Image List Session 4 Slides 1-5 Text 6. Giorgione, Old Woman, Oil On

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Image List Session 4 Slides 1-5 text 6. Giorgione, Old Woman, oil on canvas, c. 1508 7. Desiderio da Settignano, Portrait of Marietta Strozzi, marble c. 1460 8. Raphael, portrait of Baldassare Castiglione, oil on canvas, 1514 9. Raphael, Portrait of Bindo Altoviti, oil on wood, 1512-15 10. Titian, Ranuccio Farnese, oil on canvas, 1542 11. Andrea Montegna, the Gonzaga family, from the fresco cycles in the Camera Picta or Camera degli Sposi, Ducal Palace of the Gonzagas, Mantova, 1474 12. Piero della Francesca, diptych of Federico da Montefeltro and Battista Sforza (Duke and Duchess of Urbino), oil on wood, 1473-75 13. Raphael, portraits of Agnolo Doni and his wife, Maddalena Strozzi, oil on basswood panel, 1504-07 14. Domenico Ghirlandaio, Angel Appearing to Zacharias, from the fresco cycle Stories of Mary, in the Tornabuoni Chapel of the Basilica of Santa Maria Novella, 1486-90 15. Domenico Ghirlandaio, Confirmation of the Rule, from Life of St. Francis, fresco cycle of Sassetti Chapel, 1482-85 16. Titian, The Madonna of the Pesaro Family, Pesaro family chapel in the Church of Santa Maria Gloriosa dei Frari, oil on canvas, 1519-1526 17. Giovanni Bellini, self-portrait, oil on canvas, ca. 1500 18. Sandro Botticelli, Adoration of the Magi, tempera on panel, 1475 19. Raphael, The School of Athens, fresco, Stanza della Segnatura, Palazzi Pontifici, Vatican, 1510-11 20. Raphael, The School of Athens, fresco, Stanza della Segnatura, Palazzi Pontifici, Vatican, 1510-11 21. Michelangelo, Vatican Pietà, marble, 1497-99 22. Giovanni Bellini, Portrait of Doge Leonardo Loredan, oil on panel, 1501 23. Donatello, David, bronze, 1428-32; Andrea del Verrocchio, David, bronze, 1465-70; Michelangelo, David, marble, 1501-04 24-27. text 28. Titian, Bacchus and Ariadne, oil on canvas, 1520-23 29. Leon Battista Alberti, Palazzo Rucellai, 1445-51(partial execution by B Bernardo Rossellini) 30. Leon Battista Alberti (?), Loggia Rucellai, 1461 (?) 31-34. text 35. Ambrogio de Predis, Portrait of a Woman, oil on panel, c. 1490 36. Titian, Portrait of a Man in a Red Cap, oil on canvas, 1516 37. Donatello, David, bronze, 1428-32 38. Michelozzo di Bartolommeo, Palazzo Medici-Riccardi, Florence, begun 1444 39. Michelozzo Di Bartolomeo ,Villa Medicea, 1443-52, Cafaggiolo .

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Architecture in Florence and Tuscany - Course Code: La Ah Aa 355 - 3 Semester Credits
ARCHITECTURE IN FLORENCE AND TUSCANY - COURSE CODE: LA AH AA 355 - 3 SEMESTER CREDITS 1. DESCRIPTION This course explores the principal architects and artists, monuments and themes from the 1300s up to the 1500s in Italian art and architecture. Class time is divided equally between slide lectures and on-site visits in the city of Florence. Emphasis will be on Renaissance architecture in Florence, but we shall also consider architectural developments in some other Italian towns. Special topics will include: architectural theory, Medici and papal patronage, urban planning, and church and palace design. Special attention will be given to architects Brunelleschi, Michelozzo, Alberti and Michelangelo, while visiting key Renaissance buildings and urban spaces in Florence. 2. OBJECTIVE By the end of the course students will: • Have gained a broad historical knowledge of Florence and Italy from the 1200s to the late 1500s, and will have become familiar with specific Renaissance masterpieces of art and architecture. • Have gained an understanding of the developments in the visual art of Italy, especially of Florence. • Be familiar with different techniques, practical problems in executing pieces of art and major achievements of Florentine Renaissance architecture. • Be able to describe and discuss work of art particularly related to the artists explored in the course. • Have developed visual skills and be able to identify different architectural styles and periods. • Be familiar with the language of art, including specific artistic terminology, iconography and symbolism related to the subject matter of the course. 3. REQUIREMENTS • Prerequisites: None. • Lectures are held in English. • A questionnaire is distributed on the first day of class to inform the instructor about the general background and characteristics of the students.
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