Polly Bull Phd Thesis
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What Is the Point of Copyright History? Reflections on Copyright at Common Law in 1774 by H
CREATe Working Paper 2016/04 (March 2016) What is the Point of Copyright History? Reflections on Copyright at Common Law in 1774 by H. Tomás Gómez-Arostegui Editors Elena Cooper Ronan Deazley University of Glasgow Queen’s University Belfast [email protected] [email protected] CREATe Working Paper Series DOI: 10.5281/zenodo.47710. This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. What is the Point of Copyright History? Reflections on Copyright at Common Law in 1774 by H. Tomás Gómez-Arostegui Elena Cooper and Ronan Deazley (eds) 1. What is the Point of Copyright History? 3 Elena Cooper and Ronan Deazley 2. The Persistent Myth of Perpetual Common Law Copyright 11 Howard B. Abrams 3. A Few Remarks on Copyright at Common law in 1774 24 Lionel Bently 4. A Page of History 31 Oren Bracha 5. Donaldson and the Muse of History 38 Mark Rose 6. Personal Comments on a Policy Perspective 43 Charlotte Waelde 7. A Reply to my Colleagues regarding Donaldson v Becket 46 H. Tomás Gómez-Arostegui 8. Excerpts from the Symposium 61 Elena Cooper and Ronan Deazley (eds) Appendix 83 What is the Point of Copyright History? Elena Cooper and Ronan Deazley An understanding of the past – how we got to where we are today – informs the approach of much recent scholarship about copyright. This has been traced to a ‘historical turn’ in scholarship in the late 1990s, which marked a move away from the more forward-looking approach of the earlier twentieth century, when lawyers had little time for historical perspectives. -
Entre Classicismo E Romantismo. Ensaios De Cultura E Literatura
Entre Classicismo e Romantismo. Ensaios de Cultura e Literatura Organização Jorge Bastos da Silva Maria Zulmira Castanheira Studies in Classicism and Romanticism 2 FLUP | CETAPS, 2013 Studies in Classicism and Romanticism 2 Studies in Classicism and Romanticism is an academic series published on- line by the Centre for English, Translation and Anglo-Portuguese Studies (CETAPS) and hosted by the central library of the Faculdade de Letras da Universidade do Porto, Portugal. Studies in Classicism and Romanticism has come into being as a result of the commitment of a group of scholars who are especially interested in English literature and culture from the mid-seventeenth to the mid- nineteenth century. The principal objective of the series is the publication in electronic format of monographs and collections of essays, either in English or in Portuguese, with no pre-established methodological framework, as well as the publication of relevant primary texts from the period c. 1650–c. 1850. Series Editors Jorge Bastos da Silva Maria Zulmira Castanheira Entre Classicismo e Romantismo. Ensaios de Cultura e Literatura Organização Jorge Bastos da Silva Maria Zulmira Castanheira Studies in Classicism and Romanticism 2 FLUP | CETAPS, 2013 Editorial 2 Sumário Apresentação 4 Maria Luísa Malato Borralho, “Metamorfoses do Soneto: Do «Classicismo» ao «Romantismo»” 5 Adelaide Meira Serras, “Science as the Enlightened Route to Paradise?” 29 Paula Rama-da-Silva, “Hogarth and the Role of Engraving in Eighteenth-Century London” 41 Patrícia Rodrigues, “The Importance of Study for Women and by Women: Hannah More’s Defence of Female Education as the Path to their Patriotic Contribution” 56 Maria Leonor Machado de Sousa, “Sugestões Portuguesas no Romantismo Inglês” 65 Maria Zulmira Castanheira, “O Papel Mediador da Imprensa Periódica na Divulgação da Cultura Britânica em Portugal ao Tempo do Romantismo (1836-1865): Matérias e Imagens” 76 João Paulo Ascenso P. -
Licensing of the Press Act of 1662
Cum privilegio: Licensing of the Press Act of 1662 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nipps, Karen. 2014. “Cum Privilegio: Licensing of the Press Act of 1662.” The Library Quarterly: Information, Community, Policy 84 (4) (October): 494–500. doi:10.1086/677787. Published Version doi:10.1086/677787 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17219056 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Cum privilegio: Licensing of the Press Act of 1662 HISTORY OF THE BOOK opyright has troubled humans for almost as long as our thoughts have been re- corded. The ancient Greeks, Jews, and Romans all set down laws concerning an author’s C personal rights, a sponsor/publisher’s economic rights, an owner’s rights to an individual copy, and a ruler’s right to censor and to regulate the industry. The Church and various gov- ernments ðboth totalitarian and democraticÞ have tried copyrighting any number of times. We are still at it today. As of the writing of this piece, currently pending in Washington is legisla- tion that some have referred to as “the next great copyright act” ðPallante 2013Þ. This act—if it ever comes to pass—will have the American government ruling on procedures regarding such varied property as orphan works, musical recordings, film, and fashion design, particularly as they relate to digitization and the Internet. -
Literary Property in Scotland in the Eighteenth and Nineteenth
Edinburgh Research Explorer Literary Property in Scotland in the Eighteenth and Nineteenth Centuries Citation for published version: MacQueen, H 2016, Literary Property in Scotland in the Eighteenth and Nineteenth Centuries. in I Alexander & HT Gomez-Arostegui (eds), Research Handbook on the History of Copyright Law. Research Handbooks in Intellectual Property, Edward Elgar, Cheltenham, UK, pp. 119-138. https://doi.org/10.4337/9781783472406 Digital Object Identifier (DOI): 10.4337/9781783472406 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Research Handbook on the History of Copyright Law Publisher Rights Statement: This is a draft of a chapter that has been published by Edward Elgar Publishing in The History of Copyright Law; A Handbook of Contemporary Research edited by Isabella Alexander and H. Tomás Gómez-Arostegui, published in 2016. http://www.e-elgar.com/shop/the-history-of-copyright-law General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. Sep. 2021 [fresh page][cn] 7. [ct] Literary property in Scotland in the eighteenth and nineteenth centuries [au]Hector MacQueen [a] 1. -
§ a Statute of Anne (1710)
Copyright Enactments Prior to the 1909 Act, Including the English Statute of Anne (1710) and Original State Statutes from 1783 Statute of Anne (1710) An act for the encouragement of learning, by the vesting the copies of printed books in the author's or purchasers of such copies, during the times therein mentioned. WHEREAS printers, booksellers, and other persons have of late frequently taken the liberty of printing, reprinting, and publishing, or causing to be printed, reprinted, and published, books and other writings, without the consent of the authors or proprietors of such books and writings, to their very great detriment, and too often to the ruin of them and their families: for preventing therefore such practices for the future, and for the encouragement of learned men to compose and write useful books; may it please your Majesty, that it may be enacted, and be it enacted by the Queen's most excellent majesty, by and with the advice and consent of the lords spiritual and temporal, and commons, in this present parliament assembled, and by the authority of the same, That from and after the tenth day of April, one thousand seven hundred and ten, the author of any book or books already printed, who hath not transferred to any other the copy or copies of such book or books, share or shares thereof, or the bookseller or booksellers, printer or printers, or other person or persons, who hath or have purchased or acquired the copy or copies of any book or books, in order to print or reprint the same, shall have the sole right and liberty -
Adopting a Chinese Mantle: Designing and Appropriating Chineseness 1750-1820
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Adopting a Chinese Mantle Designing and Appropriating Chineseness 1750-1820 Newport, Emma Helen Henke Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Adopting a Chinese Mantle: Designing and Appropriating Chineseness 1750-1820 Emma Helen Henke Newport King’s College London Thesis submitted for the degree of Doctor of Philosophy in English Research 1 Abstract The thesis examines methods of imagining and appropriating China in Britain in the period 1750 to 1820. -
Quick Overview: Regulation of the Press Henry VIII Ruled 1509–47
Quick overview: Regulation of the Press Henry VIII ruled 1509–47 Act of 1534: • prevented “aliens” becoming printers • concentrated the production of books in London Proclamation of 1538 against “naughty printed books”: “no book in English was to be printed without the approval of a royal licenser” (Blagden 30–1) Edward VI (Protestant) ruled 1547 – 1553 Edward is fiercely Protestant; imposes the Book of Common Prayer in 1549 (replaced Latin services with English) proclamations against popish books are issued by Edward Quick overview: Regulation of the Press • 1555: royal proclamation prohibits the printing or importation of the works of Luther, Calvin, Tindale, and other reformers • 1557: the Worshipful Company of Stationers receives royal charter (purpose is to prevent propagation of the Protestant Reformation) • very small membership has sole right throughout England to print, publish, and sell printed works Mary I 1558: proclamation directed against heretical reigned 1553–8 • and treasonable books including the service books of Edward VI What was in the 1557 Charter? • Only freemen who were members of the Stationers’ Co. or those with royal permission were allowed to print books • Stationers’ Co. authorities had the right to “search the houses and business premises of all printers, bookbinders and booksellers” (Blagden 21) Quick overview: Regulation of the Press • 1558: Injunctions geven by the Quenes Majestie: no book or paper to be printed without license of the Queen, her privy council, Archbishops of Canterbury and York, Bishop of London, or chancellors of both universities • 1566: the Star chamber issues a decree against the printing, importing, or selling of prohibited books • 1579: John Stubbe has his right hand cut off for his critique of proposed marriage of the queen and Duke of Anjou Elizabeth I • 1584: William Carter, printer, condemned for high treason reigned 1558–1603 and hanged, bowelled and quartered no manner of book or paper should be printed unless it: “be first licenced by her maiestie by expresse wordes in writynge, or by .vi. -
Front Matter
Cambridge University Press 978-1-107-01316-2 - The Cambridge Companion to Women’s Writing in Britain, 1660–1789 Edited by Catherine Ingrassia Frontmatter More information the cambridge companion to women’s writing in britain, 1660–1789 Women writers played a central role in the literature and culture of eighteenth- century Britain. Featuring essays on female writers and genres by leading scho- lars in the field, this Companion introduces readers to the range, significance, and complexity of women’s writing across multiple genres in Britain between 1660 and 1789. Divided into two parts, the Companion first discusses women’s participation in print culture, featuring essays on topics such as women and popular culture, women as professional writers, women as readers and writers, and place and publication. Additionally, Part I explores the ways that women writers crossed generic boundaries. The second part contains chapters on many of the key genres in which women wrote, including poetry, drama, fiction (early and later), history, the ballad, periodicals, and travel writing. The Companion also provides an introduction surveying the state of the field, an integrated chronology, and a guide to further reading. catherine ingrassia is Professor of English at Virginia Commonwealth University in Richmond, Virginia. She is the author of Authorship, Commerce, and Gender in Eighteenth-Century England: A Culture of Paper Credit (Cambridge, 1998); editor of a critical edition of Eliza Haywood’s Anti- Pamela and Henry Fielding’s Shamela (2004); and co-editor of A Companion to the Eighteenth-Century Novel and Culture (2005) and the anthology British Women Poets of the Long Eighteenth Century (2009). -
The Life of the Female Mind: Hester Mulso Chapone and the Gendered Rhetoric of Experience
The Life of the Female Mind: Hester Mulso Chapone and the Gendered Rhetoric of Experience Bethany Mannon Abstract: This article studies the writings of Hester Mulso Chapone (1727-1801) a prolific member of the late-eighteenth century Bluestocking circle. Working within genres traditionally available to women, most notably the conversational rhetoric of letters, Chapone advocates for an expanded social role and rhetorical education for young women. These letters later circulated publicly as Letters on Filial Obedience (1751) and Letters on the Improvement of the Mind (1773). Chapone’s participation in a tradition of feminist writing deserves attention be- cause of her success foregrounding personal experience as a source of authority and deploying personal writing to persuade, inform, and confront prevailing power structures. Keywords: Conversational Rhetoric, Feminist Rhetoric, Life Writing, Bluestockings Hester Mulso Chapone (1727-1801) wrote prolifically in the eighteenth century and, together with the writers Elizabeth Montagu, Catharine Macaulay, Charlotte Lennox, Elizabeth Carter, Sarah Scott, Hannah More, and Frances Burney, influenced British intellectual culture. A member of this Bluestocking generation, Chapone was known during her life for her essays, letters, conver- sation, poetry, and advice on the education of young women. She maintained a reputation as an intellectual moralist into the nineteenth century, as her writings continued to be widely printed and read. Chapone worked within the genres of letters and conduct books—traditionally accessible to women—but expanded those genres to confront eighteenth-century notions of virtue and education. Her Letters on Filial Obedience (1751) and Letters on the Improvement of the Mind (1773) foreground her youth and femininity; she performs a Peitho Journal: Vol. -
Translation, Reputation, and Authorship in Eighteenth-Century Britain
Translation, Reputation, and Authorship in Eighteenth-Century Britain by Catherine Fleming A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Catherine Fleming 2018 Translation, Reputation, and Authorship in Eighteenth-Century Britain Catherine Fleming Doctor of Philosophy Department of English University of Toronto 2018 Abstract This thesis explores the reputation-building strategies which shaped eighteenth-century translation practices by examining authors of both translations and original works whose lives and writing span the long eighteenth century. Recent studies in translation have often focused on the way in which adaptation shapes the reception of a foreign work, questioning the assumptions and cultural influences which become visible in the process of transformation. My research adds a new dimension to the emerging scholarship on translation by examining how foreign texts empower their English translators, offering opportunities for authors to establish themselves within a literary community. Translation, adaptation, and revision allow writers to set up advantageous comparisons to other authors, times, and literary milieux and to create a product which benefits from the cachet of foreignness and the authority implied by a pre-existing audience, successful reception history, and the standing of the original author. I argue that John Dryden, Alexander Pope, Eliza Haywood, and Elizabeth Carter integrate this legitimizing process into their conscious attempts at self-fashioning as they work with existing texts to demonstrate creative and compositional skills, establish kinship to canonical authors, and both ii construct and insert themselves within a literary canon, exercising a unique form of control over their contemporary reputation. -
Britain's Conciliatory Proposal of 1776, a Study in Futility John Taylor Savage Jr
University of Richmond UR Scholarship Repository Master's Theses Student Research 6-1968 Britain's conciliatory proposal of 1776, A study in futility John Taylor Savage Jr. Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Part of the History Commons Recommended Citation Savage, John Taylor Jr., "Britain's conciliatory proposal of 1776, A study in futility" (1968). Master's Theses. Paper 896. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Project Name: S °''V°'~C,._ ~JoV1.-.._ \ _ I " ' J Date: Patron: Specialist: Oc,~ o7, Co.-. .... or ZD•S ~Tr ""0. ""I Project Description: Hardware Specs: BRITAIN'S CONCILIATORY PROPOSAL OF 1778, A STUDY IN FUTILITY BY JOHN TAYLOR SAVAGE, JR. A THESIS SUBMITI'ED TO THE GRADUATE FACULTY OF THE UNIVERSITY OF RICHMOND IN CANDIDACY FOR IBE DEGREE OF MASTER OF ARTS IN HISTORY JUNE, 1968 L:·--:..,:.·:·· -. • ~ ' > ... UNJVE:i1'.':~ i ., ·:.·. ',' ... - \ ;, '.. > TABLE OF CONTENTS PAGE PREFACE • • • • • • • • • • • • • • • • • • • • • • • iv INTRODUCTION • • • • • • • • • • • • • • • • • • • • v CHAPTER I. THE DECEMBER TO FEBRUARY PREPARATIONS LEADING TO THE NORTH CONCILIATORY PLAN OF 1778 • • • • • • • • • • • • • • • • • 1 II. CONCILIATORY PROPOSAL AND COMMISSIONERS: FEBRUARY TO APRIL 1778 • • • • • • • • • • 21 III. THE RESPONSE IN ENGLAND AND FRANCE, FROM MARCH TO MAY, TO BRITAIN'S CONCILIATORY EFFORTS • • • • • • • • • • • • • • • • • 52 IV. AMERICA PREPARES FOR THE RECEPTION OF THE CARLISLE Cu'1MISSION, MARCH TO JUNE 1778. • 70 V. THE JUNE NEGOTIATIONS • • • • • • • • • • • 92 VI. THE SUMMER NEGOTIATIONS: A DISAPPOINT· MENT •••••••• • • • • • • • • • • • 115 VII. -
Women, Morality and Advice Literature, Parts 1 to 3
Women, Morality and Advice Literature, Parts 1 to 3 WOMEN, MORALITY AND ADVICE LITERATURE Manuscripts and Rare Printed Works of Hannah More (1745-1833) and her circle from the Clark Library, Los Angeles Part 1: Manuscripts, First Editions and Rare Printed Works of Hannah More Part 2: Gift Books, Memoirs, Pamphlets and the Cheap Repository Tracts Part 3: Writings by The Eminent Blue Stockings Contents listing PUBLISHER'S NOTE Hannah More's Public Voice in Georgian Britain by Patricia Demers Hannah More, Revolutionary Reformer by Anne K. Mellor CONTENTS OF REELS - PART 1 DETAILED LISTING - PART 1 CONTENTS OF REELS - PART 2 DETAILED LISTING - PART 2 CONTENTS OF REELS - PART 3 CHEAP REPOSITORY TRACTS LISTING Women, Morality and Advice Literature, Parts 1 to 3 Publisher's Note Women, Morality and Advice Literature focuses on the life and works of Hannah More (1745-1833), one of the best selling and most influential women authors of her time, in England. Through her writings, philanthropy, political activities, and personal relationships More set out to lead a moral revolution of the nation’s manners and principles. Writing in different literary genres and styles her printed works span a period of some five decades. Plays, poetry and prose written in different styles, were aimed at all levels of society – from the aristocracy to the lower-class reader. This major collection of books and autograph letters by Hannah More is held in the Special Collections of the William Andrews Clark Memorial Library, at the University of California Los Angeles. In recent years, with the benefit of the Ahmanson Foundation, the library has been collecting materials from the later eighteenth century to the early 1800s, and is now recognised by scholars as one of the great centres in the world for seventeenth and eighteenth century studies.