POST-WAR & CONTEMPORARY ART
Tuesday, May 10, 2016 NEW YORK POST-WAR ART CONTEMPORARY ART
AUCTION Tuesday, May 10, 2016 at 11am
EXHIBITION Friday, May 6, 10am – 5pm Saturday, May 7, 10am – 5pm
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LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com
www.www.Doyle.com/BidLiveDoyleNewYork.com/BidLive
Catalogue: $40 POST-WAR ART
INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Post-War Art 1-87 Abraham Biller Contemporary Art 88-148 Nan Rosenthal and Henry B. Cortesi Ronnie Cutrone Patricia M. De Bary The Honorable Judith S. Kaye and Stephen R. Kaye, Esq. Glossary I Alma Perlis Conditions of Sale II A Virginia Philanthropist Terms of Guarantee IV Peter K. Warren Information on Sales & Use Tax V Suzanne Schnitzer Buying at Doyle VI Selling at Doyle VIII Company Directory IX Auction Schedule XI INCLUDING PROPERTY FROM Catalogue Subscription Form XII The Collection of Joachim Neugroschel Absentee Bid Form XIII A New England Collection A New York Artist Karen E. D. Seibert, Drewes Estate
Lot 86 2 Victor Brauner Romanian, 1903-1966 Bird Signed Victor Brauner on backing paper Watercolor on paper laid to illustration board 9 1/2 x 11 5/8 inches (24.13 x 29.52 cm) C $5,000-7,000
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Estate of Nan Rosenthal and Henry B. Cortesi
3 Man Ray American, 1890-1976 Abat-Jour (Lampshade), 1964 Aluminum, from an edition of 100 15 x 18 x 18 inches 1 (38.1 x 45.72 x 45.72 cm) Pablo Picasso C Spanish, 1881-1973 $5,000-7,000 Untitled (Bearded Face), 1972 Signed Picasso, dated 16-4-72 (uc), inscribed pour (ul) Ballpoint ink on paper 12 3/4 x 9 3/4 inches (32.38 x 24.76 cm) This work is accompanied by a certificate from Maya Picasso C $10,000-15,000
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6 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7 A New England Collection
5 Arman French, 1928-2005 Rondelle de Belle, 1994 Terra cotta with pearlescent glaze, from an edition of 5 Height 57 inches (144.78 cm) C $10,000-20,000
A New England Collection
6 Arman French/American, 1928-2005 Statue of Liberty Signed RA and numbered 16/20 Bronze with green patina, artist’s proof Height 29 inches (73.66 cm) C $5,000-7,000
A New England Collection
4 Louise Bourgeois Selected Literature: French/American, 1911-2010 Morris, Frances. Louise Bourgeois, with essays by Paulo Herkenhoff, Point of Contact, 1967-68 Julia Kristeva, Donald Kuspit, Elisabeth Lebovici, Mignon Nixon, Bronze with black patina, from an edition of six with one Artist’s Proof Linda Nochlin, Alex Potts, Rob Storr, et al. United Kingdom: Tate 4 3/4 x 10 1/4 x 5 1/2 inches (12.06 x 26 x 13.9 cm) Publishing, 2007, [Retrospective Catalogue - reprinted in 2008 for US Cast nos. 1/6 and 2/6: dark patina venues of tour, and also published in French by the Editions du Cast nos. 3/6 and AP: silver nitrate and polished patina Centre Pompidou with supplemental images.] Not reproduced. Cast nos. 4/6 and 6/6: black and polished patina Listed with exhibited works. Cast no. 5/6: golden brown and polished patina Bernadac, Marie Laure, and Jonas Storsve. Louise Bourgeois, with Selected Exhibition History: essays by Paulo Herkenhoff, Julia Kristeva, Donald Kuspit, Elisabeth Rodin Museum, Paris The 21st Annual Salon of Young Sculptors in Lebovici, Frances Morris, Mignon Nixon, Linda Nochlin, Alex Potts, Paris, May - Jun. 1969; bronze, cast no. 1/6 Rob Storr, et al. France: Editions du Centre Pompidou, 2008. [French The Metropolitan Museum of Art, New York, NY Small Bronzes, edition of Retrospective Catalogue with additional images - originally Sep. 5 - Dec. 7, 20003; bronze, cast no. 1/6 printed by Tate Publishing, 2007.] Not reproduced. Listed with Tate Modern, London, England Louise Bourgeois: Retrospective exhibited work. Oct. 10, 2007 - Jan. 20, 2008; bronze, cast no. 3/6. Traveled to the Bronze cast no. 1/6 is in the collection of the Metropolitan Museum Centre Georges Pompidou, Paris, France Mar. 5 - Jun. 2, 2008; of Art, New York. Solomon R. Guggenheim Museum, New York, NY Jun. 27 - C Sep. 28, 2008; Museum of Contemporary Art, Los Angeles, CA $70,000-90,000 Sep. 25, 2008 - Jan. 25, 2009; Hirshhorn Museum & Sculpture See Illustration Front Cover Garden, Washington D.C. Feb. 28 - Jun. 7, 2009 6 5
8 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9 7 Harry Bertoia American, 1915-1978 Willow, circa 1975 Stainless steel 52 1/2 x 30 x 30 inches (133.35 x 76.2 x 76.2 cm)
Provenance: Purchased directly from the artist by the current owner, Jan. 3rd, 1976 Includes original receipt with sculpture rendering
Harry Bertoia’s legendary farm in Bally, PA was many things: purchased with the funds he received from the design of his iconic Diamond Chair for Knoll International, the rural Berks County locale allowed Bertoia an easy commute to Knoll’s Design and Development space in nearby East Greenville. The farm was also home to his family, studio, and many sculptures. Greeted by Bertoia upon their visit in 1976, the consignors of the present work were given the full tour of the artist’s barn (which doubled as his showroom), where Bertoia played several of the sonambient sculptures on view, displaying their otherworldly atmospheric tones. The “Willow” sculpture, acquired that same day, is a scarce and beloved example of Bertoia’s works drawn from nature, related to the artist’s Bush and Dandelion form sculptures. Its steel wires drape gracefully, swaying and undulating akin to the tree branches of its namesake. Bertoia himself wrapped the work and packed it into their car for safe transport back to their home. Less than two years later, Harry Bertoia passed away while at his farm, while his Willow has lived on in the couple’s home, made all the more special by the unique experience the owners had while visiting with the artist, a true icon of 20th century art and design. C $30,000-50,000
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8 9 Antonio Grediaga Kieff Antonio Grediaga Kieff Spanish/Canadian, b. 1936 Spanish/Canadian, b. 1936 Motivo Espanol, 1985 Cubic Folklore, 1975 Signed Kieff, dated 1985 and numbered 1/1 Signed Kieff, dated 1975, numbered 1/1, inscribed en Bronze on marble base hommage a Placido Domingo and as titled Height including base 30 inches (76.2 cm) Bronze on marble base C Height including base 30 inches (76.2 cm) $4,000-6,000 C $4,000-6,000
10 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 11 10 Reuben Nakian American, 1897-1986 Running Nymph, 1981 Dated 1981 and stamped 6/9 Bronze with dark brown patina on stone plinth, from an edition of 9 22 3/4 x 31 x 14 1/4 inches (57.78 x 78.74 x 36.19 cm) C $8,000-12,000
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12 13 Gino Morandis Leonardo Cremonini 11 Italian, 1915-1995 Italian, 1925-2010 Claude Venard Immagine N. 190 Untitled, Woman with Yarn, 1950 French, 1913-1999 Signed Gino Morandis (lr), signed Gino Morandis Signed Cremonini and dated 50 (ll) Untitled, 1954 and inscribed as titled on the stretcher Oil on canvas Signed C. Venard and dated 54 (lr), Oil on canvas 50 1/2 x 31 1/4 inches (128.27 x 79.37 cm) inscribed No 16 on the reverse 25 1/4 x 31 1/2 inches (64.13 x 80.01 cm) C Oil on canvas $8,000-12,000 39 1/2 x 39 1/2 inches (100.33 x Provenance: 100.33 cm) The artist C Galerie Internationale, New York $5,000-7,000 Thence by descent to the current owner C $3,000-5,000
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12 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 13 14 15 Dmitri Plavinsky Ibrahim Hussein Russian, 1937-2012 Malaysian, 1936-2009 Open Bible, 1970 Jellyfish, 1967 Signed with artist’s monogram and dated 70 (ur) Signed Ibrahim Hussein, dated ‘67 and inscribed N.Y. (ll) Oil, plaster, tempera and cloth collage on canvas Oil on canvas 24 1/4 x 34 1/4 inches (61.59 x 86.99 cm) 55 3/4 x 57 5/8 inches (141.60 x 146.36) Unframed Provenance: Acquired by the current owner in Moscow directly from Provenance: the artist in the early 1970s. The artist C Galerie Internationale, New York $30,000-50,000 Thence by descent to the current owner C $30,000-50,000
14 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 15 16 17 Ibrahim Hussein Ibrahim Hussein Malaysian, 1936-2009 Malaysian, 1936-2009 Meeting with Kachina, 1967 Man with Possessions, 1964 Signed Ibrahim Hussein (ll), dated IX 30’67, Signed Ibrahim Hussein and dated ‘64 (lr) inscribed New York and as titled (lr) Oil on canvas Oil on canvas 48 x 48 inches (121.92 x 121.92 cm) 56 x 56 inches (142.24 x 142.24 cm) Unframed Provenance: The artist Provenance: Galerie Internationale, New York The artist Thence by descent to the current owner Galerie Internationale, New York C Thence by descent to the current owner $20,000-40,000 C $30,000-50,000
16 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 17 19 Albert Eugene Gallatin American, 1881-1952 Untitled, 1941 Initialed G (lr), inscribed Albert Gallatin and dated 1941 on backing paper Oil on canvas on Masonite 17 x 15 inches (43.18 x 38.1 cm) C $8,000-12,000
Property of Karen E. D. Seibert, Drewes Estate
20 Werner Drewes American, 1899-1985 Tranquil Formations, 1940 Signed Drewes (ll), signed with artist’s mark and dated 40 (lr) Oil on canvas 13 x 22 inches (33.02 x 55.88 cm) C $6,000-8,000
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18 Philippe Hiquily French, 1925-2013 La Kuan Yin, 1991 Signed Hiquily, numbered 2/8 and stamped with Bocquel Foundry mark Bronze with brown/black patina, from an edition of 8 with 4 Artist’s Proofs Height 32 1/4 inches (81.91 cm)
Provenance: Gallerie Patrice Trigano, Paris Thence by descent to the current owner
French sculptor Philippe Hiquily produced semi-abstracted figurative sculpture using bronze, various metals and later examples employing hide, bone and fossils. His body of work also includes furniture. La Kuan Yin is a standout work by the artist, with simplified, flattened and elongated forms. C $10,000-15,000
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18 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 19 21
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23 Balcomb Greene American, 1907-1990 Woman Signed Balcomb Greene (lr) Oil on canvas 30 x 48 inches (76.2 x 121.92 cm)
Provenance: The artist Bertha Schaefer Gallery, New York Private collection C $3,000-5,000
24 Byron Browne American, 1907-1961 In Central Park, 1960 Signed Byron Browne (ll), Signed 22 Byron Browne, dated 1960 and inscribed as titled on the reverse 21 22 Oil on canvas Paul Kelpe Irene Rice Pereira 20 x 26 inches (50.8 x 66.04 cm) American, 1902-1985 American, 1902-1971 C Collage Construction, 1936 Untitled $3,000-5,000 Initialed P.K. and dated 36 (ll) Signed Pereira (lr) Conte crayon and collage on brown paper laid to Gouache, ink, pencil and red chalk on paper illustration board 14 x 20 inches (35.56 x 50.8 cm) 13 1/2 x 17 1/4 inches (34.29 x 43.81 cm) C $5,000-7,000 24 Provenance: Marilyn Pink Gallery, CA Private collection, NY Beth Urdang Fine Art, Boston Private collection, NJ C $8,000-12,000
20 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 21 25 26
25 26 27 Leon Kelly Louise Nevelson Elaine de Kooning American, 1901-1982 American, 1899-1988 American, 1818-1989 Bedouin Woman, ella esta usando hilo dental, 1958 Untitled, Portrait of a Woman Pele #3, 1982 Signed Leon Kelly and dated 1958 (ul), inscribed Signed Nevelson (uc), inscribed This painting was Signed E. de K. and dated 82 (lr), dated as titled (cr) given to me long time ago by Louise Nevelson, 1982 and inscribed as titled on backing Red chalk on paper signed Bumpei Usui and stamped with Usui’s chop Oil on canvas 76 x 60 inches (193.04 x 152.4 cm) mark on label affixed to the reverse 60 x 46 inches (152.4 x 116.84 cm) Oil on canvasboard C Provenance: 25 1/2 x 19 3/4 inches (64.77 x 50.16 cm) $7,000-9,000 Acquired directly from the artist by the current owner Provenance: C The artist $5,000-7,000 Bumpei Usui Private collection C $8,000-12,000
22 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 23 MARY (MOLLY) L. ADAMS
On September Fourth, 1998, Mary (Molly) L. Adams passed away two days after her seventy-third birthday. She left behind no children, but her nieces and nephews were enriched by her caring guidance down the many splendid paths of the New York art world. Molly Adams was born in Cedarhurst, New York. She graduated from Smith College, then served in the Foreign Intelligence Agency in Washington D.C. during the Second World War. After the war ended, she moved to New York and settled at 101 Saint Marks Place, where she remained for the rest of her life, and began a career as an actress. As a fixture in the downtown New York arts scene, Molly met many artists. Larry Rivers became a friend, as did Nell Blaine, Willem de Kooning, Michael Goldberg, and Robert Goodnough. Offered in this auction are two of the works from her collection.
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29 Willem de Kooning American, 1904-1997 Untitled (Three Women) Signed de Kooning (ll), inscribed Happy Birthday/ Dear Molly/Johanna Lisa and Bill (lr) Ink on paper 8 1/2 x 11 inches (21.59 x 27.94 cm)
Provenance: The artist Mary (Molly) L. Adams, New York Thence by descent to the current owner C Estate of Susanne Schnitzer $8,000-12,000
28 Franz Kline 30 American, 1910-1962 Nell Blaine Untitled, circa 1957 American, 1922-1996 Signed Kline (lr) Cityscape, Chelsea View, 1953 Oil on paper board Signed Nell Blaine and dated Oct. ‘53 (lr) 9 1/4 x 11 3/8 inches (23.5 x 28.75 cm) Pastel on cream paper 18 3/4 x 23 3/4 inches (47.62 x 60.32 cm) Provenance: Estate of the artist Provenance: Orin Riley Acquired from the artist by Thence by descent to Suzanne Schnitzer Mary (Molly) L. Adams, New York This work is accompanied by a letter of authenticity Thence by descent to the current owner from David McKee, with estate designation no. ZP 85 C 30 C $3,000-5,000 $150,000-250,000
24 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 25 Estate of a Virginia Philanthropist
31 Milton Avery Created in 1942, Woman Drawing is a wonderful example American, 1885-1965 of Milton Avery’s final and most celebrated style. Influenced Woman Drawing, 1942 by Henri Matisse, Avery’s mature style takes shape at the Signed Milton Avery (cr); inscribed Woman Drawing, signed beginning of the 1940s and continued until his death in Milton Avery and dated 1942 on the reverse 1965. His technique of rendering landscapes and figures Oil on canvas with delineated fields of color gave the world modernist 28 x 36 inches (71.12 x 91.44 cm) works of art that are also tranquil. As can be seen in this work, the compositions are rendered emphasizing balance Provenance: of form and color, while downplaying the need for anatomical The Milton Avery Trust accuracy or a naturalistic palette. In the year after this work [Riva Yares Gallery, Scottsdale, AZ] was created, Avery began showing with Alex Rosenberg Private collection, VA Gallery. Joining with Rosenberg, an ex-patriot of France and dealer of Picasso, Braque and the great modernists Literature: of Europe, was quintessential in the artist’s recognition as Robert Hobbs, Milton Avery, Manchester, 1990, p. 121, illus. a modernist painter and led to museum exhibitions at the Phillips Memorial Gallery, the Baltimore Museum of Art, and Exhibited: the Whitney Museum of Art in his lifetime. New Britain, CT, New Britain Museum of American Art, The Milton Avery Family, Nov. 2 - Dec. 1, 1968, cat. no. 13, illus. Sources: Allentown, PA, Allentown Art Museum, Paintings by Haskell, Barbara, Milton Avery, 1982, Milton Avery and His Family, Sep. 4 - 26, 1971, cat. no. 11 Whitney Museum of American Art. Austin, TX, The University of Texas Art Museum, C Milton Avery: Drawings & Paintings, Dec. 5, 1976 - Feb. 6, $200,000-400,000 1977, p. 54, p. 11 illus. (traveled to Summit, NJ, Summit Art Center, Mar. 13 - Apr. 17, 1977; Wichita, KS, Edwin A. Ulrich Museum of Art, Nov. 30, 1977 - Jan. 15, 1978) Sarasota, FL, John and Mable Ringling Museum of Art, Milton Avery: Retrospective Exhibition, Sep. 23 - Oct. 31, 1977 Edmonton, Alberta, Canada, The Edmonton Art Gallery, Milton Avery, Sep. 22 - Oct. 22, 1978 (traveled to Banff, Alberta, Walter Phillips Gallery, Nov. 24 - Dec. 15, 1978; Windsor, Ontario, Windsor Art Gallery, Jan. 1 - 29, 1979; Saskatoon, Saskatchewan, Feb. 9 - Mar. 5, 1979; Hamilton, Ontario, Art Gallery of Hamilton, Mar. 23 - Apr. 23, 1979 Palm Beach, FL, The Society of the Four Arts, Milton Avery, Feb. 4 - Mar. 5, 1978 Tokyo, Japan, Milton Avery, May 2 - 20, 1983, cat. no. 3, illus. Miami, FL, Center for the Fine Arts, Milton Avery: A Singular Vision, Feb. 7 - Apr. 10, 1988, cat no. 12, p. 27 illus.
26 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 27 32 33 Theodoros Stamos Paul Jenkins Greek/American, 1922-1997 American, 1923-2012 Infinity Field, Lefkada Series, White Morning #IV, 1980 Phenomena Three Mile Magic Lantern, 1984-85 Signed Stamos on the stretcher, signed Stamos, dated 1980, Signed Paul Jenkins (lc), dated 1984-85 and inscribed as inscribed for Niko Xylouris and as titled on the overlap titled on the reverse Oil on canvas Acrylic on canvas 30 x 22 inches (76.2 x 55.88 cm) 64 x 48 inches (162.56 x 121.92 cm) C Provenance: $15,000-25,000 The artist Niko Xylouris Ericson Gallery, New York C $12,000-18,000
28 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 29 34 Paul Jenkins 35 36 American, 1923-2012 Phenomena Anderson Lode, 1972 Signed Paul Jenkins, dated 72, inscribed to David Anderson and as titled on the reverse Watercolor on paper 35 36 92 x 41 1/2 inches (233.68 x 105.41 cm) Paul Jenkins Afro American, 1923-2012 Italian, 1912-1976 Provenance: Phenomena: Velvet Rent Cloth, 1977 Untitled, 1955 The artist Signed Paul Jenkins (ll) Signed Afro, dated Dec. 55 and inscribed David Anderson, New York Watercolor on paper a David con Amicizia (lr) Dorothy Tananbaum Gallery, Inc., New York 43 x 31 inches (109.22 x 78.74 cm) Ink and watercolor on blue paper Private Collection, New York 7 1/4 x 3 1/8 inches (18.41 x 7.93 cm) C Provenance: $12,000-18,000 Gimpel & Weitzenhoffer, New York Provenance: C Estate of Abraham Biller The artist $7,000-9,000 G. David Thompson Helene S. Thompson Private collection C $3,000-5,000
30 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 31 37 Michael Goldberg American, 1924-2007 Untitled Signed Goldberg (lr), stamped DuPont Collection on the reverse Oil on canvas 30 x 40 inches (76.2 x 101.6 cm) C $8,000-12,000
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38 James Hiroshi Suzuki American, b. 1932 Untitled Signed Suzuki (lr) Oil and paper collage on canvas 60 x 72 inches (152.4 x 182.88 cm) C $7,000-9,000 39 Manoucher Yektai Iranian, b. 1922 Blue Vase, 1983 Signed Yektai and dated 83 (ll) Oil on canvas 15 x 15 inches (38.1 x 38.1 cm)
Provenance: Alex Rosenberg Gallery, New York C $18,000-22,000
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32 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 33 41 Joe Stefanelli American, b. 1921 O+B Arrangement, 1962 Signed Stefanelli, dated 1962 and inscribed as titled on the reverse Oil on canvas 71 x 61 1/4 inches (180.34 x 155.57 cm) Unframed
Provenance: Collection of the family of the artist Joe Stefanelli is the last living artist from the now famous Ninth Street art exhibition. As part of the second generation of the New York based Abstract Expressionist artists, or The New York School, Stefanelli has had a long career creating large works with bold brushstrokes and compelling color juxtapositions.
In 1951 from May 21st through June 10th, Joe Stefanelli and his contemporaries mounted an exhibition in an unused commercial space at 60 East 9th Street in New York. Today, the poster created for this exhibition is a checklist for those painters who lead the way for mid-century abstract painting, including Willem de Kooning, Philip Guston and Jackson Pollock. Also listed are the dealers who championed the artists’ works, among them Grace Borgenicht, Tibor de Nagy and Betty Parsons.
Joe Stefanelli was born and raised in Philadelphia, PA. He studied fine arts at The Philadelphia Museum School and the Pennsylvania Academy before his education was interrupted by the Second World War. He returned to settle in lower Manhattan where he met many of the artists that would be his 41 counterparts in the Abstract Expressionist movement. He continued his studies with multi-generational mentor both as painter and teacher, Hans Hofmann, as well as at The New School for Social Research and Art Students League. C $6,000-8,000
42 40 Joe Stefanelli Manoucher Yektai American, b. 1921 Iranian/American, b. 1922 She Follows Ben, 1963 Blue Tablecloth, 1952 Signed Stefanelli, dated 63 and inscribed as Signed Yektai and dated 52 (ul) titled on the reverse Oil on canvas Oil on canvas 14 x 16 inches (35.56 x 40.64 cm) 69 1/2 x 60 inches (176.53 x 152.4 cm) Unframed Provenance: Grace Borgenicht Gallery, New York Provenance: C Collection of the family of the artist $15,000-20,000 C $6,000-8,000
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34 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 35 43 Joe Stefanelli American, b. 1921 Jack’s Progress, 1963 Signed Stefanelli, dated 63 and inscribed as titled on the reverse Oil on canvas 51 1/2 x 44 1/4 inches (130.81 x 112.39 cm)
Provenance: Collection of the family of the artist C $6,000-8,000
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44 45 Jack Roth Jules Olitski American, 1927-2004 American, 1922-2007 The Mathematical Awakening, 1979 Ishtar Descent-3, 1980 Initialed R and dated 79 (ll), signed Roth, numbered Signed Jules Olitski, dated 80, inscribed as titled 30130, dated 79 and inscribed as titled on the and numbered 80-00-1 on the reverse overlap Acrylic on canvas Acrylic on raw canvas 19 1/4 x 46 inches (48.89 x 116.84 cm) 70 x 49 3/4 inches (177.8 x 126.36 cm) Provenance: Provenance: Knoedler & Co., New York The artist C Estate of Alma Perlis Knoedler & Co., Inc., New York $10,000-15,000 Private Collection
Exhibited: Jack Roth: Recent Paintings, Mar. 21 - May 9, 1982, Montclair Art Museum, Montclair, NJ C $7,000-9,000
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36 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 37 46 48 Walter Darby Bannard Dan Christensen American, b. 1934 American, 1942-2007 The Plains #2, 1970 Gabi’s Garden, 2002 Signed W.D. Bannard on the reverse, dated Signed D. Christensen, dated 2002 and 1970 and inscribed as titled on the stretcher inscribed as titled on the overlap Alkyd resin on canvas Acrylic on canvas 78 x 93 inches (198.12 x 236.22 cm) 39 1/4 x 28 1/4 inches (99.69 x 71.75 cm) C Provenance: $4,000-6,000 Lawrence Rubin Gallery, New York Professor Hanford Yang 49 Dan Christensen Exhibited: American, 1942-2007 Walter Darby Bannard: A Retrospective, Boca West, 1977 Oct. 2 - Nov. 11, 1973, Signed D. Christensen, dated 1977 and Baltimore Museum of Art; traveled to: inscribed as titled on the reverse, inscribed High Museum, Atlanta, as titled on the stretcher Houston Museum of Art, Houston Acrylic and gesso on canvas Walter Darby Bannard, 1970, 33 1/2 x 41 1/2 inches (85.09 x 105.41 cm) Lawrence Rubin Gallery, New York C Provenance: $5,000-7,000 Meredith West Contemporary, New York C $3,000-5,000
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47 Walter Darby Bannard American, b. 1934 Western Air #5 1969 Dated 1969, inscribed Artist/W.D.Bannard, and as titled on the stretcher Alkyd resin on canvas 67 x 99 inches (170.18 x 251.46 cm)
Provenance: Tibor de Nagy Gallery, New York Professor Hanford Yang
Exhibited: Walter Darby Bannard, 1969, Tibor de Nagy Gallery, New York C $4,000-6,000
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49 38 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 39 51 52
Property from a New York Artist 52 Robert Natkin 51 American, 1930-2010 Robert Natkin Bath Series, 1979 American, 1930-2010 Signed Natkin (lr), stamped with artist’s stamp Iago, Field Mouse Series, 1970 on the stretcher Signed Natkin, dated 1970 and inscribed Iago Acrylic on canvas on the stretcher 56 1/4 x 36 1/4 inches (142.87 x 92.07 cm) 50 Acrylic on canvas Robert Natkin 70 x 58 inches (177.8 x 147.32 cm) Provenance: American, 1930-2010 Continental Insurance, New York Connecticut Lanscape, 1972 Provenance: C Signed Natkin (lr) Acquired directly from the artist by the $4,000-6,000 Oil on canvas current owner 83 x 76 inches (210.82 x 193.04 cm) C This lot is accompanied by a volume of Pete $10,000-15,000 Fuller’s 1980 publication Natkin, inscribed by See Illustration Inside Front Cover the artist to the current owner. Also included is a serigraph-printed dress gifted from the artist to the current owner. C $7,000-9,000 38 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 39 53 Stephen Edlich American, 1944-1989 Choral Suite No. 140, 1976 Signed Edlich, dated 1976, inscribed “ll, C.D.A.P./Juan. A” and as titled on the reverse Collaged burlap, twine and acrylic on canvas 44 1/2 x 30 1/4 inches (113.03 x 76.83 cm)
Provenance: [Sale] 7671 Contemporary Art, lot 304, Christie’s East, Feb. 21, 1995 C $3,000-5,000
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54 Jacques Nestlé 55 56 French, 1907-1991 No. 102 Stamped Atelier JN/Jacques Nestlé on the 55 56 reverse, stamped Atelier JN/Jacques Nestlé Sam Gilliam Sam Gilliam and inscribed as titled on the stretcher American, b. 1933 American, b. 1933 Watercolor and collaged paper on paper laid Bad River Series #9 Wash I, 1997 to canvas Signed Sam Gilliam and numbered 9 (lr), numbered Signed Sam Gilliam (lr), dated 97 and inscribed as 60 x 59 inches (152.4 x 149.86 cm) 9 on the stretcher titled (lc)
Acrylic on embossed handmade paper on canvas Watercolor and mixed media on paper Provenance: 77 1/2 x 47 inches (196.55 x 119.38 cm) 31 x 35 inches (78.74 x 88.9 cm) Galerie J.M. LeFell, Paris
C Provenance: Provenance: $4,000-6,000 Jack F. Cass Fine Art Inc., Kirkland, WA Marsha Mateyka Gallery, Washington DC This work was created at Tandem Press, C Madison, WI $3,000-5,000 C $8,000-12,000
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40 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 41 Estate of Nan Rosenthal and Henry B. Cortesi Estate of Nan Rosenthal and Henry B. Cortesi
57 58 Otto Piene Otto Piene German, 1928-2014 German, 1928-2014 Untitled Untitled Oil on wood Oil on wood 4 3/8 x 3 3/4 inches (11.11 x 9.52 cm) 2 7/8 x 6 7/8 inches (7.3 x 17.46 cm) C C $8,000-12,000 $8,000-12,000
42 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 43 Estate of Nan Rosenthal and Henry B. Cortesi
60 Otto Piene German, 1928-2014 Untitled, 1965 Signed Piene and dated 65 (lr) Pigment and soot on paper 14 x 11 inches (35.56 x 27.94 cm) Unframed C $5,000-7,000
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Estate of Nan Rosenthal and Henry B. Cortesi
61 Otto Piene Estate of Nan Rosenthal and Henry B. Cortesi German, 1928-2014 Untitled (Iris), 1965 59 Signed Piene and dated 65 (lr), inscribed Otto Piene To Nan May 13 65 O. (ll) German, 1928-2014 Fire gouache and silkscreen on paper Untitled, 1964 17 3/8 x 19 5/8 inches (44.13 x 49.84 cm) Signed Piene and dated 64 (lr), inscribed for Nan (ll) C Fire gouache on paper $3,000-5,000 17 3/8 x 20 5/8 inches (44.13 x 52.38cm) C $8,000-12,000
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44 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 45 62 63 James Guy Gustavo Montoya American, 1909-1983 Mexican, 1905-2003 Untitled, Construction, circa 1949 Boy in Orange Vest Signed Guy (lc) Signed Gustavo Montoya (lr) Oil on wood and steel construction on particle Oil on canvas board support 23 5/8 x 19 3/4 inches (60 x 50.16 cm) 36 x 36 x 2 1/4 inches (91.44 x 91.44 x 5.71 cm) C $8,000-12,000 Provenance: The artist’s family Private collection, CT C $8,000-12,000
46 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 47 65 Eduardo Kingman Ecuadorian, 1913-1997 Untitled, 1951 Signed E. Kingman and dated 51 (ll), signed E. Kingman (lr) Oil on canvas laid to foamcore 26 x 30 inches (66.04 x 76.2 cm) C $10,000-15,000
64 Hector Hyppolite Haitian, 1894-1948 Landscape Signed H. Hyppolite (lc), inscribed as titled on the reverse Acrylic on board 24 x 19 inches (60.96 x 48.26 cm) C $7,000-9,000
48 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 49 66 66 Francisco Zúñiga Mexican, 1912-1998 Maternity, 1969 Signed Zga and dated 1969 (lr) Watercolor with red and black chalk on paper 19 5/8 x 25 1/2 inches (49.84 x 64.77 cm) Please note this work will be included in the forthcoming Volume V of the Francisco Zúñiga catalogue raisonne. C $3,000-5,000
67 José Maria Mijares Cuban, 1921-2004 Untitled, 1992 Signed Mijares and dated 1992 (lr) Acrylic on canvas 60 x 40 inches (152.4 x 101.6 cm) This work is accompanied by a certificate of 68 69 authenticity from the artist C $3,000-5,000 68 69 Emilio Sanchez Antônio Bandeira Cuban/American, 1921-1999 Brazilian, 1922-1967 Doorway #14 Abstract Composition, 1966 Initialed ES (ll) Signed Bandeira and dated 66 (lr), signed Oil on canvas Antônio Bandeira and dated 1966 on artist’s label 50 x 32 inches (127 x 81.28 cm) Ink, gouache and watercolor on paper 10 x 13 inches (25.4 x 33.02 cm) Provenance: The artist Provenance: The Contemporaries Gallery, New York The artist Private collection Ninette Lyon, Paris C Thence by descent $5,000-7,000 Private Collection, England C $3,000-5,000
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50 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 51 72 Olga Albizu Puerto Rican, 1924-2005 Untitled, 1965 Signed Olga Albizu and dated 1965 on the stretcher Oil on canvas 40 x 24 inches (101.6 x 60.96 cm) C $7,000-9,000
73 Ramon Oviedo Dominican, 1927-2015 Personaje Mitologico Signed Oviedo (ll), signed Oviedo, inscribed Santo Domingo Republica Dominicana and as titled on the reverse Acrylic on canvas 24 x 30 inches (60.96 x 76.2 cm) C $3,000-5,000
70
70 Sergio de Castro Argentine, b. 1922 Haut Lieu, 1962 Signed Castro (lr), signed Castro, dated 62-17 and inscribed as titled on the reverse Oil on canvas 44 1/2 x 57 1/4 inches (113.03 x 145.41 cm) 72 C $4,000-6,000
71 Antonio Suárez Spanish, b. 1923 Pintura 110, 1962 Signed Suárez and dated 62 (lc), signed Suárez, dated 1962 and inscribed as titled on the reverse Oil on canvas 46 3/8 x 35 1/4 inches (117.79 x 89.53 cm)
Provenance: The artist Galerie Internationale, New York Thence by descent to the current owner C $3,000-5,000
71 73 52 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 53 75 76
Estate of Patricia M. De Bary Estate of Patricia M. De Bary
75 76 Orville Bulman Orville Bulman American, 1904-1978 American, 1904-1978 Le Horn Hot Madame LaFarge et Ses Filles, 1963 Signed Orville Bulman (ll), signed Orville Bulman Signed Bulman (lr), signed Orville Bulman, dated and inscribed as titled on the reverse 1963 and inscribed as titled on the reverse Oil on Masonite Oil on Masonite Estate of Patricia M. De Bary 10 x 8 inches (25.4 x 20.32 cm) 10 x 8 inches (25.4 x 20.32 cm) C 74 $10,000-20,000 Provenance: Orville Bulman Hammer Galleries, New York American, 1904-1978 C Le Jazz Hot $6,000-9,000 Signed Bulman (ll), signed Orville Bulman and inscribed as titled on the reverse Oil on Masonite 10 x 8 inches (25.4 x 20.32 cm) C $10,000-20,000
54 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 55 77 77
77 Walter Tandy Murch American, 1907-1967 (i) Molybdenum, Open Hearth Stamped Walter Murch (ur), inscribed as titled in margin (ll) Gouache and blue pencil on paper Image size 8 1/4 x 10 1/4 inches (20.95 x 26.03 cm), sheet size 16 5/8 x 13 7/8 inches (42.22 x 35.24 cm)
Provenance: The artist Betty Parsons Gallery, New York
(ii) Untitled (Train Tracks) Stamped Walter Murch (lr), inscribed #41 on the reverse Gouache and blue pencil on paper Image size 7 1/8 x 7 1/4 inches (18.09 x 18.41 cm)
Provenance: The artist Betty Parsons Gallery, New York C $3,500-5,500 79 Joseph Hirsch 78 American, 1910-1981 Lester Johnson Linebacker, 1974-79 American, 1910-2010 Signed Joseph Hirsch (ll) Dream Scene, Vincent Series #12 (Twilight), 2004 Oil on canvas Signed Lester Johnson (lr), dated 2004 and inscribed 68 x 50 inches (172.72 x 127 cm) Vincent #12 (Twilight) on the stretcher Oil on canvas Provenance: 50 x 40 inches (127 x 101.6 cm) Estate of the artist Unframed C Exhibited: $4,000-6,000 Realist Antecedents, Feb. 19 - Mar. 31, 1985, Artists’ Choice Museum, New York C $7,000-9,000 78
56 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 57 80 Joseph Hirsch American, 1910-1981 Folies Bergere Oil on canvas 16 x 19 5/8 inches (40.64 x 49.84 cm) Unframed
Provenance: Estate of the artist C $3,000-5,000
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82 83
81 Joseph Hirsch American, 1910-1981 Head and Tail, 1978 Signed Joseph Hirsch (ul) 82 83 Oil on canvas Doris Caesar Joseph Benjamin O’Sickey 16 x 18 inches (40.64 x 45.72 cm) American, 1893-1971 American, 1918-2013 Untitled (Standing Woman with Drape) New Trees for Planting, 1983 Provenance: Signed Caesar Signed O’Sickey and dated ‘83 (lr), Estate of the artist Bronze with dark brown patina inscribed as titled on the overlap C Height 29 1/4 inches (74.29 cm) Oil on canvas $2,000-3,000 C 60 x 72 inches (152.4 x 182.88 cm) $3,000-5,000 Unframed C $6,000-8,000
81
58 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 59 86 Elizabeth Strong-Cuevas American, b. 1929 Hello, 2014 Initialed SC, dated 2014, numbered 2/6 and stamped with the Tallix Foundry mark 37 x 15 3/4 x 8 1/4 (95.88 x 40 x 20.95 cm), base size 3 1/2 x 16 3/8 x 10 7/8 inches (8.89 x 41.59 x 27.62 cm)
Provenance: The artist Private collection, Europe 84 85 C $40,000-60,000
A New England Collection A New England Collection
85 84 Paul Cadmus Paul Cadmus American, 1904-1999 American, 1904-1999 Artist and Model Male Nude, 1968 Signed Cadmus (ul) Signed Cadmus, dated 1968 and inscribed NM Colored chalk on gray artists’ board 56 (ll), dated 1968 (ur) 26 x 22 inches (66.04 x 55.88 cm) Colored pencil on gray paper
26 1/2 x 14 3/4 inches (67.31 x 37.46 cm) Provenance:
The artist Provenance: Estate of the artist The artist [DC Moore Gallery, New York] Estate of the artist
[DC Moore Gallery, New York] Exhibited:
Independent Visions: American Drawings & Exhibited: Watercolors, Apr. 14 - May 14, 2013, Paul Cadmus: The Male Nude 1950-1999, Oct. DC Moore Gallery, New York 10 - Nov. 9, 2002, DC Moore Gallery, New York C C $8,000-12,000 $10,000-15,000
60 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 61 CONTEMPORARY ART
87 Joe Brainard American, 1942-1994 Self Portrait Number Two: My Underwear November 14, 1966, 1966 Signed Joe Brainard (cr) Ink on paper 28 1/4 x 21 7/8 inches (71.75 x 55.56 cm)
Provenance: Lot 130 Felix Landau Gallery, Los Angeles Estate of Felix Landau Landau Family Collection C $8,000-12,000
62 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 63 88
89 Estate of the Honorable Judith S. Kaye and Stephen R. Kaye, Esq.
88 89 90 Sol LeWitt Mel Bochner Ron Kleemann A seminal figure in the Photorealist movement, Ron Kleemann created American, 1928-2007 American, b. 1940 American, 1937-2014 techincally precise works with specific attention to reflections and Irregular Shape - Black, 1992 Kvetch, 2013 Hard Cafe on the Rock, 1986 surfaces. Hard Cafe on the Rock is a classic depiction of New York’s Signed S. Lewitt and dated 92 (lr) Signed Bochner and dated 2013 (lc) Signed Kleemann and inscribed America (lr) original Hard Rock Cafe during its 57th Street incarnation from Gouache and ink on shaped paper Monoprint with collage, engraving and embossment Oil on linen 1984 to 2005. The work is a prime example of Kleemann’s oeuvre, 15 1/2 x 22 inches (39.37 x 55.88 cm) on hand-dyed Twinrocker paper 90 x 60 inches (228.6 x 152.4 cm) and of the Photorealism movement altogether - Pop-tinged subject 8 x 12 inches (20.32 x 30.48 cm) matter on a massive scale, with masterful attention to light, as it Provenance: Provenance: plays off chrome and glass. John Weber Gallery, New York Provenance: Purchased directly from the artist by the Honorable Judith S. Kaye C C Two Palms, New York and Stephen R. Kaye, Esq. $40,000-60,000 $4,000-6,000 C $5,000-9,000 Literature: Louis K. Meisel, Photorealism Since 1980, New York, 1993
64 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 65 91
91 Marilyn Minter American, b. 1948 Frostbite, 2006 Signed M. Minter on card affixed to backing C-print, from an edition of 25 16 x 20 inches (40.64 x 50.8 cm)
Provenance: Salon 94 Gallery, New York C $5,000-7,000
92 Marilyn Minter American, b. 1948 Frostbite, 2007 Signed M. Minter, dated 2007 and inscribed as titled, signed M. Minter and dated 2007 on note card Unique double-sided print on aluminum lunchbox 93 7 x 8 x 4 inches (17.78 x 20.32 x 10.16 cm) Cindy Sherman American, b. 1954 Provenance: Untitled (Artist in Her Studio) 1983 The artist Signed C.S. and dated ‘83, (lr) numbered 51/125 (ll) The Lunchbox Auction, Dec. 7th, 2007, Food Bank for Chromogenic print, from an edition of 125 New York City and The Luncbox Fund, New York Sheet size 20 x 16 inches (50.8 x 40.64), image size C 15 3/8 x 10 5/8 inches (39.05 x 26.98 cm) $5,000-7,000 C $10,000-15,000 92
66 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 67 96 Donald Baechler American, b. 1956 Yellow Tulip, 2006 Signed DB and dated 2006 (lr), signed Donald Baechler on the reverse Gesso, flashe and paper collage on paper 27 x 21 inches (68.58 x 53.34 cm)
94 Provenance: Keith Haring Cheim & Read Gallery, New York American, 1958-1990 C Andy Mouse, 1986 $5,000-7,000 Signed K. Haring and dated 86 (lr) Marker on artist’s stationery 11 x 8 1/2 inches (27.94 x 21.59 cm)
Provenance: Lucas Schoormans Gallery, New York Purchased by Hal Meltzer from the above, 1991 C $10,000-15,000
96
97 Bill Jensen American, b. 1945 Still Life, 1977 Signed Bill Jensen, dated Oct. 20 1977 and inscribed 94 as titled on the reverse Oil on canvas 30 x 22 inches (76.2 x 55.88 cm)
Provenance: Acquired by the current owner from the Washburn Gallery, 1981
Exhibited: Painting From the Mind’s Eye, Feb 23 - Mar 23, 1983, 95 C.W. Post Center, Long Island University, Brookville, NY Keith Haring 1976-1986: Ten Years of Collecting Contemporary, American, 1958-1990 Nov 13, 1986 - Jan 18, 1987, Wellesley Museum, Untitled, 1989 Wellesley, MA Signed K. Haring and dated 89 (lc) Selections From the Contemporary American..., Marker on paper Feb 13 - Mar 21, 1987, Knight Gallery, Sight size 5 x 7 inches (12.7 x 17.78 cm) Spirit Square Center for the Arts, Charlotte, NC Contemporary American Art: Selections from the Provenance: Edward R. Downe, Jr. Collection, Purchased from the artist by Hal Meltzer Nov 15, 1987 - Jan 17, 1988, Parrish Art Museum, C Water Mill, NY $5,000-7,000 C $7,000-9,000
95 97
68 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 69 The Collection of Joachim Neugroschel
98 Joe Coleman Estate of Ronnie Cutrone American, b. 1955 Apocalyptic Scene 100 Crayon on paper Ronnie Cutrone 22 3/4 x 28 5/8 inches (57.78 x 72.7 cm) American, 1948-2013 Untitled Provenance: Acrylic and glitter on canvas Purchased directly from the artist by 48 x 48 inches (121.92 x 121.92 cm) Joachim Neugroschel Unframed C C $6,000-8,000 $3,000-5,000
98
100
99 Estate of Ronnie Cutrone Martin Wong American, 1946-1999 101 Untitled (Portrait of a Boy) Daze Acrylic on canvas American, b. 1962 5 x 7 inches (12.7 x 17.78 cm) Zurich Train Station, 1984 Unframed Signed Daze, dated 84 (lr), signed C Daze, dated 84 and inscribed as titled $3,000-5,000 on the reverse Aerosol paint and collage on canvas 51 x 67 inches (129.54 x 170.18 cm)
Provenance: The artist Ronnie Cutrone, New York C $3,000-5,000
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101
70 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 71 102 Brian Clarke British, b. 1953 Black, White on Red, 1979 Signed Clarke and dated 1979 on the reverse Acrylic on canvas 72 x 72 inches (182.88 x 182.88 cm) Unframed
Provenance: The artist Vesti-Dane Gallery, Scottsdale, AZ Private collection, Boston
Exhibited: Brian Clarke, May 31 - Jun. 29, 1980, Sheffield City Art Galleries, Sheffield, England C $7,000-9,000
104
104 Antony Gormley 102 British, b. 1950 Valence and Matrix, 2000 Signed Antony Gormley, dated ‘00 and inscribed as titled on the reverse Water-dispersed anyline dye and carbon on paper 8 1/4 x 11 1/2 inches (20.95 x 29.21 cm)
Provenance: White Cube, London C $5,000-7,000
105 103 Peter Schuyff Brian Clarke Dutch, b. 1958 British, b. 1953 Untitled, 1984 Untitled Signed Schuyff and dated 84 on the reverse Acrylic and collaged paper and newsprint Acrylic on canvas on paper 66 x 46 inches (167.64 x 116.84 cm) 59 1/2 x 47 1/2 inches (151.13 x 120.65 cm) Unframed
Provenance: Provenance: The artist Pat Hearn Gallery, New York Private collection, Boston C C $5,000-7,000 $2,000-3,000
105 103
72 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 73 106 107
106 107 108 George Condo George Condo Donald Sultan American, b. 1957 American, b. 1957 American, b. 1951 Untitled, 2007 Untitled, 2004 Tomatoes and Egg, 1998 Signed Condo and dated 07 (ul) Signed Condo and dated 04 (ur) Dated Jan 19, 1998 and inscribed as titled (cl), signed D. Sultan, Graphite on paper Pastel, graphite and marker on paper dated Jan 19, 1998 and inscribed as titled on the reverse 13 1/2 x 11 5/8 inches (34.29 x 29.52 cm) 11 5/8 x 8 1/4 inches (29.52 x 20.95 cm) Tar, spackle and oil on tile over wood C C 12 x 12 inches (30.48 x 30.48 cm) $7,000-9,000 $5,000-7,000 Provenance: Baldwin Gallery, Aspen [Sale] Christie’s New York, Jun. 30, 2008 C $10,000-15,000
74 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 75 109 110 Dominique Polles Rebecca Warren French, b. 1945 British, b. 1965 Obsidienne, circa 1980 Noir, comme mon ame, 2007 Signed Polles, inscribed Italy, and numbered 1/2 Bronze, from an edition of 5 plus 2 AP Bronze, from an edition of 2 12 x 11 3/4 x 11 inches (30.48 x 29.84 x 27.94 cm) Height 36 inches (91.44 cm) An example from the edition was included in the exhibition Rebecca Warren, Provenance: Mar. 10 - Apr. 19, 2009, Serpentine Gallery, London Purchased directly from the artist by the current owner 2006 Turner Prize nominee Rebecca Warren creates brutalist post-Giacometti Literature: adventures in new sculpture. Building cartoonish, distorted objects alluding to Sylvie Blin, Polles, Firenze, Edizioni Polistampa, 2003, figural forms, sometimes recognizable, sometimes severely abstracted, Warren’s p. 79 color illus. approach to creating is obtusely both reverent to the history of sculpture yet C contemptuous of understood practices and usage of materials. $20,000-30,000 C $30,000-50,000
76 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 77 112 Fred Wilson American, b. 1954 Drop, Dripped, 2003 White and black glass in two parts, edition of 20, published by Sculpture Center White “drip” 15 x 3 1/2 inches (38.1 x 8.89 cm), black “drop” 3 x 12 x 12 inches (7.62 x 30.48 x 30.48 cm) C $5,000-7,000
113 113 Philip Taaffe American, b. 1955 Untitled, circa 1993 Ink and watercolor on paper 27 1/2 x 39 1/4 inches (69.85 x 99.69 cm)
111 Provenance: Livet Reichard & Co., New York
Exhibited: Drawing the Line Against AIDS: An Exhibition in Conjunction A New England Collection with Art Against AIDS Venezia Under the Aegis of the 45th Venice Biennale at the Peggy Guggenheim Collection 111 June 8-13 1993, loan no. 1157.93 Mark Greenwold C American, b. 1942 $5,000-7,000 The Need to Understand, 2002-2003 Oil on wood 16 x 15 inches (40.64 x 38.1 cm) 114 Charles Long Provenance: American, b. 1958 DC Moore Gallery, New York Abe Lincoln, 1992-95 Rubber over armature with single hair from Abraham Lincoln Exhibited: 56 x 25 x 25 (142.24 x 63.5 x 63.5 cm) Mark Greenwold: A Moment of True Feeling, 1997-2007, Oct. 10 - Nov. 10, 2007, DC Moore Sculptor Charles Long (twice awarded the Pollock-Krasner grant) Gallery, New York creates biomorphic, and at times blob-like, abstract sculptures. C He chooses, however, to challenge the textbook definition of $3,000-5,000 abstraction: his sculptures are not extractions or adaptations of existing forms, but rather explorations into the self and nature. At first glance, “Abe Lincoln,” appears to be a simple form, created as a vessel to showcase a single hair from the 16th President. That withstanding, in an interview for Bomb Magazine (Spring 2012), Long explains “...that’s a minimal surface. It’s a sphere pulled to a point, and when it comes to that final point, that’s where Abraham Lincoln’s hair comes out of it. For me, the minimal surface is this ultrageneralized form, exhibiting a minimum of surface difference, but at this point of extension, it takes on a radical subjectivity as you understand this line is also a person, in this case Lincoln, a DNA structure, and all the history around him.” C 112 $4,000-6,000 114
78 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 79 117 Huang Gang Chinese, b. 1961 Strength of the Dragon, 2001 Signed Huang Gang, dated 2001 and signed in chop (lr) Enamel and gold leaf on board 41 3/8 x 41 3/8 inches (105.09 x 105.09 cm)
Provenance: Bao Lin Gallery, Hong Kong C Estate of Peter K. Warren $4,000-6,000
118 Cao Liwei Chinese, b. 1956 Herding in Gansu Province, 1998 Signed with chop and Liwei, Cao, and dated 1988.6 (lr) Oil on canvas 36 x 42 inches (91.44 x 106.68 cm)
Provenance: Hefner Galleries, Inc., New York C $6,000-8,000
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115 116
115 116 Lee Hock Moh Senaka Senanayake Sinagaporean, b. 1947 Sri Lankan, b. 1951 Untitled (Floral Garden) Deer, 1972 Signed in Chinese letters with two seals (uc) Signed Senaka Senanayake and dated 1972 Ink and color pigments on paper laid to (lc), inscribed as titled on the reverse paper scroll with silk borders Oil on canvas 68 x 37 1/2 inches (172.72 x 95.25 cm) 35 1/4 x 40 1/2 inches (89.53 x 102.87 cm) C C $12,000-18,000 $5,000-7,000
118
80 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 81 119
119 121 Roberto Juarez Eberhard Havekost 121 American, b. 1952 German, b. 1967 Fan Mover, 1982 Untitled, 1996 Signed Roberto Juarez, dated 1982 and Tempera on magazine page laid to card inscribed as titled on the reverse 11 1/4 x 8 3/4 inches (28.57 x 22.22 cm) Oil and acrylic on canvas 78 x 80 inches (198.12 x 203.2 cm) Provenance: Galerie Gebr. Lehmann, Berlin Provenance: C Robert Miller Gallery, New York $7,000-9,000 Professor Hanford Yang C 122 $3,000-5,000 Nikolay Moltchanov Russian/American, b. 1959 120 Old Punk, 1996 Rosi Schwartzman Signed Nikolay and inscribed 37 (lr), signed Peruvian, b. 1947 Nikolay Moltchanov, dated 1996 and Untitled, 1995-99 hvinscribed as titled on the reverse Signed R Schwartzman and dated 95-99 (lr) Watercolor on paper Oil on linen 12 1/2 x 10 inches (31.75 x 25.4 cm) 31 1/2 x 39 1/2 inches (80.01 x 100.33 cm) C $3,000-5,000 Provenance: Galeria Forum, Lima, Peru
Literature: Rosi Schwartzman, Galeria Forum, 1997, 120 pp. 10, 11, color illus. C $3,000-5,000
122 82 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 83 123 123 124 David Novros Benjamin Edwards American, b. 1941 American, b. 1970 Untitled (Home Savings Study), 1986 Starbucks, Seattle: Compression, 1998 Watercolor on paper Acrylic and texture mediums on canvas 25 x 61 inches (63.5 x 154.94 cm) 52 x 76 inches (132.08 x 193.04 cm) Unframed Provenance: The artist Provenance: Readers Digest Association, Lucas Schoormans Gallery, New York Collection of Fine Art, New York, no. 60493 C C $5,000-7,000 $3,000-5,000
125 Stanley Casselman American, b. 1963 IR-38-4, 2013 Signed Stanley Casselman, dated 2013 and inscribed as titled on the reverse Acrylic on canvas 49 x 42 inches (124.46 x 106.68 cm) Unframed C $12,000-16,000
124
84 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 85 126 Betsy Eby American, b. 1967 Icarus, 2003 Signed Betsy Eby, dated 2003, inscribed Vaporizing XXXIV and as titled on the reverse Encaustic on panel 48 x 60 inches (121.92 x 152.4 cm) Unframed C $4,000-6,000
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128 129
128 129 Rebecca Purdum Rebecca Purdum American, b. 1959 American, b. 1959 NYC 329, 1991 NYC 143, 1986 127 Signed Rebecca Purdum, dated 6-91 and inscribed Signed R. C. Purdum, dated 1/1986 and inscribed as Nicole Charbonnet as titled on the overlap titled on the overlap American, b. 1966 Oil on canvas Oil on canvas Zebra, 2007-08 84 x 60 inches (213.36 x 152.4 cm) 55 x 43 inches (139.7 x 109.22 cm) Signed Charbonnet, dated 2007-08 and Unframed Unframed inscribed as titled on the reverse
Acrylic and oil on canvas Provenance: Provenance: 72 x 96 inches (182.88 x 243.84 cm) Jack Tilton Gallery, New York Jack Tilton Gallery, New York Unframed C C C $6,000-8,000 $4,000-6,000 $3,000-5,000
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86 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 87 131 Walton Ford In over-simplified terms, we could say an artist either expresses the 130 American, b. 1960 voice of the masses or that of his own self-reflection. The early paintings Loss of Harmony, 1990 Mark Flood Mark Flood’s beloved series of lace paintings began in the 1990s, of Walton Ford are often reflections of his own life experiences. In American, b. 1957 Signed Walton Ford and dated 1990 on the reverse Loss of Harmony, painted in 1990, Ford is reflecting not on his own beginning as decorative backgrounds to text-based pieces, then Oil on wood Garden Wall, 2001 evolving into some of his most sought-after and highly-regarded experiences, but rather on the history of his family as slave owners in Signed Mark Flood on the reverse, dated 9/01 and inscribed as 35 3/4 x 37 3/4 inches (90.8 x 95.88 cm) the southern United States prior to the Civil War. Much like the works works. The use of color and pattern to create a beautiful abstract titled on the stretcher image belies the satirical, impish Mark Flood notorious for sending the artist is now producing, these early works also convey challenging Acrylic on canvas Provenance: messages often using humor. In a 2003 interview, “Walton Ford: surrogate impersonators to take his place at his exhibitions. David Acquired by the current owner directly from the artist 20 x 16 inches (50.8 x 40.64 cm) Markus for Art in America (Dec. 16, 2012) described the lace paintings Political Humor and Colonial Critique,” from the PBS series “Art in the Twenty-First Century,” Season 2, episode “Humor,” the artist as “large canvases that exploit the seductiveness of fraying, finely Exhibited: Provenance: wrought fabric.” With this series, lace is employed by Flood as states, “I was interested in confronting that aspect of my background The artist Walton Ford: Early Works, May - Jun, 2012, and making pictures about it. And when I was thinking about my a stencil; not a collaged element remaining with the work. Lace Franklin Riehlman Fine Art, New York Marty Walker Gallery, Houston is manipulated, soaked in paint, pressed strategically against the ancestors there was something kind of pathetic about them.” Purchased from the above by the present owner canvas, and then lifted away. The series of paintings are the results Ford’s current works take a much broader view of humanity and are of chance, as Flood peels back the lace to reveal the finished work. more expressive of the voice of the masses. Still using imagery of C the 19th century, he often uses the written word of others as his $15,000-20,000 foundation to then build his imagery, pulling from the journals of British explorer Sir Richard Francis Burton, and the American naturalist John James Audubon. C $15,000-20,000
88 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 89 132 McDermott & McGough Provenance: American, 20th Century Pace Editions, New York I Hadn’t a Heart Left to Pray 1967, 2007 (ii) Untitled (from Head with Butterfly), Signed McDermott & McGough, dated 1993 2007, and inscribed as titled on Signed Kiki Smith, dated 1993 and the reverse numbered 2/5 on the reverse Oil and silkscreen on canvas Ektacolor print, from an edition of 5 20 x 18 inches (50.8 x 45.72 cm) Image size 22 5/8 x 15 inches Unframed (57.46 x 38.1 cm)
Provenance: Provenance: Maruani & Noirhomme Gallery, Brussels Pace MacGill Gallery, New York C (iii) Calling, 2000 $7,000-9,000 Signed Kiki Smith and dated 2000 on the reverse Ektacolor print mounted to board, from 133 an edition of 3 Kiki Smith Image size 18 5/8 x 12 3/4 inches American, b. 1954 (47.3 x 32.38 cm) (i) Puppet, 2001 Signed Kiki Smith and dated 2001 (lr), Provenance: numbered 16/48 (ll) Pace MacGill Gallery, New York Color iris print, from an edition of 48 (iv) Harpies, 2000 16 x 22 inches (40.64 x 55.88 cm) Signed Kiki Smith and dated 2000 on the reverse Ektacolor print mounted to board, from an edition of 3 132 29 3/4 x 19 3/4 inches (75.56 x 50.16 cm)
Provenance: Pace MacGill Gallery, New York (v) Harpies, 2000 Signed Kiki Smith and dated 2000 on the reverse Ektacolor print mounted to board, from an edition of 3 Image size 15 1/2 x 23 inches (39.37 x 58.42 cm) 134 Jonathan Meese Provenance: German, b. 1970 Pace MacGill Gallery, New York Napoleon II, 2006 C Initialed JM, dated 06, numbered 1/3, stamped $4,000-6,000 with foundry mark H. Noack Berlin, and inscribed Napoleon Bronze on marble base with wood plinth, this work is 1 from an edition of 3 Bronze including marble base height 29 inches (73.66 cm), plinth height 39 1/2 inches (100.33 cm) 133 133 133 C $15,000-20,000 133
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90 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATEDVIEW CATALOGUE AND BID ONLINE AT DOYLE.COM 91 136 Margaret Kilgallen American, 1967-2001 Untitled Silhouette, circa 1997 Acrylic on found paper 10 1/2 x 7 inches (26.67 x 17.78 cm) Unframed C $6,000-9,000
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137 Shepard Fairey American, b. 1970 Burmese Monk, 2010 Signed Shepard Fairey (lr), numbered 1/2 (ll) Hand-painted multiple (HPM) with screenprint on metal, edition of 2 135 24 x 18 inches (60.96 x 45.72 cm) Margaret Kilgallen American, 1967-2001 Provenance: Red-Eye, circa 1999 Jonathan Levine Gallery, New York Acrylic on found paper C 10 1/8 x 7 5/8 inches (25.71 x 19.36 cm) $4,000-6,000
Exhibited: Hammer Projects: Margaret Kilgallen, Feb. 6-Apr. 2, 2000, UCLA Hammer Museum, Los Angeles
Literature: Eungie Joo, Margaret Kilgallen, In the Sweet Bye and Bye, Los Angeles: Cal Arts, 2005, p 151, color illus. C $10,000-15,000
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92 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 93 140 Peter Tunney American, 20th Century Today is the Day Signed Peter (lr) Acrylic and collage on canvas 60 x 48 inches (152.4 x 121.92 cm) C $7,000-9,000
140 138
138 Blek Le Rat French, b. 1951 Breaking Down Walls, 2008 Signed Blek Le Rat, dated 2008 and inscribed N.Y.C. (lr) Aerosol paint on canvas 39 1/4 x 29 1/4 inches (99.69 x 74.29 cm) Unframed
Provenance: 141 Jonathan Levine Gallery, New York Roy Nachum C Israeli, b. 1979 $5,000-7,000 Lip, Curl, 2006 Signed Roy Nachum, dated 2006 and inscribed as titled on the reverse Oil on canvas 139 84 x 81 inches (213.36 x 205.74 cm) James Jean Unframed American, b. 1979 C Male Arabesque, quadriptych, 2008 $6,000-8,000 Mixed media on Rives BFK paper Each 15 x 15 inches (38.1 x 38.1 cm), total size 60 x 15 inches (152.4 x 28.1 cm)
Provenance: Jonathan Levine Gallery, New York C $4,000-6,000
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94 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 95 142 Aaron Young American, b. 1972 Landscape, 2010 Laminated glass with shredded tire rubber and epoxy resin 84 x 60 inches (213.4 x 152.4 cm)
Provenance: Bortolami Galleries, New York
Exhibited: Light Breaks Where No Sun Shines, December 2010, Bortolami Gallery at the Webster, Miami Beach
Performance-based artist Aaron Young creates raw, confrontational situations, resulting in monolithic works standing as a testament to the performance. Among his best-known works are his pieces in which motorcycles are ridden across plywood, the resulting tire marks creating a network of abstract patterns. Roberta Young of the New York Times equated “Greeting Card,” his motorcycle performance held at the Park Avenue Armory in 2007, to “watching gladiators at the Roman Colosseum.” Often compared to controversial artist Chris Burden, Young has a penchant for aggressive, masculine works that are all things loud, dirty and bombastic. For this 2010 work, 143 “Landscape,” Young, in a continuation of these performances, produced the work by doing “burnouts” on a motorcycle while aimed at the sheet of glass. The eventual tire failure from being ridden to destruction caused molten rubber tire chunks to spray onto the 143 glass surface. Finally, Young poured liquid glass Aaron Young overtop the shredded rubber to hold it into American, b. 1972 place, creating an ad-hoc glass and rubber Weekend King 2009 sandwich. Getting closer to the piece, it Screenprint on aluminum seems one can still smell faint traces of motor 24 x 24 inches (60.96 x 60.96 cm) oil and exhaust. C Provenance: $20,000-40,000 Bortolami Gallery, New York BAMart Auction, New York C $4,000-6,000
144 Terence Koh Chinese/Canadian, b. 1977 Untitled (Flowers for Baudelaire), 2008 Confectioner’s sugar and corn syrup on canvas, in neon light box 10 3/4 x 12 1/2 x 5 inches (27.3 x 31.75 x 12.7 cm)
Provenance: Vito Schnabel Gallery, New York C $4,000-6,000 See Illustration Back Cover
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96 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 97 145 Rob Wynne American, b. 1950 Acknowledge, 2013 Signed Rob Wynne and dated 2013 (lc) 147 Thread and glass beads on paper Jon Pylypchuk 24 x 18 inches (60.96 x 45.72 cm) Canadian, b. 1972 C I miss you and all the weight you $4,000-6,000 carried for me, 2013 Inscribed as titled (lr) Aerosol on collaged paper, mailing 146 envelopes, and cardboard on carpet Korakrit Arunanondchai 36 x 52 inches (91.44 x 132.08 cm) Thai, b. 1986 Bangkok Boy, 2014 Provenance: Initialed KA, numbered 13/20 and [Sale] inscribed as titled on the reverse The Children’s Museum of the Arts Acrylic on photo paper, from an edition Art Auction, 2013, of 20 unique works 18 7/8 x 23 7/8 inches The Children’s Museum of the Arts, (47.94 x 60.64 cm) New York C Provenance: $3,000-5,000 Gift of the artist to the current owner, as part of the Burning Denim performance at MoMA PS1, Mar. 9 - May 25, 2014 C $3,000-5,000 147
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148 148 Hiro Yokose Japanese, b. 1951 Untitled Triptych #5184, 2010 Signed Yokose, dated 2010 and inscribed 5184 on reverse of first panel Oil on canvas stretched to panel Total size 60 x 120 inches 146 (152.4 x 304.8 cm) Unframed C $6,000-7,000
End of Sale
98 DOYLE • MAY 10, 2016 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 99
Artist Index with a clic o yo r mo se at Doyle.com Afro 36 Haring, Keith 94, 95 Ray, Man 3 Albizu, Olga 72 Havekost, Eberhard 121 Roth, Jack 44 N Arman 5, 6 Hiquily, Philippe 18 L D Arunanondchai, Korakrit 146 Hirsch, Joseph 79-81 Sanchez, Emilio 68 , Avery, Milton 31 Hock Moh, Lee 115 Schuyff, Peter 105 Hussein, Ibrahim 15-17 Schwartzman, Rosi 120 Baechler, Donald 96 Hyppolite, Hector 64 Senanayake, Senaka 116 Bandeira, Antônio 69 Sherman, Cindy 93 1. Sign-In Bannard, Walter Darby 46, 47 Jean, James 139 Smith, Kiki 133 • DO D ign n W Bertoia, Harry 7 Jenkins, Paul 33-35 Stamos, Theodoros 32 Blaine, Nell 30 Jensen, Bill 97 Stefanelli, Joe 41-43 • DON D ign n Blek Le Rat 138 Johnson, Lester 78 Strong-Cuevas, Elizabeth 86 W , egi ter Bochner, Mel 89 Juarez, Roberto 119 Suárez, Antonio 71 • NO RE D ign n W Bourgeois, Louise 4 Sultan, Donald 108 rg t a r , Brainard, Joe 87 Kelly, Leon 25 Suzuki, James Hiroshi 38 Brauner, Victor 2 Kelpe, Paul 21 Browne, Byron 24 Kieff, Antonio Grediaga 8, 9 Taaffe, Philip 113 Bulman, Orville 74-76 Kilgallen, Margaret 135, 136 Tunney, Peter 140 2. Regi ter or a S eci ic A ction Kingman, Eduardo 65 • re i i e W Cadmus, Paul 84, 85 Kleemann, Ron 90 Venard, Claude 11 • et a r e t i Caesar, Doris 82 Kline, Franz 28 Casselman, Stanley 125 Koh, Terence 144 Warren, Rebecca 110 e egi trati n r O , Charbonnet, Nicole 127 Wilson, Fred 112 • E Christensen, Dan 48, 49 LeWitt, Sol 88 Wong, Martin 99 N W Y Clarke, Brian 102, 103 Liwei, Cao 118 Wynne, Rob 145 his age on oyle com is sec re and sa e to transmit yo r in ormation Coleman, Joe 98 Long, Charles 114 • Condo, George 106, 107 Yektai, Manoucher 39, 40 Cremonini, Leonardo 13 McDermott & McGough 132 Yokose, Hiro 148 • it Cutrone, Ronnie 100 Meese, Jonathan 134 Young, Aaron 142, 143 L M L A Mijares, José Maria 67 Daze 101 Minter, Marilyn 91, 92 Zúñiga, Francisco 66 3. On the Day o the A ction de Castro, Sergio 70 Moltchanov, Nikolay 122 de Kooning, Elaine 27 Montoya, Gustavo 63 • D de Kooning, Willem 29 Morandis, Gino 12 • Drewes, Werner 20 Murch, Walter Tandy 77 • re i i e W
Eby, Betsy 126 Nachum, Roy 141 • i Edlich, Stephen 53 Nakian, Reuben 10 N N 10 Edwards, Benjamin 124 Natkin, Robert 50-52 , at , Nestlé, Jacques 54 • Fairey, Shepard 137 Nevelson, Louise 26 Flood, Mark 130 Novros, David 123 Sy tem Re irement Ford, Walton 131 • in i ta in O W , W RAM 12M Olitski, Jules 45 E 11 1 Gallatin, Albert Eugene 19 O’Sickey, Joseph Benjamin 83 Gang, Huang 117 Oviedo, Ramon 73 • in O W 2 RAM 12M Gilliam, Sam 55, 56 11 1 Goldberg, Michael 37 Pereira, Irene Rice 22 Gormley, Antony 104 Picasso, Pablo 1 • Ma lea e e ire O 10 6 11 RAM 12M Greene, Balcomb 23 Piene, Otto 57-61 • nternet nne ti n D L O , 1 Greenwold, Mark 111 Plavinsky, Dmitri 14 Guy, James 62 Polles, Dominique 109 e rt D W 2000 M O 10 N , O AOL Purdum, Rebecca 128, 129 g arantee W W M ile e i e ta let i ne r i a Pylypchuk, Jon 147 le e r e n t g arantee t at li e nternet i ing ill e ninterr te it t err r r t at nternet i ill e re ei e