NANCY BUCHANAN CROWNING GLORIES
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Charlie James Gallery is delighted to present Crowning Glories, Nancy Buchanan’s second solo show at the gallery, opening July 15th.
Words on the show from the artist:
Crowning Glories
As a graduate student, I was mentored by minimalist light-and-space artists, including Robert Irwin and Larry Bell and came to appreciate the total environment surrounding an artwork. I also appreciated the beauty of waste materials. When I made a rug of human hair and poodle fur, organized by length, color and texture, I was surprised by some viewers’ visceral responses. This opened a new direction, and from that time on, I have made works involving hair.
Some, like Twin Corners and Hairdos, were installations. Hairdos utilized another waste material: aluminum turnings from metal recyclers—the dichotomy here was that the turnings looked soft, but of course were razor-sharp. For Twin Corners, I painted my body to mimic the space nearby. I also made a large pencil drawing of one of the large aluminum spheres. Hairdo Redux is a new version of this, charcoal on tissue. In 1972, for The New Art in Orange County exhibition, I sacrificed my own long hair in the performance Hair Transplant: I dyed it red and curled my waist-length hair, then replaced Bob Walker’s moustache and body hair with my cut-off locks.
The mother of the nine muses, Mnemosyne, stores her own memory within her long hair. The substance of hair does recall one’s heritage: the chain of maternal DNA can be found within individual hairs. My 1975 performance A Little Style involved arranging the hair of five women on or into semi-geometric forms, while each spoke about difficult childhood memories.
— Nancy Buchanan, July 2020
Nancy Buchanan is a conceptual artist working in many forms; her performance works began in 1972, when she was a member of the infamous F Space Gallery in Santa Ana, CA; her earliest videotapes were recorded on open-reel Portapacks; and she has produced installations, drawings, and mixed-media work. Buchanan’s work has been included in exhibitions at the Museum of Modern Art, the New Museum of Contemporary Art, the Museum of Contemporary Art, Los Angeles, the Centre Pompidou, and the Getty Research Institute (where her papers and works are archived). She was the subject of a solo screening of her videotapes at REDCAT in 2013, and her videos have been included in international exhibitions. Buchanan is the recipient of four National Endowment for the Arts Individual Artist grants, a COLA grant, and a Rockefeller Fellowship in New Media. In 2016, she organized It’s Your Party, a durational performance at UC Irvine’s xMPL Theater as the second event in The Art of Performance. Buchanan lives and works in Los Angeles. NANCY BUCHANAN CROWNING GLORIES NANCY BUCHANAN CROWNING GLORIES
Hair is a product available from almost every human being. And, to celebrate its diversity and beauty, for the past several years I have been making illustrative portraits of hair and hair styles, sometimes incorporating actual samples. Locks of hair have long been kept as mementos of loved ones, and the Victorians crafted jewelry and picture frames from human hair. The issue of hair and appearance continues to be front and center, not only in artwork, but in politics, as The CROWN Act (Create a Respectful and Open World for Natural Hair) is a law recently enacted in several states that prohibits discrimination based on hair style and hair texture.
— Nancy Buchanan, July 2020 NANCY BUCHANAN CROWNING GLORIES
Long wavy white on black Pencil & pastel on paper 19.5 x 15.5 inches Framed 2017 NANCY BUCHANAN CROWNING GLORIES
Hair portrait white on black Pencil on paper 11.5 x 9.5 inches Framed 2013 NANCY BUCHANAN CROWNING GLORIES
Bobby pins Scratchboard with color added 11.5 x 9.5 inches Framed 2015 NANCY BUCHANAN CROWNING GLORIES
Curls with hair & mirrors Mixed media with mirrors & hair on paper 21.5 x 17 inches Framed 2019 NANCY BUCHANAN CROWNING GLORIES
Small long white on black Pencil & ink on paper 15.5 x 13 inches Framed 2019 NANCY BUCHANAN CROWNING GLORIES
Natural Pencil & ink on paper 14.25 x 13.5 inches Framed 2018 NANCY BUCHANAN CROWNING GLORIES
Less wavy white on black Pencil & pastel on paper 15 x 12 inches Framed 2015 NANCY BUCHANAN CROWNING GLORIES
Kim as Roman Lady Mixed media on paper with hair 20 x 23 inches Framed 2018 NANCY BUCHANAN CROWNING GLORIES
Hair portrait XCU Pencil on paper 15 x 20 inches Framed 2014 NANCY BUCHANAN CROWNING GLORIES
White on black curls Pencil & pastel on paper 16 x 12.5 inches Framed 2016 NANCY BUCHANAN CROWNING GLORIES
Hair bun Pencil, pastel & ink on paper 12 x 11 inches Framed 2018 NANCY BUCHANAN CROWNING GLORIES
Hairbrain Cast acrylic with artist’s hair, acrylic stand with mirror 8.5 x 8.5 x 7 inches 2020 NANCY BUCHANAN CROWNING GLORIES NANCY BUCHANAN CROWNING GLORIES
In 2012 I began still life drawings of toys “distressed” by my dogs. I always felt a deep connection to Mike Kelley’s works that incorporated discarded crocheted afghans and old stuffed animals. In a way, these distressed toys resemble hair in that their scars contain the history of those who loved/abused them. Additionally, both series challenge the “cuteness” or attractiveness of the subjects. Hair, isolated from its human bearer, is uncanny. A lock of hair for the lost loved one. A chewed-up toy substitutes an abject aura for the quality of a new item.
— Nancy Buchanan, July 2020 NANCY BUCHANAN CROWNING GLORIES
Lavendar Grimace Pastel & pencil on paper 13 x 15.5 inches 2016 NANCY BUCHANAN CROWNING GLORIES
Lulu’s Hippo Pencil on paper 10.5 x 13.5 inches 2019 NANCY BUCHANAN CROWNING GLORIES
For Mike Pencil on paper 20.5 x 15.5 inches 2012 NANCY BUCHANAN CROWNING GLORIES
For Mike 2 Scratchboard 11.5 x 9.5 inches 2012 NANCY BUCHANAN CROWNING GLORIES
Cow Scratchboard 11.5 x 11.5 inches 2014 NANCY BUCHANAN CROWNING GLORIES
Piggy Pencil on paper 22 x 26 inches 2019 NANCY BUCHANAN CROWNING GLORIES
cHair Mixed media with antique hatpins 20 x 11 x 11 inches 2020 NANCY BUCHANAN CROWNING GLORIES
Rock ‘n’ Roll Silver gelatin print 10 x 8 inches Edition of 100 (14 remaining) 1974 NANCY BUCHANAN CROWNING GLORIES
Hairdo Redux Charcoal on tissue paper over digital print 29 x 25.5 inches 2020 NANCY BUCHANAN CROWNING GLORIES
Zany gallery Los Angeles Times article featuring At Home installation, F Space Gallery, Santa Ana, 1971
Twin Corners, 1974 Installation with aluminum turnings & photo (digital print, 2020) NANCY BUCHANAN CROWNING GLORIES
Rock ‘n’ Roll, 1974 Performance at Gerard John Hayes Gallery, Westwood; Raffle ticket portrait by Marsha Red Adams; performance doc photos by David Daniel NANCY BUCHANAN CROWNING GLORIES
Some Hair, installation, F space, 1972, photos by Barbara T. Smith NANCY BUCHANAN CROWNING GLORIES
Hair Transplant, 1972, Performance for The New Art in Orange County, F Space Gallery, Photos (printed 2020) by Barbara T. Smith & Babs Jackson NANCY BUCHANAN CROWNING GLORIES
Hair Art, Dirty Art The Wig Makes the Woman, 1974 1974, Xerox NANCY BUCHANAN CROWNING GLORIES
A Little Style, 1975 Performance for Double X at Wilshire West Plaza; large poster plus 3 individual photos from piece, photos by Boris Sojka NANCY BUCHANAN
EDUCATION CSU Channel Islands The Experimental Television Center: A History, Etc . . . 1969 BA, University of California, Irvine 205 Hudson St. Gallery, Hunter College, New York, NY 1971 MFA, University of California, Irvine XX Redux, Guggenheim Gallery, Chapman University, Orange, CA EXHIBITIONS/VIDEO SCREENINGS/MEDIA PRESENTATIONS PROTEST, Femlink TV
CA Disney CalArts Theatre), Los Angeles, CA 2010 “Steps” International Rights Film Festival, Kiev Cinema ANIMAL, Brewery Project, Los Angeles, CA House, Ukraine Move! Housing and the Struggle for a Livable L.A., Newtown Presents: Convergences, Armory Center for the Arts, Southern California Library for Social Studies & Pasadena, CA Research, Los Angeles The Linguistic Turn, Cardwell Jimmerson Contemporary Art, The Drop, Exit Art, New York Culver City, CA 2005 Bridges Above and Beyond, Trek Thunder Kelly Fine Art Bourgeois Problems, Francois Ghebaly Gallery, Los Angeles, and Grand Canal, Venice, CA CA This Is the Place, This Is the Thing, This Is the Miscellaneous Documents, The Box, Los Angeles, CA Person... The Brewery Project, Los Angeles Videoarte en Los Ángeles (1970-1984), Reina Sofia Museum, 2004 Shutters, UB Art Museum, SUNY Buffalo Madrid, Spain Mean Times. . . Back at Home, BC Space, Laguna Beach, CA 2009 Post-War Festival 2009; The Red Jail, Sulaymaniyah, Iraq DPI—Digitally Propelled Ideas, Kellogg Art Gallery, Cal Video DADA; University Art Gallery, UC Irvine, CA Poly Pomona 365 and Counting; Avenue 50 Studio, Los Angeles, CA War, Peace and Civil Liberties, Berkeley Art Center, SWAN Day Berlin (Support Women Artists Now); Berlin, Berkeley, CA Germany there is no place like place, One Night Gallery, Tel re.act.feminism (video archive); Akademie der Künste, Aviv, Israel Berlin; International Festival of Contemporary Art City of “Revolt,” She Said, MLF (Mouvement de la Liberation des Women in Ljubljana; & Kunsthaus Erfurt Femmes), Forde Independent Space for Contemporary Art, 2008 California Video, Getty Research Institute, Los Angeles, CA Geneva, Switzerland At the Brewery Project; Armory Center for the Arts, 2003 Sleep Secure
The Invention of Childhood, John Michael Kohler Arts 1998 LA Stories: Engaging the City, Montgomery Gallery, Pomona Center, Sheboygan, WI College, Claremont, CA World News, Muckenthaler Cultural Center, Fullerton, CA Free Speech TV, national cable program Video Tensions, University of Arizona, Tucson, AZ 1997 Zones of Disturbance, Steirischer Herbst, Graz, Austria 1991 Nancy Buchanan: A Video Retrospective, Los Angeles Mill Valley Film & Video Festival, Mill Valley, CA Contemporary Exhibitions Interpenetrations, Northern Illinois Gallery, Chicago in National Video Festival, American Film Institute, Los conjunction with ISEA—the Eighth International Symposium on Angeles, CA Electronic Art L.A. Women: California Girls?? Video In, Vancouver, Interactive Zone, 10th Annual Dallas Video Festival, Dallas B.C., Canada Museum of Art, Dallas, TX S&L: Transactions in the Post-Industrial Era, Walter/ 1996 Celebration of 25 Years of the Experimental Television McBean Gallery, San Francisco Art Institute Center, Art in General, New York, NY The 90’s, Program # 216, various PBS stations, including California State University, San Marcos KCET, Los Angeles 1995 Media Culpa, Bucharest, Romania Video Witnesses: Festival of New Journalism, Langston FIVA Online, digital exhibition on World-Wide Web Hughes Institute, SUNY, Buffalo, NY (sponsored by Media Renaissance Inc., Montreal) World News, Beyond Baroque Gallery, Venice, CA Visible Evidence III: Strategies & Practices in Focus on Southern Africa, Otis/Parsons Art Gallery, Los Documentary Film & Video, Harvard University, Cambridge, MA Angeles, CA Artist/Activist CD-ROMs; LA Freewaves at University of Media Pranksters: Public Access Art Television, Laguna Southern California Art Museum, Laguna Beach, CA Digital SITE: art/computer interface; SITE Gallery, Los New California Video ‘91, Long Beach Museum, Long Beach, Angeles, CA CA Interactive Communities, California Museum of Photography 1990 Fifth Annual Australian Video Festival, Australian Booth, SIGGRAPH, Los Angeles Centre for Photography, Paddington, Australia Unofficial Realities, Friends of Manhattan Beach, Manhattan Visibility, Otis/Parsons North Gallery, Los Angeles, CA Beach, CA Change in Southern Africa: Video Documentaries, Gallery New Visions for Historic Architecture, Occidental College, Theatre, Barnsdall Park, Los Angeles, CA Los Angeles, CA New Television, WNET, New York, NY (1989 season encore) 1994 Ars Electronica, Linz, Austria; Long Beach Museum of Art, Open Channels Five-Year Survey, Long Beach Museum, Long Long Beach, CA Beach, CA Photography and the Photographic: Theories, Practices, 1989 National Video Festival, American Film Institute, Los Histories, California Museum of Photography, Riverside, CA Angeles, CA Scratching the Belly of the Beast: Cutting Edge Media in L.A. Freewaves, selected venues & Los Angeles area cable Los Angeles 1922-1994, Filmforum, Los Angeles, CA stations 1993 Backtalk, Santa Barbara Contemporary Arts Forum, Santa Video Drive-In: Portuguese-American Meetings on Barbara, CA Contemporary Art, Gulkenkian Foundation, Lisbon Choice Encounters, Long Beach Museum of Art, Long Beach, CA About TV: Appropriation and Parody in Contemporary Video video.documentary.interactive, Electronic Café, Santa Art, LA Municipal Art Gallery Monica, CA New Television; WNET (New York), WETA (Washington), WGBH Forms of Attention, The Brewery, Los Angeles, CA (Boston), KCET (Los Angeles) 1992 Talking Back: Video Viewpoints: Nancy Buchanan, Museum of Video Galleriet, Huset Kobenhaun, Copenhagen, Denmark Modern Art, New York Making their Mark: Women Artists Move into the Committed Visions, Museum of Modern Art, New York Mainstream 1970-1985; Cincinnati Art Museum; NANCY BUCHANAN
travel to Denver Art Museum, New Orleans Museum of Art, New Narrative: Recent Video Acquisitions, Museum of Pennsylvania Academy of Art Modern Art, New York, NY Visions of the Other/Visions of Ourselves; New Langton Stories of Her Own--Experimental Narrative by Women, Arts, San Francisco, CA Walker Art Center, Minneapolis, MN 1988 Second Thoughts & Double Takes, Los Angeles Contemporary Shared Realities, Long Beach Museum of Art, Long Beach, Exhibitions, Los Angeles, CA CA 1950s/1980s: Return of Style, Return of Content (solo); San California Video: 1984, Long Beach Museum of Art, Long Francisco Art Institute Beach, CA 1987 The Reagan Years, Bad Eye Gallery, Los Angeles, CA Women and the Media: New Video, Allen Memorial Art Reflections on Survival, The Woman’s Building, Los Angeles, Museum, Oberlin College, Oberlin, OH CA 1983 1984: A Preview, Ronald Feldman Fine Arts, New York, NY Surveillance, LACE (Los Angeles Contemporary Exhibitions) Political Perspectives, LACE (Los Angeles Contemporary Lively Arts: Video & Performance, Fresno Arts Center and Exhibitions), Los Angeles, CA Museum, Fresno, CA At Home--Video: Roles, Relationships, Sexuality, Long 1986 In Search of the Media Monster, Ohio State University Art Beach Museum of Art, Long Beach, CA Gallery, Cleveland, OH Art & Social Change: U.S.A., Allen Memorial Art Museum, Sex, Food and Videotape, New City Theater, Seattle, WA Oberlin College, Oberlin, OH Distress Signals: Art about the U. S. Role in Central 1982 The War Show, State University of New York, Stony Brook America, Central Arts Collective, Tucson, AZ The Atomic Salon, Ronald Feldman Fine Arts, New York, NY The Video Medium 1988: An Overview, Geoffrey Taber Gallery, Some Humorous Videotapes, Space Gallery, Los Angeles, CA Columbus, OH An Artist’s Living Space, Japanese-American Cultural Saludo al Pueblo, Casa Gallery, San Francisco, CA Center, Los Angeles, CA Image Wars, The Center for Idea Art, Denver, CO Of No Particular Theme, Baxter Art Gallery, California The Art of Activists, Gallery G, Pittsburgh, PA Institute of Technology, Pasadena, CA 1985 Video from Vancouver to San Diego, Museum of Modern Art, War Games, Ronald Feldman Fine Arts, New York, NY New York, NY Lately in L.A.: Video, The Kitchen, New York, NY; The Art of Memory/The Loss of History, The New Museum, New Washington Project for the Arts, Washington, D.C.; and York, NY Beyond Baroque Gallery, Venice, CA TV Works, Los Angeles Institute of Contemporary Art, Los Long Beach Video, The American Center, Paris, France Angeles, CA A Decade of Women’s Performance Art, University of Eating the World, (solo show), Michael Salerno AAA Art, Los California, San Diego Angeles, CA 1981 California Performance: Now and Then, Museum of Family as Subject Matter in Contemporary Art, Washington Contemporary Art, Chicago, IL Project for the Arts, Wash, D. C. 1980 Documentary Evidence, Franklin Furnace, New York, NY 1984 Revising Romance, ICA, Boston, MA; tour arranged by Women’s West Coast Performance, Interaction Dance American Federation of the Arts, New York Foundation, New York, NY Video: A Retrospective, Parts I & II, Long Beach Museum of Pages Plus: Artists’ Bookworks, Nelson Gallery-Atkins Art, Long Beach, CA Museum, Kansas City, MO Recent Acquisitions, La Jolla Museum of Contemporary Art, N/A Vision, Artists’ Post-Production Studio, Long Beach La Jolla, CA Museum; FAR-Foundation for Art Resources, Los Angeles, National Video Festival, American Film Institute, Los CA; and Pasadena Filmforum Angeles, CA A Decade of Women’s Performance Art, Contemporary Art Artists Tour Nicaragua, Southern Exposure Gallery, San Center, New Orleans, LA Francisco, CA The Art of the Woman’s Building, Artemisia Gallery, NANCY BUCHANAN
Chicago, IL Audio Works, Sixto Notes, Milan, Italy 1973 In a Bottle, California State University, Fullerton 30/60 TV Art, Long Beach Museum of Art, Long Beach 1972 The New Art in Orange County, Newport Harbor Art Museum, 1979 Videotapes by Women, University of Melbourne, Melbourne, Newport Beach, CA; and F Space Gallery, Santa Ana, CA Australia; travel in Australia and New Zealand Midland Group Postal Exhibition, Nottingham, England Projects: Video XXIX, Museum of Modern Art, New York, NY 1971 Second Annual Invitational Show, Riverside City College, L.A. Videotapes, Lauriergracht 96, Amsterdam, Netherlands Riverside, CA The Animal Show, LAICA--Los Angeles Contemporary Group Graduate Show, University of California, Irvine Exhibitions, Los Angeles, CA At Home, F Space Gallery, Santa Ana, CA 1978 Selected Performance Tapes, Media Study Center, Buffalo, Opening Group Show, F Space Gallery, Santa Ana, CA NY; Anthology Film Archives, NY; UCSC Trophies, University of Nevada, Las Vegas PERFORMANCES XX+, LACE--Los Angeles Contemporary Exhibitions, Los Angeles, CA 2016 It’s Your Party, xMPL Theater, University of California, Audio Show, Artists Space, New York, NY Irvine Women’s Video, LAICA--Los Angeles Institute of Contemporary 1993 Highways Fourth Anniversary Celebration, Highways, Santa Art, Los Angeles, CA Monica, CA Seven Sundays after the Fall, California State University, 1987 Freedom Suites, as part of Redefining American Values, San Jose Museum of Art, Penn State University Southland Video Anthology, Part V, Long Beach Museum of Shredding Party, The Lhasa Club, Los Angeles, CA Art, Long Beach, CA Where’s Pappa? The Lhasa Club, Los Angeles, CA 1977 The Buck Starts Here, Media Conference, University of 1986 Mouth(piece), Club Congress, Tucson, AZ Southern California, Los Angeles, CA 1985 Freedom Suites, Explorations II, sponsored by California Visions, Dreams, Illusions, University of California, Davis Institute of the Arts, Museum of Contemporary Art, Los The Artist’s Book, University of California, San Diego Angeles, and Japan-America Theatre Closed circuit videotapes, College Art Association, Hilton 1984 Mouth(piece), The Woman’s Building, Los Angeles, CA Hotel, Los Angeles, CA Cheap Shots, Orwell Memorial Performance Space, Los 1976 Aber, Buchanan, Holste, Newport Harbor Art Museum, Newport Angeles, CA Beach, CA 1983 Fragment, Madison Art Center, Madison, WI Nancy Buchanan; Sally Erlich; Hazel Slawson, Santa Ana 1982 It’s Been Asked Before, Washington State University, College, Santa Ana, CA Pullman XX Group, California State University, San Bernardino 1981 Around and About Purity, Scripps College, Claremont, CA 1975 The Irvine Milieu, La Jolla Museum of Contemporary Art, La It’s Been Asked Before, Herbert F. Johnson Museum, Jolla, CA Cornell University, Ithaca, NY The First Decade: 1965-1975, University of California, Fallout from the Nuclear Family, UC San Diego; Berkeley Irvine Art Center, Berkeley, CA Five Orange County Galleries, Laguna Beach Museum Art, If I Could Only Tell You How Much I Really Love You, Laguna Beach, CA Museum of Contemporary Art, Chicago IL; and Renaissance The Erotic Show, The Floating Wall, Santa Ana, CA Society, University of Chicago 1974 Nancy Buchanan/Ann Marie Titus, The Floating Wall, Laguna 1980 If I Could Only Tell You How Much I Really Love You, Los Beach, CA Angeles Contemporary Exhibitions Group Drawing Show, The Floating Wall, Laguna Beach, CA Glossing the Text, Franklin Furnace, New York, NY Barbara Smith, Nancy Buchanan, Grandview Gallery, Los 1979 The Marketing of Motherhood, The Woman’s Building, Los Angeles, CA Angeles, CA NANCY BUCHANAN
Around and About Purity, Kansas City Art Institute, Kansas 1987 Western States Regional Media Arts Fellowship City, MO; CSU Long Beach Open Channels Production Grant, Long Beach Museum of Art 1978 After-Dinner Story, Libra Gallery, Claremont Graduate Vesta Award, Performance Art, The Woman’s Building, Los School, Claremont, CA Angeles, Ca. The Purest/Purist, The Intersection, San Francisco, CA 1987-88 California Arts Council, Artists-in-Communities Grant: 1978 Deer/Dear, University of Nevada, Las Vegas; and Santa Ana Residency at Pasadena Community Access Corporation to College, Santa Ana, CA teach production skills to community groups 1977 Meager Expectations, Los Angeles Institute of Contemporary 1986-87 California Arts Council, Artists-in-Communities Grant: Art; and La Mamelle Arts Center, San Francisco, CA Residency at Pasadena Community Access Corporation to Bedtime Stories, Center for Music Experiment, University of teach production skills to community groups California, San Diego 1984 Residency, Experimental Television Center, Owego, NY Underground, The Woman’s Building, Los Angeles, CA 1983 National Endowment for the Arts, Artist’s Fellowship, 1976 Tar Baby, Mills College, Oakland, CA; and The Floating Video Research Grant, Graduate School, University of Wall, Santa Ana, CA Wisconsin, Madison 1975 A Little Style, Wilshire West Plaza, Los Angeles, CA Residency, Experimental Television Center, Owego, NY The Nancy Buchanan Talk Show, Gerard John Hayes Gallery, 1980 National Endowment for the Arts, Artist’s Fellowship, Los Angeles, CA Performance 1974 Rock ‘n’ Roll Piece, Gerard John Hayes Gallery, Los 1978 National Endowment for the Arts, Artist’s Fellowship, Angeles, CA New Genres Throw Away, The Floating Wall, Laguna Beach, CA Pie Piece, The Woman’s Building, Los Angeles, CA WORK IN THE ARCHIVES/PERMANENT COLLECTIONS OF: Please Sing Along, Grandview Gallery, Los Angeles, CA 1972 Hair Transplant, F Space Gallery, Santa Ana, CA Allen Memorial Art Museum, Oberlin College, Oberlin, OH Linda Burnham & Steven Durland California Institute of the Arts, Valencia, CA HONORS, AWARDS, GRANTS & COMMISSIONS Beth Rudin DeWoody Experimental Television Center, Owego, NY 2019 Artist in residence, Media Burn Archive Peter Gelles, Century City, CA 2018 Video Processing Residency, Signal Culture, Owego, NY Getty Research Institute, Los Angeles, CA 2005 Program for Media Artists, NY, Technical Assistance Grant Rose Golden Archive of Media Art, Cornell University for website creation Nora Eccles Harrison Museum, University of Utah, Salt Lake City 1999 COLA (City of Los Angeles) Individual Artist’s Grant Jill Kraus, New York, NY 1997 Art Matters, Inc., New Media Fellowship Long Beach Museum of Art, Long Beach, CA 1996 Rockefeller Fellowship, Multimedia Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA 1995 Residency in Electronic Media, Banff Art Centre, Banff, Museum of Modern Art, New York, NY Alberta, Canada New Museum, New York, NY 1992 Travel Grant, Arts International; for Women’s Delegation to OVNI Archives, Centre de Cultura Contemporánia de Barcelona, Vietnam Spain 1991 Interschool Faculty Project Grant, travel to Romania (with Moira Roth, Berkeley, CA Art Historian Sanda Agalidi), CalArts San Diego Museum of Contemporary Art, La Jolla, CA 1989 National Endowment for the Arts, Individual Artist’s Security Pacific Collection, Los Angeles, CA Fellowship, Video Barbara T. Smith, Pasadena, CA Open Channels Grant, Long Beach Museum of Art Irene Tsatsos, Pasadena, CA 1988 Gold Crown Award, Visual Art, Pasadena Art Council Roger Wacker Robert Walker, Los Angeles, CA