Hans Zimmer Hannibal (Original Motion Picture Soundtrack) Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Hans Zimmer Hannibal (Original Motion Picture Soundtrack) Mp3, Flac, Wma Hans Zimmer Hannibal (Original Motion Picture Soundtrack) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical / Stage & Screen Album: Hannibal (Original Motion Picture Soundtrack) Country: Europe Style: Soundtrack, Score, Contemporary MP3 version RAR size: 1663 mb FLAC version RAR size: 1399 mb WMA version RAR size: 1968 mb Rating: 4.9 Votes: 376 Other Formats: AU WAV AAC AA AHX WMA APE Tracklist Hide Credits Dear Clarice 1 6:03 Featuring – Sir Anthony Hopkins* Aria Da Capo 2 1:48 Performer – Glenn GouldWritten-By – Johann Sebastian Bach 3 The Capponi Library 1:14 Gourmet Valse Tartare 4 6:50 Producer, Written-By – Klaus Badelt 5 Avarice 3:55 6 For A Small Stipend 0:55 Firenze Di Notte 7 3:09 Written-By – Martin Tillman, Mel Wesson 8 Virtue 4:38 Let My Home Be My Gallows 9 10:01 Featuring – Sir Anthony Hopkins* The Burning Heart 10 4:24 Featuring – Sir Anthony Hopkins* 11 To Every Captive Soul 6:55 Vide Cor Meum 12 Producer, Written-By – Patrick CassidySoprano Vocals – Danielle De NieseTenor Vocals – 4:20 Bruno Lazzaretti Companies, etc. Phonographic Copyright (p) – Decca Music Group Limited Copyright (c) – Decca Music Group Limited Made By – EDC, Germany – 51103424 Credits Cello – Anthony Pleeth, Martin Tillman Composed By – Hans Zimmer Conductor – Gavin Greenaway Mixed By, Recorded By – Alan Meyerson Orchestra – The Lyndhurst Orchestra Producer – Hans Zimmer, Pietro Scalia Recorded By – Slamm Andrews Trombone – Bruce Fowler Vocals [Additional] – Olive Simpson Notes Made in Germany Printed in Germany Other images as for Hans Zimmer - Hannibal (Original Motion Picture Soundtrack) ℗© 2001 Barcode and Other Identifiers Barcode: 028946769621 Mastering SID Code: IFPI LV26 Mould SID Code: none Matrix / Runout: 00289 467 696-2 03 * 51103424 Other (Mould side text): MADE IN GERMANY BY EDC Rights Society: BIEM/MCPS Label Code: LC00171 Other versions Category Artist Title (Format) Label Category Country Year Hannibal (Original 467 696-2, 467 Hans Motion Picture 467 696-2, 467 UK & Decca, Decca 2001 696-2 DH Zimmer Soundtrack) (CD, 696-2 DH Europe Album) Hannibal (Original Hans Motion Picture Decca, UMG G2 67696 DH G2 67696 DH US 2001 Zimmer Soundtrack) (CD, Soundtracks Album) Hannibal (Original 467 696-2, 467 Hans Motion Picture 467 696-2, 467 UK & Decca, Decca 2001 696-2 DH Zimmer Soundtrack) (CD, 696-2 DH Europe Album) Hannibal (Original 467 696-2, 467 Hans Motion Picture 467 696-2, 467 Decca , Decca Russia 2001 696-2 DH Zimmer Soundtrack) (CD, 696-2 DH Album, Unofficial) Hannibal (Original Hans Motion Picture UCCL-1006 PolyGram UCCL-1006 Japan 2001 Zimmer Soundtrack) (CD, Album) Related Music albums to Hannibal (Original Motion Picture Soundtrack) by Hans Zimmer Hans Zimmer, Henning Lohner, Martin Tillman - The Ring, The Ring Two (Original Motion Picture Soundtrack) Hans Zimmer, Benjamin Wallfisch - Blade Runner 2049 (Original Motion Picture Soundtrack) Hans Zimmer And Lisa Gerrard - Gladiator: Music From The Motion Picture Hans Zimmer - Black Hawk Down Original Soundtrack Johann Sebastian Bach, Bernard Greenhouse, Anthony Makas - 3 Sonatas For Piano And Cello Lightnin' Hopkins - Jon Hopkins - Monsters (Original Motion Picture Soundtrack) Lightnin' Hopkins - Mama & Papa Hopkins Hans Zimmer - Black Hawk Down (Expanded Motion Picture Score) Lightnin' Hopkins - Lightnin' (The Blues Of Lightnin' Hopkins) Hopkins North Junior High School, Robert J. Hotal - Hopkins North Junior High School Orchestra and Chamber Orchestra Glenn Gould - Thirty Two Short Films About Glenn Gould (Original Motion Picture Soundtrack).
Recommended publications
  • Frank Zappa and His Conception of Civilization Phaze Iii
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III Jeffrey Daniel Jones University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.031 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Jeffrey Daniel, "FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III" (2018). Theses and Dissertations--Music. 108. https://uknowledge.uky.edu/music_etds/108 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • FILM SCORING in HOLLYWOOD About the Creative
    FILM SCORING IN HOLLYWOOD from Andreas Adler | www.adler-audiopictures.de About the creative hurdles involved in composing film music Braunschweig. Here in Germany, there are still those who are unaware of the integral role which music plays in cinema storytelling and that it merits just as much attention as the script, casting and editing. In the US, they're already some way ahead of us. Blockbusters and medium- sized productions alike get seven-figure budgets for the film music alone. One person who has been amazingly success- ful in this area, both as an artist and an entrepreneur, is the composer Hans Zim- mer. Reading the portfolio of his studio Media Ventures / Remote Control is like taking a trip through the past 20 years of mainstream Hollywood film: Rain Man, „Filmmusic in Hollywood“: Backdraft, Gladiator, The Thin Red Line, Christian Halten at the Black Hawk Down, The Da Vinci Code, The International Filmfest Braunschweig Simpsons Movie, … Photo: Dirk Alper Hans Zimmer has given a number of as- piring German composers the opportunity to gain experience by working on his Hollywood productions, among them Klaus Badelt (Time Machine, Pirates of the Caribbean), Henning Lohner (Der große Bagarozy) and, in particular, Christian Halten. Having already obtained a degree in music, Halten went on to study film music at the Baden-Württemberg Film Academy and the Filmmaking Masterclass at the University of California, Los Angeles. His talent and tireless networking helped him get a job with Remote Control Productions. He is currently working on film and computer-game music projects in his Skylife studio in Ludwigsburg as well as developing software instruments.
    [Show full text]
  • John Cage's Entanglement with the Ideas Of
    JOHN CAGE’S ENTANGLEMENT WITH THE IDEAS OF COOMARASWAMY Edward James Crooks PhD University of York Music July 2011 John Cage’s Entanglement with the Ideas of Coomaraswamy by Edward Crooks Abstract The American composer John Cage was famous for the expansiveness of his thought. In particular, his borrowings from ‘Oriental philosophy’ have directed the critical and popular reception of his works. But what is the reality of such claims? In the twenty years since his death, Cage scholars have started to discover the significant gap between Cage’s presentation of theories he claimed he borrowed from India, China, and Japan, and the presentation of the same theories in the sources he referenced. The present study delves into the circumstances and contexts of Cage’s Asian influences, specifically as related to Cage’s borrowings from the British-Ceylonese art historian and metaphysician Ananda K. Coomaraswamy. In addition, Cage’s friendship with the Jungian mythologist Joseph Campbell is detailed, as are Cage’s borrowings from the theories of Jung. Particular attention is paid to the conservative ideology integral to the theories of all three thinkers. After a new analysis of the life and work of Coomaraswamy, the investigation focuses on the metaphysics of Coomaraswamy’s philosophy of art. The phrase ‘art is the imitation of nature in her manner of operation’ opens the doors to a wide- ranging exploration of the mimesis of intelligible and sensible forms. Comparing Coomaraswamy’s ‘Traditional’ idealism to Cage’s radical epistemological realism demonstrates the extent of the lack of congruity between the two thinkers. In a second chapter on Coomaraswamy, the extent of the differences between Cage and Coomaraswamy are revealed through investigating their differing approaches to rasa , the Renaissance, tradition, ‘art and life’, and museums.
    [Show full text]
  • Compositions-By-Frank-Zappa.Pdf
    Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish).
    [Show full text]
  • Crinew Music Re Uoft
    CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released.
    [Show full text]
  • Zimmer Vertonten Filmen
    Programm Ort: Kino Toni, Toni-Areal Zeit: 14 – 21.00h 14.00h Begrüssung und Dank: Michael Eidenbenz, Leitung DMU; Pierre Funck, Prä- sident Forum Filmmusik 14.15h Helga de la Motte, Berlin: Forum Filmmusik präsentiert: Musikalisch-räumliche Wirkungen in den von Hans Zimmer vertonten Filmen 15.00h Henning Lohner, Berlin/Los Angels/Zürich: Arbeiten mit Hans Zimmer: Raum – Klang – Kompo- sition. Hans 15.30h Cofee 16.00h Josef Kloppenburg, Karlsruhe: Musikalischer Ausdruck als zentrale Kategorie im Zimmer Werk von Hans Zimmer 16.45h Vortrag: Michael Künstle, Zürich: Hans Zimmers konzeptionelle Arbeit und die Verbun- denheit seiner Musik mit dem Film 17.15h Cofee ist 60 17.30h Christoph Henzel, Würzburg: Hans Zimmer - Herausforderung für Geschichts- Toniareal, Pfngstweidstr. 96 Samstag, schreibung und Analyse. CH-8031 Zürich 18.15h Round Table. Leitung Stefen A. Schmidt 28.10. 2017 19.00h Film und Diskussion: The Fan. 1996. R: Tony Scott, M: Hans Zimmer. Einleitung Henning Lohner 14 –21h, Kino Toni Das Forum Filmmusik Zürich präsentiert Prof. Dr. Christoph Henzel ten Internationalen Filmmusik-Wettbewerb im Rahmen studierte Musikwissenschaft in Berlin und arbeitete an- des Zurich Film Festivals und in Zusammenarbeit mit schliessend als Wissenschaftlicher Mitarbeiter u.a. an dem Tonhalle-Orchester Zürich. Seitdem arbeitet er als der HdK Berlin (jetzt UdK, 1993 Promotion), an der Komponist und Arrangeur sowohl für Film- als auch „Hans Zimmer ist 60“ Universität Rostock (2001 Habilitation) und an der FU für zeitgenössische Konzertmusik. 2017 erhielt er als Filmmusik-Colloquium Zürich / ZHdK Berlin. Seit 2007 ist er Professor für Historische Musik- Co-Komponist mit Balz Bachman den Suisa Filmmu- wissenschaft an der Hochschule für Musik Würzburg.
    [Show full text]
  • Erzählt Von Hannelore Elsner
    SIE HABEN DIE D INO S A U R I E R Ü B E R L E B T . SIE FOLGEN IHREM INNEREN KOMPA ss . S I E R E I S EN UM DEN HALBEN P LANETEN. E RZÄHLT VON HANNELORE ELSNER SOLA MEDIA PRESENTS IN ASSOCIATION WITH MTN MOVIES FILMSat59 AND THE SAVE OUR SEAS FOUNDATION SUPPORTED BY FILMSTIFTUNG NRW AUSTRIAN FILM INSTITUTE AND ORF – THE AUSTRIAN BROADCASTING CORPORATION IN CO-PRODUCTION WITH TRADEWIND PICTURES AND ALLEGRO FILM A BIG WAVE AND FILM & MUSIC ENTERTAINMENT PRODUCTION ‘TURTLE: THE INCREDIBLE JOURNEY’ COMPOSER HENNING LOHNER EDITORS RICHARD WILKINSON SEAN BARTON DIRECTOR OF PHOTOGRAPHY RORY McGUINNESS ACS PRODUCTION MANAGER ANGELA PALMERTON PRODUCTION FINANCE KIM BALLARD COPRODUCERS THOMAS SPRINGER HELMUT G. WEBER KATHARINA BOGENSBERGER HELMUT GRASSER SOLVEIG LANGELAND BEATRIX WESLE EXECUTIVE PRODUCERS CHRIS CLARKE ZORANA PIGGOTT MIKE TIMMS SCRIPT MELANIE FINN PRODUCED BY SARAH CUNLIFFE MIKE DOWNEY SAM TAYLOR DIRECTED BY NICK STRINGER © 2008 Big Fame Limited, Tradewind Pictures GmbH, Allegro Film Produktion GmbH Im Verleih der polyband Medien GmbH. WWW.TORTUGA-DERFILM.DE SIE HABEN DIE D I NO S A U R I E R Ü B E R L E B T . SIE FOLGEN IHREM INNEREN KOMPA S S . S I E R E I S E N UM DEN HALBEN P L ANETEN. D i e unglaubliche R e i s e d e r M e eresschildkröte KINOSTART: 1. OKTOBER 2009 D ie unglaubliche R e i s e d e r M eeresschildkröte FAKTEN Filmlänge: 81 Minuten Bildformat: 35mm, 1:1,85 Tonformat: Dolby Digital Drehorte: USA, Kanada, Bahamas, Portugal Herstellungsländer: Großbritannien, Deutschland, Österreich Produktionsförderung: Filmstiftung NRW und Österreichisches Filminstitut Kinostart: 1.
    [Show full text]
  • John Barry Aaron Copland Mark Snow, John Ottman & Harry Gregson
    Volume 10, Number 3 Original Music Soundtracks for Movies and Television HOLY CATS! pg. 24 The Circle Is Complete John Williams wraps up the saga that started it all John Barry Psyched out in the 1970s Aaron Copland Betrayed by Hollywood? Mark Snow, John Ottman & Harry Gregson-Williams Discuss their latest projects Are80% You1.5 BWR P Da Nerd? Take FSM’s fi rst soundtrack quiz! �� � ����� ����� � $7.95 U.S. • $8.95 Canada ������������������������������������������� May/June 2005 ����������������������������������������� contents �������������� �������� ������� ��������� ������������� ����������� ������� �������������� ��������������� ���������� ���������� �������� ��������� ����������������� ��������� ����������������� ���������������������� ������������������������������ �������������������������������������������������������������������������������������������������� ���������� ��������������������������������������������������������������������������������������������������������������� ������������������������������������������������������������������������������������� ��������������������������� �������������������������� ��������������������������������������������������������������������������������������������������������� ���������������� ������������������������������������������������������ ����������������������������������������������������������������������� FILM SCORE MAGAZINE 3 MAY/JUNE 2005 contents May/June 2005 DEPARTMENTS COVER STORY 4 Editorial 31 The Circle Is Complete Much Ado About Summer. Nearly 30 years after
    [Show full text]
  • Frank Zappa and the Orchestra Question: Dissonant Clatter Or Well-Crafted Design?
    FRANK ZAPPA AND THE ORCHESTRA QUESTION: DISSONANT CLATTER OR WELL-CRAFTED DESIGN? CHANAN HANSPAL Thesis submitted in partial fulfilment of the requirements of the University of South Wales for the degree of Doctor in Philosophy. 2016 ABSTRACT This study offers an insight into the orchestral music of Frank Zappa and his unique approach to composition. In Chapter 1, The Fieldwork So Far, I present an extensive annotated bibliography of selected Zappa research to illustrate the multiple forms of discourse generated by the composer’s work. While this chapter examines various books and articles written about Zappa, it also illustrates the imbalance between critical theory and musicology. Chapter 2, Structure, Concepts and the Analytical Approach, describes analytical methods used as a rationale to determine modes of consistency across the studied pieces herein. As well as describing the analytical approach, I offer to align the conceptuality and design of the Calder Mobile with Zappa’s theory of weights, balances, measured tensions and releases by providing specific extracts of compositions where these concepts can be seen to exist. In chapter 3, I present the first analysis in this study of “Pedro’s Dowry”, a highly dissonant piece of music that builds on the idea of thematic and fragmental repetition. Chapter 4 is an analysis of “The Perfect Stranger”, a piece that demonstrates extensive use of Zappa’s Chord Bible. The chords are dense scalar derived structures exploiting both the octatonic and Minor Lydian scales, yet retaining fragmental and sectional repetition techniques. The analysis of “Bob in Dacron” in chapter 5 illuminates the process of intervallic manipulation and confirms the importance of recurrent ideas dispersed throughout.
    [Show full text]
  • Discographie
    CHRISTIAN SCHOLZ UNTERSUCHUNGEN ZUR GESCHICHTE UND TYPOLOGIE DER LAUTPOESIE Teil III Discographie GERTRAUD SCHOLZ VERLAG OBERMICHELBACH (C) Copyright Gertraud Scholz Verlag, Obermichelbach 1989 ISBN 3-925599-04-5 (Gesamtwerk) 3-925599-01-0 (Teil I) 3-925599-02-9 (Teil II) 3-925599-03-7 (Teil III) [849] INHALTSVERZEICHNIS I. PRIMÄRLITERATUR 389 [850] 1. ANTHOLOGIEN 389 [850] 2. VORFORMEN 395 [865] 3. AUTOREN 395 [866] II. SEKUNDÄRLITERATUR 439 [972] III. HÖRSPIELE 452 [1010] ANHANG 460 [1028] IV. VOKALKOMPOSITIONEN 460 [1029] V. NACHWORT 471 [1060] [850] I. PRIMÄRLITERATUR 1. ANTHOLOGIEN Absolut CD # 1. New Music Canada. A salute to Canadian composers and performers from coast to coast. Ed. by David LL Laskin. Beilage in: Ear Magazine. New York o. J., o. Angabe der Nummer. Beiträge von Hildegard Westerkamp u. a. CD Absolut CD # 2. The Japanese Perspective. Ed. by David LL Laskin. Special Guest Editor: Toshie Kakinuma. Beilage in: Ear Magazine. New York o. J., o. Angabe der Nummer. Beiträge von Yamatsuka Eye & John Zorn, Ushio Torikai u. a. CD Absolut CD # 3. Improvisation/Composition. Beilage in: Ear Magazine. New York o. J., o. Angabe der Nummer. Beiträge von David Moss, Joan La Barbara u. a. CD The Aerial. A Journal in Sound. Santa Fe, NM, USA: Nonsequitur Foundation 1990, Nr. 1, Winter 1990. AER 1990/1. Mit Beiträgen von David Moss, Malcolm Goldstein, Floating Concrete Octopus, Richard Kostelanetz u. a. CD The Aerial. Santa Fe, NM, USA: Nonsequitur 1990, Nr. 2, Spring 1990. AER 1990/2. Mit Beiträgen von Jin Hi Kim, Annea Lockwood, Hildegard Westerkamp u. a. CD The Aerial.
    [Show full text]
  • La Fabbrica Dei Sogni.Pdf
    AperTO - Archivio Istituzionale Open Access dell'Università di Torino La fabbrica dei sogni. Un’introduzione etnomusicologica al mainstream musicale hollywoodiano This is the author's manuscript Original Citation: Availability: This version is available http://hdl.handle.net/2318/99274 since 2015-12-01T11:40:37Z Publisher: Kaplan Terms of use: Open Access Anyone can freely access the full text of works made available as "Open Access". Works made available under a Creative Commons license can be used according to the terms and conditions of said license. Use of all other works requires consent of the right holder (author or publisher) if not exempted from copyright protection by the applicable law. (Article begins on next page) 09 October 2021 L’editore, nell’ambito delle leggi internazionali sul copyright, è a disposizione degli aventi diritto che non è stato possibile rintracciare. ILARIO MEANDRI LA FABBRICA DEI SOGNI Un’introduzione etnomusicologica al mainstream musicale hollywoodiano © edizioni kaplan 2012 Via Saluzzo, 42 bis - 10125 Torino Tel. e fax 011-7495609 [email protected] www.edizionikaplan.com ISBN 978-88-89908-65-5 k a p l a n In copertina: Jerry Goldsmith nel 1977, con l’Oscar per la colonna sonora de Il presagio (The Omen, 1976) a Vixia Indice L’autore ringrazia Febo Guizzi e Luisa Zanoncelli per la preziosa collaborazione. Desidera inoltre esprimere la propria riconoscenza a Federico Savina, Mariapaz Sanchez Sanchez e Dario Meandri. Introduzione di Febo Guizzi 9 Il megafono delle passioni: musica, cinema, etnomusicologia
    [Show full text]
  • To Graphic Notation Today from Xenakis’S Upic to Graphic Notation Today
    FROM XENAKIS’S UPIC TO GRAPHIC NOTATION TODAY FROM XENAKIS’S UPIC TO GRAPHIC NOTATION TODAY FROM XENAKIS’S UPIC TO GRAPHIC NOTATION TODAY PREFACES 18 PETER WEIBEL 24 LUDGER BRÜMMER 36 SHARON KANACH THE UPIC: 94 ANDREY SMIRNOV HISTORY, UPIC’S PRECURSORS INSTITUTIONS, AND 118 GUY MÉDIGUE IMPLICATIONS THE EARLY DAYS OF THE UPIC 142 ALAIN DESPRÉS THE UPIC: TOWARDS A PEDAGOGY OF CREATIVITY 160 RUDOLF FRISIUS THE UPIC―EXPERIMENTAL MUSIC PEDAGOGY― IANNIS XENAKIS 184 GERARD PAPE COMPOSING WITH SOUND AT LES ATELIERS UPIC/CCMIX 200 HUGUES GENEVOIS ONE MACHINE— TWO NON-PROFIT STRUCTURES 216 CYRILLE DELHAYE CENTRE IANNIS XENAKIS: MILESTONES AND CHALLENGES 232 KATERINA TSIOUKRA ESTABLISHING A XENAKIS CENTER IN GREECE: THE UPIC AT KSYME-CMRC 246 DIMITRIS KAMAROTOS THE UPIC IN GREECE: TEN YEARS OF LIVING AND CREATING WITH THE UPIC AT KSYME 290 RODOLPHE BOUROTTE PROBABILITIES, DRAWING, AND SOUND TABLE SYNTHESIS: THE MISSING LINK OF CONTENTS COMPOSERS 312 JULIO ESTRADA THE UPIC 528 KIYOSHI FURUKAWA EXPERIENCING THE LISTENING HAND AND THE UPIC AND UTOPIA THE UPIC UTOPIA 336 RICHARD BARRETT 540 CHIKASHI MIYAMA MEMORIES OF THE UPIC: 1989–2019 THE UPIC 2019 354 FRANÇOIS-BERNARD MÂCHE 562 VICTORIA SIMON THE UPIC UPSIDE DOWN UNFLATTERING SOUNDS: PARADIGMS OF INTERACTIVITY IN TACTILE INTERFACES FOR 380 TAKEHITO SHIMAZU SOUND PRODUCTION THE UPIC FOR A JAPANESE COMPOSER 574 JULIAN SCORDATO 396 BRIGITTE CONDORCET (ROBINDORÉ) NOVEL PERSPECTIVES FOR GRAPHIC BEYOND THE CONTINUUM: NOTATION IN IANNIX THE UNDISCOVERED TERRAINS OF THE UPIC 590 KOSMAS GIANNOUTAKIS EXPLORING
    [Show full text]