2020年1月21日(火)−3月26日(木) 東京都美術館
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KUNSTLEX Juni 2020: Wolthers KUNSTLEXTM
KUNSTLEX juni 2020: TM Wolthers KUNSTLEX Udarbejdet af Anette Wolthers, 2020 Wolthers KUNSTLEXTM er udarbejdet i forbindelse med min research og skrivning af bogen: Kvindelige kunstnere i Odsherred gennem 100 år, publiceret af Odsherreds Kunstmuseums og Malergårdens Venner og Museum Vestsjælland i 2020. Bogen, der er på 248 sider, har også bidrag af museumsinspektør Jesper Sejdner Knudsen og formand for Venneforeningen Alice Faber. Bogen kan købes på de enkelte museer i Museum Vestsjælland eller kan bestilles på: [email protected] eller telefon 2552 8337. Den koster 299 kr plus forsendelsesomkostninger (ca. 77 kr.) Der var ikke plads i bogen til at alle mine ’fund og overvejelser’. Derfor har jeg samlet nogle af disse, så interesserede kan få adgang til denne viden i bredden og dybden, samt gå med ad de tangenter, der kan supplere bogens univers. Researcharbejdet til bogen Kvindelige kunstnere i Odsherred gennem 100 år er foregået 2016‐2019, og i denne proces opstod ideen om at lave mine mere eller mindre lange skrivenoter om et til et kunstleksikon. Så tænkt så gjort. Alle disse fund er nu samlet og har fået navnet Wolthers KUNSTLEX TM Man kan frit og gratis bruge oplysningerne i Wolthers KUNSTLEXTM med henvisning til kilden, forfatter, årstal samt placering: www.anettewolthers.dk Hvis der er brug for at citere passager fra Wolthers KUNSTLEXTM gælder de almindelige regler for copyright©, som er formuleret i Ophavsretsloven. Wolthers KUNSTLEXTM består af elementer af kunstviden fra ca. 1800‐tallet op til moderne tid og indeholder: 1. Korte biografer af overvejende danske kunstnere, deres familier, lærere, kolleger, kontakter og andre nøglepersoner i tilknytning til bogens 21 kunstnerportrætter samt enkelte tangenter ud og tilbage historien til vigtige personer – side 4 2. -
Hammershoi and Europe
Jane Van Nimmen exhibition review of Hammershoi and Europe Nineteenth-Century Art Worldwide 12, no. 1 (Spring 2013) Citation: Jane Van Nimmen, exhibition review of “Hammershoi and Europe,” Nineteenth- Century Art Worldwide 12, no. 1 (Spring 2013), http://www.19thc-artworldwide.org/spring13/ van-nimmen-reviews-hammershoi-and-europe. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Nimmen: Hammershoi and Europe Nineteenth-Century Art Worldwide 12, no. 1 (Spring 2013) Hammershøi and Europe Statens Museum for Kunst, Copenhagen Curators, Kasper Monrad and Annette Rosenvold Hvidt February 4–May 20, 2012 Hammershøi and Europe: A Danish Artist Around 1900 Kunsthalle der Hypo-Kulturstiftung, Munich Curator, Roger Diederen June 15–September 16, 2012 Catalogue: Hammershøi and Europe / Hammershøi und Europa / Hammershøi og Europa. Kasper Monrad, with contributions by MaryAnne Stevens, Anne Hemkendreis, Peter Nørgaard Larsen, Annette Rosenvold Hvidt, Tone Bonnén. Munich: Prestel, 2012. 255 pp.; 192 color illustrations; list of exhibited works; bibliography ISBN: 978-3-7913-5174-2 (English trade edition) 978-3-7913-5191-9 (German trade edition) 978-8-7920-2356-8 (Danish trade edition) €39.95 ($49.95; £35; 324 kr.) Hammershøi and Europe opened in June 2012 at the Kunsthalle der Hypo-Kulturstiftung in Munich, the second and final venue for the large retrospective (fig. 1). Kasper Monrad, senior research curator at the Statens Museum for Kunst (National Gallery of Denmark), conceived this impressive show and catalogue to place the Danish painter Vilhelm Hammershøi within various international artistic currents of his time (fig. -
出品作品リスト List of Works
出品作品リスト | List of Works 主催=山口県立美術館、読売新聞社、KRY 山口放送 2020年4月7日│火│̶ 6月7日│日│ 山口県立美術館 後援=デンマーク王国大使館 協力=ル フト ハ ン ザ カ ー ゴ AG 山口会場後援=山口県教育委員会、山口市、山口市教育委員会、一般社団法人山口県観光連盟、 山口商工会議所、一般財団法人山口観光コン ベ ン ション 協会、湯田温泉旅館協同組合 7 April–7 June 2020 Yamaguchi Prefectural Art Museum 山口会場特別協賛=エルクホームズ株式会社 [注意事項] *本リストの 掲載順と展示順は必ずしも一致しません。 *出品作品は変更になる場合があります。 *展示室内の温湿度および 照明は、作品保護に関する所蔵者の貸出条件に従い管理しています。 *諸事情により、本展会期および 開館時間等は変更になる場合があります。 no. 作家名|Artist 作品名|Title 制作年|Year 技法/素材|Technique & material 所蔵 | Collection 日常礼賛─ デンマーク絵画の黄金期 1 In Praise of Everyday Life̶The Golden Age of Danish Painting 1 クレステン・クプ ゲ カステレズ北門の眺め 1833–34 油彩/紙 ヒア シュプロング・コレクション Christen Købke View of the Northern Gate of the Citadel from the Oil on paper The Hirschsprung Collection, 259 Bastion East of the Bridge 2 クレステン・クプ ゲ ラン ゲリニェと軍港を望むカステレズの風景 1832頃 油彩/カンヴァス デンマーク国立美術館 Christen Købke View of the Citadel Ramparts Looking towards ca. 1832 Oil on canvas National Gallery of Denmark, KMS3480 Langelinie and the Naval Harbour 3 クレステン・クプ ゲ パン屋の傍の中庭、カステレズ 1832頃 油彩/カンヴァス ニュー・カールスベア彫刻美術館 Christen Købke View of the Yard beside the Bakery in the Citadel ca. 1832 Oil on canvas Ny Carlsberg Glyptotek, MIN 2812 4 クレステン・クプ ゲ 自画像 1833頃 油彩/カンヴァス デンマーク国立美術館 Christen Købke Self-Portrait ca. 1833 Oil on canvas National Gallery of Denmark, KMS3150 5 ダ ン クヴ ァト・ドライア 自画像 1838 油彩/板 ブランツ美術館 Dankvart Dreyer Self-Portrait Oil on board Brandts –Museum of Art and Visual Culture, FKM588 6 クレス チ ャン・ア ル ブ レ クト・ マ ティーア ス・フリース・フォン・イアウンス=ベアウ 1824 油彩/カンヴァス デンマーク国立美術館 イェン スン の肖像 Oil on canvas National Gallery of Denmark, KMS1338 Christian Albrecht Jensen Mathias Friis von Irgens-Bergh, Danish Chargé d’Affaires in Dresden 7 クレス チ ャン・ア ル ブ レ クト・ マティル デ・ティレ ー シ ャ・フォン・イアウン ス=ベアウ 1824 油彩/カンヴァス デンマーク国立美術館 イェン スン (旧姓ホ ル ス ティーン )の肖像 Oil on canvas National Gallery of Denmark, KMS1339 Christian Albrecht Jensen Mathilde Theresia von Irgens-Bergh, née Holsten, the Wife of Mathias Friis von Irgens-Bergh 8 コ ン ス タン ティーン ・ハンスン 果物籠を持つ少女 1827頃 油彩/カンヴァス デンマーク国立美術館 Constantin Hansen A Girl with Fruits in a Basket ca. -
Ulrich Von Hutten, 1516, 1869. Medium, Size, Study of a Woman
1 List of Illustrations Please Note: all illustrations are oil on canvas unless otherwise stated. 1. Gustave Courbet, The Stonebreakers , 1849, formerly Staatliche Gemäldegalerie, Dresden – destroyed. (165 x 238cm.) 2. Wilhelm von Lindenschmit, Ulrich von Hutten, 1516, 1869. Medium, size, location, unknown. 3. Erik Werenskiold, Study of a Woman, Semi-Nude, 1877, Bergen Kunstmuseum, 88 x 64.5cm. 4. Hans Heyerdahl, The Expulsion of Adam and Eve from Paradise,1877, Norwegian National Museum of Art, Architecture and Design, Oslo. (Hereinafter referred to as “The Norwegian National Gallery”), 257 x 183cm. 5. Wilhelm Leibl Politicising Farmers (Die Dorfpolitiker), 1877, Museum Oskar Reinhart am Stadtgarten, Winterthur, Switzerland. Oil on wood. 76 x 97cm. 6. Adolph Tidemand, Politicising Farmers (Politiserende bønder), 1849, sold by Grev Wedels Plass, Oslo, 27 November 2007, Lot No. 23. 67 x 85cm. 7. Erik Werenskiold, Berrypickers (Kinderscherze), 1878, private collection. 81 x 97cm. 8. Jean-Baptiste-Camille Corot, Saint-Nicholas-les Arras: Willows on the Bank of the Scarpe, 1871-2, private collection, 38 x 47cm. 9. Charles-François Daubigny, On the Banks of the Oise, 1859, Musée des Beaux-arts, Bordeaux, 90 x 182cm. 10. Charles-François Daubigny, Moonrise, 1877, sold at Christies, London, 26 June 2007, Lot No. 209, 134 x 227cm. 11. Mihály Munkácsy, The blind Milton dictating “Paradise Lost” to his Daughters, 1878, New York public library. 12. Jules Breton, The Gleaner, 1877, Musée des Beaux-arts, Arras, ex Musée d’Orsay, Paris, 230 x 125cm. 13. Erik Werenskiold, A Confession, 1879, private collection, 97 x 82cm. 14. Camille Pissarro, La Sente du Choux en Mars (Pathway at Choux in March), 1878, Musée des Beaux-arts, Douai (detail). -
15 Vilhelm Hammershøi at the Exposition Universelle Of
VILHELM HAMMERSHØI AT THE EXPOSITION UNIVERSELLE OF 1889 Jan D. Cox Independent Art Historian [email protected] Abstract In 1889, Vilhelm Hammershøi (1864-1916) exhibited for the first time outside Scandinavia, contributing four of the 190 oil paintings that Denmark sent to the Exposition Universelle in Paris, where he was awarded a bronze medal. There has been some confusion, with five extant paintings being proposed for the four pictures that were catalogued and exhibited. These five pictures are: Portrait of a Young Woman. The Artist's Sister, Anna Hammershøi , 1885, Hirschsprung Collection, Copenhagen. This picture was not exhibited in Paris, but was entered for the Neuhaus prize in Denmark, where its lack of success caused an outcry, and was instrumental in provoking the foundation of Den Frie Udstilling in 1891. In contrast to scholarship that suggests works by Christen Købke as a likely role model, I propose an earlier Portrait of the Artist's Sister (1847) by Julius Exner. Étude : A Baker's Shop (En Bagerbutik ), 1888, Vejen Kunstmuseum. Catalogue number 44 at the 1889 Exposition Universelle . Evidence is provided to confirm that the work exhibited in Paris as Étude is A Baker's Shop . Its radical nature is discussed, and proposes links to modern artists like Mondrian, Rothko and Malevich, as well as Gerhard ter Borch and Caspar David Friedrich. Vielle Femme : An Old Woman (En Gammel Kone ), 1886, Hirschsprung Collection, Copenhagen. Catalogue number 45 at the 1889 Exposition Universelle . The removal of all extraneous narrative elements by Hammershøi is analysed, as are the strong links to 17 th - century Dutch art, particularly Gerhard ter Borch.