 2 Part 1 The Art of the Elevator Looking Back 3 4 “The history of the Otis Elevator Company is the history of the development of the Elisha Graves Otis was born in 1811 on a farm in Halifax, VT. elevator art. Since 1852, when Elisha Graves As a young man, he tried his hand at several careers – all Otis invented and demonstrated the first elevator ‘safety’ - a device to prevent an with limited success. In 1852, his luck changed when his elevator from falling if the hoisting rope employer; Bedstead Manufacturing Company, asked him to broke - the name Otis has been associated design a freight elevator. Determined to overcome a fatal with virtually every important development hazard in lift design (unsolved since its earliest days), Otis contributing to the usefulness and safety of invented a safety brake that would suspend the platform elevators…” RE: excerpt from 87 Years of Vertical Trans- safely within the shaft if a lifting rope broke suddenly. Thus portation with Otis Elevators (1940) was the world’s first “Safety Elevator” born. Left: Elisha Graves. Otis 5 6 © J.M. Syken 1 www.PDHcenter.com www.PDHonline.org “…new and excellent platform elevator, by Mr. -
To Read the Briefing and Factsheet Expo Dubai 2020
Briefing and Factsheet Dubai won the bid to host the 2020 World Expo in November 2013. From that day, we embarked on the journey towards hosting an exceptional Expo, creating a global collaborative platform that leaves a lasting legacy for the UAE and participants. What are World Expos? The World Expo is one of the world’s oldest and largest international events, taking place every five years and lasting six months. It is a festival for all, where everyone can learn, innovate, create progress and have fun by sharing ideas and working together. Each Expo revolves around its own theme to leave a lasting impact on the path of human progress. Expo 2020 Dubai’s core theme is ‘Connecting Minds, Creating the Future’. The first World Expo was London’s Great Exhibition of 1851. Buildings and products first revealed at World Expos include the Eiffel Tower, the Seattle Space Needle, the typewriter, the first television, and even Heinz Tomato Ketchup. Expo 2020 Dubai – the highlights Expo 2020 Dubai is a once in a lifetime experience and we will be opening our doors to the world on 20 October, 2020. We are extending an invitation to people from around the world to join us and experience a World Expo - a global six-month celebration of creativity, innovation, humanity and world cultures. It will be a time to create and renew connections that will strengthen and deepen through 2020 and beyond. It will be a time to be awed by the spectacular events programme and a time to do business. Expo 2020 Dubai is the first World Expo to be held in the Middle East, Africa and South Asia (MEASA) region, and the first to be hosted by an Arab nation. -
Newspapers and National Identity at the World Expositions
Putting Great Britain on show at the world exhibitions Master Thesis History Revised Master Program: Present(ed) British identity, Britishness and History Englishness at post-war world Colette Pracca s4061470 exhibitions according to British Supervisor: Prof.dr. Jan Hein newspapers Furnée Second examinator: Dr. H.G.J. Kaal Radboud University, Faculty of Arts June 2nd, 2016 Contents Introduction ................................................................................................................................ 3 Chapter 1: The evolution of national and British identity at world expositions after the Second World War ................................................................................................................................ 10 National identity ................................................................................................................... 10 British national identity ........................................................................................................ 16 Chapter 2: Changes in newspapers’ interest in world expositions ........................................... 22 Chapter 3: Newspapers and national identity at the world expositions ................................... 33 Chapter 4: Newspapers and British identity at the world expositions ..................................... 41 Conclusion ................................................................................................................................ 57 Bibliography ............................................................................................................................ -
Redalyc. Humanists and Modernists at Expo 67. Revista Mexicana De
Revista Mexicana de Estudios Canadienses (nueva época) Asociación Mexicana de Estudios sobre Canadá, A.C. [email protected] ISSN (Versión impresa): 1405-8251 MÉXICO 2007 Johanne Sloan HUMANISTS AND MODERNISTS AT EXPO 67 Revista Mexicana de Estudios Canadienses (nueva época), primavera-verano, número 013 Asociación Mexicana de Estudios sobre Canadá, A.C. Culiacán, México pp. 79-87 Red de Revistas Científicas de América Latina y el Caribe, España y Portugal Universidad Autónoma del Estado de México http://redalyc.uaemex.mx HUMANISTS AND MODERNISTS AT EXPO 67 JOHANNE SLOAN Abstract This essay addresses the status of modernism at Expo 67, the world’s fair held in Montreal during the summer of 1967, insofar as it intersects with the humanist aspirations of this event, epitomized by the theme, “Man and his World.” The intersection of art, architecture, design, and technology is discussed, as are monumental artworks such as Alexander Calder’s sculp- ture Man, and Rufino Tamayo’s mural for the Mexico Pavilion. Key words: Art history, Expo 67, cultural studies of the XX century, Montreal. lexander Calder’s enormous abstract sculpture Man (1967) still resides on a Aman-made island adjoining the city of Montreal, where it was first installed as part of Expo 67, the world’s fair held in Montreal in the summer of 1967.1 Calder’s monumental artwork, along with Buckminster Fuller’s geodesic dome (originally the USA pavilion), remains one of the city’s most conspicuous material reminders of that epochal event. While Fuller’s building is a government-run -
Expo 17, a Federally Registered Entity Established for the Planning and Promotion of a World’S Fair in Canada in 2017
a World’s Fair in Montreal This document is the property of Expo 17, a federally registered entity established for the planning and promotion of a world’s fair in Canada in 2017. Expo 17 is not affiliated with the city of Montreal or any other city or organisation. Unless otherwise indicated, all photos contained herein are from the author, the national archives, or the Canadian Corporation for the 1967 World Exhibition. Please see additional terms on page 49. All rights to this document are reserved. Duplicates may be obtained by written request. • Revision 01 September 2007 So C iété D u h A v R e D e mont R é A l SECTION 1 • A World’S FAIR IN MONTREAL SECTION 2 • Expo 17 – A PROPOSAL SECTION 3 • AFTER THE FAIR 2 Purpose of an exhibition 18 IntRoDuCtion 46 afteR the fAiR 2 Name and type of exhibition AReA 1 48 ConCluSion 4 Timing of the exhibition 21 Background 5 Location of the exhibition 49 ContACt AnD acknowleDgementS 23 Layout and use 6 Architecture 24 Obstacles 8 Theme 25 Solutions 10 Feasibility studies and bidding 11 Financing AReA 2 15 Attendance 31 Background 17 Marketing 32 Layout and use 33 Obstacles 34 Solutions AReA 3 36 Background 37 Layout and use 38 Obstacles 38 Solutions TranSpoRtAtion 40 Background 41 Expo Express 42 Expo Express 2017 44 Summary 45 exhibition Site map Overview Montreal, 1967 n ApRil 28th, 1967, against virtually Expo 17 would achieve the following: Oimpossible odds and time constraints, the • Encourage unity and self-esteem by • Save the Saint lawrence River.