DOCSLIB.ORG

Post-War & Contemporary

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Post-War & Contemporary IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Tuesday, November 1, 2016 NEW YORK POST WAR ART Lot 190 Property from Estate of Victor Shanok 122 Joseph Hirsch 120 American, 1910-1981 Salvador Dalí Trucker Spanish, 1904-1989 Oil on canvas The Tienta, circa 1962 34 1/2 x 30 inches (87.63 x 76.2 cm) Signed Dalí (lc), embossed with artist’s mark (ll) Provenance: Ink on paper Estate of the artist 14 x 11 inches (35.56 x 27.94 cm) C Provenance: $4,000-6,000 Global Fine Arts Ltd., New York Acquired from the above, Feb 16, 1977 This work is accompanied by a certificate of authenticity Property from A Prominent New York Family issued by S.D. Research Center, Inc., NY, and signed by Alex J. Rosenberg, Archived as #SD172 123 C Robert Remsen Vickrey $10,000-15,000 American, 1926-2011 The Shadow, circa 1960 Signed Robert Vickrey (lr) 120 Property from Estate of Victor Shanok Tempera on Masonite 16 x 24 inches (40.64 x 60.96 cm) 122 121 Salvador Dalí Provenance: Spanish, 1904-1989 Midtown Galleries, New York Don Quixote, 1962 C Signed Dalí and dated 1962 (lr), embossed with artist’s $4,500-6,500 mark (ll) Ink on paper 14 x 11 inches (35.56 x 27.94 cm) Provenance: Global Fine Arts Ltd., New York Acquired from the above, Feb 16, 1977 This work is accompanied by a certificate of authenticity issued by S.D. Research Center, Inc., NY, and signed by Alex J. Rosenberg, archived as #SD170 C $10,000-15,000 123 121 4 DOYLE • NOVEMBER 1, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 5 Property from A New England Collection 125 Paul Cadmus American, 1904-1999 Male Nude NM 176A Signed Cadmus and inscribed NM 176A (lr) Black and white crayon on gray Strathmore paper 24 1/4 x 19 inches (64.13 x 48.26 cm) Provenance: Midtown Payson Galleries, New York Collection of Mr. Josh Strychalski, New York C $10,000-15,000 Property from A New England Collection 126 Paul Cadmus American, 1904-1999 Kunisada Chez, #2 Nous (Study for See No Evil, Speak No Evil), 1985 Signed Cadmus (ul), inscribed Kunisada Chez Nous/see no evil, speak no evil, etc./The book of intolerance?/The book of Alphabetical?/The book /by/Marx/Falwel/Hitler/ Jehovah/Khomeni/John Paul II/Ayn Rand/Kunisada Chez Vous (Study #2 for See No Evil, Speak No Evil, etc.) in bottom margin Pencil and crayon on paper Image size 11 3/8 x 19 1/8 inches (28.89 x 48.57 cm), sheet size 15 x 21 5/8 inches (38.1 x 54.92 cm) Provenance: The artist [DC Moore Gallery, New York] 125 Exhibited: The Artist as Subject: Paul Cadmus, Feb. 4 - Mar. 6, 1993, Midtown Payson Galleries, New York C $8,000-12,000 123A 124 123A Property from A New England Collection Wolf Kahn German/American, b. 1927 124 Blue Barn, 1975 Paul Cadmus Signed W. Kahn (lr), inscribed #28 and dated 1975 on American, 1904-1999 the reverse Study for Rise and Fall (Final Study for Painting) Oil on canvas Inscribed Up & Down/Fall Street Journey/Tall Story 28 x 36 inches (71.12 x 91.44 cm) Journal/Rise & Fall/for love or money/Tall Street Journal/#3 in margin (lr) Provenance: Crayon on gray Strathmore paper Grace Borgenicht Gallery, New York Image size 24 1/2 x 9 1/2 inches (62.23 x 24.13), Private collection sheet size 25 1/8 x 12 3/4 inches (63.81 x 32.38 cm) C $15,000-20,000 Provenance: The artist [DC Moore Gallery, New York] C $10,000-15,000 126 6 DOYLE • NOVEMBER 1, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7 130 Property from Sara T. and John D. Davies Collection 129 Hughie Lee-Smith Untitled (Head of a Girl), 1952 Signed Lee-Smith and dated 52 (ll) Oil on Masonite 11 x 8 inches (27.95 x 20.32 cm) 127 129 Exhibited: Hughie Lee-Smith: Retrospective Exhibition, Nov. 5, 1988 - Jan. 2, 1989, New Jersey State 127 Museum, Trenton, traveled to Chicago Cultural Center, Palmer Cole Hayden Feb 4 - Mar 18, 1989 American, 1890-1973 C Singing Teamster, 1955 $5,000-7,000 Signed Palmer Hayden and dated 55 (lr), signed Palmer C. Hayden and inscribed as titled on the reverse 130 Oil on canvas Nell Blaine 20 x 24 inches (50.8 x 60.96 cm) American, 1922-1996 • Lanesville Rocks and Coastline, 1958 $15,000-20,000 Signed N. Blaine and dated 1958 (lr), inscribed as titled on the mat Ink on paper Property from 23 x 29 inches (58.42 x 73.66 cm) Sara T. and John D. Davies Collection Unframed 128 Provenance: Hughie Lee-Smith The artist American, 1915-1999 John Krushenick Cats Cradle, 1949 Thence by descent to the present owner Oil on Masonite C 11 3/4 x 9 1/2 inches (29.84 x 24.13 cm) $2,500-3,500 Provenance: Acquired from the Detroit Artist’s Market, 131 1949, by Sara T. Davies Jan Matulka Thence by descent to the estate American, 1890-1972 Untitled (New England Landscape) Exhibited: 131 Signed Matulka (ll) Hughie Lee-Smith: Retrospective Exhibition, 20 x 26 inches (50.8 x 66.04 cm) Nov. 5, 1988 - Jan. 2, 1989, New Jersey C State Museum, Trenton, traveled to Chicago $7,000-9,000 128 Cultural Center, Feb 4 - Mar 18, 1989 C $5,000-7,000 8 DOYLE • NOVEMBER 1, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9 132 Gerrit Benner Dutch, 1897-1981 Untitled Signed Benner on the reverse Oil on canvas 22 1/4 x 18 1/4 inches (56.51 x 46.35 cm) C $10,000-15,000 133 James Castle American, 1899-1977 Untitled (Farm) Soot on found paper 9 1/8 x 12 1/8 inches (23.177 x 30.48 cm) Unframed C $7,000-9,000 132 134 134 Zoran Music Italian, 1909-2005 Donne con Cavalli, 1950 Signed Music and dated 1950 (lc), signed Music, dated 1950 and inscribed as titled on the reverse Oil on canvas 15 1/4 x 18 1/4 inches (38.73 x 46.35 cm) C $20,000-30,000 133 10 DOYLE • NOVEMBER 1, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 11 135 Fortunato Depero Italian, 1892-1960 Untitled (Tapestry) Signed with embroidered signature Fortunato Depero (ur) Varied cloth with colored thread on canvas backing and borders 32 x 32 inches (81.28 x 81.28 cm) C $20,000-30,000 135 136 136 Alexander Calder American, 1898-1976 Bracelet, circa 1955 Silver 2 x 2 1/4 x 2 inches (5.08 x 5.71 x 5.08 cm), 38.3 dwt. Provenance: The artist Loren MacIver Frankenberg Alexandre Gallery C $50,000-70,000 12 DOYLE • NOVEMBER 1, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 13 138 Sidney Robert Nolan Australian, 1917-1992 Sonnet no. 53, 1967 Signed Nolan (lr), signed Nolan, inscribed Shakespeare’s Sonnets/3rd July 1967 and inscribed as titled on the reverse Mixed media on paper 24 3/4 x 19 7/8 inches (62.86 x 50.48 cm) Provenance: The artist The Macquarie Galleries Exhibited: Sidney Nolan: Shakespeare Sonnets, The Macquarie Galleries, Sydney, Australia, Sep. 27 - Oct. 14, 1967, no. 11 C $3,000-5,000 139 Frederick Ronald Williams Australian, 1927-1982 The Murrumbidgee River at Cavan, 1977 Signed Fred Williams (ll), inscribed as titled and dated Cavan 1977 on the reverse Oil on paper 22 x 30 1/2 inches (55.88 x 77.47 cm) C $25,000-35,000 138 137 137 Henry Moore British, 1989-1986 Standing Man and Woman, 1981 Signed Moore and numbered 3/9 Bronze with brown patina, cast in an edition of 9 plus 1 Height 7 1/4 inches (18.41 cm) Literature: Henry Moore: Complete Sculpture, 1980-1986, Vol. VI, A Bowness, listed as item 833, p. 46, illus, another cast. C $40,000-60,000 139 14 DOYLE • NOVEMBER 1, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 15 Property from a New York Estate 140 Moshe Tamir Israeli, 1924-2004 Untitled Signed M. Tamir, and in Hebrew (ll) Oil on board 40 1/4 x 26 3/4 inches (102.23 x 67.94 cm) C $5,000-7,000 142 Charles Green Shaw 141 American, 1892-1974 Milton Avery Untitled American, 1885-1965 Signed Shaw (lr) Approaching Storm, 1938 Oil on canvas Signed Milton Avery (lr), signed Milton 24 x 18 inches (60.96 x 45.72 cm) Avery, dated 1938, numbered B7395 and C inscribed as titled on the reverse $7,000-9,000 Watercolor on paper 22 1/4 x 30 3/4 inches (56.51 x 78.1 cm) Provenance: Grace Borgenicht Gallery, New York Waddington Fine Art, Ltd., London Exhibited: Milton Avery: Paintings of Canada, Feb. 1986 - Mar. 1987, The Agnes Etherton Art Centre, Queens University, Ontario C $50,000-100,000 142 140 143 Irene Rice Pereira American, 1907-1971 Sparkle of the Heart, circa 1953 Signed I. Rice Pereira (lr), inscribed The sparkle of the heart/forms the diamond sun/forms the diamond sun on the reverse Oil on canvas 56 x 50 inches (142.24 x 127 cm) Provenance: Kennedy Galleries, New York C $5,000-7,000 141 143 16 DOYLE • NOVEMBER 1, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 17 144 Joseph Lacasse Belgian, 1894-1975 Untitled, 1948 Dated 1948, inscribed This is a Joseph Lacasse work, Blanche Dombek and Rose Fried on the reverse Oil on canvas 38 1/2 x 31 3/4 inches (97.79 x 80.64 cm) Provenance: Rose Fried Gallery C $8,000-12,000 144 146 Property from Estate of Susanne Schnitzer 146 Franz Kline 145 American, 1910-1962 Rolph Scarlett Untitled, circa 1957 American, 1889-1984 Signed Kline (lr) Untitled (Blue Nose), circa 1952 Oil on paper board Signed Scarlett (lr) 9 1/4 x 11 3/8 inches (23.5 x 28.75 cm) Oil on canvas 30 x 40 inches (76.2 x 101.6 cm) Provenance: C Estate of the artist $3,000-5,000 Orin Riley Thence by descent to Suzanne Schnitzer This work is accompanied by a letter of authenticity from David McKee, with estate designation no.
Load more

Recommended publications
  • The Emergent Decade : Latin American Painters and Painting In
    a? - H , Latin American Painters and Painting in trie 1'960's THE - -y /- ENT Text by Thomas M. Messer Artjsts' profiles in text and pictures by Cornell Capa DEC THE EMERGENT DECADE THE EMERGENT DECADE Latin American Painters and Painting in the 1960's Text by Thomas M. Messer Artists' profiles in text and pictures by Cornell Capa Prepared under the auspices of the Cornell University Latin American Year 1965-1966 and The Solomon R. Guggenheim Museum > All rights reserved First published 1966 Library of Congress Catalog Card Number: 66-15382 Design by Kathleen Haven Printed in Switzerland bv Buchdruckerei Winterthur AG, Winterthur CONTENTS All text, except where otherwise indicated, is by Thomas M. Messer, and all profiles are by Cornell Capa. Foreword by William H. MacLeish ix Acknowledgments xi Introduction xm Brazil Correspondence: Thomas M. Messer and Marc Berkowitz 3 Primitive Art 16 Profile: Raimundo de Oliveira 18 Uruguay Uruguayan Painting 29 Argentina Correspondence: Thomas M. Messer and Samuel Paz 35 Profile: Rogelio Polesello and Martha Peluffo 48 Expatriates: New York 59 Profile: Jose Antonio Fernandez-Muro 62 Chile Profile: Ricardo Yrarrazaval 74 Correspondence: Thomas M. Messer and Jorge Elliott 81 Peru Correspondence: Thomas M. Messer and Carlos Rodriguez Saavedra 88 Profile: Fernando de Szyszlo 92 Colombia Correspondence: Thomas M. Messer to Marta Traba 102 Profile: Alejandro Obregon 104 Correspondence: Marta Traba to Thomas M. Messer 1 14 Venezuela Biographical Note: Armando Reveron 122 Living in Painting: Venezuelan Art Today by Clara Diament de Sujo 124 Correspondence: Thomas M. Messer to Clara Diament de Sujo 126 Expatriates: Paris 135 Profile: Soto 136 Mexico Profile: Rufino Tamayo 146 Correspondence: Thomas M.
    [Show full text]
  • Hudson River at West Point)
    Search Collections "True religion shows its influence in every part of our conduct; it is like the sap of a living tree, which penetrates the most distant boughs."--William Penn, 1644-1718. From the series Great Ideas of Western Man. 1961 Vin Giuliani Born: New York 1930 painted wood on wood 23 1/2 x 17 1/2 in. (59.6 x 44.6 cm) Smithsonian American Art Museum Gift of Container Corporation of America 1984.124.106 Not currently on view Keywords Landscape - tree painting metal - nails paint - oil wood wood About Vin Giuliani Born: New York 1930 Search Collections Fields and Flowers ca. 1930-1935 William H. Johnson Born: Florence, South Carolina 1901 Died: Central Islip, New York 1970 watercolor and pencil on paper 14 1/8 x 17 3/4 in. (35.9 x 45.0 cm) Smithsonian American Art Museum Gift of the Harmon Foundation 1967.59.8 Not currently on view About William H. Johnson Born: Florence, South Carolina 1901 Died: Central Islip, New York 1970 More works in the collection by William H. Johnson Online Exhibitions • SAAM :: William H. Johnson • Online Exhibitions / SAAM • Highlights from the Smithsonian American Art Museum • Highlights from the Smithsonian American Art Museum • Cottingham - More to It!: The Whole Story • Cottingham - More to It!: The Whole Story • S C E N E S O F A M E R I C A N L I F E • M O D E R N I S M & A B S T R A C T I O N • Highlights from the Smithsonian American Art Museum • Online Exhibitions / SAAM Classroom Resources • William H.
    [Show full text]
  • THE ICONOGRAPHY of MEXICAN FOLK RETABLOS by Gloria Kay
    The iconography of Mexican folk retablos Item Type text; Thesis-Reproduction (electronic) Authors Giffords, Gloria Fraser, 1938- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 03/10/2021 20:27:37 Link to Item http://hdl.handle.net/10150/552047 THE ICONOGRAPHY OF MEXICAN FOLK RETABLOS by Gloria Kay Fraser Giffords A Thesis Submitted to the Faculty of the DEPARTMENT OF ART In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS WITH A MAJOR IN HISTORY OF ART In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 9 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manu­ script in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: Robert M.
    [Show full text]
  • Download Lot Listing
    IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, May 10, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, May 10, 2017 at 11am EXHIBITION Saturday, May 6, 10am – 5pm Sunday, May 7, Noon – 5pm Monday, May 8, 10am – 6pm Tuesday, May 9, 9am – Noon LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-118 Elsie Adler European 1-66 The Eileen & Herbert C. Bernard Collection American 67-118 Charles Austin Buck Roberta K. Cohn & Richard A. Cohn, Ltd. POST-WAR & CONTEMPORARY ART 119-235 A Connecticut Collector Post-War 119-199 Claudia Cosla, New York Contemporary 200-235 Ronnie Cutrone EUROPEAN ART Mildred and Jack Feinblatt Glossary I Dr. Paul Hershenson Conditions of Sale II Myrtle Barnes Jones Terms of Guarantee IV Mary Kettaneh Information on Sales & Use Tax V The Collection of Willa Kim and William Pène du Bois Buying at Doyle VI Carol Mercer Selling at Doyle VIII A New Jersey Estate Auction Schedule IX A New York and Connecticut Estate Company Directory X A New York Estate Absentee Bid Form XII Miriam and Howard Rand, Beverly Hills, California Dorothy Wassyng INCLUDING PROPERTY FROM A Private Beverly Hills Collector The Collection of Mr. and Mrs. Raymond J. Horowitz sold for the benefit of the Bard Graduate Center A New England Collection A New York Collector The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection A Private
    [Show full text]
  • Coney Island: Visions of an American Dreamland, 1861–2008 Jan
    Coney Island: Visions of an American Dreamland, 1861–2008 Jan. 31 – May 31, 2015 Exhibition Checklist DOWN AT CONEY ISLE, 1861-94 1. Sanford Robinson Gifford The Beach at Coney Island, 1866 Oil on canvas 10 x 20 inches Courtesy of Jonathan Boos 2. Francis Augustus Silva Schooner "Progress" Wrecked at Coney Island, July 4, 1874, 1875 Oil on canvas 20 x 38 1/4 inches Manoogian Collection, Michigan 3. John Mackie Falconer Coney Island Huts, 1879 Oil on paper board 9 5/8 x 13 3/4 inches Brooklyn Historical Society, M1974.167 4. Samuel S. Carr Beach Scene, c. 1879 Oil on canvas 12 x 20 inches Smith College Museum of Art, Northampton, Massachusetts, Bequest of Annie Swan Coburn (Mrs. Lewis Larned Coburn), 1934:3-10 5. Samuel S. Carr Beach Scene with Acrobats, c. 1879-81 Oil on canvas 6 x 9 inches Collection Max N. Berry, Washington, D.C. 6. William Merritt Chase At the Shore, c. 1884 Oil on canvas 22 1/4 x 34 1/4 inches Private Collection Wadsworth Atheneum Museum of Art Page 1 of 19 Exhibition Checklist, Coney Island: Visions of an American Dreamland, 1861 – 2008 12-15-14-ay 7. John Henry Twachtman Dunes Back of Coney Island, c. 1880 Oil on canvas 13 7/8 x 19 7/8 inches Frye Art Museum, Seattle, 1956.010 8. William Merritt Chase Landscape, near Coney Island, c. 1886 Oil on panel 8 1/8 x 12 5/8 inches The Hyde Collection, Glens Falls, N.Y., Gift of Mary H. Beeman to the Pruyn Family Collection, 1995.12.7 9.
    [Show full text]
  • Contemporary American Painting and Sculpture
    AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J.
    [Show full text]
  • College of Fine and Applied Arts Annual Meeting 5:00P.M.; Tuesday, April 5, 2011 Temple Buell Architecture Gallery, Architecture Building
    COLLEGE OF FINE AND APPLIED ARTS ANNUAL MEETING 5:00P.M.; TUESDAY, APRIL 5, 2011 TEMPLE BUELL ARCHITECTURE GALLERY, ARCHITECTURE BUILDING AGENDA 1. Welcome: Robert Graves, Dean 2. Approval of April 5, 2010 draft Annual Meeting Minutes (ATTACHMENT A) 3. Administrative Reports and Dean’s Report 4. Action Items – need motion to approve (ATTACHMENT B) Nominations for Standing Committees a. Courses and Curricula b. Elections and Credentials c. Library 5. Unit Reports 6. Academic Professional Award for Excellence and Faculty Awards for Excellence (ATTACHMENT C) 7. College Summary Data (Available on FAA Web site after meeting) a. Sabbatical Requests (ATTACHMENT D) b. Dean’s Special Grant Awards (ATTACHMENT E) c. Creative Research Awards (ATTACHMENT F) d. Student Scholarships/Enrollment (ATTACHMENT G) e. Kate Neal Kinley Memorial Fellowship (ATTACHMENT H) f. Retirements (ATTACHMENT I) g. Notable Achievements (ATTACHMENT J) h. College Committee Reports (ATTACHMENT K) 8. Other Business and Open Discussion 9. Adjournment Please join your colleagues for refreshments and conversation after the meeting in the Temple Buell Architecture Gallery, Architecture Building ATTACHMENT A ANNUAL MEETING MINUTES COLLEGE OF FINE AND APPLIED ARTS 5:00P.M.; MONDAY, APRIL 5, 2010 FESTIVAL FOYER, KRANNERT CENTER FOR THE PERFORMING ARTS 1. Welcome: Robert Graves, Dean Dean Robert Graves described the difficulties that the College faced in AY 2009-2010. Even during the past five years, when the economy was in better shape than it is now, it had become increasingly clear that the College did not have funds or personnel sufficient to accomplish comfortably all the activities it currently undertakes. In view of these challenges, the College leadership began a process of re- examination in an effort to find economies of scale, explore new collaborations, and spur creative thinking and cooperation.
    [Show full text]
  • Finding Aid to Irene Rice Pereira Papers 1928-1971 Archives of Women Artists
    Finding Aid to Irene Rice Pereira Papers 1928-1971 Archives of Women Artists Finding Aid Prepared by: Emily Moore (August, 2019) Collection Processed by: Patrick Brown, (August, 2006) Betty Boyd Dettre Library & Research Center Email: [email protected] Phone: 202-266-2835 Table of Contents (Click a section title to skip down.) Overview ......................................................................................................i Administrative Information ............................................................................ ii Biographical Note ........................................................................................ iii Scope and Content Note ............................................................................... vi Organization and Arrangement Information .................................................... vi Names and Subject Terms ............................................................................ vii Container Inventory .................................................................................... vii Overview Repository Information: National Museum of Women in the Arts, Betty Boyd Dettre Library & Research Center 1250 New York Ave NW Washington, D.C. 20005 Email: [email protected] Phone: 202-783-5000 Title: Irene Rice Pereira Papers Provenance: The periodicals and books in the collection were part of the Library of Irene Rice Pereira, which was donated by the nephew of Pereira, Djelloul Marbrook, to the Washington Women’s Art Center in 1973. In 1986 the Irene Rice Periera Library was
    [Show full text]
  • Claudio Bravo Cv14
    CLAUDIO BRAVO-ORTEGA CONTACT INFORMATION Address: Dirección de la Escuela de Economía y Administración Facultad de Economía y Negocios Universidad de Chile Diagonal Paraguay 205, Edificio Coorporativo Z. Santiago, Chile Email: [email protected] Webpage: http://www.econ.uchile.cl/es/academico/clbravo Nationality: Chilean MAIN FIELDS OF RESEARCH. Economics of Innovation and Growth, International Economics, Development Economics, Political Economy. PRE AND GRADUATE STUDIES DEGREE DATE FIELD UC at Berkeley Ph.D. 2003 Economics Universidad de Chile M.Sc. 1998 Industrial Engineering (Max. Distinctions) Universidad de Chile Engineering 1998 Industrial (Max. Distinctions) Universidad de Chile B.Sc. 1996 Engineering Sciences (Distinction). PROFESSIONAL EXPERIENCE. July 2017 - up to date. Member of the Directory of the Business Development Center, Las Condes, Chile. April 2017 - up to date. Member of the Impact Assessment Advisory Council from BancoEstado, Chile. December 2015 – June 2017. Member of the Directory of the Business Development Center, San Bernardo, Chile. July 2014 - up to date. Director of the School of Economics and Management, School of Business and Economics, Universidad de Chile. Among my responsibilities as Director I can mention at least: • Strategic Planning • Academic Curriculum Management • National Accreditation and Delivery of Inputs for International Accreditation • Professors Hiring • Annual Budget Plan and Monitoring • Institutional Relationship with Student Organizations • Supervision of units (with Director ESIA): Sports, Diversity, Welfare, Social Responsibility, Students Placement, International Relations, Student Affairs, Marketing and Information Dissemination, Teaching and Learning Center, Quality Assurance and Accreditation, Division of Internal Management and Finance, Information Technologies Support, Communications and Design. Additionally, I still do some research and teaching. May 2014-up to date.
    [Show full text]
  • A Vision for BRISTOL
    a vision for BRISTOL George Ferguson, Mayor of Bristol contents 1 foreword 2 a year of change and achievements 3 at a glance 4 introduction 5 people healthy and caring Bristol keep Bristol working and learning 6 place keep Bristol moving building successful places 7 prosperity Global Green Capital vibrant Bristol 8 empowered city 9 active citizens a vision for BRISTOL foreword In 1373, during the reign of Edward III, the In response to a well-reasoned argument (and also perhaps something to do with the 100 marks they offered the King to help fund wars with the French) a charter entrepreneurs and business people of Bristol, was granted, marking Bristol’s original City Deal. The charter made the town the first urban county outside London, bringing with it major new freedoms that deeply frustrated by the way the city was governed, helped Bristol become the most important port in Europe within a century. petitioned the King for change. Leap forward 640 years to 3rd May 2012, when the city again decided to buck the national trend and establish a directly elected mayor for the city. This time it didn’t cost 100 marks. But it was driven by the same belief from people in this city that The citizens were tired of being half in Somerset, without a change to the way we were doing things, we would be unable to reach our true potential as the best city in England, and one of the more successful cities half in Gloucestershire, trapped in a system of in the world.
    [Show full text]
  • William Gropper's
    US $25 The Global Journal of Prints and Ideas March – April 2014 Volume 3, Number 6 Artists Against Racism and the War, 1968 • Blacklisted: William Gropper • AIDS Activism and the Geldzahler Portfolio Zarina: Paper and Partition • Social Paper • Hieronymus Cock • Prix de Print • Directory 2014 • ≤100 • News New lithographs by Charles Arnoldi Jesse (2013). Five-color lithograph, 13 ¾ x 12 inches, edition of 20. see more new lithographs by Arnoldi at tamarind.unm.edu March – April 2014 In This Issue Volume 3, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Fierce Barbarians Associate Publisher Miguel de Baca 4 Julie Bernatz The Geldzahler Portfoio as AIDS Activism Managing Editor John Murphy 10 Dana Johnson Blacklisted: William Gropper’s Capriccios Makeda Best 15 News Editor Twenty-Five Artists Against Racism Isabella Kendrick and the War, 1968 Manuscript Editor Prudence Crowther Shaurya Kumar 20 Zarina: Paper and Partition Online Columnist Jessica Cochran & Melissa Potter 25 Sarah Kirk Hanley Papermaking and Social Action Design Director Prix de Print, No. 4 26 Skip Langer Richard H. Axsom Annu Vertanen: Breathing Touch Editorial Associate Michael Ferut Treasures from the Vault 28 Rowan Bain Ester Hernandez, Sun Mad Reviews Britany Salsbury 30 Programs for the Théâtre de l’Oeuvre Kate McCrickard 33 Hieronymus Cock Aux Quatre Vents Alexandra Onuf 36 Hieronymus Cock: The Renaissance Reconceived Jill Bugajski 40 The Art of Influence: Asian Propaganda Sarah Andress 42 Nicola López: Big Eye Susan Tallman 43 Jane Hammond: Snapshot Odyssey On the Cover: Annu Vertanen, detail of Breathing Touch (2012–13), woodcut on Maru Rojas 44 multiple sheets of machine-made Kozo papers, Peter Blake: Found Art: Eggs Unique image.
    [Show full text]
  • MAY09:Fall05
    THE MAGAZINE OF MUHLENBERG COLLEGE JUNE 2009 Cardinal & Grey Homecoming Page 16 • Appreciating Legacy Page 18 • Boots, Bras…and Courts Page 20 JUNE 2009 MAGAZINE DEPARTMENTS 1 President’s Message 2 Door to Door 8 Spotlight on Philanthropy 10 Alumni News 14 State of the Arts 22 Class Notes Muhlenberg magazine 32 The Last Word is published quarterly by 33 Meet the Press the Public Relations Office Muhlenberg College 2400 West Chew Street Allentown, PA 18104 www.muhlenberg.edu www.myMuhlenberg.com PHONE:484-664-3230 FAX:484-664-3477 E- MAIL: [email protected] CREDITS 12 16 18 Dr. Peyton R. Helm PRESIDENT Michael Bruckner FEATURES VICE PRESIDENT FOR PUBLIC RELATIONS 12 Trexler Library: Home to Pieces of Ancient History Jillian Lowery ’00 EDITOR 16 Cardinal & Grey Homecoming DIRECTOR OF COLLEGE 18 Appreciating Legacy COMMUNICATIONS Mike Falk 20 Boots, Bras...and Courts SPORTS INFORMATION DIRECTOR Cover image: A different perspective of the Trexler Library. See page 7 and the feature on pages 12 and 13 for more on the library. DESIGN: Tanya Trinkle Photo credit: Peter Finger All professional photography WANT MORE MUHLENBERG NEWS? If you want to see more news about Muhlenberg College, please sign up for the monthly by Amico Studios, Jesse Dunn e-mail newsletter, @Muhlenberg. It’s free, and it’s delivered right to your computer. If you are interested, please send your e-mail address and Paul Pearson Photography to [email protected] and request to be added to our e-mail newsletter subscription list. Keep up-to-date with all happenings unless otherwise noted.
    [Show full text]