Clinton Hill Papers M2534

Total Page:16

File Type:pdf, Size:1020Kb

Clinton Hill Papers M2534 http://oac.cdlib.org/findaid/ark:/13030/c8kw5p38 No online items Guide to the Clinton Hill Papers M2534 Department of Special Collections and University Archives 2020 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Clinton Hill Papers M2534 1 M2534 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Clinton Hill papers Creator: Hill, Clinton, 1922-2003 source: Clinton Hill/Allen Tran Foundation Identifier/Call Number: M2534 Physical Description: 30 Linear Feet(56 containers) Date (inclusive): circa 1930s-2000s Abstract: The papers of visual artist Clinton Hill (1922–2003) contains both his artwork and his archive, including correspondence, photographs, exhibit publicity, personal ephemera and other material. Preferred Citation [identification of item], Clinton Hill papers (M2534). Dept. of Special Collections and University Archives, Stanfordy Libraries, Stanford, California. Conditions Governing Use While Special Collections is the owner of the physical and digital items, permission to examine collection materials is not an authorization to publish. These materials are made available for use in research, teaching, and private study. Any transmission or reproduction beyond that allowed by fair use requires permission from the owners of rights, heir(s) or assigns. Conditions Governing Access Open for research. Note that material must be requested at least 36 hours in advance of intended use. Immediate Source of Acquisition Gift, 2019. Accessions 2019-390 and 2019-475. Scope and Contents The papers of visual artist Clinton Hill (1922–2003) contains both his artwork and his archive, including correspondence, photographs, exhibit publicity, personal ephemera and other material. Hill, whose formative years as an artist took place largely in New York in the 1950s and 1960s during the heyday of abstract expressionism, created an extensive and varied body of work. His paintings, mixed-media works on paper, assemblages, sculptures, and prints embodied a variety of styles making his work somewhat difficult to categorize. What is evident, however, are indelible links to abstraction, minimalism, and constructivism. His strength as a colorist, the lyricism of his geometric lines, and his boundless appetite for experimentation with materials and process are some of the defining elements of his oeuvre. Hill was raised on a ranch in Payette, Idaho. His training as an artist began in Oregon in the 1940s, continued in Italy and France in the 1950s, and ended at the Brooklyn Museum Art School in New York (1949–1951). In New York, his teachers included German expressionist painter Max Beckmann and John Ferren, a founding member of The Club, a group formed by Abstract Expressionists in the 1950s. In New York, Hill participated in group exhibitions at the Korman Gallery, showing alongside artists like Alex Katz and Vincent Longo, and held his first solo show at the Zabriskie Gallery in 1955. In the 1960s through the 1980s, he taught art at the City University of New York. Hill's contemporaries and friends included Mark Rothko, Barnett Newman, Helen Frankenthaler, Man Ray, and Robert Motherwell, among others. In the 1970s, Hill traveled to Woodstock Valley, Connecticut to take part in John and Kathyrn Koller's experimental paper workshop. This event proved transformative for Hill's work as he began to incorporate handmade paper and paper pulp into his art practice, and to explore the myriad of ways that paper could be manipulated (dying, tearing, cutting, embossing, etc). By using paper pulp and other materials such as fiberglass, string, wood, and plastics, Hill's artworks came to resemble relief paintings with strong sculptural qualities that pushed the limits of two-dimensional expressions. Hill's works can be found in the permanent collections of numerous museums/galleries, including the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of Art, and the Guggenheim Museum (New York), the Victoria and Albert Museum (London), Getty Research Institute (Los Angeles), Baltimore Museum of Art, Amon Carter Museum of American Art (Fort Worth), and others. The collection contains dozens of artworks on paper, including prints, drawings, mixed media watercolor/collage, handmade paper, maquettes, sketchbooks, & woodblocks. Correspondence with artists such as Vincent Longo, Leo Rabkin, Sideo Fromboluti, Barbara Chase-Riboud, Tom Doyle, and Beat Generation writer Jay DeFeo is also included. Business papers, photographs, ephemera, slides, maquettes, books from the artist's library, and documentation of Hill's career as an opera singer round out the rest of the archive. adapted from article by D. Vanessa Kam, Head Librarian, Bowes Art and Architecture Library https://library.stanford.edu/blogs/stanford-libraries-blog/2019/08/announcing-archive-visual-artist-clinton-hill Guide to the Clinton Hill Papers M2534 2 M2534 Subjects and Indexing Terms Artists -- United States. Clinton Hill/Allen Tran Foundation Series 1. Correspondence Box 24, folder 6-7 Doris Matthews circa 1966-2001 Box 24, folder 8 Pat Adams & Vincent Longo 1957-1980 Creator: Longo, Vincent, 1923- Creator: Adams, Pat, 1928- Box 24, folder 9 Jay DeFeo 1960-1966 Creator: DeFeo, Jay, 1929-1989 Box 24, folder 10 [Jo &/or Irv] Boyar circa 1960-1961 Box 24, folder 11 Pat Adams 1960-2002 Creator: Adams, Pat, 1928- Box 24, folder 12 card from Nikki, Demetra & Ed 1956 Box 24, folder 13 letter from unknown (possibly Pat Adams) 1980 Box 25, folder 1 Martha Bloom card 1982 Box 25, folder 2 Colleen card 1994 Box 25, folder 3 Pat [Hammerson?] card 1994 Box 25, folder 4 Cynthia card Box 25, folder 5 Mary P. 1965 Box 25, folder 6 Louis Di Zenno 1954 Box 25, folder 7 Personal correspondence from Clinton & Allen Box 25, folder 8 Martica Sawain card Box 25, folder 9 Johnny Koch 1959 Box 25, folder 10 Kelly Chamberlain 1966 Box 25, folder 11 Jo & Irv [Boyar] card 1960 Box 25, folder 12 Mary & Jack De Merchant 1960 Box 25, folder 13 Hui 1959-1961 Box 25, folder 14 Boyars 1956-1960 Box 25, folder 15 Kate Hanley [grandmother] 1946 Box 25, folder 16 Mom & Dad 1955 Box 25, folder 17 letters to Hill in India 1956 Box 25, folder 18 Thomas George (one postcard to Zabriskie Gallery re: Hill, one letter to Hill care of David Herbert Gallery) 1955, 1960 Box 25, folder 19 Bordighera Tourist Office re: 1st Exhibition of American Painters in Europe (La Mostra dei pittori americani in Europa) 1952 Box 25, folder 20 Allen Tran 1956-1959 Box 25, folder 21 Miscellaneous postcards (Dorothea Speyer, Barbara Chase, Diana & Larry Fane, Sergio Tossi) Box 25, folder 22 Henry L. Hess Jr. 1956 Box 25, folder 23 Neussein Francois postcard to Mademoiselle De Berly 1913 Box 25, folder 24 David Acton Box 25, folder 25 Al & Don to Clinton & Allen Box 25, folder 26 Unsigned postcard 1954 Box 25, folder 27 Letter from "P?" 1981 Box 25, folder 28 Small collage signed Rochelle Box 25, folder 29 Thank you letter signed "Ch." 1980 Box 25, folder 30 Dorothy Fratt 1967 Guide to the Clinton Hill Papers M2534 3 M2534 Series 1. Correspondence Box 25, folder 32 Gustav D. Klimann re: conservation of Hill's Mike Rothko "Black over Blue" painting (with photographs) 1972 Box 25, Folder 34 James Tuley Box 25, folder 35 Tran family to Allen & Clinton Box 25, folder 36 Letters with illegible names Box 25, folder 37 Institute of International Education 1967 Box 25, folder 38 Joe [Stefanelli?] Box 26 Miscellaneous postcards mostly 1980s-1990s Scope and Contents Majority are signed with first name only. Series 2. Clinton Hill artwork Sketchbooks and sketches Scope and Contents Includes larger series of nude life drawings on large sketchbook paper. Box 29, folder 1 D.1970.003 Box 29, folder 2 D.1970.006 Box 29, folder 3 D.1970.007 Box 30, folder 1-2 Plants/flora Mostly Summer 1972 Box 30, folder 3 [Figure drawing with purple watercolor] Box 30, folder 4 [Two figure drawings in pencil on one sheet] Box 30, folder 5 [Figure drawing in pencil] Box 30, folder 6 [Three simple figure drawings] Box 30, folder 7-8 [Several figure drawings, various media] Box 30, folder 9 [Figure drawings - couples] Box 30, folder 10 [Several figure portraits in ink] Box 30, [several figure portraits in ink and brown watercolor] folder 11-14 Box 31, [figure drawings in various media, some dated 1971] folder 1-20 Box 32, volume 1 [bound in wood] March-April 1995 Box 32, volume 2 [yellow spiral ring notebook with drawing on cover] 1994-1996 Box 32, volume 3 12 Days in July 1986 Box 32, volume 4 [small notebook bound in black leather] 1996-1997 Box 32, volume 5 ["C. Hill 1989" sketch pad with red paper cover, only partially filled] July 1989 Box 32, volume 6 [green hard bound sketch book, ink drawing on cover] Box 33, volume 1 [bound in black leather, some notes & addresses] 1995-1996 Box 33, volume 2 [Omni brand sketchbook] 1986 Box 33, volume 3 [National brand notebook] Box 33, volume 4 [hard bound, with "Radioactive Materials" sticker] Box 33, volume 5 [Strathmore brand spiral bound sketchbook] 1988-1990 Box 33, volume 6 [spiral bound, white plastic covers] 1997-1998 Box 33, volume 7 [spiral bound with artwork on cover] 1986-1988 Box 34, folder 1 [spiral ring notebook, cover blacked out] 1985-1986 Box 34, folder 2 [black Filrose sketch pad] July 1968 Box 35, folder 1 [small sketchbook with drawing on cover] 1988 Box 35, folder 2 [small sketchbook with drawing on cover] 1995-1995 Paintings & drawings - works on paper Box 36, folder 1 Traces Box 36, folder 2 Hill Christmas card Box 36, folder 3-9 Hand-painted Marilyn Pearl Gallery exhibit notices 1989 Guide to the Clinton Hill Papers M2534 4 M2534 Series 2.
Recommended publications
  • Pat Adams Selected Solo Exhibitions
    PAT ADAMS Born: Stockton, California, July 8, 1928 Resides: Bennington, Vermont Education: 1949 University of California, Berkeley, BA, Painting, Phi Beta Kappa, Delta Epsilon 1945 California College of Arts and Crafts, summer session (Otis Oldfield and Lewis Miljarik) 1946 College of Pacific, summer session (Chiura Obata) 1948 Art Institute of Chicago, summer session (John Fabian and Elizabeth McKinnon) 1950 Brooklyn Museum Art School, summer session (Max Beckmann, Reuben Tam, John Ferren) SELECTED SOLO EXHIBITIONS 2017 Bennington Museum, Bennington, Vermont 2011 National Association of Women Artists, New York 2008 Zabriskie Gallery, New York 2005 Zabriskie Gallery, New York, 50th Anniversary Exhibition: 1954-2004 2004 Bennington Museum, Bennington, Vermont 2003 Zabriskie Gallery, New York, exhibited biennially since 1956 2001 Zabriskie Gallery, New York, Monotypes, exhibited in 1999, 1994, 1993 1999 Amy E. Tarrant Gallery, Flyn Performing Arts Center, Burlington, Vermont 1994 Jaffe/Friede/Strauss Gallery, Dartmouth College, Hanover, New Hampshire 1989 Anne Weber Gallery, Georgetown, Maine 1988 Berkshire Museum, Pittsfield, Massachusetts, Retrospective: 1968-1988 1988 Addison/Ripley Gallery, Washington, D.C. 1988 New York Academy of Sciences, New York 1988 American Association for the Advancement of Science, Washington, D.C. 1986 Haggin Museum, Stockton, California 1986 University of Virginia, Charlottesville, Virginia 1983 Image Gallery, Stockbridge, Massachusetts 1982 Columbia Museum of Art, University of South Carolina, Columbia,
    [Show full text]
  • Download Lot Listing
    IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, May 10, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, May 10, 2017 at 11am EXHIBITION Saturday, May 6, 10am – 5pm Sunday, May 7, Noon – 5pm Monday, May 8, 10am – 6pm Tuesday, May 9, 9am – Noon LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-118 Elsie Adler European 1-66 The Eileen & Herbert C. Bernard Collection American 67-118 Charles Austin Buck Roberta K. Cohn & Richard A. Cohn, Ltd. POST-WAR & CONTEMPORARY ART 119-235 A Connecticut Collector Post-War 119-199 Claudia Cosla, New York Contemporary 200-235 Ronnie Cutrone EUROPEAN ART Mildred and Jack Feinblatt Glossary I Dr. Paul Hershenson Conditions of Sale II Myrtle Barnes Jones Terms of Guarantee IV Mary Kettaneh Information on Sales & Use Tax V The Collection of Willa Kim and William Pène du Bois Buying at Doyle VI Carol Mercer Selling at Doyle VIII A New Jersey Estate Auction Schedule IX A New York and Connecticut Estate Company Directory X A New York Estate Absentee Bid Form XII Miriam and Howard Rand, Beverly Hills, California Dorothy Wassyng INCLUDING PROPERTY FROM A Private Beverly Hills Collector The Collection of Mr. and Mrs. Raymond J. Horowitz sold for the benefit of the Bard Graduate Center A New England Collection A New York Collector The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection A Private
    [Show full text]
  • MAY09:Fall05
    THE MAGAZINE OF MUHLENBERG COLLEGE JUNE 2009 Cardinal & Grey Homecoming Page 16 • Appreciating Legacy Page 18 • Boots, Bras…and Courts Page 20 JUNE 2009 MAGAZINE DEPARTMENTS 1 President’s Message 2 Door to Door 8 Spotlight on Philanthropy 10 Alumni News 14 State of the Arts 22 Class Notes Muhlenberg magazine 32 The Last Word is published quarterly by 33 Meet the Press the Public Relations Office Muhlenberg College 2400 West Chew Street Allentown, PA 18104 www.muhlenberg.edu www.myMuhlenberg.com PHONE:484-664-3230 FAX:484-664-3477 E- MAIL: [email protected] CREDITS 12 16 18 Dr. Peyton R. Helm PRESIDENT Michael Bruckner FEATURES VICE PRESIDENT FOR PUBLIC RELATIONS 12 Trexler Library: Home to Pieces of Ancient History Jillian Lowery ’00 EDITOR 16 Cardinal & Grey Homecoming DIRECTOR OF COLLEGE 18 Appreciating Legacy COMMUNICATIONS Mike Falk 20 Boots, Bras...and Courts SPORTS INFORMATION DIRECTOR Cover image: A different perspective of the Trexler Library. See page 7 and the feature on pages 12 and 13 for more on the library. DESIGN: Tanya Trinkle Photo credit: Peter Finger All professional photography WANT MORE MUHLENBERG NEWS? If you want to see more news about Muhlenberg College, please sign up for the monthly by Amico Studios, Jesse Dunn e-mail newsletter, @Muhlenberg. It’s free, and it’s delivered right to your computer. If you are interested, please send your e-mail address and Paul Pearson Photography to [email protected] and request to be added to our e-mail newsletter subscription list. Keep up-to-date with all happenings unless otherwise noted.
    [Show full text]
  • University of 2009 Football
    UUniversityniversity ooff 2009 Football CHARGER FOOTBALL QUICK FACTS University of New Haven Football President: .....................................................Dr. Steven H. Kaplan Head Coach: ....................................................Peter Rossomando Location: ...................................................West Haven, CT 06516 Record at UNH: ........................................................First Season Founded: ................................................................................ 1920 Collegiate Record: ..................................................................0-0 Enrollment: ........................................................................... 3,163 Offi ce Phone: ....................................................(203) 932-7023 Colors: ..........................................................................Blue & Gold e-mail: [email protected] Nickname:........................................................................ Chargers 2008 Record: ..............................................................Did not play Web Page: ......................................................www.newhaven.edu All-Time Record: ..................................................171-126-5 (.571) First Year of Football: ...........................................1973 (31 years) Charger Athletics Assistant Coaches: ............................Scott James, Daryl Daleen, Director of Athletics: ................................................Deborah Chin
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]
  • Painterly Representation in New York: 1945-1975
    PAINTERLY REPRESENTATION IN NEW YORK, 1945-1975 by JENNIFER SACHS SAMET A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2010 © 2010 JENNIFER SACHS SAMET All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Dr. Patricia Mainardi Chair of the Examining Committee Date Dr. Patricia Mainardi Acting Executive Officer Dr. Katherine Manthorne Dr. Rose-Carol Washton Long Ms. Martica Sawin Supervision Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract PAINTERLY REPRESENTATION IN NEW YORK, 1945-1975 by JENNIFER SACHS SAMET Advisor: Professor Patricia Mainardi Although the myth persists that figurative painting in New York did not exist after the age of Abstract Expressionism, many artists in fact worked with a painterly, representational vocabulary during this period and throughout the 1960s and 1970s. This dissertation is the first survey of a group of painters working in this mode, all born around the 1920s and living in New York. Several, though not all, were students of Hans Hofmann; most knew one another; some were close friends or colleagues as art teachers. I highlight nine artists: Rosemarie Beck (1923-2003), Leland Bell (1922-1991), Nell Blaine (1922-1996), Robert De Niro (1922-1993), Paul Georges (1923-2002), Albert Kresch (b. 1922), Mercedes Matter (1913-2001), Louisa Matthiasdottir (1917-2000), and Paul Resika (b. 1928). This group of artists has been marginalized in standard art historical surveys and accounts of the period.
    [Show full text]
  • Wednesday, November 9, 2016 NEW YORK
    Wednesday, November 9, 2016 NEW YORK In the collaborative hands of Jacques Grüber, Louis Majorelle DOYLE+DESIGN Spanning the past 125 years, this sale takes and Daum Frères, an otherwise ordinary chandelier has seemingly without effort been transformed into a naturalistic AUCTION a look at design that has transformed the organic flower, forever captured at the pinnacle of its beauty. Wednesday, November 9, 2016 way we use living spaces while questioning at 10am (Eastern) This exceedingly rare and spectacular bronze and leaded where we draw the line between fine art glass chandelier with its three colorful and vibrant pendant EXHIBITION blossoms evocative of butterfly wings, was installed in about Saturday, November 5, 10am – 5pm and furniture and decorative objects. 1903 in the residence or hôtel particulier of Paul Luc, located Sunday, November 6, 12pm – 5pm Monday, November 7, 10am – 6pm From Tiffany glass to Chihuly glass, Joseph Hoffmann furniture to George Nakashima LOCATION Bold & Fanciful Doyle furniture, the objects in this sale show how 175 East 87th Street at 25, Rue de Malzéville, in Nancy, France. Luc's home was New York, NY 10128 each generation broke the mold of design certainly magnificent. It was built between 1901 and 1902 on a large parcel of land that he shared with his younger brother CONTACTS from those that came before. Specialists: Design–Todd Sell, 212-427-4141, ext 269, Victor, who also built a residence next door at 27, rue de [email protected]. Art–Angelo Madrigale and Malzéville. The impressive chandelier reputedly adorned Harold Porcher, 212-427-4141, ext 249, Paintings.
    [Show full text]
  • G18 Marianist Lay Communities.Pdf
    Marianist Lay Communities Chapter 18 BHMS 2016 245 Chapter 18 Copyright © 2016 by NACMS, Dayton, Ohio. All rights reserved. BHMS 2016 246 Chapter 18 The Rise of Marianist Lay Communities Since the early 1900s, a significant development for Marianists has been the gradual reappearance of adult lay communities. This development into the twenty-first century is traced in the following short chronology of events. General History 1920s Mass Leagues, members were the parents of SM and their purpose was to support perseverance of their sons in the order. During spiritual and social gatherings, collections would be held to raise money to have Masses said for the brothers. These Leagues were located in Detroit (1921) and Baltimore (1925) as well as other cities. Membership later included people other than parents. 1930- Chaminade Clubs: Baltimore (1939), Dayton (1944), International Meeting (1948). (see also: 1948 Marianist Co-workers: Miriam Guilds, Parents’ Groups) 1946 First Teacher Institute held as result of new enthusiasm among SM for high school Sodalities. At this first meeting, it was decided to publish a magazine called Marianist Sodality Moderator. John Dickson was the first editor. 1947 Sodality Secretariat, an office to coordinate the high school Sodality efforts of the Cincinnati Province and link these two groups of adults forming around Marianist interests. Gabriel Rus and John Dickson provided leadership. 1948 Marcy I was held in Marcy, NY. Pivotal meeting of high school sodality moderators. Participants were committed to embody Chaminade’s vision by starting and sustaining high school Sodalities. 1940s Rise of CEMI (Congregación-estado de María Inmaculada) in Spain and Consacrées in France (very much like the State) 1950 National Association of Marianist Organizations (NAMO) established.
    [Show full text]
  • A Finding Aid to the Elisabeth Zogbaum Papers Regarding Franz Kline, 1892-Circa 2005, Bulk 1930-1990, in the Archives of American Art
    A Finding Aid to the Elisabeth Zogbaum Papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990, in the Archives of American Art Rihoko Ueno 2018/03/27 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Franz Kline Biographical Material, 1925-1962, circa 1998........................ 5 Series 2: Correspondence, 1929-1998.................................................................... 7 Series 3: Estate of Franz Kline, 1955-1991........................................................... 10 Series 4: Franz Kline Foundation,
    [Show full text]
  • Pat Adams PR.Update02.13.2020 Formatted
    Updated March 14, 2020 – For Immediate Release Pat Adams: Works from the 1970s and 80s March 14 through April 25, 2020 While closely monitoring local, state and federal mandates and guidance on COVID-19, Alexandre Gallery will now be open to the public by appointment only during regular Tuesday through Saturday business hours. To schedule an appointment, please either call the gallery at 212-755-2828 or email at [email protected]. ALL PUBLIC EVENTS FOR PAT ADAMS ARE POSTPONED INDEFINITELY. Pat Adams, Out Come Out, 1980, oil, isobutyl methacrylate, pastel, mica, eggshell and sand on linen, 80 x 80 inches. The gallery is pleased to present its first exhibition of Pat Adams’s paintings and drawings, Works from the 1970s and 80s. This show includes sixteen works on paper, six major paintings and marks the first major New York presentation of Adams’s work since 2008 and the close of her longtime former dealer’s gallery, Zabriskie. In 2017 Adams’s work was the subject of a career retrospective at the Bennington Museum in Vermont. Over decades Pat Adams (American, b. 1928) has developed a complex abstract visual vocabulary to explore metaphysical ideas in both her large-scale paintings and intimate works on paper. Adams’s worldview, combined with an intense focus on visuality and an awareness of the psychology of perception—how we see, feel, and comprehend the world—has its origins during her childhood in California and was solidified in her years of study at the University of California, Berkeley. In addition to art, Adams studied anthropology, paleontology, psychology, and physics, which impressed her both on the complexity of the phenomenal world, and the significance of primary, intrinsic constructs in how we perceive and comprehend that world.
    [Show full text]
  • Jean-Noel Archive.Qxp.Qxp
    THE JEAN-NOËL HERLIN ARCHIVE PROJECT Jean-Noël Herlin New York City 2005 Table of Contents Introduction i Individual artists and performers, collaborators, and groups 1 Individual artists and performers, collaborators, and groups. Selections A-D 77 Group events and clippings by title 109 Group events without title / Organizations 129 Periodicals 149 Introduction In the context of my activity as an antiquarian bookseller I began in 1973 to acquire exhibition invitations/announcements and poster/mailers on painting, sculpture, drawing and prints, performance, and video. I was motivated by the quasi-neglect in which these ephemeral primary sources in art history were held by American commercial channels, and the project to create a database towards the bibliographic recording of largely ignored material. Documentary value and thinness were my only criteria of inclusion. Sources of material were random. Material was acquired as funds could be diverted from my bookshop. With the rapid increase in number and diversity of sources, my initial concept evolved from a documentary to a study archive project on international visual and performing arts, reflecting the appearance of new media and art making/producing practices, globalization, the blurring of lines between high and low, and the challenges to originality and quality as authoritative criteria of classification and appreciation. In addition to painting, sculpture, drawing and prints, performance and video, the Jean-Noël Herlin Archive Project includes material on architecture, design, caricature, comics, animation, mail art, music, dance, theater, photography, film, textiles and the arts of fire. It also contains material on galleries, collectors, museums, foundations, alternative spaces, and clubs.
    [Show full text]
  • Dord Fitz Collection Warning: Collection Contains Nudity
    University of Oklahoma Libraries Western History Collections Dord Fitz Collection Warning: Collection contains nudity Fitz, George (Dord) Edward (1914-1989). Papers, 1928-1989. 10 feet. Artist, art educator, and gallery owner. A childhood lisp caused him to pronounce his first name “Dord,” and he began using it officially in 1933. Materials include Fitz’s correspondence, military records, exhibition brochures, newspaper articles, and sales records (1928-1989); as well as his files on artists carried in the Dord Fitz Gallery (1948-1989); records regarding his art students and student art shows at the Dord Fitz School of Art (1951-1980); and other papers reflecting his interests and activities. Notable artists in the collection include Elaine de Kooning, Louise Nevelson, and Charlie Bunnell. Box 1 Folder: 1. Fitz, Dord. Essay containing personal stories about the artists he associated with as well as his own personal philosophy regarding the meaning of art, n.d. Bordelon, Melinda. “The Day the Art Came to Visit.” The beginning of Fitz’s art movement and its impact. Published in Accent West, April 1985. 2. Bartsct, Heri Bert. Materials concerning sculptor Heri Bert Bartsct including articles, essays and exhibitions. Photos removed to photo collection. 1957-1968. 3. Bell, Larry. Materials concerning artist Larry Bell including sales records, exhibitions, and gallery booklets featuring his works. 1981-1986. 4. Boynton, Jack (James). Materials concerning artist Jack “James” Boynton including articles, history, correspondence, and gallery booklets featuring his work. 1959-1981. 5. Brooks, James. Materials concerning artist James Brooks including sales records, correspondence, and a full color essay booklet featuring images of his work.
    [Show full text]