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Dame Emma Kirkby Soprano
Dame Emma Kirkby Soprano Originally, Emma Kirkby had no In 2009 BIS issued a compilation entitled expectations of becoming a professional "The Artistry of Emma Kirkby", drawing on singer. As a classics student at Oxford and nine CDs in all. then a schoolteacher she sang for pleasure in choirs and small groups, In 1999 Emma was voted Artist of the Year always feeling most at home in by Classic FM Radio listeners; in 2000 she Renaissance and Baroque repertoire. She received the Order of the British Empire, joined the Taverner Choir in 1971 and in and 2007 saw her appointed a Dame 1973 began her long association with the Commander of the Order of the British Consort of Musicke. Emma took part in the Empire. She was delighted in June 2008 to early Decca Florilegium recordings with return to her alma mater, Oxford both the Consort of Musicke and the University, and receive an Honorary Academy of Ancient Music, at a time when Doctorate of Music. Most surprisingly of most college-trained sopranos were not all, BBC Music Magazine, April 2007, in a seeking a sound appropriate for early survey of critics to find “The twenty instruments. She therefore had to find her greatest sopranos”, placed Emma at own approach, with enormous help from number 10. While such media flurries Jessica Cash in London, and from the can be discounted as parochial, partial, directors, fellow singers and controversial, and outdated as soon as instrumentalists with whom she has they appear, she was pleased at the worked over the years. recognition this implied for an approach to singing where ensemble, clarity and Emma feels privileged to have been able to stillness are valued alongside the more build further long-term relationships with usual features of volume and display. -
Student Recital
Student Recital Room 106 Schaefer Fine Arts Center Gustavus Adolphus College Saturday, July 21st, 2007 9:00:AM Program » Quintet Op. 77 in G Major Antonin Dvorak (1841-1904) Angela Xie, violin Julia Johnson, violin Elizabeth Johnson, violin Bjorn Hovland, cello Matt Minteer, bass Bourrie 1 from Suite 43 inC Major Johann Sebastian Bach (1685-1750) John Sholund, bass guitar . Preguntale a Las Estrellas Latin American Folk Song Arr, Edward Kilenyi Christine Hoffman, mezzo-soprano Galina Zisk, piano Intorno all’idol mio Marco Antonio Cesti z (1623-1669) Christine Mennicke, soprano Galina Zisk, piano a a i a We ask that all members of the audience refrain from photographing or recording the performance. Please be sure that a all cell phones, beepers, alarms, and similar devices are turned off. cm A high-fidelity recording of this performance may be ordered. A @ brochure will be available following the performance. = You are invited to attend the next events of a The 2007 Lutheran Summer Music Festival: = Student Recitals a Christ Chapel & Room 214, and Room 106 Schaefer Fine Arts Center = Gustavus Adolphus College = Saturday, July 21st, 2007 10:30 AM, 12:00 PM, and 2:30 PM | al Jazz Ensemble Concert Bjérling Recital Hall «a Schaefer Fine Arts Center e Gustavus Adolphus College Saturday, July 21st, 2007 ea 1:00 PM e Festival Orchestra Concert e Christ Chapel a Gustavus Adolphus College Saturday, July 21st, 2007 e 7:00 PM = e This concert is the thirty-eighth event of = Lutheran Summer Music Festival 2007 = = «a «= ee se «= LUTHERAN. UMIME Ro ~~__ACADEMY & FESTIVAL Collegium Musicum S. -
UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat. -
ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
13Th February 2021 Dear All Tomorrow Is One of Those Strangely
13th February 2021 Dear all Tomorrow is one of those strangely named Sundays – the Sunday Next Before Lent. I’m not quite sure why the ‘next’ comes in , but it interesting that both of the penitential seasons in the church calendar have a countdown… 3rd Sunday before Advent, 2nd Sunday before Lent etc.. We often see Advent and Lent as periods leading up to the exciting seasons of Christmas and Easter, but the church calendar requires us to take them seriously in their own right. What will we be doing for Lent? Let’s gear ourselves up… get ready… set… and, go! In a recent letter I suggested a few books or courses you might be interested in. I also invited anyone to request an ash cross stone, to be left on their doorstep. Please let me know by Wednesday, so that I know how many to prepare. Tomorrow’s service details: Readings – 2 Kings 2: 1-12; 2 Corinthians 4: 3-6; Psalm 50: 1-6; Mark 9: 2-9 Hymns: Jesus on the mountain peak; ‘Tis good, Lord, to be here. Lent Course: Next Thursday is the day after Ash Wednesday, and so we will put our study of Mark’s gospel on hold, and instead follow our Lent Course. The details are the same as always: We will meet on Zoom, Thursdays 2.30-3.30ish pm. The Zoom details are: https://us04web.zoom.us/j/8109399155?pwd=STVVTU44RzJxTFFHbTY1MnI0bjJ2Zz09 Meeting ID: 810 939 9155 Passcode: 1w2C9a Please note that, on Thursday 25th February the Lent Course will take place in the morning , at 10.30am. -
Concerts Streaming on Demand
CONCERTS STREAMING ON DEMAND ‘PURE PLEASURE’ THE GUARDIAN | BBC MUSIC MAGAZINE THE INDEPENDENT | THE TIMES INSPIRING AUDIENCES WITH PASSIONATE PERFORMANCES www.armonico.org.uk Registered charity no. 1103159 These recordings were made possible by generous support from the Weston Culture Fund and the Arts Council / DCMS Culture Recovery Fund Streaming VICTORIA REQUIEM on Demand The final work by Tomas Luis de Victoria, and his greatest and final polyphonic work, his requiem or ‘Officium Defunctoum’ is an intensely expressive masterpiece. The mass in six parts was written in 1605 for the funeral of the daughter of Spanish Emperor Charles V and represents the pinnacle BRAND NEW of both Victoria’s art and Spanish Renaissance polyphony. Possibly the STREAMING ON DEMAND most human of all musical settings of the Requiem Mass, the emotional RELEASE DATE: 08 MARCH 21 | £7.50 While we’re waiting in the wings to return to the concert hall, gravitas of the text is communicated www.armonico.org.uk/ondemand Armonico Consort is bringing the music to you and crucially, with profound sensitivity. keeping our musicians in work. Streaming We are launching a brand new series of performances which will be available to on Demand stream on demand for you to enjoy from your own living room. The concerts NAKED BYRD I & II have been beautifully filmed and feature some of the choir’s favourite early music Armonico Consort presents an repertoire, starting on Monday 8 March with the glorious Renaissance masterpiece atmospheric performance of the music Victoria’s Requiem and our hugely successful Naked Byrd I programme. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
THE CLEVELAN ORCHESTRA California Masterwor S
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The Tenor and Pianist Miloš Bulajić Was Born 1989 in Bonn, Germany to a Musical Family
The tenor and pianist Miloš Bulajić was born 1989 in Bonn, Germany to a musical family. As a Belcanto-tenor (tenore di grazia) especially singing the works of Rossini, Donizetti, Bellini and Mozart he is one of the most promising young singers of his generation, so he allready sung lots of the leading roles from this repertoire in numerous operahouses and festivals across europe. Recently he was awarded with the prestigious Italian prize “Premio Arca d´oro Giovani Talenti” which is sponsored by the region of Piemonte and the City of Turin to outstanding young talents. At age seven Miloš Bulajić received piano lessons with Srboljub Dinić, then going on to study Piano at the Hans Eisler University of Music in Berlin and the Julius-Stern Institut in Berlin, graduating with his Concert-Diploma at the University of Music in Würzburg in 2014. He was particularly inspired by Professor Georg Sava (HfM Berlin). Between 1999 and 2002 he was a member of the Domchoir Berlin as well as a member of the children’s choir at the Staatsoper Unter den Linden, Berlin. During his time at the Staatsoper-childrenchoir he had performed as a soloist in numerous productions including TOSCA and LA BOHEME, working with conductors such as Philippe Jordan and Daniel Barenboim. Miloš Bulajić has studied singing with the late Professor Leandra Overmann at the University of Music in Würzburg. His roles there included Ferrando COSI FAN TUTTE, Fenton FALSTAFF and the dancing master ARIADNE AUF NAXOS (directed by Cheryl Studer). He has also taken part in masterclasses at “Accademia della Voce di Torino” with Mariella Devia and Luciana d´Intino. -
Calder Quartet, Terry Riley to Play Blum & Poe Gallery
Calder Quartet, Terry Riley to play Blum & Poe gallery - latime... http://www.latimes.com/entertainment/news/music/la-et-calder-r... latimes.com/entertainment/news/music/la-et-calder-riley-20110914,0,4944057.story latimes.com Calder Quartet, Terry Riley to play Blum & Poe gallery The young players (and their mentor) perform to raise money so they can commission new works. By Margaret Wappler, Los Angeles Times September 14, 2011 Los Angeles is teeming with places to perform if advertisement you're a rock band stoking dreams of becoming the next Arcade Fire, but what about a classically trained string quartet, one that can play with party guru Andrew WK or the National's stormy rock? The art world, ready to foster the kind of cross-pollination that sparked between Merce Cunningham and John Cage, is ready to receive you with open arms. It's a good thing, too, in a city where genre-jumping musicians have few mid-level-sized homes. Either play in the splendor of Walt Disney Concert Hall or the tiny confines of the Smell or Pehrspace. Or, in the case of local heroes Calder Quartet, talk to Tim Blum, co-owner of Culver City's prestigious Blum & Poe gallery. On Wednesday, the Calder Quartet will perform, followed by a piano set from their mentor Terry Riley, at an event designed to raise money for the group to commission new pieces. Hosted in Blum & Poe's new space partially conceived for interdisciplinary works, it's the kind of show that feels auspicious for its connective tissue between the art world and classical music that expands tradition to incorporate forays into rock, jazz, Indian raga or whatever catches the roaming ear. -
In Seclusion After Defeat
Hie Weadw f^*1ltt<Wll City o f rwogm Charm ▼OL. Lxzzvni, MO. m (TWENTT P A 6E S-T W 0 SECnONB-TABU)ID) MANCHESTER, CONN, MONDAY, APRIL 28, 1H9 « n g » I t ) PRICE TEN CENTS in Seclusion After Defeat ' -^1 Fails To Carry Party with Him Poher Takes Post O Weill Quits Post Pending Election PABE3 (AP)—Oharies de GauHe Sbeiiiied out of tbo Prenfeh preaidfnicy today and retired once more to U s home in eastern France, endfngr ntoie tfoan 10 tariio- lent years o f po>wer that profoundty altered the nsttioa's As Ulster ^s Chief political ouilook, eooookny anld foreign iMUcy. --- ---------------------- Da OauUa’s r a ‘ BEIiFAST, Northern Iie- ootna prime mtoistar unleac the cadoeatorOaik, on the otoar came affocMva at ‘^5? 1A0P)-Jctapt Terence UMcnlst party didntogratoa hand, has come out In total op- President Alain O^NeOl irenfgiMd today as O'NoUl fougtat a prolonged poattlon.to reform. ed him aa Interim t o w in e ndniater o f rlotJboni rearguard aotloo to preserve Any new Nortoam Ireland Foe Tackles aerve until . '-N'orthertj Ireland and said Unionist support for his leader prime mtatoter win have to take are held. Ihere he had quH to serve “ the ship and oo^ a week ago he into aooount toe parent Britlah ny of traswfar, aaS Da cause of refonn.’* muetered a frail eix-vote mar- Covemmant'a total commitment f/.S. Armor wsw in sactaakm a t hto , Oir«ni*s dapartnitt cam* aft fin eMhin toe party for the prin- to • reform system Inooiporat- Ootombay-toa-DancMBHa otple of ona«nan-«n»-voto in lo er waafes of poUtlaal tneulaBo* ing (he onn-man-ona-vote prtnol- I’kwnoe'w TS-yaaw«M that «niptad Into TrtilM|aiiai1 cal govammant elaotiona. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings.