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出品作品リスト ｜ List of Works 主催＝山口県立美術館、読売新聞社、KRY 山口放送 2020年4月7日│火│̶ 6月7日│日│ 山口県立美術館 後援＝デンマーク王国大使館 協力＝ル フト ハ ン ザ カ ー ゴ AG 山口会場後援＝山口県教育委員会、山口市、山口市教育委員会、一般社団法人山口県観光連盟、 山口商工会議所、一般財団法人山口観光コン ベ ン ション 協会、湯田温泉旅館協同組合 7 April–7 June 2020 Yamaguchi Prefectural Art Museum 山口会場特別協賛＝エルクホームズ株式会社 ［注意事項］ ＊本リストの 掲載順と展示順は必ずしも一致しません。 ＊出品作品は変更になる場合があります。 ＊展示室内の温湿度および 照明は、作品保護に関する所蔵者の貸出条件に従い管理しています。 ＊諸事情により、本展会期および 開館時間等は変更になる場合があります。 no. 作家名｜Artist 作品名｜Title 制作年｜Year 技法／素材｜Technique & material 所蔵 | Collection 日常礼賛─ デンマーク絵画の黄金期 1 In Praise of Everyday Life̶The Golden Age of Danish Painting 1 クレステン・クプ ゲ カステレズ北門の眺め 1833–34 油彩／紙 ヒア シュプロング・コレクション Christen Købke View of the Northern Gate of the Citadel from the Oil on paper The Hirschsprung Collection, 259 Bastion East of the Bridge 2 クレステン・クプ ゲ ラン ゲリニェと軍港を望むカステレズの風景 1832頃 油彩／カンヴァス デンマーク国立美術館 Christen Købke View of the Citadel Ramparts Looking towards ca. 1832 Oil on canvas National Gallery of Denmark, KMS3480 Langelinie and the Naval Harbour 3 クレステン・クプ ゲ パン屋の傍の中庭、カステレズ 1832頃 油彩／カンヴァス ニュー・カールスベア彫刻美術館 Christen Købke View of the Yard beside the Bakery in the Citadel ca. 1832 Oil on canvas Ny Carlsberg Glyptotek, MIN 2812 4 クレステン・クプ ゲ 自画像 1833頃 油彩／カンヴァス デンマーク国立美術館 Christen Købke Self-Portrait ca. 1833 Oil on canvas National Gallery of Denmark, KMS3150 5 ダ ン クヴ ァト・ドライア 自画像 1838 油彩／板 ブランツ美術館 Dankvart Dreyer Self-Portrait Oil on board Brandts –Museum of Art and Visual Culture, FKM588 6 クレス チ ャン・ア ル ブ レ クト・ マ ティーア ス・フリース・フォン・イアウンス＝ベアウ 1824 油彩／カンヴァス デンマーク国立美術館 イェン スン の肖像 Oil on canvas National Gallery of Denmark, KMS1338 Christian Albrecht Jensen Mathias Friis von Irgens-Bergh, Danish Chargé d’Affaires in Dresden 7 クレス チ ャン・ア ル ブ レ クト・ マティル デ・ティレ ー シ ャ・フォン・イアウン ス＝ベアウ 1824 油彩／カンヴァス デンマーク国立美術館 イェン スン （旧姓ホ ル ス ティーン ）の肖像 Oil on canvas National Gallery of Denmark, KMS1339 Christian Albrecht Jensen Mathilde Theresia von Irgens-Bergh, née Holsten, the Wife of Mathias Friis von Irgens-Bergh 8 コ ン ス タン ティーン ･ハンスン 果物籠を持つ少女 1827頃 油彩／カンヴァス デンマーク国立美術館 Constantin Hansen A Girl with Fruits in a Basket ca. 1827 Oil on canvas National Gallery of Denmark, KMS3336 9 マ ーティーヌス・ラアビュー 外科医クレス チ ャン・フェン ガとその 家族 1829 油彩／カンヴァス リー ベ 美術館 Martinus Rørbye The Surgeon Christian Fenger with Wife and Oil on canvas Ribe Art Museum, RKMm0466 Daughter 10 ヴィル ヘ ル ム・マ ー ストラン フレ ゼレ ゲ・ラフェン ベ ア（旧姓ヘ ーイロプ ）の肖像 1846 油彩／カンヴァス デンマーク国立美術館 Wilhelm Marstrand Frederikke Raffenberg, née Hagerup Oil on canvas National Gallery of Denmark, KMS1649 11 クレステン・クプ ゲ 海岸通りと入り江の風景、静かな夏の午後 1837 油彩／カンヴァス デンマーク国立美術館 Christen Købke View of the Bay near the Copenhagen Limekiln Oil on canvas National Gallery of Denmark, KMS1700 Looking North. A Quiet Summer Afternoon 12 ダ ン クヴ ァト・ドライア シ ュレ ー スヴ ィヒを 彼方に望むアセンスの風景 1834–35 油彩／カンヴァス ブランツ美術館 Dankvart Dreyer View from Assens, in the Background the Coast of Oil on canvas Brandts –Museum of Art and Visual Culture, FKM270 Schleswig 13 クレステン・クプ ゲ フレズレクス ボー城の棟─ 湖と町 、森 を望む風景 1834–35 油彩／カンヴァス デンマーク・デ ザ イン 博物館 （デンマーク国立美術館に寄託） Christen Købke Roof Ridge of Frederiksborg Castle with View of Oil on canvas Designmuseum Danmark Lake, Town and Forest (deposited in National Gallery of Denmark, DEP691) 14 ダ ン クヴ ァト・ドライア ブランスー島のド ル メン 1842–43 油彩／カンヴァス ブランツ美術館 Dankvart Dreyer Stone Circle on the Island Brandsø with a View Oil on canvas Brandts –Museum of Art and Visual Culture, FKM2004 towards Gronninghoved and Anslet Forest 15 ヨハン・トマス・ロンビュー シェラン島、ロズスコウの小作地 1847 油彩／カンヴァス デンマーク国立美術館 Johan Thomas Lundbye A Croft at Lodskov near Vognserup Manor, Zealand Oil on canvas National Gallery of Denmark, KMS1644 16 ピーダ・クレス チ ャン・ テ ィス ヴ ィレ の 森から望むフレ ズレクスヴ ェアクの 風景 1839 油彩／カンヴァス デンマーク国立美術館 スコウゴ ー View of Frederiksværk from Tisvilde Wood, North Oil on canvas National Gallery of Denmark, KMS363 Peter Christian Skovgaard Zealand no. 作家名｜Artist 作品名｜Title 制作年｜Year 技法／素材｜Technique & material 所蔵 | Collection ス ケーイン 派と北欧の光 2 Light, Landscape and the Artistic Life of Skagen 17 フリツ・タウロウ ス ケーイン の 海岸 1879 油彩／カンヴァス ス ケーイン 美術館 Frits Thaulow From Skagen’s Beach Oil on canvas Art Museums of Skagen, SKM1623 18 ヴ ィゴ・ヨハンスン 海辺の網干し場 1876 油彩／カンヴァス ス ケーイン 美術館 Viggo Johansen From a Drying Ground at Skagen’s Beach Oil on canvas Art Museums of Skagen, SKM1690 19 ミケール・アンガ ボ ートを 漕ぎ出す漁師たち 1881 油彩／カンヴァス ス ケーイン 美術館 Michael Ancher Fishermen Launching a Rowing Boat Oil on canvas Art Museums of Skagen, SKM466 20 アナ・アンガ 戸口で縫物をする少女 1879–84 油彩／カンヴァス ス ケーイン 美術館 Anna Ancher Young Girl Working on her Sewing in the Doorway Oil on canvas Art Museums of Skagen, SKM369 of a House 21 オスカル・ビュルク 遭難信号 1883 油彩／カンヴァス デンマーク国立美術館 （ス ケーイン 美術館に寄託） Oscar Björck A Distress Shot Oil on canvas National Gallery of Denmark , KMS1236 (deposited in Art Museums of Skagen, Dep3) 22 ピーザ・スィヴ ェリーン・ 漁網を繕うクリストファ 1886 油彩／カンヴァス ス ケーイン 美術館 クロイア Christoffer Mends Nets in his Room Oil on canvas Art Museums of Skagen, SKM543 Peder Severin Krøyer 23 オスカル・ビュルク ス ケーイン の 海に漕ぎ出す ボ ート 1884 油彩／カンヴァス ス ケーイン 美術館 Oscar Björck Launching the Boat. Skagen Oil on canvas Art Museums of Skagen, SKM1650 24 ミケール・アンガ 9月のス ケーイン 南海岸 1893 油彩／カンヴァス ス ケーイン 美術館 Michael Ancher Skagen Sønderstrand. A Day in September Oil on canvas Art Museums of Skagen, SKM1130 25 ヴ ィゴ・ヨハンスン 9月の夕暮れ、ス ケーイン 1889 油彩／カンヴァス ス ケーイン 美術館 Viggo Johansen September Evening in Skagen Oil on canvas Art Museums of Skagen, SKM1493 26 ヴ ィゴ・ヨハンスン 台所の片隅、花を生ける画家の妻 1884 油彩／カンヴァス ス ケーイン 美術館 Viggo Johansen Kitchen Interior. The Artist’s Wife Arranging Flowers Oil on canvas Art Museums of Skagen, SKM1050 27 クリス ティア ン・クローグ 娘の髪を編む母親 1888 油彩／カンヴァス ス ケーイン 美術館 Christian Krohg A Mother Plaiting her Little Daughter’s Hair Oil on canvas Art Museums of Skagen, SKM280 28 ミケール・アンガ ス ケーイン の 北の野原で花を摘む少女と子供たち 1887 油彩／カンヴァス ス ケーイン 美術館 Michael Ancher Children and Young Girls Picking Flowers in a Field Oil on canvas Art Museums of Skagen, SKM1016 North of Skagen 29 ピーザ・スィヴ ェリーン・ 朝食─ 画家とその 妻マリーイ、作 家 の オト・ベンソン 1893 油彩／板 ヒア シュプロング・コレクション クロイア A Luncheon. The Artist, his Wife and the Writer Otto Oil on board The Hirschsprung Collection, 3101 Peder Severin Krøyer Benzon 30 ピーザ・スィヴ ェリーン・ 詩人ホルガ・ドラクマンの肖像 1902 油彩／板 ヒア シュプロング・コレクション クロイア Portrait of Holger Drachmann in the Pine Plantation Oil on board The Hirschsprung Collection, 240 Peder Severin Krøyer at Skagen 31 ピーザ・スィヴ ェリーン・ ス ケーイン 南海岸の夏の夕べ、アナ・アンガと 1893 油彩／カンヴァス ヒア シュプロング・コレクション クロイア マリーイ・クロイア Oil on canvas The Hirschsprung Collection, 222 Peder Severin Krøyer Summer Evening at the South Beach, Skagen. Anna Ancher and Marie Krøyer 19世紀末のデンマーク絵画─ 国際化と室内画の隆盛 3 Turn of the Century̶Diversity and the Rise of Painting Interiors 32 ティー オド・フィリプ ス ン 晩秋のデューアヘーヴェン森林公園 1886 油彩／カンヴァス デンマーク国立美術館 Theodor Philipsen Late Autumn Day in the Jægersborg Deer Park, Oil on canvas National Gallery of Denmark, KMS1950 North of Copenhagen 33 クレス チ ャン・モ アイェ＝ 花咲く桃の木、アルル 1888 油彩／カンヴァス ヒア シュプロング・コレクション ピーダスン Peach Trees in Bloom. Arles Oil on canvas The Hirschsprung Collection, 3062 Christian Mourier-Petersen 34 ヴ ィゴ・ピーダスン 居間に射す陽光、画家の妻と子 1888 油彩／カンヴァス デンマーク国立美術館 Viggo Pedersen Sunshine in the Living Room. The Artist’s Wife and Child Oil on canvas National Gallery of Denmark, KMS1363 35 ヨハン・ローゼ 夜の波止場、ホールン 1893 油彩／カンヴァス ヒア シュプロング・コレクション Johan Rohde Late Evening at the Quay in Hoorn Oil on canvas The Hirschsprung Collection, 3082 36 ユ ーリウス・ポウルスン 夕暮れ 1893 油彩／カンヴァス ラナス美術館 Julius Paulsen Sunset Oil on canvas Randers Museum of Art, Rkr.nr. 0111 37 ヨハン・ローゼ 画家クレス チ ャン・サ ートマ ン の 肖像 1896 油彩／カンヴァス スウェーデン 国立美術館 Johan Rohde Kristian Zahrtmann, the Danish Painter Oil on canvas Nationalmuseum, Stockholm, NM 1621 38 ユ ーリウス・ポウルスン カーアン・ブラムスンの肖像 1900 油彩／カンヴァス ブランツ美術館 Julius Paulsen Portrait of Violinist Miss Karen Bramsen Oil on canvas Brandts –Museum of Art and Visual Culture, FKM2334 no. 作家名｜Artist 作品名｜Title 制作年｜Year 技法／素材｜Technique & material 所蔵 | Collection 39 ヴ ィゴ・ヨハンスン コーヒーを飲みながら 1884 油彩／カンヴァス リー ベ 美術館 Viggo Johansen A Coffee Party Oil on canvas Ribe Art Museum, RKMm0101 40 ヴ ィゴ・ヨハンスン きよしこの 夜 1891 油彩／カンヴァス ヒア シュプロング・コレクション Viggo Johansen Silent Night Oil on canvas The Hirschsprung Collection, 181 41 ヴ ィゴ・ヨハンスン 春の草花を描く子供たち 1894 油彩／カンヴァス ス ケーイン 美術館 Viggo Johansen Children Painting Spring Flowers Oil on canvas Art Museums of Skagen, SKM1852 42 ラウリツ・アナスン・レング 遅めの朝食、新聞を読む画家の妻 1898 油彩／カンヴァス スウェーデン 国立美術館 Laurits Andersen Ring At Breakfast Oil on canvas Nationalmuseum, Stockholm, NM 4347 43 ピーダ・イルステズ アンズダケの下拵えをする若い女性 1892 油彩／カンヴァス デンマーク国立美術館 Peter Ilsted A Young Girl Preparing Chantarelles Oil on canvas National Gallery of Denmark, KMS1817 44 カール・ホ ルスーウ 読書する女性のいる室内 1913 以前 油彩／カンヴァス アロス・オーフース美術館 before 1913 Carl Holsøe Interior with a Lady Reading Oil on canvas ARoS Aarhus Art Museum, AAK 0139 45 ピーダ・イルステズ ピアノに 向かう少女 1897 油彩／カンヴァス アロス・オーフース美術館 Peter Ilsted A Little Girl at a Piano Oil on canvas ARoS Aarhus Art Museum, AAK 0085 46 ピーダ・イルステズ 縫物をする少女 1898– 油彩／カンヴァス リー ベ 美術館 1902 Peter Ilsted A Little Girl Sewing Oil on canvas Ribe Art Museum, RKMm0084 47 カール・ホ ルスーウ 読書する少女のいる室内 1903 油彩／カンヴァス デンマーク国立美術館 Carl Holsøe Interior with a Girl Reading Oil on canvas National Gallery of Denmark, KMS1790 48 カール・ホ ルスーウ 室内 不詳 油彩／カンヴァス アロス・オーフース美術館 Carl Holsøe Interior Unknown Oil on canvas ARoS Aarhus Art Museum, AAK 0496 49 ギーオウ・エーケン 飴色の ライティン グ・ビューロー 1901 油彩／繊維板 ブランツ美術館 Georg Achen The Yellow Bureau.
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    KUNSTLEX juni 2020: TM Wolthers KUNSTLEX Udarbejdet af Anette Wolthers, 2020 Wolthers KUNSTLEXTM er udarbejdet i forbindelse med min research og skrivning af bogen: Kvindelige kunstnere i Odsherred gennem 100 år, publiceret af Odsherreds Kunstmuseums og Malergårdens Venner og Museum Vestsjælland i 2020. Bogen, der er på 248 sider, har også bidrag af museumsinspektør Jesper Sejdner Knudsen og formand for Venneforeningen Alice Faber. Bogen kan købes på de enkelte museer i Museum Vestsjælland eller kan bestilles på: [email protected] eller telefon 2552 8337. Den koster 299 kr plus forsendelsesomkostninger (ca. 77 kr.) Der var ikke plads i bogen til at alle mine ’fund og overvejelser’. Derfor har jeg samlet nogle af disse, så interesserede kan få adgang til denne viden i bredden og dybden, samt gå med ad de tangenter, der kan supplere bogens univers. Researcharbejdet til bogen Kvindelige kunstnere i Odsherred gennem 100 år er foregået 2016‐2019, og i denne proces opstod ideen om at lave mine mere eller mindre lange skrivenoter om et til et kunstleksikon. Så tænkt så gjort. Alle disse fund er nu samlet og har fået navnet Wolthers KUNSTLEX TM Man kan frit og gratis bruge oplysningerne i Wolthers KUNSTLEXTM med henvisning til kilden, forfatter, årstal samt placering: www.anettewolthers.dk Hvis der er brug for at citere passager fra Wolthers KUNSTLEXTM gælder de almindelige regler for copyright©, som er formuleret i Ophavsretsloven. Wolthers KUNSTLEXTM består af elementer af kunstviden fra ca. 1800‐tallet op til moderne tid og indeholder: 1. Korte biografer af overvejende danske kunstnere, deres familier, lærere, kolleger, kontakter og andre nøglepersoner i tilknytning til bogens 21 kunstnerportrætter samt enkelte tangenter ud og tilbage historien til vigtige personer – side 4 2.
  • Encyklopédia Kresťanského Umenia

    Encyklopédia Kresťanského Umenia

    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Daňo Juraj - (2007) do výtvarného života vstúpil tesne po 2. svetovej vojne; v tvorbe prekonal niekoľko vývojových zmien, od kompozícií dôsledne a detailne interpretujúcich farebné a tvarové bohatstvo krajiny, cez krajinu s miernou farebnou, tvarovou i rukopisnou expresionistickou nadsádzkou, až ku kompozíciám redukujúcim tvary na ich geometrickú podstatu; tak v krajinárskych, ako aj vo figurálnych kompozíciách, vyskytujúcich sa v celku jeho tvorby len sporadicky, farebne dominuje modro – fialovo – zelený akord; po prekonaní experimentálneho obdobia, v ktorom dospel k výrazne abstrahovanej forme na hranici informačného prejavu, sa upriamoval na kompozície, v ktorých sa kombináciou techník usiloval o podanie spoločensky závažnej problematiky; vytvoril aj celý rad monumentálno-dekoratívnych kompozícií; od roku 1952 bol členom východoslovenského kultúrneho spolku Svojina, zároveň členom skupiny Roveň; v roku 1961 sa stal členom Zväzu slovenských výtvarných umelcov; od roku 1969 pôsobil ako umelec v slobodnom povolaní; v roku 1984 mu bol udelený titul zaslúžilého umelca J. Daňo: Horúca jeseň J. Daňo: Za Bardejovom Heslo DANO – DAR Strana 1 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia J. Daňo J. Daňo: Drevenica Heslo DANO – DAR Strana 2 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia J. Daňo: J. Daňo Heslo DANO – DAR Strana 3 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia J. Daňo: Ulička so sypancom J. Daňo: Krajina Daňový peniaz - Zaplatenie dane cisárovi dánska loď - herring-buss Dánsko - dánski ilustrátori detských kníh - pozri L. Moe https://en.wikipedia.org/wiki/Category:Danish_children%27s_book_illustrators M Christel Marotta Louis Moe O Ib Spang Olsen dánski krajinári - Heslo DANO – DAR Strana 4 z 22 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia http://en.wikipedia.org/wiki/Category:Danish_landscape_painters dánski maliari - pozri C.
  • GÜNTER KONRAD Visual Artist Contents

    GÜNTER KONRAD Visual Artist Contents

    GÜNTER KONRAD visual artist contents CURRICULUM VITAE 4 milestones FRAGMENTS GET A NEW CODE 7 artist statement EDITIONS 8 collector‘s edition market edition commissioned artwork GENERAL CATALOG 14 covert and discovered history 01 - 232 2011 - 2019 All content and pictures by © Günter Konrad 2017. Except photographs page 5 by Arne Müseler, 80,81 by Jacob Pritchard. All art historical pictures are under public domain. 2 3 curriculum vitae BORN: 1976 in Leoben, Austria EDUCATION: 2001 - 2005 Multi Media Art, FH Salzburg DEGREE: Magister (FH) for artistic and creative professions CURRENT: Lives and works in Salzburg as a freelance artist milestones 1999 First exhibition in Leoben (Schwammerlturm) 2001 Experiments with décollages and spray paintings 2002 Cut-outs and rip-it-ups (Décollage) of billboards 2005 Photographic documentation of décollages 2006 Overpaintings of décollages 2007 Photographic documentation of urban fragments 2008 Décollage on furniture and lighting 2009 Photographic documentation of tags and urban inscriptions 2010 Combining décollages and art historical paintings 2011 First exhibition "covert and discovert history" in Graz (exhibition hall) 2012 And ongoing exhibitions and pop-ups in Vienna, Munich, Stuttgart, | Pörtschach, Wels, Mondsee, Leoben, Augsburg, Nürnberg, 2015 Purchase collection Spallart 2016 And ongoing commissioned artworks in Graz, Munich, New York City, Salzburg, Serfaus, Singapore, Vienna, Zirl 2017 Stuttgart, Innsbruck, Linz, Vienna, Klagenfurt, Graz, Salzburg commissioned artworks in Berlin, Vienna,
  • Exhibition Checklist

    Exhibition Checklist

    Sixth Street and Constitution Avenue NW, Washington, DC | nga.gov Mailing address: 2000 South Club Drive, Landover, MD 20785 Updated 9/14/2021 at 4:27:49 PM True to Nature: Open-Air Painting in Europe, 1780–1870 Feb 2–Nov 29, 2020 Press Release: https://www.nga.gov/press/exhibitions/exhibitions-2019/5175.html Order Press Images: https://www.nga.gov/press/exhibitions/exhibitions-2019/5175/images.html Press Contact: Isabella Bulkeley phone: (202) 842-6864 e-mail: [email protected] Cat. No. 1 / Object ID: 5175-121 Fleury François Richard (Fleury-Richard) Artiste en costume Renaissance dessinant dans les arènes de Nîmes/ An Artist in a Renaissance Costume Sketching in the Arena of Nîmes, 1822 (?) oil on paper, mounted on canvas paper: 32.4 x 24.4 cm (12 3/4 x 9 5/8 in.) cardboard: 33.8 x 26 cm (13 5/16 x 10 1/4 in.) framed: 45 x 37.5 x 41.2 cm (17 11/16 x 14 3/4 x 16 1/4 in.) Private Collection, London Cat. No. 2 / Object ID: 5175-016 Jules Coignet View of Bozen with a Painter, 1837 oil on paper, mounted on canvas overall: 31 x 39 cm (12 3/16 x 15 3/8 in.) framed: 43.8 x 51.4 x 5.1 cm (17 1/4 x 20 1/4 x 2 in.) National Gallery of Art, Washington, Gift of Mrs. John Jay Ide in memory of Mr. and Mrs. William Henry Donner Cat. No. 3 / Object ID: 5175-035 Théodore Caruelle d' Aligny Young Man Reclining on the Downs, 1833 - 35 oil on paper, mounted on canvas overall: 21.6 x 45.2 cm (8 1/2 x 17 13/16 in.) The Syndics of the Fitzwilliam Museum, University of Cambridge (C) The Fitzwilliam Museum, Cambridge Cat.
  • Athanor Cover.Indd

    Athanor Cover.Indd

    Painting Instruction: C. W. Eckersberg and Artistic Labor in the Danish Golden Age Leslie Anne Anderson Until the appointments of Professors Christoffer Wilhelm Jørgen Sonne (1801-1890).4 In addition, Eckersberg’s private Eckersberg (1783-1853) and Johan Ludvig Lund (1777- pupils — Constantin Hansen (1804-1880), Christen Købke 1867) in 1818, the ossified curriculum of the Royal Danish (1810-1848), Wilhelm Marstrand (1810-1873), Adam Mül- Academy of Fine Arts officially consisted of sketching plaster ler (1811-1844), Jørgen Roed (1808-1888), and Frederik casts of antique statuary, écorché sculptures, and artificially- Sødring (1809-1862) — made significant contributions to illuminated male models assuming heroic poses.1 During this genre as both painters and subjects.5 Shown at work or their tenure at the Academy, however, the two professors posed in the studio, these artists are often surrounded by a introduced supplementary tuition in painting from life under carefully selected sampling of tools and instructional aids. In natural light — a practice assimilated by Eckersberg and Lund this examination, it is argued that such artistic accoutrements in Jacques-Louis David’s Paris studio.2 In addition, private reference the respective methodologies of the sitters, who instruction under Eckersberg inaugurated plein-air sketching typically subscribed to Eckersberg’s artistic program. More excursions and specialized tutorials in the science of linear specifically, these objects often allude to and celebrate the perspective. Thus, Eckersberg’s
  • Jean-François Heim and Marcus Marschall Have Pleasure in Inviting You to the Private View of Their Exhibition Un Désir D'ita

    Jean-François Heim and Marcus Marschall Have Pleasure in Inviting You to the Private View of Their Exhibition Un Désir D'ita

    Jean-François Heim and Marcus Marschall Jean-François Heim und Marcus Marschall freuen sich, have pleasure in inviting you Sie anlässlich der gemeinsamen Ausstellung to the private view of their exhibition Un désir d’Italie Un désir d’Italie at Galerie Jean-François Heim, Paris in der Galerie Jean-François Heim in Paris zu empfangen. on Wednesday, 3 June at 5pm Vernissage am Mittwoch, den 3. Juni 2009 ab 17 Uhr, in the frame of Nocturne Rive Droite, www.art-rivedroite.com im Rahmen der Nocturne Rive Droite, www.art-rivedroite.com The exhibition runs from 4 June to 3 July 2009 Die Ausstellung läuft von 4. Juni - 3. Juli 2009, Monday to Friday, 10am - 1pm and 2 - 6pm, and by appointment Montag bis Freitag 10 - 13 und 14 - 18 Uhr, und nach Vereinbarung Galerie Jean-François Heim Galerie Jean-François Heim 134, rue du Faubourg Saint-Honoré · F-75008 Paris 134, rue du Faubourg Saint-Honoré · F - 75008 Paris Tel. + 33 (0)1 53 75 06 46 · [email protected] Tel. +33 (0) 1 53 75 06 46 · [email protected] Works can be viewed on our website: www.daxermarschall.com Besuchen Sie vorab auch unsere homepage www.daxermarschall.com Oswald Achenbach (1827 - Düsseldorf - 1905) The Moonlit Bay of Naples with Mount Vesuvius in the Background , 1886 Oil on paper, mounted on panel signed and dated lower right OA 1886 24 x 31.7 cm Literature: Potthoff, Mechthild, Oswald Achenbach. Sein künstlerisches Wirken zur Hochzeit des Bürgertums. Studien zu Leben und Werk, Cologne-Berlin 1995; Sitt, Martina, Ed., Andreas und Oswald Achenbach, das ‚A’ und ‚O’ der Landschaft, exhib.
  • Medd. 1997, Monrad

    Medd. 1997, Monrad

    H is t o r y a n d D a n is h G o l d e n A g e Pa in t in g b y K a s p e r M o n r a d When Christoffer Wilhelm Eckersberg returned to pictures to portraits - is very symptomatic of the sit­ Copenhagen from Rome in 1816 he brought with uation in Danish painting around 1820. History him, among many other paintings, two pictures with painting was still officially the highest ranking type subjects from the Metamorphoses by Ovid.1 They had of painting, and official commissions were still given been commissioned by one of his major patrons, the to the artists. But otherwise - that is when the paint­ Danish merchant Mendel Levin Nathanson. But ers or their private customers chose the subjects - Eckersberg had not sent the two paintings to him on history painting lost ground and was clearly super­ their completion as was originally agreed, because he seded by the lesser types, such as portraits, land­ was dissatisfied with them and had decided to scapes, townscapes, and particularly genre painting - repaint them. This never happened, however, and the all of them picture types that relate to contemporary merchant never received the pictures. It seems that life and and to everyday situations. both men lost interest in the subjects. Eckersberg During the next three decades only very few even cut one of the paintings into pieces so that only mythological pictures were painted by the Danish a fragment of a sleeping woman is preserved.2 Quite painters, and the same is true of the pictures with symbolically she plays only a subordinate part in the historical subjects.