DOCSLIB.ORG

2 O O CATALO9 a Little Family Secret

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2 O O CATALO9 a Little Family Secret Acoustic Amplification 2 O O CATALO9 A little family secret Since it’s beginning, in the early 1980’s, Fishman has helped acoustic musicians achieve the truest sound possible whenever they plug in. In that time we have been awarded more than 30 patents. And won more awards for quality, design, performance and innovation than all of our competitors combined. Sure, our ongoing commitment and wide range of innovative products has helped our passionate little company grow to become the industry standard for acoustic amplification. And Fishman equipment is now used around the world. But that won’t change what got us here: always putting the needs of the acoustic musician first. But here’s the secret: Every artist who chooses Fishman does so without incentives other than a desire for the best possible sound. So, the loyalty from our extended family of players, technicians, repair professionals and instrument manufacturers is really a result of our loyalty toward them, as evidenced by our innovative, reliable products, over-the-top customer support, and unwavering goal of amplified acoustic excellence. Thank you everyone, Larry Fishman n Matrix Infinity Undersaddle Pickup System page 2 n AG-Series Undersaddle Pickups page 3 Aura Acoustic AFX Acoustic Ampliers Undersaddle Pickups Soundhole Pickups Ellipse Strings Bluegrass Preamps Imaging Technology Acoustic Efects Pickup & Preamp Systems Instrument Pickups n Neo-D Soundhole Pickups page 4 n Rare Earth Soundhole Pickups page 5 Aura Acoustic AFX Acoustic Ampliers Undersaddle Pickups Soundhole Pickups Ellipse Strings Bluegrass Preamps Imaging Technology Acoustic Efects Pickup & Preampn Systems RareInstrument Earth Pickups Blend Soundhole Pickup page 6 n G-II and B-II Instrument Preamps page 7 n Pro-EQ II Preamp/EQ page 8 Aura Acoustic AFX Acoustic Ampliers Undersaddle Pickups Soundhole Pickups Ellipse Strings Bluegrass Preamps Imaging Technology Acoustic Efects Pickup & Preamp Systems Instrument Pickups n Pro-EQ Platinum and Platinum Bass Preamp/EQ/D.I. page 9 n Onboard Aura Preamp page 10 “ Anything with strings on it n Aura Pro Onboard Preamp page 11 n Prefix Premium Blend Onboard Preamp page 12 is our specialty.” n Prefix Plus-T Onboard Preamp page 13 n Prefix Pro and Prefix Pro Blend Onboard Preamps page 14 – Larry Fishman n Powerjack Onboard Preamp page 15 n Ellipse Aura Pickup & Preamp System page 17 n Ellipse Matrix Blend Pickup & Preamp System page 18 Aura Acoustic AFX Acoustic Ampliers Undersaddle Pickups Soundhole Pickups Ellipse Strings Bluegrass Preamps Imaging Technology Acoustic Efects Pickup & Preamp Systems n InstrumentEllipse Pickups VT Pickup & Preamp System page 19 n Aura Acoustic Imaging Pedals page 21 n Jerry Douglas Signature Series Aura Imaging Pedal page 22 Aura Acoustic AFX Acoustic Ampliers Undersaddle Pickups Soundhole Pickups Ellipse Strings Bluegrass Preamps Imaging Technology Acoustic Efects Pickup & Preamp Systems Instrument Pickups n AFX Chorus Acoustic Effects Pedal page 23 n AFX Delay Pedal Acoustic Effects Pedal page 24 Aura Acoustic AFX Acoustic Ampliers Undersaddle Pickups Soundhole Pickups Ellipse Strings Bluegrass Preamps Imaging Technology Acoustic Efects n AFX ReverbPickup & Preamp Systems PedalInstrument Acoustic Pickups Effects Pedal page 25 n SoloAmp Performance System page 27 n Loudbox 100 Acoustic Instrument Amplifier page 28 Aura Acoustic AFX Acoustic Ampliers Undersaddle Pickups Soundhole Pickups Ellipse Strings Bluegrass Preamps Imaging Technology Acoustic Efects n LoudboxPickup & Preamp Systems PerformerInstrument Pickups Acoustic Instrument Amplifier page 29 n Classic Series Mandolin Pickups page 31 n Nashville Series Pickups page 32 Aura Acoustic AFX Acoustic Ampliers Undersaddle Pickups Soundhole Pickups Ellipse Strings Bluegrass Preamps Imaging Technology Acoustic Efects Pickup & Preamp Systems Instrument Pickups n Banjo Pickup page 33 n Classic Series Resophonic Pickups page 34 n Full Circle Upright Bass Pickups page 36 n BP-100 Upright Bass Pickup page 37 Aura Acoustic AFX Acoustic Ampliers Undersaddle Pickups Soundhole Pickups Ellipse Strings Bluegrass Preamps Imaging Technology Acoustic Efects Pickup & Preamp Systems Instrumentn Pickups Classic Series Strings Pickups page 38 n Concert Series Strings Pickups page 39 n SBT Soundboard Transducers page 40 n Archtop Guitar Pickup page 41 2 n Powerbridge Tele and Les Paul Style Bridges page 42 n Powerbridge Strat Style Bridges page 43 n Powerchip page 44 O n Artists 2009 page 45 O CATALO9 Undersaddle Pickups. Soundhole Pickups. Which one is right for you? A great pickup is fundamental to an amplified acoustic’s signal chain. Less sophisticated pickups may attempt to enrich the sound of your guitar with overly warm tones, but Fishman pickups are the result of years of research “I’ve used Fishman products for more than to preserve the natural timbre of your guitar, revealing its own rich voice. twenty years. In my business quality, reliability Starting with its very first product, Fishman’s acclaimed pickups have and consistency is what I count on. surprised musicians and critics alike with their accuracy and clarity. - Doug Breidenbach, Guitar Tech for Jimmy Buffett, and Crosby, Stills & Nash Many musicians choose soundhole pickups for ease of use. For instance our value-priced Neo-D needs no battery and is able to be installed easily and quickly with no alteration to your guitar. The Matrix Infinity, our flagship undersaddle pickup system, offers transparent sound quality and features like tone control and switchable voicing to accommodate different performance situations. Andy Abad Will Ackerman Acoustic Alchemy Charlie Adams Ryan A-dams & The Cardinals Aerosmith Air Supply Christine Albert Charles David Alexander Allman Brothers Band The All-American Rejects Merrie Amsterburg Ian Anderson 1 “ The Fishman pickup has become my standard upgrade on all Matrix INFINITY my acoustic instruments. They are totally consistent and sound Undersaddle Pickup System extremely good!” – Martin Barre, guitarist for Jethro Tull Aura Acoustic AFX Acoustic Ampliers Undersaddle Pickups Soundhole Pickups Ellipse Strings Bluegrass Preamps Imaging Technology Acoustic Efects Pickup & Preamp Systems Instrument Pickups Matrix Infinity WIDE FORMAT 1/8” (3.2mm) width • Completely redesigned active, PRO-MAT-INF endpin mounted preamp NARROW 3/32” (2.3mm) width FORMAT • Features the world’s best selling undersaddle PRO-MAN-INF pickup, the Acoustic Matrix NARROW/SPLIT 3/32” (2.3mm) width for • Soundhole mounted rotary controls FORMAT Lowden® and some model ® for Volume & Tone PRO-LOW-INF Takamine guitars BATTERY 9 Volt • Unique Tone control cuts mids while boosting PICKUP Standard pickup length The Matrix Infinity pickup and preamp system offers clear, transparent treble and bass LENGTH of 2.65”(67.3mm) will fit tone, dynamic string response and ease of installation. Soundhole- • Integrated LED low battery indicator most guitars with 2.5” mounted Volume and Tone rotary controls allow the player to make (63.5mm) string spacings easily accessible adjustments. • Switchable voicing to accommodate all guitar body sizes & performance situations Taking the pickup’s tonal variation capability one step further, the Matrix BATTERY LIFE 384 hours Infinity incorporates a switchable voicing feature to accommodate all • Solderless connections guitar body sizes and different performance situations in one system. • Requires 9V battery (not included) With a long list of enhancements, the Matrix Infinity has literally • Professional installation recommended redefined the category of undersaddle pickup systems. PRO-MAT-INF Wide 1/8” (3.2mm) format PRO-MAN-INF Narrow 3/32” (2.3mm) format PRO-MAL-INF Narrow/Split format 3/32” (2.3mm) width split-saddle format to accommodate Lowden® and some model Takamine® guitar Rich Appleman Tim Archibald Arctic Monkeys Jann Arden Taylor Armerding Joseph Arthur Badi Assad Zeca Assumpcao Amato Atieri Rodney Atkins Matt Backer Bacon Brothers Steven Bacon Bad Company Todd Baker Matty Baratto Barenaked Ladies 2 AG-SERIES Undersaddle Pickups Aura Acoustic AFX Acoustic Ampliers Undersaddle Pickups Soundhole Pickups Ellipse Strings Bluegrass Preamps Imaging Technology Acoustic Efects Pickup & Preamp Systems Instrument Pickups AG-094 3/32” (2.3mm) saddle PRO-AG0-094 width and 2.125” E to E string spacing AGX-094 3/32” (2.3mm) saddle PRO-AG1-125 width and 2.312” E to E string spacing for classical AG-Series or 12-string guitar AG-125 1/8” (3.2mm) saddle • Fishman’s piezo crystal passive undersaddle PRO-AGX-094 width and 2.125” E to E guitar pickup string spacing AGX-125 1/8” (3.2mm) saddle width • Available in a variety of widths and string PRO-AGX-312 and 2.312” E to E string spacings for steel and nylon stringed guitars spacing for classical or 12-string guitar Our classic Undersaddle ceramic guitar pickup. Like all passive • All models are available with a transducers, AG-Series pickups do not require a battery. Powerjack Active Endpin Jack Preamp An impedance-matching preamp is recommended, but not required. Available in a variety of widths and string spacings. • An impedance matching preamp is recommended, but not required PRO-AG0-094 AG-094 - 3/32” (2.3mm) saddle width and • Professional installation recommended 2.125” E to E string spacing PRO-AGX-094 AGX-094 - the same as the AG-094 with a wider string spacing (2.312”) for classical or 12-string guitar PRO-AG1-125 AG-125 - suitable for any guitar with a 1/8” saddle width and 2.125” (3.2mm) E to E string spacing PRO-AGX-312 AGX-125 - the same as
Load more

Recommended publications
  • Me and Orson Welles Press Kit Draft
    presents ME AND ORSON WELLES Directed by Richard Linklater Based on the novel by Robert Kaplow Starring: Claire Danes, Zac Efron and Christian McKay www.meandorsonwelles.com.au National release date: July 29, 2010 Running time: 114 minutes Rating: PG PUBLICITY: Philippa Harris NIX Co t: 02 9211 6650 m: 0409 901 809 e: [email protected] (See last page for state publicity and materials contacts) Synopsis Based in real theatrical history, ME AND ORSON WELLES is a romantic coming‐of‐age story about teenage student Richard Samuels (ZAC EFRON) who lucks into a role in “Julius Caesar” as it’s being re‐imagined by a brilliant, impetuous young director named Orson Welles (impressive newcomer CHRISTIAN MCKAY) at his newly founded Mercury Theatre in New York City, 1937. The rollercoaster week leading up to opening night has Richard make his Broadway debut, find romance with an ambitious older woman (CLAIRE DANES) and eXperience the dark side of genius after daring to cross the brilliant and charismatic‐but‐ sometimes‐cruel Welles, all‐the‐while miXing with everyone from starlets to stagehands in behind‐the‐scenes adventures bound to change his life. All’s fair in love and theatre. Directed by Richard Linklater, the Oscar Nominated director of BEFORE SUNRISE and THE SCHOOL OF ROCK. PRODUCTION I NFORMATION Zac Efron, Ben Chaplin, Claire Danes, Zoe Kazan, Eddie Marsan, Christian McKay, Kelly Reilly and James Tupper lead a talented ensemble cast of stage and screen actors in the coming‐of‐age romantic drama ME AND ORSON WELLES. Oscar®‐nominated director Richard Linklater (“School of Rock”, “Before Sunset”) is at the helm of the CinemaNX and Detour Filmproduction, filmed in the Isle of Man, at Pinewood Studios, on various London locations and in New York City.
    [Show full text]
  • Flatpicking Guitar Magazine Index of Reviews
    Flatpicking Guitar Magazine Index of Reviews All reviews of flatpicking CDs, DVDs, Videos, Books, Guitar Gear and Accessories, Guitars, and books that have appeared in Flatpicking Guitar Magazine are shown in this index. CDs (Listed Alphabetically by artists last name - except for European Gypsy Jazz CD reviews, which can all be found in Volume 6, Number 3, starting on page 72): Brandon Adams, Hardest Kind of Memories, Volume 12, Number 3, page 68 Dale Adkins (with Tacoma), Out of the Blue, Volume 1, Number 2, page 59 Dale Adkins (with Front Line), Mansions of Kings, Volume 7, Number 2, page 80 Steve Alexander, Acoustic Flatpick Guitar, Volume 12, Number 4, page 69 Travis Alltop, Two Different Worlds, Volume 3, Number 2, page 61 Matthew Arcara, Matthew Arcara, Volume 7, Number 2, page 74 Jef Autry, Bluegrass ‘98, Volume 2, Number 6, page 63 Jeff Autry, Foothills, Volume 3, Number 4, page 65 Butch Baldassari, New Classics for Bluegrass Mandolin, Volume 3, Number 3, page 67 William Bay: Acoustic Guitar Portraits, Volume 15, Number 6, page 65 Richard Bennett, Walking Down the Line, Volume 2, Number 2, page 58 Richard Bennett, A Long Lonesome Time, Volume 3, Number 2, page 64 Richard Bennett (with Auldridge and Gaudreau), This Old Town, Volume 4, Number 4, page 70 Richard Bennett (with Auldridge and Gaudreau), Blue Lonesome Wind, Volume 5, Number 6, page 75 Gonzalo Bergara, Portena Soledad, Volume 13, Number 2, page 67 Greg Blake with Jeff Scroggins & Colorado, Volume 17, Number 2, page 58 Norman Blake (with Tut Taylor), Flatpickin’ in the
    [Show full text]
  • Voice Box Page 2 from Labbs Chairman
    The magazine of the Ladies Association of British Barbershop Singers www.labbs.org.uk June 2008 IN THIS ISSUE: HAVOC GET THEIR SEVEN GO TO SEA LEGS CONVENTION Our current Champions on a nautical visit p. 16 Barbershop from the rookie perspective, continued p.5 QUARTET WORKING IN HARMONY CLUBS CORNER Catch up with Noted, After Hours p.11 Green Street Blues Brunel Harmony Cheshire Chord Company Capital Connection MUSIC The White Rosettes The IVY League Singing Category Advice Signature p.4 Welwyn Harmony Music Resources Update p.14 p.6-10 Selling Ourselves the Jt. Marketing Workshop p.8-9 VALENTINE S DAY LABBS NEWS ROUND-UP Message from the Chairman, the Mentoring Pro- Capital Connection gramme, Prelims results and Convention draw have been forging p.1-3 their very own special relationship with the U.S.A. AND THE REST Find out more inside. All the usual Letters to the Editor, Notices, and Ads p.13 Capital Connection at the U.S. Embassy p.6 JUN E 2008 VOICE BOX PAGE 2 FROM LABBS CHAIRMAN Hello everyone It seems only yesterday that I became Chairman I cannot believe how quickly the year has gone. It has been a hectic but most interesting and rewarding one. I have managed to visit a number of clubs and have further visits planned. Please forgive me if I do not get to your club but to visit all 48 would mean a visit every two weeks over my two year tenure and that is just impossible. Jacqui Edwards The Executive Committee was once again delighted with the attendance at the AGM 39 out of 48 clubs were represented and thank you to everyone who attended.
    [Show full text]
  • Songwriter Mike O'reilly
    Interviews with: Melissa Sherman Lynn Russwurm Mike O’Reilly, Are You A Bluegrass Songwriter? Volume 8 Issue 3 July 2014 www.bluegrasscanada.ca TABLE OF CONTENTS BMAC EXECUTIVE President’s Message 1 President Denis 705-776-7754 Chadbourn Editor’s Message 2 Vice Dave Porter 613-721-0535 Canadian Songwriters/US Bands 3 President Interview with Lynn Russworm 13 Secretary Leann Music on the East Coast by Jerry Murphy 16 Chadbourn Ode To Bill Monroe 17 Treasurer Rolly Aucoin 905-635-1818 Open Mike 18 Interview with Mike O’Reilly 19 Interview with Melissa Sherman 21 Songwriting Rant 24 Music “Biz” by Gary Hubbard 25 DIRECTORS Political Correctness Rant - Bob Cherry 26 R.I.P. John Renne 27 Elaine Bouchard (MOBS) Organizational Member Listing 29 Gord Devries 519-668-0418 Advertising Rates 30 Murray Hale 705-472-2217 Mike Kirley 519-613-4975 Sue Malcom 604-215-276 Wilson Moore 902-667-9629 Jerry Murphy 902-883-7189 Advertising Manager: BMAC has an immediate requirement for a volunteer to help us to contact and present advertising op- portunities to potential clients. The job would entail approximately 5 hours per month and would consist of compiling a list of potential clients from among the bluegrass community, such as event-producers, bluegrass businesses, music stores, radio stations, bluegrass bands, music manufacturers and other interested parties. You would then set up a systematic and organized methodology for making contact and presenting the BMAC program. Please contact Mike Kirley or Gord Devries if you are interested in becoming part of the team. PRESIDENT’S MESSAGE Call us or visit our website Martha white brand is due to the www.bluegrassmusic.ca.
    [Show full text]
  • Tracing the Development of Extended Vocal Techniques in Twentieth-Century America
    CRUMP, MELANIE AUSTIN. D.M.A. When Words Are Not Enough: Tracing the Development of Extended Vocal Techniques in Twentieth-Century America. (2008) Directed by Mr. David Holley, 93 pp. Although multiple books and articles expound upon the musical culture and progress of American classical, popular and folk music in the United States, there are no publications that investigate the development of extended vocal techniques (EVTs) throughout twentieth-century American music. Scholarly interest in the contemporary music scene of the United States abounds, but few sources provide information on the exploitation of the human voice for its unique sonic capabilities. This document seeks to establish links and connections between musical trends, major artistic movements, and the global politics that shaped Western art music, with those composers utilizing EVTs in the United States, for the purpose of generating a clearer musicological picture of EVTs as a practice of twentieth-century vocal music. As demonstrated in the connecting of musicological dots found in primary and secondary historical documents, composer and performer studies, and musical scores, the study explores the history of extended vocal techniques and the culture in which they flourished. WHEN WORDS ARE NOT ENOUGH: TRACING THE DEVELOPMENT OF EXTENDED VOCAL TECHNIQUES IN TWENTIETH-CENTURY AMERICA by Melanie Austin Crump A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Greensboro 2008 Approved by ___________________________________ Committee Chair To Dr. Robert Wells, Mr. Randall Outland and my husband, Scott Watson Crump ii APPROVAL PAGE This dissertation has been approved by the following committee of the Faculty of The School of Music at The University of North Carolina at Greensboro.
    [Show full text]
  • GIGS I VISUAL ARTS I Eventss I FOOD on Worcestershirewhatson.Co.Uk PARTOF WHAT’S on MEDIA GROUP Inside
    Worcestershire Cover January 2018.qxp_Worcestershire Cover 15/12/2017 13:26 Page 1 CLAIRE SWEENEY AT Your FREE essential entertainment guide for the Midlands MALVERN THEATRES WORCESTERSHIRE WHAT’S ON JANUARY 2018 ON JANUARY WHAT’S WORCESTERSHIRE Worcestershire ISSUE 385 JANUARY 2018 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On worcestershirewhatson.co.uk PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART inside: Yourthe 16-pagelist week by week listings guide FromANTON Broadway AND to HollywoodERIN at Symphony Hall TWITTER: @WHATSONWORCS @WHATSONWORCS TWITTER: WelshMARTYN singer-songwriter JOSEPH plays Huntingdon Hall FACEBOOK: @WHATSONWORCESTERSHIRE non-stopARENACROSS white-knuckle ride WORCESTERSHIREWHATSON.CO.UK at Genting Arena Sold Out F/P Artric Fire Jan 18.qxp_Layout 1 15/12/2017 12:56 Page 1 Contents January Warwicks_Worcs.qxp_Layout 1 15/12/2017 14:52 Page 2 January 2018 Contents A slice of Pie - political satirist Tom Walker talks about his cult creation, Jonathan Pie - feature page 24 Gautier Capuçon Guz Khan Shrek’s back in town the list explores the musical landscapes former school teacher sees the award-winning musical returns Your 16-page of Dvorak at Warwick Arts... funny side in Coventry to the region week-by-week listings guide page 17 page 26 feature page 36 page 55 inside: 4. First Word 11. Food 13. Music 26. Comedy 30. Theatre 43. Film 48. Visual Arts 51. Events fb.com/whatsonwarwickshire fb.com/whatsonworcestershire @whatsonwarwicks @whatsonworcs Warwickshire What’s On Magazine
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • 282 Newsletter
    NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere.
    [Show full text]
  • Io Pages 61 Stadium Van Amateurs Al Ver Voorbij, Blaasinstrumenten De Hoornsectie
    )* CD RECENSIES en een helende werking. Het is alsof tijdens de muzieklessen en ik garandeer beeld. De Canterbury-link wordt nog om zich een half uur te verliezen in hun deze muziek bedoeld is om zich diep in u dat er geen gewelddadige incidenten versterkt door de mooie zanglijnen van eigen avontuur! je onderbewustzijn te nestelen terwijl je op school meer zullen voorkomen! Voor Caravan's Richard Sinclair in Vintervake. Alice Switser in yoga-houding hogere sferen probeert wie er helemaal geen genoeg van kan Die Caravan-achtige humor kwam al te bereiken. Together We’re Stranger krijgen: via www.oresundspacecollective. eerder bovenborrelen in feestnummer RYAN PARMENTER werd voor het eerst uitgebracht in com zijn ook nog tien CD-R’s te krijgen, Snill Sang På Bånd, terwijl Apraxia weer The Noble Knave maart 2003 en is in navolging van onder de titel Picks From Space, boor- heel weemoedig is. Variatie is het sleu- (SPLIT DIFFERENCE SDRI 7845) diverse Porcupine Tree uitgaves volle- devol spacejams (van goede geluids- telwoord in het een kwartier durende De zang en piano-ondersteuning van dig opgepoetst en opnieuw uitgebracht kwaliteit) en twee live-dubbelaars uit Frenetisk Frenologi, dat wat zwaarder openingsnummer Züccer hadden zo als een combinatie van CD en DVD. 2006 (van bootlegkwaliteit) waarop de is aangezet dan de rest van de plaat, uit de late jaren 60 kunnen komen, De CD bevat een opgepoetste stereo mannen flink loos gaan. maar waarin je ook een statig kerkor- van The Beach Boys bijvoorbeeld. Het mix van het zeven nummers tellende André de Waal gel terugvindt.
    [Show full text]
  • Pete Sears of Jefferson Starship Rock Musicians Not All Alike by Suzanne Barnes "Bricks Were Thrown, and Rocks Gazette Entertainment Editor and Bottles
    SUNDAY, DECEMBER 9, 1979 tiSpttFSHOW MOVIES TV LIST FARM Page 22C Page 24C Pages 25-27C Pete Sears of Jefferson Starship Rock musicians not all alike By Suzanne Barnes "Bricks were thrown, and rocks Gazette entertainment editor and bottles. They were getting gaso­ Rock musicians spend all their line from their cars. The stage was a time off stage taking drugs and in­ Yipes in concert blazing inferno — it looked like a dulging in wild orgies with groupies war. — right? "We lost all our guitars, every Wrong, at least in the case of Pete single instrument and amplifier." Sears, bass and keyboard player at Five Seasons After the melee was over, the with The Jefferson Starship, which is band took their bus to their next con­ scheduled to perform tonight at The rock group Yipes will be the opening act for Jef­ cert. Grace flew. 8 p.m. at the Five Seasons Center. ferson Starship at tonight's concert. The previously an­ "She turned up drunk and pro­ Although he admitted that he nounced Rory Gallagher canceled his appearance Fri­ ceeded to abuse the audience," he re­ "used to smoke a lot of marijuana day.^ Yipes is known for its album, "Yipes," which in­ called. "It was a very sad thing to and take other drugs," Sears told cludes the singles "Out in California," a satire on West Coast life, and "Russian Roll," a satire on the Kremlin. see, a real breakdown. The audience The Gazette in a recent telephone in­ didn't know or understand what was terview that "the odd beer is fine Tickets to the concert are available for $8 in advance happening.
    [Show full text]
  • March 1936) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1936 Volume 54, Number 03 (March 1936) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 54, Number 03 (March 1936)." , (1936). https://digitalcommons.gardner-webb.edu/etude/842 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 'IPJg ETUDE <JXCagazine WHAT DOES IT TAKE TO MAKE A SINGER?" by Richard Crooks /Jte a &fieturte Toveas) rrvuAic NEW DITSON PUBLICATION MORRISON ORCHESTRAL UNIONS By DON MORRISON A Musical Revue A system of Relay Solos for train¬ By GERTRUDE VAN AKIN ™.TH ^ ^ ing young orchestras Interesting Invaluable for Vocal Score and Dialog"® direction8 and dance steps, may be had Instructive Exhibitions STAGE GUIDE, with ful^ d"e month or fraction thereof. Practical on a rental h™^™JZs,ed popular music and forms of This musical reYu^ °f ^gt jg unique among materials for school or Planned equally lor all i™1™" •„ Illustrates vividly variety * «lg*“,on entertainment of the P h n„e from the usual operetta, offers Builds intonation and tone quai ty Follows any first-year instrumental class •“inUto°o”aoS»^-y *»<! ■-■> ”*y b,! ,,erI<>rmtd "‘k method anv number of players.___ book one 1.
    [Show full text]
  • *Holiday Special
    december 2005 issue 278 free jazz now in our 31st year www.jazz-blues.com &blues report Christmas 2005 On CD Also... 31st Annual Holiday Gift Guide PART II December 2005 – January 2006 • Holiday Special • Issue 278 Published by Martin Wahl Communications Editor & Founder Bill Wahl Christmas Layout & Design Bill Wahl Operations Jim Martin 2005 Pilar Martin Contributors Michael Braxton, Mark Cole, On CD Chris Hovan, Nancy Ann Lee, Peanuts, Mark Smith, Duane one somewhat lesser-known song in- Verh and Ron Weinstock. cluded is her version of Irving Berlin’s “Count Your Blessings Instead Of Check out our new, updated web Sheep.” Krall, accompanying herself on page. Now you can search for CD piano, is heard with either Anthony Wil- Reviews by artists, Titles, Record liams or Russell Malone on guitar, either Labels or JBR Writers. Twelve years John Clayton or Ben Wolfe on bass and of reviews are up and we’ll be going Jeff Hamilton on drums, plus the all the way back to 1974! Clayton-Hamilton Jazz Orchestra for most tracks. Address all Correspondence to.... Jane Monheit, who is now on a ma- Jazz & Blues Report jor label with Epic Records, has also re- 19885 Detroit Road # 320 leased a sweet set of holiday songs. Rocky River, Ohio 44116 Other than “Have Yourself A Merry Little Main Office ...... 216.651.0626 Christmas,” “Santa Claus Is Coming To Editor's Desk ... 440.331.1930 DIANA KRALL Town” and “Sleigh Ride,” she picked a [email protected] different set of songs for her offering. The Web .................
    [Show full text]