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Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker Volume One Carol Ann Gilchrist A thesis submitted for the degree of Doctor of Philosophy Department of Art History School of Humanities Faculty of Arts University of Adelaide South Australia October 2015 Thesis Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint-award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University‟s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. __________________________ __________________________ Abstract Gestural abstraction in the work of Australian painters was little understood and often ignored or misconstrued in the local Australian context during the tendency‟s international high point from 1947-1963. -
Download Lot Listing
IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, May 10, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, May 10, 2017 at 11am EXHIBITION Saturday, May 6, 10am – 5pm Sunday, May 7, Noon – 5pm Monday, May 8, 10am – 6pm Tuesday, May 9, 9am – Noon LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-118 Elsie Adler European 1-66 The Eileen & Herbert C. Bernard Collection American 67-118 Charles Austin Buck Roberta K. Cohn & Richard A. Cohn, Ltd. POST-WAR & CONTEMPORARY ART 119-235 A Connecticut Collector Post-War 119-199 Claudia Cosla, New York Contemporary 200-235 Ronnie Cutrone EUROPEAN ART Mildred and Jack Feinblatt Glossary I Dr. Paul Hershenson Conditions of Sale II Myrtle Barnes Jones Terms of Guarantee IV Mary Kettaneh Information on Sales & Use Tax V The Collection of Willa Kim and William Pène du Bois Buying at Doyle VI Carol Mercer Selling at Doyle VIII A New Jersey Estate Auction Schedule IX A New York and Connecticut Estate Company Directory X A New York Estate Absentee Bid Form XII Miriam and Howard Rand, Beverly Hills, California Dorothy Wassyng INCLUDING PROPERTY FROM A Private Beverly Hills Collector The Collection of Mr. and Mrs. Raymond J. Horowitz sold for the benefit of the Bard Graduate Center A New England Collection A New York Collector The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection A Private -
Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library Robert Green An Oral History Interview Conducted by Abby Wasserman in 2019 © 2019 by the Mill Valley Public Library TITLE: Oral History of Robert Green INTERVIEWER: Abby Wasserman DESCRIPTION: Transcript, 19 pages INTERVIEW DATE: January 23rd, 2019 In this oral history, gallery owner Robert Green recounts his life in the art world. Born in 1941 in New Jersey, Robert grew up in the New York metropolitan area. He attended Dickinson College in Pennsylvania, after which he joined the U.S. Coast Guard. Robert worked in publishing and advertising before moving into the fine art sector. Robert recounts traveling the world for 22 years as an enterprising young art dealer before he settled in Mill Valley and opened his gallery, Robert Green Fine Arts, at 154 Throckmorton Ave. Robert discusses a number of the artists he has worked with over the decades, such as Sam Francis and Paul Jenkins, as well as the ins and outs of the art world, concluding with why Mill Valley is a wonderful place to live and operate an art gallery. © All materials copyright Mill Valley Public Library. Transcript made available for research purposes only. All rights are reserved to the Mill Valley Library. Requests for permission to quote for publication should be addressed to the: Lucretia Little History Room Mill Valley Public Library 375 Throckmorton Avenue Mill Valley, CA 94941 ii Oral History of Robert Green Index Bennett, George…p.7, 10 Bernstöm, -
MAY09:Fall05
THE MAGAZINE OF MUHLENBERG COLLEGE JUNE 2009 Cardinal & Grey Homecoming Page 16 • Appreciating Legacy Page 18 • Boots, Bras…and Courts Page 20 JUNE 2009 MAGAZINE DEPARTMENTS 1 President’s Message 2 Door to Door 8 Spotlight on Philanthropy 10 Alumni News 14 State of the Arts 22 Class Notes Muhlenberg magazine 32 The Last Word is published quarterly by 33 Meet the Press the Public Relations Office Muhlenberg College 2400 West Chew Street Allentown, PA 18104 www.muhlenberg.edu www.myMuhlenberg.com PHONE:484-664-3230 FAX:484-664-3477 E- MAIL: [email protected] CREDITS 12 16 18 Dr. Peyton R. Helm PRESIDENT Michael Bruckner FEATURES VICE PRESIDENT FOR PUBLIC RELATIONS 12 Trexler Library: Home to Pieces of Ancient History Jillian Lowery ’00 EDITOR 16 Cardinal & Grey Homecoming DIRECTOR OF COLLEGE 18 Appreciating Legacy COMMUNICATIONS Mike Falk 20 Boots, Bras...and Courts SPORTS INFORMATION DIRECTOR Cover image: A different perspective of the Trexler Library. See page 7 and the feature on pages 12 and 13 for more on the library. DESIGN: Tanya Trinkle Photo credit: Peter Finger All professional photography WANT MORE MUHLENBERG NEWS? If you want to see more news about Muhlenberg College, please sign up for the monthly by Amico Studios, Jesse Dunn e-mail newsletter, @Muhlenberg. It’s free, and it’s delivered right to your computer. If you are interested, please send your e-mail address and Paul Pearson Photography to [email protected] and request to be added to our e-mail newsletter subscription list. Keep up-to-date with all happenings unless otherwise noted. -
University of 2009 Football
UUniversityniversity ooff 2009 Football CHARGER FOOTBALL QUICK FACTS University of New Haven Football President: .....................................................Dr. Steven H. Kaplan Head Coach: ....................................................Peter Rossomando Location: ...................................................West Haven, CT 06516 Record at UNH: ........................................................First Season Founded: ................................................................................ 1920 Collegiate Record: ..................................................................0-0 Enrollment: ........................................................................... 3,163 Offi ce Phone: ....................................................(203) 932-7023 Colors: ..........................................................................Blue & Gold e-mail: [email protected] Nickname:........................................................................ Chargers 2008 Record: ..............................................................Did not play Web Page: ......................................................www.newhaven.edu All-Time Record: ..................................................171-126-5 (.571) First Year of Football: ...........................................1973 (31 years) Charger Athletics Assistant Coaches: ............................Scott James, Daryl Daleen, Director of Athletics: ................................................Deborah Chin -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
827-831 Broadway, Borough of Manhattan
December 8th, 2020 Name of Landmark Building Type of Presentation Month xx, year Public Hearing The current proposal is: Preservation Department – Item 15, LPC-21-03122 827-831 Broadway, Borough of Manhattan *Please note that due to scheduling, this item is being read into the record today and will be fully presented at the December 15th public hearing. If you cannot attend the December 15th hearing, you may testify today. How to Testify Via Zoom: https://us02web.zoom.us/j/84049025047?pwd=NzcxN2JPUWpqeVR6WkVDdlJvcDJUZz09 Webinar ID: 840 4902 5047 Passcode: 866444 Note: When the Chair indicates it’s time to By Phone: testify, “raise your hand” via the Zoom app if 1 646-558-8656 you want to speak (*9 on the phone). Those US (New York) 877-853-5257 (Toll free) who signed up in advance will be called first. US 888 475 4499 (Toll free) DXA studio 827- 831 Broadway December 8, 2020 827-831 BROADWAY 894 6th Avenue SCALE As Noted 5th Floor CLIENT NYC 10001 PROJECT NUMBER 17.32 dxastudio.com T 212 874 0567 DATE December 8, 2020 1 SATELLITE VIEW OF SITE PROJECT GOALS • CELEBRATE THE ARTISTS OF THE ABSTRACT EXPRESSIONIST MOVEMENT THAT THRUST NEW YORK TO THE WORLD STAGE, UNSEATING PARIS AS THE CENTER OF THE ART WORLD. RAISE AWARENESS AS TO THE CULTURAL SIGNIFICANCE OF WILLEM AND ELAINE DE KOONING, LARRY POONS, PAUL JENKINS, JULES OLITSKI AND HERBERT FERBER, OF THEIR WORK AND TENURE IN THE BUILDING. • RESTORE THE EXISTING BUILDING TO ITS PERIOD OF SIGNIFICANCE WHILE RESPECTING THE ORIGINAL DESIGN. STREET VIEW 827-831 BROADWAY · SITE CONTEXT 894 6th -
PAUL JENKINS ABSTRACT PHENOMENIST Dipinti, Acquarelli, Opere Grafiche 1965-1988
PAUL JENKINS ABSTRACT PHENOMENIST dipinti, acquarelli, opere grafiche 1965-1988 a cura di Marco e Laura Guastalla Guastalla Centro Arte Edizioni Graphis Arte PAUL JENKINS 3 1. Phenomena Land in Sight, 1976 acrilici su tela cm 127x152 4 PAUL JENKINS 2. Phenomena Veil of Light, 1967-1993 acquarello su carta cm 33,7x76,5 PAUL JENKINS 5 3. Phenomena Color Guide, 1975 acquarello su carta cm 106x76 6 PAUL JENKINS 4. Phenomena Vast Flight, St. Croix, 1977 acquarello su carta cm 78,7x109 PAUL JENKINS 7 5. Phenomena Bullet Cage, 1978 acquarello su carta cm 75,5 X 56,5 8 PAUL JENKINS 6. Phenomena Yellow Metal 24, 1981 acquarello su carta cm 110x79 PAUL JENKINS 9 7. Phenomena Trump Your Card, 1981 acquarello su carta cm 78,7x110 10 PAUL JENKINS 8. Phenomena Gobi Wind, 1982 acquarello su carta cm 78,7x109 PAUL JENKINS 11 9. Phenomema Prism Voyage, 1984 acquarello su carta cm 109,5x78,7 12 PAUL JENKINS 10. Phenomena Profile of Lyre, 1987 acquarello su carta cm 58,5x76 PAUL JENKINS 13 11. Phenomena Tantric Steps, 1987 acquarello su carta cm 57x38 14 PAUL JENKINS 12. Phenomena Evening Plateau, 1988 acquarello su carta cm 78,7x109,5 PAUL JENKINS 15 13 14 13-18. Seeing Voice Welsh heart, 1965 litografie originali a colori numerate e firmate a matita dall’artista cm 37,5x25,5 Queste litografie fanno parte del volume di Cyril Hodges dal titolo “Seeing voice welsh heart” contenente 6 litografie originali di Paul Jenkins, stampate da Fernard Mourlot a Parigi. 16 PAUL JENKINS 15 16 PAUL JENKINS 17 17 18 PAUL JENKINS 19 BREVE ANTOLOGIA CRITICA painting NEVER LIES di Beatrice Buscaroli Fabbri [...] Nato americano e formatosi in America, a stretto contatto con l’arte nuova che avrebbe spezzato per sempre alcuni dei tradizionali legami che il Vecchio Mondo intratteneva ancora col sistema delle for- me definite e chiuse, si è poi assestato sul tronco della cultura europea, senza contrasti e senza traumi. -
Paintings by Streeter Blair (January 12–February 7)
1960 Paintings by Streeter Blair (January 12–February 7) A publisher and an antique dealer for most of his life, Streeter Blair (1888–1966) began painting at the age of 61 in 1949. Blair became quite successful in a short amount of time with numerous exhibitions across the United States and Europe, including several one-man shows as early as 1951. He sought to recapture “those social and business customs which ended when motor cars became common in 1912, changing the life of America’s activities” in his artwork. He believed future generations should have a chance to visually examine a period in the United States before drastic technological change. This exhibition displayed twenty-one of his paintings and was well received by the public. Three of his paintings, the Eisenhower Farm loaned by Mr. & Mrs. George Walker, Bread Basket loaned by Mr. Peter Walker, and Highland Farm loaned by Miss Helen Moore, were sold during the exhibition. [Newsletter, memo, various letters] The Private World of Pablo Picasso (January 15–February 7) A notable exhibition of paintings, drawings, and graphics by Pablo Picasso (1881–1973), accompanied by photographs of Picasso by Life photographer David Douglas Duncan (1916– 2018). Over thirty pieces were exhibited dating from 1900 to 1956 representing Picasso’s Lautrec, Cubist, Classic, and Guernica periods. These pieces supplemented the 181 Duncan photographs, shown through the arrangement of the American Federation of Art. The selected photographs were from the book of the same title by Duncan and were the first ever taken of Picasso in his home and studio. -
Wednesday, November 9, 2016 NEW YORK
Wednesday, November 9, 2016 NEW YORK In the collaborative hands of Jacques Grüber, Louis Majorelle DOYLE+DESIGN Spanning the past 125 years, this sale takes and Daum Frères, an otherwise ordinary chandelier has seemingly without effort been transformed into a naturalistic AUCTION a look at design that has transformed the organic flower, forever captured at the pinnacle of its beauty. Wednesday, November 9, 2016 way we use living spaces while questioning at 10am (Eastern) This exceedingly rare and spectacular bronze and leaded where we draw the line between fine art glass chandelier with its three colorful and vibrant pendant EXHIBITION blossoms evocative of butterfly wings, was installed in about Saturday, November 5, 10am – 5pm and furniture and decorative objects. 1903 in the residence or hôtel particulier of Paul Luc, located Sunday, November 6, 12pm – 5pm Monday, November 7, 10am – 6pm From Tiffany glass to Chihuly glass, Joseph Hoffmann furniture to George Nakashima LOCATION Bold & Fanciful Doyle furniture, the objects in this sale show how 175 East 87th Street at 25, Rue de Malzéville, in Nancy, France. Luc's home was New York, NY 10128 each generation broke the mold of design certainly magnificent. It was built between 1901 and 1902 on a large parcel of land that he shared with his younger brother CONTACTS from those that came before. Specialists: Design–Todd Sell, 212-427-4141, ext 269, Victor, who also built a residence next door at 27, rue de [email protected]. Art–Angelo Madrigale and Malzéville. The impressive chandelier reputedly adorned Harold Porcher, 212-427-4141, ext 249, Paintings. -
G18 Marianist Lay Communities.Pdf
Marianist Lay Communities Chapter 18 BHMS 2016 245 Chapter 18 Copyright © 2016 by NACMS, Dayton, Ohio. All rights reserved. BHMS 2016 246 Chapter 18 The Rise of Marianist Lay Communities Since the early 1900s, a significant development for Marianists has been the gradual reappearance of adult lay communities. This development into the twenty-first century is traced in the following short chronology of events. General History 1920s Mass Leagues, members were the parents of SM and their purpose was to support perseverance of their sons in the order. During spiritual and social gatherings, collections would be held to raise money to have Masses said for the brothers. These Leagues were located in Detroit (1921) and Baltimore (1925) as well as other cities. Membership later included people other than parents. 1930- Chaminade Clubs: Baltimore (1939), Dayton (1944), International Meeting (1948). (see also: 1948 Marianist Co-workers: Miriam Guilds, Parents’ Groups) 1946 First Teacher Institute held as result of new enthusiasm among SM for high school Sodalities. At this first meeting, it was decided to publish a magazine called Marianist Sodality Moderator. John Dickson was the first editor. 1947 Sodality Secretariat, an office to coordinate the high school Sodality efforts of the Cincinnati Province and link these two groups of adults forming around Marianist interests. Gabriel Rus and John Dickson provided leadership. 1948 Marcy I was held in Marcy, NY. Pivotal meeting of high school sodality moderators. Participants were committed to embody Chaminade’s vision by starting and sustaining high school Sodalities. 1940s Rise of CEMI (Congregación-estado de María Inmaculada) in Spain and Consacrées in France (very much like the State) 1950 National Association of Marianist Organizations (NAMO) established. -
A Finding Aid to the Elisabeth Zogbaum Papers Regarding Franz Kline, 1892-Circa 2005, Bulk 1930-1990, in the Archives of American Art
A Finding Aid to the Elisabeth Zogbaum Papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990, in the Archives of American Art Rihoko Ueno 2018/03/27 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Franz Kline Biographical Material, 1925-1962, circa 1998........................ 5 Series 2: Correspondence, 1929-1998.................................................................... 7 Series 3: Estate of Franz Kline, 1955-1991........................................................... 10 Series 4: Franz Kline Foundation,