A Social Enterprise Born in Scandal
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The Profumo Affair in Popular Culture: the Keeler Affair (1963) and 'The
Contemporary British History ISSN: 1361-9462 (Print) 1743-7997 (Online) Journal homepage: http://www.tandfonline.com/loi/fcbh20 The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’ Richard Farmer To cite this article: Richard Farmer (2016): The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’, Contemporary British History, DOI: 10.1080/13619462.2016.1261698 To link to this article: http://dx.doi.org/10.1080/13619462.2016.1261698 © 2016 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 29 Nov 2016. Submit your article to this journal Article views: 143 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=fcbh20 Download by: [University of East Anglia Library] Date: 16 December 2016, At: 03:30 CONTEMPORARY BRITISH HISTORY, 2016 http://dx.doi.org/10.1080/13619462.2016.1261698 OPEN ACCESS The Profumo affair in popular culture: The Keeler Affair (1963) and ‘the commercial exploitation of a public scandal’ Richard Farmer Department of Film, Television and Media Studies, University of East Anglia, Norwich, UK ABSTRACT KEYWORDS This article demonstrates that the Profumo affair, which obsessed Profumo affair; satire; Britain for large parts of 1963, was not simply a political scandal, but cinema; Christine Keeler; was also an important cultural event. Focussing on the production scandal of The Keeler Affair, a feature film that figured prominently in contemporary coverage of the scandal but which has been largely overlooked since, the article shows that this film emerged from a situation in which cultural entrepreneurs, many of them associated with the satire boom, sought to exploit the scandal for financial gain. -
Romantic Retreats
DISCOVER LONDON DISCOVER LONDON: BEHIND THE SCENES – THE INSIDER’S GUIDE The perfect way to travel the UK Win a five-star Romantic holiday to the UK retreats Secret gardens and passionate princes Constable Country Visit the places the master artist painted A castle courtship How Queen Elizabeth I lost her heart Steeple chase Race through 1,000 years with Britain’s cathedrals APRIL/MAY 2016 £4.50 1066: the year that changed history When William the Conqueror seized the crown discoverbritainmag.com OFC_DB_UKApr/May16Barcodes.indd 1 25/02/2016 16:23 Quote ͺDĂƌĐŚͬƉƌŝůϭϲͺh< Inspiring Breaks to National Trust Houses & Gardens with Just Go! Holidays Request a FREE 2016 brochure For our full selection of 2016 National Trust breaks please call 08432 244 246 Quote: ‘Discover Britain’ for discount a d e e R r s n i • a t t S i i r p B e c £25 off r i a e l per booking v D o c i s s i c o D A Wonderful Opportunity to Explore u nt f o r ŚŽŽƐĞĨƌŽŵĂŶĞdžĐůƵƐŝǀĞĐŽůůĞĐƟŽŶŽĨϮϭƚŽƵƌƐŽīĞƌŝŶŐ tĞŚĂǀĞĂĚĚĞĚŇĞdžŝďůĞƚƌĂǀĞůŽƉƟŽŶƐ on our tours ƚŚĞŽƉƉŽƌƚƵŶŝƚLJƚŽĚŝƐĐŽǀĞƌŵĂŶLJĞĐůĞĐƟĐƉůĂĐĞƐĂŶĚ ĂůůŽǁŝŶŐLJŽƵƚŽĐŚŽŽƐĞLJŽƵƌƉƌĞĨĞƌƌĞĚŵĞĂŶƐŽĨ ƐƉĂĐĞƐůŽŽŬĞĚĂŌĞƌďLJƚŚĞEĂƟŽŶĂůdƌƵƐƚ ƚƌĂŶƐƉŽƌƚͲǁŚĞƚŚĞƌŝƚ͛ƐĚƌŝǀŝŶŐLJŽƵƌƐĞůĨƚŽƚŚĞŚŽƚĞů͕ ũŽŝŶŝŶŐƚŚĞĐŽĂĐŚĂƚĂĐŽŶǀĞŶŝĞŶƚƉŝĐŬƵƉƉŽŝŶƚŽƌĞǀĞŶ A ĨƌŝĞŶĚůLJdŽƵƌDĂŶĂŐĞƌǁŝůůŵĞĞƚLJŽƵĂƚƚŚĞŚŽƚĞůĂŶĚ ƚĂŬŝŶŐĂŇŝŐŚƚƚŽLJŽƵƌĚĞƐƟŶĂƟŽŶ ĨĂĐŝůŝƚĂƚĞƚŚĞƐŵŽŽƚŚŽƌŐĂŶŝƐĂƟŽŶŽĨĂůůŽƉĞƌĂƟŽŶĂů ĂƐƉĞĐƚƐŽĨƚŚĞďƌĞĂŬ &ŽƌĞǀĞƌLJƉĞƌƐŽŶǁŚŽũŽŝŶƐƵƐŽŶŽŶĞŽĨŽƵƌŝŶƐƉŝƌŝŶŐ ďƌĞĂŬƐ͕ǁĞĂƌĞƉƌŽƵĚƚŽŐŝǀĞƚŚĞEĂƟŽŶĂůdƌƵƐƚάϮϱ ůƐŽĂĐŚĂŶĐĞƚŽĞdžƉůŽƌĞƐŽŵĞŽĨƚŚĞƌĞŵĂƌŬĂďůĞŐĞŵƐ ǁŚŝĐŚŚĞůƉƐƚŚĞŵƚŽĨƵŶĚǀŝƚĂůƌĞƐƚŽƌĂƟŽŶƉƌŽũĞĐƚƐƚŚĂƚ -
The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message. -
Read Ebook {PDF EPUB} When the Heart Lies by Christina North 7 Things That Make up a Christian Heart
Read Ebook {PDF EPUB} When the Heart Lies by Christina North 7 Things That Make Up a Christian Heart. Matthew 6:21 says, “For where your treasure is, there your heart will be also.” This verse is saying that you must have honesty within your heart. Be true to yourself and those around you – and you’ll discover that your heart will guide you when you’re feeling left astray or at bay from everything that’s near and dear to you. Always listen to your heart because it will help to cultivate your decisions between right and wrong. Proverbs 3:5 says, “Trust in the Lord with all your heart and lean not on your own understanding,” This verse is conveying the desperate need for faith within your heart. There will be challenging times that cause you to question your faith and your overall belief system; however, it’s important to have faith within your heart. When you find yourself in doubt, look to your heart to guide you into the right direction. If you have these seven elements within your heart, you’ll find that your life is much fuller – full of happiness, love and the Lord. Everyone’s heart has many other qualities and attributes that furnish their individuality however, these seven elements are the core to a Christian heart. Christine Keeler obituary: the woman at the heart of the Profumo affair. There were many victims of the Profumo affair, the sex and spying scandal that dominated the headlines in 1963, contributed to the resignation of the then prime minister, Harold Macmillan, soon afterwards, and still looms disproportionately large in the history of modern Britain. -
Title of Thesis: ABSTRACT CLASSIFYING BIAS
ABSTRACT Title of Thesis: CLASSIFYING BIAS IN LARGE MULTILINGUAL CORPORA VIA CROWDSOURCING AND TOPIC MODELING Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang Thesis Directed By: Dr. David Zajic, Ph.D. Our project extends previous algorithmic approaches to finding bias in large text corpora. We used multilingual topic modeling to examine language-specific bias in the English, Spanish, and Russian versions of Wikipedia. In particular, we placed Spanish articles discussing the Cold War on a Russian-English viewpoint spectrum based on similarity in topic distribution. We then crowdsourced human annotations of Spanish Wikipedia articles for comparison to the topic model. Our hypothesis was that human annotators and topic modeling algorithms would provide correlated results for bias. However, that was not the case. Our annotators indicated that humans were more perceptive of sentiment in article text than topic distribution, which suggests that our classifier provides a different perspective on a text’s bias. CLASSIFYING BIAS IN LARGE MULTILINGUAL CORPORA VIA CROWDSOURCING AND TOPIC MODELING by Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang Thesis submitted in partial fulfillment of the requirements of the Gemstone Honors Program, University of Maryland, 2018 Advisory Committee: Dr. David Zajic, Chair Dr. Brian Butler Dr. Marine Carpuat Dr. Melanie Kill Dr. Philip Resnik Mr. Ed Summers © Copyright by Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang 2018 Acknowledgements We would like to express our sincerest gratitude to our mentor, Dr. -
Text Pages Layout MCBEAN.Indd
Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous. -
British Domestic Security Policy and Communist Subversion: 1945-1964
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Apollo British Domestic Security Policy and Communist Subversion: 1945-1964 William Styles Corpus Christi College, University of Cambridge September 2016 This dissertation is submitted for the degree of Doctor of Philosophy William Styles British Domestic Security Policy and Communist Subversion: 1945-1964 This thesis is concerned with an analysis of British governmental attitudes and responses to communism in the United Kingdom during the early years of the Cold War, from the election of the Attlee government in July 1945 up until the election of the Wilson government in October 1964. Until recently the topic has been difficult to assess accurately, due to the scarcity of available original source material. However, as a result of multiple declassifications of both Cabinet Office and Security Service files over the past five years it is now possible to analyse the subject in greater depth and detail than had been previously feasible. The work is predominantly concerned with four key areas: firstly, why domestic communism continued to be viewed as a significant threat by successive governments – even despite both the ideology’s relatively limited popular support amongst the general public and Whitehall’s realisation that the Communist Party of Great Britain presented little by way of a direct challenge to British political stability. Secondly, how Whitehall’s understanding of the nature and severity of the threat posed by British communism developed between the late 1940s and early ‘60s, from a problem considered mainly of importance only to civil service security practices to one which directly impacted upon the conduct of educational policy and labour relations. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Dickens's Victorian Novel Versus Lean's Modern Film Adaptation
Armenian Folia Anglistika Literature Dickens’s Victorian Novel versus Lean’s Modern Film Adaptation Vicky Tchaparian Lebanese University Abstract Charles Dickens’s Great Expectations pinpoints his Victorian literary heritage. On the other hand, David Lean’s film adaptation of Dickens' novel conveys it realistically in a period of post War II cinematic modernization. In the present paper, different points are discussed and presented; First, different critical opinions, by earlier and modern critics, as well as David Lean’s personal opinion about film adaptation are revealed and discussed. Second, Dickens’s eccentric and grotesque Victorian characters that are presented through Lean’s visually and thematically rationalized postwar characters. Third, Dickens’s extraordinary characters are contrasted with Lean’s realistic ones. Moreover, Lean’s modernistic touches to the Dickensian novel which cater the postwar audience’s need (for which reason Lean’s film is a completely intellectual one and not at all Dickensian) are also unveiled. Thus, trying to put some hope in the hopeless hearts of his audience in the aftermath of the Second World War, Lean’s modernization of the Dickensian era to fit in the world of his contemporary audience is proven. Key words: Dickens, Lean, postwar, Victorian, grotesque, modern, adaptation, audience, modernization, difference. Introduction Although Dickens’s Victorian novel Great Expectations reveals many instances of grotesque exaggerations and juxtapositions, creating a world that resembles the Victorian society he belonged to, David Lean’s film stigmatizes it authentically. 126 Literature Armenian Folia Anglistika Lean, a postwar cinema director, realistically modernizes Dickens’s novel written in 1861, into a film in 1946 catering the needs of his post war audience. -
John Profumo
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Name of Deceased (Surname First)
CO 4^ Date before which CO Name of Deceased Address, description and date of death of Names, addresses and descriptions of Persons to whom notices of claims are to be notices of claims (Surname first) Deceased given and names, in parentheses, of Personal Representatives to be given BROWN, Grace Margaret 33 Khartoum Road, Weymouth, Dorset, Pengilly & Ridge, Post Office Chambers, 67 St Thomas Street, Weymouth, 15th May 1986 Widow. 7th January 1986. Dorset DT4 8HB, Solicitors. (The Public Trustee.) (036) BOARDMAN, Harry Joseph 21 Cheddar Avenue, Blackpool, Lancashire, Senior Calveley & Hardy, 8 Hastings Place, Lytham, Lancashire, Solicitors. 15th May 1986 (otherwise Harry Heavy Goods Vehicle Driver (Retired). 9th (Harry Joseph Boardman (Junior) and David Ernest Boardman.) (037) Boardman). December 1985. MARYAN, Edward Henry Harnham Croft Nursing Home, 74 and 76 R. Field, Hempsons, 33 Henrietta Street, Strand, London WC2E 8NH, Solicitors. 13th May 1986 Harnham Road, Salisbury, Wiltshire, Retired. (Robert Hedley James.) (038) 8th January 1986. PERRY, Gladys Annie ... 20 Parkway, St. Thomas, Exeter, Devon, Michelmores, 18 Cathedral Yard, Exeter, Devon EX1 1HE. (Peter John Chalk 12th May 1986 Widow. 28th February 1986. and Andrew Edson Maynard.) (039) BROADLEY, Violet May... 25 Archibald Road, Worthing, West Sussex, Green Son & Wright, 13-14 Liverpool Terrace, Worthing, West Sussex BN11 16th May 1986 Widow. 21st February 1986. 1TQ. (Barbara Elizabeth Mary Witham.) (040) BREHAUT, Sarah Rita ... 72 Claverton Street, London S.W.I. 9th Dec- May May & Merrimans, 12 South Square, Grays Inn, London WC1R 5HH. 12th May 1986 ember 1985. (Antony Giles Gostwick.) (041) COPESTAKE, Ivan Arthur 44 Gordon Road, Aldershot, Hampshire, Cable Holiest Cotterill, 93 West Street, Farnham, Surrey GTJ9 7ER, Solicitors. -
Episode 210 "MYSTERY MAN" by Peter Morgan
Episode 210 "MYSTERY MAN" by Peter Morgan PRODUCTION OFFICE: LBP The Crown Series 2 Ltd, Elstree Studios, Shenley Road, Borehamwood, HERTS. WD6 1JG LEFT BANK PICTURES: 7th Floor, 175 High Holborn, London, WC1V 7AA All rights reserved. No part of this script may be reproduced, stored in a retrieval system of any nature, or transmitted, in any form or by any means including photocopying and recording, without the prior written permission of Left Bank Pictures (Television) Limited, the copyright owner. Licences issued by the Copyright Licensing Agency or any other reproduction rights organisation do not apply. THIS SCRIPT IS STRICTLY CONFIDENTIAL AND MAY NOT BE DISCLOSED TO ANY PERSON OTH ER THAN THE ADDRESSEE WITHOUT THE PRIOR CONSENT OF LEFT BANK PICTURES (TELEVISION) LIMITED. If any unauthorised acts are carried out in relation to this copyright work, a civil claim for damages may be made and/or a criminal prosecution may result. RECEIPT OF THIS SCRIPT DOES NOT CONSTITUTE AN OFFER OF ANY SORT. © LEFT BANK PICTURES (TELEVISION) LIMITED 2017 THE CROWN 210 - Peter Morgan 24/06/17 1 INT. BUCKINGHAM PALACE, PHILIP'S BEDROOM - DAY 1 1 Daylight filters in through a crack in the curtain. PHILIP is lying in bed. Asleep. His VALET enters. CAPTION: “APRIL, 1962”. VALET Good Morning, Your Royal Highness. Seven thirty. Curtains open. Light floods in. PHILIP wakes. Then lifts his neck. Then flinches, holding his neck.. PHILIP Ow!!! 2 EXT. BUCKINGHAM PALACE - DAY 1 2 PHILIP is doing his military exercises. The exercises he does every morning. Sit ups. Squat thrusts. Star jumps.