DOCSLIB.ORG

ウィークエンド サンシャイン Playlist Archive Dj：ピーター・バラカン

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ウィークエンド サンシャイン Playlist Archive Dj：ピーター・バラカン ウィークエンド サンシャイン PLAYLIST ARCHIVE DJ：ピーター・バラカン 2018 年 3 月 3 日放送分 1. Crescent City / I'm With Her // See You Around 2. Hundred Miles / I'm With Her // See You Around 3. We'd Be Home / Joan Shelley // Joan Shelley 4. If The Storms Never Came / Joan Shelley // Joan Shelley 5. Time Has Told Me / Joan Shelley // Nick Drake Covered/free with Mojo March 2018 6. Cello Song / Bill MacKay // Nick Drake Covered/free with Mojo March 2018 7. Saturday Sun / Luluc & Lisa Hannigan // Nick Drake Covered/free with Mojo March 2018 8. Magic Christmas Tree / Pilgrims' Way // Red Diesel 9. Reynardine / Anne Briggs // An Introduction to Anne Briggs 10. Go Your Way (My Love) / Anne Briggs // An Introduction to Anne Briggs 11. The Band Played Waltzing Matilda / June Tabor // An Introduction to June Tabor 12. The Dark End of the Street / June Tabor // An Introduction to June Tabor 13. Tuiza Naki / Myahk Song Book // Ima 14. Come By Here / Barbara Dane // Hot Jazz, Cool Blues & Hard-Hitting Songs 15. Mother Earth / Barbara Dane // Hot Jazz, Cool Blues & Hard-Hitting Songs 16. Trouble In Mind / Barbara Dane // Hot Jazz, Cool Blues & Hard-Hitting Songs 17. You Don't Know Me/You Don't Know My Mind / Barbara Dane // Hot Jazz, Cool Blues & Hard-Hitting Songs 18. Only A Pawn In Their Game / Barbara Dane // Hot Jazz, Cool Blues & Hard-Hitting Songs 2018 年 3 月 10 日放送分 1. Living In The Past / Jethro Tull // The Very Best Of 2. Whatever It Takes / The James Hunter Six // Whatever It Takes 3. Blisters / The James Hunter Six // Whatever It Takes 4. My Head Is My Only House Unless It Rains / Nona Hendryx And Gary Lucas // The World of Captain Beefheart 5. Tropical Hot Dog Night / Nona Hendryx And Gary Lucas // The World of Captain Beefheart 6. ヨロコビのうた / Sandii // Hula Dub 7. Row Row Row / Sandii // Hula Dub 8. Trouble / Inara George // Rock And Roll Doctor - A Tribute To Lowell George 9. Young Adult / Inara George // Dearest Everybody 10. Somewhere New / Inara George // Dearest Everybody 11. Made For Us / Dave Sinclair // The Little Things 12. Day Is Done / Nick Drake // Five Leaves Left 13. Day Is Done / Brad Mehldau Trio // Day Is Done 14. Mule Walk (Stomp) / James P. Johnson // All God’s Children Got Piano 15. 2300 Skidoo / Herbie Nichols // All God’s Children Got Piano 16. Monk’s Dream / Robert Glasper // All God’s Children Got Piano 17. Late Lament / Keith Jarrett, Gary Peacock & Jack DeJohnette // After The Fall 2018 年 3 月 17 日放送分 1. Change In The Air / Bill Frisell // Music IS 2. I'm Not From Here / James McMurtry // Too Long In The Wasteland 3. The Tinker's Frolics / Lunasa // Cas 4. The Irish Girl / Lunasa w. Mary Chapin Carpenter // Cas 5. My Lord What A Morning / Lunasa w. Eric Bibb // Cas 6. Uisce Fe Thalamh / Eoin Dillon // Pondelorum 7. Slow Reels: Last House in the Village/Spike Island Lasses/Griffin from the Bridge / Toyota Kozo // Internal Circulation ―呼吸の巴― 8. The Booley House / The Gloaming // Live at the NCH 9. It Might As Well Be Spring / Nina Simone // The Colpix Singles 10. Willow Weep For Me / Nina Simone // The Colpix Singles 11. Work Song / Nina Simone // The Colpix Singles 12. Gin House Blues / Nina Simone // The Colpix Singles 13. Come On Back Jack / Nina Simone // The Colpix Singles 14. Be My Husband / Morgan James // Morgan James Live from Dizzy's Club Coca-Cola 15. Twe Usta Klamia / Anna Maria Jopek & Gonzalo Rubalcaba // Minione 16. Pretty Stars / Bill Frisell // Music IS 17. Thankful / Bill Frisell // Music IS 2018 年 3 月 24 日放送分 1. Savoy Blues / Louis Armstrong & His Hot Five // The Complete Hot Five And Hot Seven Recordings 2. My Man / Billie Holiday // Lady Day: The Best Of Billie Holiday 3. (I Love You) For Sentimental Reasons / The Nat "King" Cole Trio // The Very Best of Nat King Cole 4. That’s All Right / Arthur "Big Boy" Crudup // The Blues: 1927-1946 5. Bring It On Home To Me / Sam Cooke // Portrait Of A Legend 1951-1964 6. I Can’t Help Myself / Four Tops // The Ultimate Collection 7. Paint It Black / The Rolling Stones // Singles Collection: The London Years 8. I Heard It Through The Grapevine / Gladys Knight & The Pips // Ultimate Collection: Gladys Knight & The Pips 9. Grazing in the Grass / Hugh Masekela // Rock Instrumental Classics Vol. 4: Soul 10. The Long Black Veil / Johnny Cash // At Folsom Prison 11. Space Oddity / David Bowie // Best Of Bowie 12. A Song For You / Leon Russell // Leon Russell 13. You're No Good / Linda Ronstadt // The Very Best Of Linda Ronstadt 14. Flash Light / Parliament // Funked Up: The Very Best of the Parliament 15. Fight The Power / Public Enemy // Do The Right Thing 16. Machine Gun / Jimi Hendrix // Band Of Gypsys 17. Tubular Bells:Part One / Mike Oldfield // Tubular Bells 2018 年 3 月 31 日放送分 1. Revolution / The Beatles // Mono Masters, Vol. 2 2. Everybody Wants To Rule The World / Tears For Fears // Tears Roll Down (Greatest Hits 82-92) 3. Everybody Wants To Be Famous / Superorganism // Superorganism 4. (Everybody Wanna Get Rich) Rite Away / Dr. John // Desitively Bonnaroo 5. Rewrite / Paul Simon // So Beautiful Or So What 6. Acorny Lasses/The Old Wheels Of The World/The Spike Island Lasses / Planxty // Words & Music 7. Only Love Can Break Your Heart / Rickie Lee Jones // The Devil You Know 8. Handle With Care / Stills & Collins // Everybody Knows 9. Everybody Knows / Stills & Collins // Everybody Knows 10. Woodstock / Jimi Hendrix // Both Sides Of The Sky 11. Hear My Train A Comin' / Jimi Hendrix // Both Sides Of The Sky 12. Tryin' To Get To Heaven / Joan Osborne // Songs of Bob Dylan 13. Just Like A Woman / Joan Osborne // Live Dylan EP (Turbineu, Randers, Denmark) 14. For 2 Akis / Shinya Fukumori Trio // For 2 Akis 15. The Light Suite / Shinya Fukumori Trio // For 2 Akis .
Load more

Recommended publications
  • Rosemary Lane the Pentangle Magazine
    Rosemary Lane the pentangle magazine Issue No 12 Summer 1997 Rosemary Lane Editorial... (thanks, but which season? and we'd Seasonal Greetings! rather have had the mag earlier!) o as the summer turns into autumn here we extensive are these re-issues of the Transatlantic are once more with the latest on Pentangle years - with over 30 tracks on each double CD in Rosemary Lane. In what now seems to be that the juxtaposition of the various musical its characteristic mode of production - i.e. long styles is frequently quite startling and often overdue and much anticipated - thanks for the refreshing in reminding you just how broad the reminders! - we nevertheless have some tasty Pentangle repertoire was in both its collective morsels of Pentangular news and music despite and individual manifestations. More on these the fact that all three current recording projects by in news and reviews. Bert and John and Jacqui remain works in progress - (see, Rosemary Lane is not the only venture that runs foul of the limitations of one human being!). there’s a piece this time round from a young Nonetheless Bert has in fact recorded around 15 admirer of Bert’s who tells how he sounds to the or 16 tracks from which to choose material and in ears of a teenage fan of the likes of Morrissey and the interview on page 11 - Been On The Road So Pulp. And while many may be busy re-cycling Long! - he gives a few clues as to what the tracks Pentangle recordings, Peter Noad writes on how are and some intriguing comments on the feel of Jacqui and band have been throwing themselves the album.
    [Show full text]
  • Supplemental Information
    Supplemental Information for the Consolidated Financial Results for the Third Quarter Ended December 31, 2017 2017 年度第 3 四半期連結業績補足資料 February 2, 2018 Sony Corporation ソニー株式会社 Supplemental Financial Data 補足財務データ 2 ■ Average foreign exchange rates 期中平均為替レート 2 ■ Results by segment セグメント別業績 2 ■ Sales to customers by product category (to external customers) 製品カテゴリー別売上高（外部顧客に対するもの） 3 ■ Unit sales of key products 主要製品販売台数 3 ■ Sales to customers by geographic region (to external customers) 地域別売上高（外部顧客に対するもの） 3 ■ Depreciation and amortization (D&A) by segment セグメント別減価償却費及び償却費 4 ■ Amortization of film costs 繰延映画製作費の償却費 4 ■ Additions to long-lived assets and D&A 固定資産の増加額、減価償却費 4 ■ Additions to long-lived assets and D&A excluding Financial Services 金融分野を除くソニー連結の固定資産の増加額、減価償却費及び償却費 4 ■ Research and development (R&D) expenses 研究開発費 5 ■ R&D expenses by segment セグメント別研究開発費 5 ■ Restructuring charges by segment (includes accelerated depreciation expense) セグメント別構造改革費用 5 ■ Period-end foreign exchange rates 期末為替レート 5 ■ Inventory by segment セグメント別棚卸資産 5 ■ Film costs (balance) 繰延映画製作費（残高） 6 ■ Long-lived assets by segment セグメント別固定資産 6 ■ Goodwill by segment セグメント別営業権 6 ■ Return on Invested Capital (ROIC) セグメント別 ROIC 6 Music Segment Supplemental Information (English only) 7 ■ Recorded Music 7 - Recorded Music Revenue breakdown of physical, digital and other revenues - Top 10 best-selling recorded music projects - Noteworthly projects ■ Music Publishing 7 - Number of songs in the music publishing catalog owned and administered Pictures Segment Supplemental Information (English only) 8 ■ Pictures Segment Aggregated U.S. Dollar Information 8 - Pictures segment sales and operating revenue and operating income (loss) - Sales by category and Motion Picture Revenue breakdown - Film costs breakdown ■ Motion Pictures 9 - Motion Pictures Box Office for films released in North America - Select films to be released in the U.S.
    [Show full text]
  • In My Tradition: Ballads and Folk Lyrics
    In My Tradition: Ballads and Folk Lyrics Rosaleen Gregory Four more songs, all sung a cappella. Two of these shire) traditional singer Anne Briggs on her 1963 I’ve known for many years: the other two I learned Topic EP, The Hazards of Love. The three other more recently to illustrate conference papers given by songs on that long-ago disc – “Lowlands Away”, Dave, and liked enough to go on singing them. This “Polly Vaughan” and “Rosemary Lane” – have al- time I seem to have unconsciously focused on flow- ready been featured in this column in the Fall 2009 ers (garden and other) and musical instruments. It and Fall 2011 issues of Canadian Folk Music. must have something to do (at least the flowers part) with spring finally coming to northern Alberta (al- Flowers in the Valley though this is actually the Winter 2011-12 issue of Canadian Folk Music!). This engaging (but not exactly feminist) song has something of a history. It was collected in 1891 by The Bloody Gardener Devon collector and clergyman Sabine Baring-Gould from Sam and Mary Gilbert of Mawgan-in-Pyder, This unusual and chilling tale with its distinctive tune Cornwall. Neither informant could remember all the was collected by Maud Karpeles on her first collect- words, so Baring-Gould, in the manner of the day, ing trip in Newfoundland. It was sung to her by Mrs. created a composite lyric based on the possible Eng- May McCabe at North River, Conception Bay, on lish and Scottish antecedents of the fragments Sam 16th October 1929.
    [Show full text]
  • In My Tradition: Ballads and Folk Lyrics
    In My Tradition: Ballads and Folk Lyrics Rosaleen Gregory Here, for the time being at least, is a new column. Its was current around English folk clubs in the 1960s. I main purpose is to introduce some more ballads learned text and tune from Anne Briggs, who herself which for one reason or another never got included in likely learned it from A. L. (Bert) Lloyd; he was Francis Child’s canon of 305 ballad clusters. As you something of a mentor to Anne. For a long time I will see, there are many fine songs in that category, sang only this version; later I found the Irish version and here are four (one with two different versions.) also reproduced here, in Stephen Sedley’s 1967 edi- When I was at Keele University in North Staf- tion of The Seeds of Love (Essex Music Limited, in fordshire, England, in the early 1960s, I ran the Folk association with the English Folk Dance and Song Club there for a while. One of the finest singers we Society). ever brought in to sing was Anne Briggs, who came, I like them both; Anne’s version seems to me I think, once with Bert Jansch and once without. (She more mysterious; Sedley’s version has a lilting, also performed at a Folk Festival which was held at courtly quality, without losing sight of the inherently the Keele campus during those years). I took down dangerous nature of this encounter with the superna- several songs from Anne’s singing, three of which tural. The text here is collated from two (English) are featured here.
    [Show full text]
  • William Carlos Williams' Indian Son(G)
    The News from That Strange, Far Away Land: William Carlos Williams’ Indian Son(g) Graziano Krätli YALE UNIVERSITY 1. In his later years, William Carlos Williams entertained a long epistolary relationship with the Indian poet Srinivas Rayaprol (1925-98), one of a handful who contributed to the modernization of Indian poetry in English in the first few decades after the independence from British rule. The two met only once or twice, but their correspondence, started in the fall of 1949, when Rayaprol was a graduate student at Stanford University, continued long after his return to India, ending only a few years before Williams’ passing. Although Williams had many correspondents in his life, most of them more important and better known literary figures than Rayaprol, the young Indian from the southeastern state of Andhra Pradesh was one of the very few non-Americans and the only one from a postcolonial country with a long and glorious literary tradition of its own. More important, perhaps, their correspondence occurred in a decade – the 1950s – in which a younger generation of Indian poets writing in English was assimilating the lessons of Anglo-American Modernism while increasingly turning their attention away from Britain to America. Rayaprol, doubly advantaged by virtue of “being there” (i.e., in the Bay Area at the beginning of the San Francisco Renaissance) and by his mentoring relationship with Williams, was one of the very first to imbibe the new poetic idiom from its sources, and also one of the most persistent in trying to keep those sources alive and meaningful, to him if not to his fellow poets in India.
    [Show full text]
  • A. L. Lloyd and Reynardine: Authenticity and Authorship in The
    Folklore 115 (December 2004): 286–308 RESEARCH ARTICLE A. L. Lloyd and Reynardine: Authenticity and Authorship in the Afterlife of a British Broadside Ballad Stephen D. Winick Abstract This paper presents new evidence concerning the broadside ballad “Reynardine,” which became popular in the British folksong revival movement of the 1960s and 1970s. It argues that the revival versions of this ballad were not products of the folk tradition, but rather descendants of a text authored by A. L. Lloyd, who was both a singer and a folksong scholar. The paper goes on to suggest reasons why Lloyd might have authored the ballad, and reasons why he might have concealed that authorship, placing its evidence and observations in the context of folkloristic concerns about authenticity and authorship, folklore and fakelore. Downloaded By: [Ingenta Content Distribution - Routledge] At: 23:48 1 May 2008 Introduction In Regina Bendix’s foundational study of the concept of authenticity in folklore studies, she points out a remarkable semantic reversal. “Authentic derives from the Greek ‘Authentes,’” she tells us, “which carries the dual meaning of ‘one who acts with authority’ and ‘made by one’s own hand’” (Bendix 1997, 14). Yet, “authentic” in folklore has usually meant the opposite: that which is made by no discernable hand, imbued with no individual’s authority, because it has been re-made by the forces of impersonal tradition (Bendix 1997, 15). While “authentic” and “author” share an etymological root, authorial practices are usually taken to produce inauthentic folklore; Richard Dorson famously coined the word “fakelore” for materials created by authors and passed off as products of folk tradition (Dorson 1969).
    [Show full text]
  • EXPERIENCE HENDRIX TOUR RETURNS to FLORIDA THEATRE with JOE SATRIANI, DAVE MUSTAINE & MANY MORE General Public Tickets on Sale Friday, Oct
    For Immediate Release Contact: Kathryn Wills, Director of Marketing [email protected] EXPERIENCE HENDRIX TOUR RETURNS TO FLORIDA THEATRE WITH JOE SATRIANI, DAVE MUSTAINE & MANY MORE General Public Tickets on sale Friday, Oct. 19th at 10am The Experience Hendrix Tour, the critically acclaimed multi-artist celebration of Jimi Hendrix's musical genius returns the historic, nonprofit Florida Theatre on March 6, 2019 with its biggest ever tour! Tickets for Florida Theatre Friends at the Ensemble Level and above are on sale now. Eclub members can use their code word to purchase tickets at 9am on Thursday, Oct. 18. Tickets for the general public go on sale Friday, Oct. 19 at 10am and can be purchased at floridatheatre.com, the official online site for Florida Theatre tickets, by calling the box office at 904.355.ARTS(2787) or in person at the box office. This latest edition of the much anticipated tour once again emphasizes the influence Hendrix has made on a diverse group of artists. The concerts will bring together artists as disparate as guitar wizard Joe Satriani, blues great Taj Mahal, Ernie Isley and Dweezil Zappa. Megadeath's Dave Mustaine will make his Experience Hendrix Tour debut while mainstays such as Billy Cox, Jonny Lang, and Eric Johnson will also be on board for the expedition. The Experience Hendrix Tour offers fans a rare opportunity to see many highly regarded players performing together in a unique setting. 15-time Grammy Award nominee Joe Satriani will make his long-awaited return when the tour kicks off March 3 kickoff in Pompano Beach, FL.
    [Show full text]
  • Topic Records 80Th Anniversary Start Time: 8Pm Running Time: 2 Hours 40 Minutes with Interval
    Topic Records 80th Anniversary Start time: 8pm Running time: 2 hours 40 minutes with interval Please note all timings are approximate and subject to change Martin Aston discusses the history behind the world’s oldest independent label ahead of this collaborative performance. When Topic Records made its debut in 1939 with Paddy Ryan’s ‘The Man That Waters The Workers’ Beer’, an accordion-backed diatribe against capitalist businessmen who underpay their employees, it’s unlikely that anyone involved was thinking of the future – certainly not to 2019, when the label celebrates its 80th birthday. In any case, the future would have seemed very precarious in 1939, given the outbreak of World War II, during which Topic ceased most activity (shellac was particularly hard to source). But post-1945, the label made good on its original brief: ‘To use popular music to educate and inform and improve the lot of the working man,’ explains David Suff, the current spearhead of the world’s oldest independent label – and the undisputed home of British folk music. Tonight at the Barbican (where Topic held their 60th birthday concerts), musical director Eliza Carthy – part of the Topic recording family since 1997, though her parents Norma Waterson and Martin Carthy have been members since the sixties and seventies respectively - has marshalled a line-up to reflect the passing decades, which hasn’t been without its problems. ‘We have far too much material, given it’s meant to be a two-hour show!’ she says. ‘It’s impossible to represent 80 years – you’re talking about the left-wing leg, the archival leg, the many different facets of society - not just communists but farmers and factory workers - and the folk scene in the Fifties, the Sixties, the Seventies..
    [Show full text]
  • 'Across the Evening Sky': the Late Voices of Sandy Denny, Judy Collins
    © Copyrighted Material Chapter 9 ‘Across the Evening Sky’: The Late Voices of Sandy Denny, Judy Collins and Nina Simone Richard Elliott In 2006, shortly before her 67th birthday, the American singer-songwriter Judy Collins undertook a tour of Australia and New Zealand, her first visit to the region in forty years. A number of press features and interviews accompanied Collins’s visit, several of which were still featured at the top of the ‘Press’ section of the artist’s website at the time of writing this chapter. One of the features, entitled ‘Who Knows Where the Time Goes?’ after one of Collins’s 1960s hits, presented a reflection on the artist’s career alongside observations on age and assertions of continued vitality.1 Another, entitled ‘Gem of a Voice Shines On’, described some of Collins’s most successful performances, including her recording of Joni Mitchell’s ‘Both Sides Now’. ‘Its harpsichord tinkling has dated’, wrote the journalist, ‘but Collins’ voice, warm and wise beyond its years, renders the song timeless.’2 I use these examples because they provide a foretaste of the themes of age, time and experience with which I wish to engage in this chapter, as well as a reference to the song upon which I will base my observations. The first aspect to note is the way in which an artist of Collins’s longevity can afford to leave her website out of date in terms of publicity; the fact that the featured stories are seven years old at the time of access matters little when considering an artist whose performing career spans more than five decades.
    [Show full text]
  • Nr Kat EAN Code Artist Title Nośnik Liczba Nośników Data Premiery Repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl
    nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 19075816432 190758164328 '77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 9985848 5051099858480 '77 Nothing's Gonna Stop Us CD Longplay 1 2015-10-30 HEAVYMETAL/HARDROCK 88697636262 886976362621 *NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882 888750258823 *NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 19075906532 190759065327 00 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 88875143462 888751434622 12 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 88697919802 886979198029 2CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 88843087812 888430878129 2CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 88875052342 888750523426 2CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 88725409442 887254094425 2CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 19075869722 190758697222 2CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 88883745419 888837454193 2CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 88985349122 889853491223 2CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 88985461102 889854611026 2CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 19075818232 190758182322 4 Times Baroque Caught in Italian Virtuosity CD Longplay 1 2018-03-09 CLASSICAL 88985330932 889853309320 9ELECTRIC The Damaged Ones
    [Show full text]
  • Current, April 30, 2018
    University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 4-30-2018 Current, April 30, 2018 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, April 30, 2018" (2018). Current (2010s). 309. https://irl.umsl.edu/current2010s/309 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Read more at thecurrent-online.com Vol. 51 Issue 1603 The Current April 30, 2018 UMSL’S INDEPENDENT STUDENT NEWS UMSL's Springtime Celebration: 2018 Mirthweek in Full Swing Dustin Steinhoff “last lecture,” a speech he had deliv- News Editor ered during his battle with pancre- atic cancer. Davis was the faculty he 2018 University of Missou- member chosen to deliver his ad- Tri-St. Louis Mirthweek cele- dress for his contributions through bration took place from April 21 to teaching and services to UMSL. April 27 and featured events ranging The Mirthweek Carnival took from carnivals and laser tag to the place from noon to 5 p.m. on April Student Leadership Banquet and 25. Despite a chance of rain in the Volunteer Fair. forecast, the carnival and the attend- The first event of Mirthweek was ees remained dry for its duration the Graduate Gateway Conference, with a cloudy overcast sky that did taking place on April 21 and April nothing to hamper the Mirthweek 22 in The Dave Ganz Room in the spirit.
    [Show full text]
  • Monterey Jazz Festival
    DECEMBER 2018 VOLUME 85 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob;
    [Show full text]