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LOGLINE January / February 2020 Volume 13: Number 1 the Screenwriter’S Ezine
LOGLINE January / February 2020 Volume 13: Number 1 The Screenwriter’s eZine Published by: Letter From the Editor The PAGE International Screenwriting Awards It’s a new year and a new day for screenwriters around the 7190 W. Sunset Blvd. #610 Hollywood, CA 90046 world! Here at PAGE HQ we hope you had a wonderful holiday www.pageawards.com season, feel recharged, and are ready to take the next step in your writing career. In this issue: One way to potentially make a major breakthrough: the 2020 LO PAGE Awards contest. Our Early Entry Deadline is now just 1 Latest News From two weeks away – Monday, January 20 – and with our low the PAGE Awards Early Entry Discount rates, now is the very best time to get your script in the running for one of this year’s awards. Many past PAGE Award winners have optioned and sold their scripts, been signed 2 The Writer’s by Hollywood representatives, and built highly successful careers in the industry. Perspective You could be next! Is It Ever “Too Late” to Chase Your Dream? As we begin lucky Volume 13 of the bimonthly LOGLINE eZine, we welcome new Erin Muroski readers to the publication designed to share industry intel and advice with all writers. First, 2019 PAGE Award winner Erin Muroski reflects on her rush to find success, and how she got over it. PAGE Judge Genie Joseph introduces us to three prevailing story 3 The Judge’s P.O.V. styles that inform a film from page to screen. Script consultant Ray Morton strikes a Three Styles of Story: balance between art and commerce and Dr. -
Canadian Canada $7 Spring 2020 Vol.22, No.2 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SPRING 2020 VOL.22, NO.2 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA The Law & Order Issue The Detectives: True Crime Canadian-Style Peter Mitchell on Murdoch’s 200th ep Floyd Kane Delves into class, race & gender in legal PM40011669 drama Diggstown Help Producers Find and Hire You Update your Member Directory profile. It’s easy. Login at www.wgc.ca to get started. Questions? Contact Terry Mark ([email protected]) Member Directory Ad.indd 1 3/6/19 11:25 AM CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 22 No. 2 Spring 2020 Contents ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Cover Publisher Maureen Parker Diggstown Raises Kane To New Heights 6 Editor Tom Villemaire [email protected] Creator and showrunner Floyd Kane tackles the intersection of class, race, gender and the Canadian legal system as the Director of Communications groundbreaking CBC drama heads into its second season Lana Castleman By Li Robbins Editorial Advisory Board Michael Amo Michael MacLennan Features Susin Nielsen The Detectives: True Crime Canadian-Style 12 Simon Racioppa Rachel Langer With a solid background investigating and writing about true President Dennis Heaton (Pacific) crime, showrunner Petro Duszara and his team tell us why this Councillors series is resonating with viewers and lawmakers alike. Michael Amo (Atlantic) By Matthew Hays Marsha Greene (Central) Alex Levine (Central) Anne-Marie Perrotta (Quebec) Murdoch Mysteries’ Major Milestone 16 Lienne Sawatsky (Central) Andrew Wreggitt (Western) Showrunner Peter Mitchell reflects on the successful marriage Design Studio Ours of writing and crew that has made Murdoch Mysteries an international hit, fuelling 200+ eps. -
The Complexities of Latina Sexuality on Ugly Betty Tanya González
IS UGLY THE NEW SEXY? The Complexities of Latina Sexuality on Ugly Betty Tanya González ABC’s Emmy and Golden Globe winning television show Ugly Betty stars America Ferrera as Betty Suarez, an intelligent Mexican American executive assistant who lives in Queens, New York, but works at Mode in Manhattan. An adaptation from the Colombian telenovela,Yo soy, Betty la fea, this television show works on a fairy tale premise: the ugly protagonist with a heart of gold will eventually obtain happiness by virtue of her goodness. However, Ugly Betty offers a protagonist with multiple love interests, constantly involving her in a variety of love triangles, begging the question, “Is ugly the new sexy?” The following analysis of Betty as a sexual subject demonstrates that Ugly Betty, within the limits of Hollywood representation, offers complex subjects instead of one-dimensional types. The show’s use of a Latino camp aesthetic continually introduces elements, like Betty’s sexuality, that push the limits of how we perceive Latinas/os on television and in everyday life. As a result, Ugly Betty surprisingly illustrates Chicana/o and Latina/o feminist theories about identity construction. ABC’s Emmy and Golden Globe winning television show Ugly Betty is a global iteration of the Colombian telenovela1 phenomenon Yo soy, Betty la fea (1999-2001). Ugly Betty, which premiered Fall 2006 and will end Spring 2010, stars America Ferrera as Betty Suarez, an intelligent, sweet, perky young Latina2 who lives in Queens, but works at Mode, a fictional representation of Vogue magazine. As the title suggests, people perceive Betty as ugly because she is not model-skinny; wears glasses, braces, and bangs; and has poor fashion sense. -
07-12-2021 WIF and the Sundance Institute Financing
July 12, 2021 Media Contacts: Spencer Alcorn [email protected] Women’s Financing Intensive, from WIF (Women In Film, Los Angeles) & Sundance Institute, Elevates Twelve Feature Projects with Tailored Support Intensive equips filmmakers with financing strategies and introduces them to leading financiers. LOS ANGELES - The Sundance Institute and WIF (Women In Film, Los Angeles) today announce the projects and creators selected for the annual WIF and Sundance Institute Financing Intensive. The Intensive is designed to help women producers—fiction and documentary—build the skills and relationships necessary to advance a feature-length project to the next stage of financing success. On July 14–15, producers and their attached directors participate in small group workshops focused on both pitching and financing strategy, and professional skills development. The Intensive continues the week of July 19 with one-on-one meetings with potential financiers and partners including The Harnisch Foundation, IDA, Impact Partners, Participant, Freeform, Hulu, Gamechanger, Chicken & Egg Pictures, K Period. The Intensive will first kick off with a free public session on July 13 at 2pm – 3:15pm ET, Protecting Producers, that will explore fresh ideas in producer career sustainability. The conversation will take place on Sundance Co//ab and include: Carrie Lozano (Director, Sundance Documentary Film Program and Artist Programs), Yael Melamede (Documentary Producers Alliance), producer Summer Shelton, and Avril Speaks (Producers Union). The Institute and WIF have been working together to address the most challenging obstacles facing women filmmakers at both structural and project-based levels. Accessing capital remains elusive even for seasoned creators, and research by both institutions has shown that women continue to deal with particular gendered biases that make it harder to secure financing. -
Modern Family Season 1X01 Page.1 - You Saw That, Right? Everybody Fawning Over Lily, and Then You - His Name Is Dylan
Modern family - We're very different. Jay's from the city. He has a big business. I come from a small village, very poor but very, very beautiful. It's the 1X01 Pilot number-one village in all Colombia for all the... What's the word? - Murders. - Kids! Breakfast! Kids? Phil, would you get them? - Yes, the murders. - Yeah. Just a sec. - Manny, stop him! You can do it! - Kids! - Damn it, Manny! - That is so... - Come on, coach! You got to take that kid out! - Okay. - You want to take him out? How about I take you out? - Kids?! Get down here! - Honey, honey. - Why are you guys yelling at us when we're way upstairs? Just text - Why don't you worry about your son? He spend the first half with me. his hand in his pants! - That's not gonna happen. And you're not wearing that outfit. - I've wanted to tell her off for the last six weeks. I'm Josh. Ryan's dad. - What's wrong with it? - Hi. I'm Gloria Pritchett, Manny's mother. - Honey, do you have anything to say to your daughter about her - And this must be your dad. skirt? - Her dad? That's funny. Actually, no, I'm her husband. Don't be - Sorry. That looks really cute, sweetheart. fooled by the... Give me a second here. - It's way too short. People know you're a girl. You don't need to - Who's a good girl? Who's that? Who's that? prove it. - She's adorable! Hi, precious. -
HBO Leads 60Th Primetime Emmys 30 Rock, Mad Men Take Top Series September 21, 2008
HBO Leads 60th Primetime Emmys 30 Rock, Mad Men Take Top Series September 21, 2008 A 1960s advertising agency, a fictional sketch-comedy show and the second president of the United States were among the big winners at the 60th Primetime Emmy Awards. Among the twenty-eight awards handed out over the course of the Television Academy’s diamond anniversary event, which was telecast live on ABC, HBO topped the night with 10 winged statuettes. NBC followed with four. Combined with its awards at last Saturday’s Creative Arts Emmys, HBO led for the year as well, with 26 in all. Leading the recipients of multiple awards between the two awards ceremonies was HBO’s seven-part historical miniseries John Adams, with 13 Emmys, surpassing a miniseries record set by another HBO production, Angels in America, which won 11 in 2004, and ABC’s Eleanor and Franklin, which won 11 in 1976. It was an evening of milestones and memories. Among the September 21 ceremony’s firsts: the Primetime Emmys’ debut in their new venue, NOKIA Theatre L.A. LIVE, in downtown Los Angeles. In another landmark, 2008 was the first time an Emmy was awarded for outstanding host for a reality or reality-competition program. The five nominees, Tom Bergeron (Dancing with the Stars), Heidi Klum (Project Runway), Howie Mandel (Deal or No Deal), Jeff Probst (Survivor) and Ryan Seacrest (American Idol) — commemorated the new category by hosting the festivities. In addition, a new record was set for consecutive wins in a single category when Comedy Central’s The Daily Show with Jon Stewart prevailed as outstanding variety, music or comedy series and CBS’s The Amazing Race was named outstanding reality-competition program. -
Ugly Betty's BECKI NEWTON Returns to NYC
www.resident.com • January 29-February 4, 2008 • Vol. 20, No. 33 • $2.95 www.resident.com • December 2-15, 2008 • Vol. 20, N0. 61 • $2.95 WHO'S WHO in New York The Year's Winners and Losers PLUS KITCHEN KINGS AND QUEENS and REAL ESTATE RULERS EXCLUSIVE ON LOCATION Ugly Betty's BECKI NEWTON returns to NYC Holiday Window Guide • Offi ce Party Dos and Don'ts • Luxe Vegas Escape 20 • Resident The Week Of December 2, 2008 COVER returns to New York On LocationBecki Newton Ugly Betty’s By Rachel Bowie ecki Newton is thrilled to be home again. Back in New York to shoot on Broadway. As Newton says, the rest is history. the third season of the hit TV series Ugly Betty, Newton is in the midst “Part of the reason why I’m in love with New York of redecorating her new dressing room at Silvercup Studios in Queens. is because so many things have happened here,” The personal touches are obvious — freshly painted plum walls, the she says. “I met my husband here, I had my fi rst sleek white leather couch, a framed photo of her with husband Chris apartment here and, now, this job — there are just Diamantopoulos — she has made the room her own, a well-designed so many great associations with this city.” Breminder that she is back on the East coast. Newton, 30, grew up in Connecticut and moved On Ugly Betty, Newton plays Amanda, the receptionist and resident mean girl at to New York fresh out of college after earning a the Vogue-esque fashion magazine Mode. -
This Is the Us Master Pilot Scablist the Unionist's Edition
THIS IS THE US MASTER PILOT SCABLIST THE UNIONIST’S EDITION A SCAB is A Person Who is Doing What You’d be Doing if You Weren’t on Strike. A SCAB takes your job, a Job he could not get under normal circumstances. He can only advance himself by taking advantage of labor disputes and walking over the backs of workers trying to maintain decent wages and working conditions. He helps management to destroy his and your profession, often ending up under conditions he/she wouldn't even have scabbed for. No matter. A SCAB doesn't think long term, nor does he think of anything other then himself. His smile shows fangs that drip with your blood, for he willingly destroys families, lives, careers, opportunities and professions at the drop of a hat. He takes from a striker what he knows he could never earn by his own merit: a decent Job. He steals that which others earned at the bargaining table through blood, sweat and tears, and throws it away in an instant - ruining lives, jobs and careers. ONCE A SCAB, ALWAYS A SCAB - NEVER FORGET! Below are brief notes about legal strikes by organized pilots. 1. Century Airlines 1932: Pilots struck to resist wage reduction by E.L Cord, the patron saint of Frank Lorenzo. 2. TWA 1946: Pilots struck over pay on faster 4 engine aircraft, limited by the provisions of Decision 83. 3. National Airlines 1948: Strike over aircraft safety and repeated violations of the labor contract. 4. Western Airlines 1958: Qualifications of the Flight Engineer. -
Pilot Production Report
2016 PILOT PRODUCTION REPORT 6255 W. Sunset Blvd. CREDITS: 12th Floor Research Analysts: Hollywood, CA 90028 Adrian McDonald Corina Sandru Graphic Design: http://www.filmla.com/ Shane Hirschman @FilmLA Photography: FilmLA Shutterstock FilmLAinc TABLE OF CONTENTS WHAT’S A PILOT? 3 GROWTH OF DIGITAL PILOTS 4 DRAMA PILOTS 5 COMEDY PILOTS 6 TOP PILOT PRODUCTION LOCATIONS 7 THE MAINSTREAMING OF “STRAIGHT-TO-SERIES” PRODUCTION 8 PILOTS’ ECONOMIC IMPORTANCE 10 THE CURRENT DRAMA LANDSCAPE IN CALIFORNIA 11 CONCLUSION 13 Each year between January and April, Los Angeles residents observe a marked increase in local on-location filming. New television pilots, produced in anticipation of May screenings for television advertisers, join continuing TV series, feature films and commercial projects in competition for talent, crews, stage space and sought-after locations. However, Los Angeles isn’t the only place in North America hosting pilot production. Other jurisdictions, most notably New York and the Canadian city of Vancouver have established themselves as strong competitors for this lucrative part of Hollywood’s business tradition. Below these top competitors is a second-tier of somewhat smaller players in Georgia and Ontario, Canada—home to Toronto. FilmL.A.’s official count shows that 201 broadcast, cable and digital pilots (123 Dramas, 78 Comedies) were produced during the 2015-16 development cycle, one less than the prior year and the third straight year in which more than 200 pilots were produced. Out of those 201 pilots, 79 projects (25 Dramas, 54 Comedies) were filmed in the Los Angeles region. This represents a 13 percent drop from last year, when 91 pilot projects filmed here and it is also the lowest number of pilots in the last six years that were produced in the region. -
Terry O'bright
Various Sound Credits 2005 - 2014 Our teams of sound designers and editors have won more Emmys (16), Golden Reels (35) and other recognition for quality than any other sound company! 2014 Whitney (Cable Movie - Lifetime/A&E) - Full sound & mixing package 2014 Person of Interest (TV series - CBC) - Mixing package 2014 Flash (TV series - CW) - Mixing package 2014 NCIS (TV Series - CBS) - Full sound & mixing package 2014 NCIS: New Orleans (TV Series - CBS) - Full sound & mixing package 2014 Cosmos (TV Series - Fox) - Full sound & mixing package *2014 EMMY winner - best Sound Effects Editorial 2014 Scorpion (TV series - CBC) - Mixing package 2014 Tyrant (TV series - FX) - Mixing package & M&E package 2014 Perception (TV series - ABC) - ADR & Mixing package 2014 Drum Line (Cable Movie - VH1) - Full sound & mixing package 2014 Crossbones (TV Series - NBC) - Full sound & mixing package 2014 The Divide (TV Series - WE TV) - Full sound & mixing package 2014 Petals on the Wind (Cable Movie) - Full sound & mixing package 2014 Return to Zero (Cable Movie - Lifetime) - Full sound & mixing package 2011-14 Falling Skies (Cable series - TNT/Dreamworks) Full sound & mixing package 2009-14 Modern Family (TV series - Fox for ABC) - Full sound & mixing package *2010 & 2012 EMMY winner - best Mixing / 2014 CAS award - Best Mixing 2008-14 Sons of Anarchy (Cable series - FX/Fox) – Full sound & mixing package *2014 Golden Reel Award - best Sound Editorial 2010-14 The Good Wife (TV series - Fox) – Mixing package 2008-14 Bones (TV series - Fox) – Mixing package -
Outstanding Animated Program (For Programming Less Than One Hour)
Keith Crofford, Executive Producer Outstanding Animated Program (For Corey Campodonico, Producer Programming Less Than One Hour) Alex Bulkley, Producer Douglas Goldstein, Head Writer Creature Comforts America • Don’t Choke To Death, Tom Root, Head Writer Please • CBS • Aardman Animations production in association with The Gotham Group Jordan Allen-Dutton, Writer Mike Fasolo, Writer Kit Boss, Executive Producer Charles Horn, Writer Miles Bullough, Executive Producer Breckin Meyer, Writer Ellen Goldsmith-Vein, Executive Producer Hugh Sterbakov, Writer Peter Lord, Executive Producer Erik Weiner, Writer Nick Park, Executive Producer Mark Caballero, Animation Director David Sproxton, Executive Producer Peter McHugh, Co-Executive Producer The Simpsons • Eternal Moonshine of the Simpson Mind • Jacqueline White, Supervising Producer FOX • Gracie Films in association with 20th Century Fox Kenny Micka, Producer James L. Brooks, Executive Producer Gareth Owen, Producer Matt Groening, Executive Producer Merlin Crossingham, Director Al Jean, Executive Producer Dave Osmand, Director Ian Maxtone-Graham, Executive Producer Richard Goleszowski, Supervising Director Matt Selman, Executive Producer Tim Long, Executive Producer King Of The Hill • Death Picks Cotton • FOX • 20th Century Fox Television in association with 3 Arts John Frink, Co-Executive Producer Entertainment, Deedle-Dee Productions & Judgemental Kevin Curran, Co-Executive Producer Films Michael Price, Co-Executive Producer Bill Odenkirk, Co-Executive Producer Mike Judge, Executive Producer Marc Wilmore, Co-Executive Producer Greg Daniels, Executive Producer Joel H. Cohen, Co-Executive Producer John Altschuler, Executive Producer/Writer Ron Hauge, Co-Executive Producer Dave Krinsky, Executive Producer Rob Lazebnik, Co-Executive Producer Jim Dauterive, Executive Producer Laurie Biernacki, Animation Producer Garland Testa, Executive Producer Rick Polizzi, Animation Producer Tony Gama-Lobo, Supervising Producer J. -
Exclusive to Our Online Version: Halloween Recipes Page 7 Th
Welcome to the online version of The Pilot’s Halloween Edition! Exclusive to our online version: The Walking Dead Halloween Recipes episode summary page 7 Page The Best Horror Movies to Watch expedition, one traumatized and emotionally fragile This Season due to the death of her daughter and husband. Things by Sarah Maymi go horribly awry as the women find themselves stuck in a cave with seemingly no way out--and they're not It’s just a fact of life that horror movies alone. A claustrophobic and exhilarating are awesome. This film genre has been alive and experience, The Descent is primarily a great film kicking since the early 1900s--and it has only because it takes time develop the characters and makes progressed since then. I'm not sure about you, but us more attached to them. Not surprisingly, it is also I cannot think of a more convenient time to deeply terrifying--especially if you aren't a fan of dark celebrate and appreciate some of the finer horror spaces. pictures than October, the month of Halloween. Here, I present you six reviews of horror movies you should definitely make an effort to watch. THE SHINING: A film directed by the lauded, influential director Stanley Kubrick, The Shining came out in 1980 and is considered by many people to be one CARRIE: An adaption of Stephen King's first of the most intelligent horror movies ever made novel, Carrie was directed by Brian De Palma in (surprisingly, it was panned by critics on its first 1976. It tells the story of Carrie White, a young release).