Calendar of Events

Total Page:16

File Type:pdf, Size:1020Kb

Calendar of Events National Gallery of Art CALENDAR OF EVENTS June 1990 JUNE Monday, May 28 Monday, June 4 Monday, jumr ll through through through igh Sunday, June 3 Sunday, June 10 Sunday, June 17 Sunday, June 24 COLLECTION HIGHLIGHTS May 30-June 3 June 6-June 10 June 13-June 17 June20-June24 Brief gallery talks given by Education Robert Motherwell Bartolome Esteban Murillo Auguste Renoir Winslow Homer Department lecturers on a single work of art. Reconciliation Elegy The Return of the Prodigal Oarsmen at Chatou Hound and Hunter Reproductions of the works discussed may be (Gift of the Collectors Son (Gift of Sam A. Eewisohn) (Gift of Stephen C. Clark) purchased in the Gallery's sales shops; a Committee) (Gift of the Avalon West Building, Gallery 81 West Building, Gallery 68 written text is available without charge. East Building, Concourse Foundation) Level West Building, Gallery 36 Philip Eeonard, Eecturer Wilford W Scott, Eecturer Wednesday through Saturday 12:00p.m. Sunday 2:00 p. m. Sally Shelburne, Eecturer Sarah Schroth, Please note new daily schedule. David E. Finley Fellow Center for Advanced Study in the Visual Arts FILMS May 30-June 3 June 6-June 10 June 13-June 17 June 20-June 24 Free films on art and feature films related to Matisse, Voyages (Didier Art of the Western World, Art of the Western World, Art of the Western World, special exhibitions. Unreserved seats are Baussy, 1988,58mm.) Program 7: Impressionism Program 8: Into the Program 9: In Our Own Time available on a first-come, first-served basis. Wed. through Fri. 12:30 and Post-Impressionism Twentieth Century (WNET, (WNET, 1989, 60 min., Sun. 1:00 (WNET, 1989, 60 min.., 1989, 60 min., video) video) East Building Auditorium video) Wed. through Fri. 12:30 Wed. through Fri. 12:30 Torment (Alf Sjoberg and Wed. through Fri. 12:30 Sun. 1:00 Sun. 1:00 The East Building will close at 6:00p.m. on Ingmar Bergman, 1944, Sun. 1:00 Sundays, but the Fourth Street entrance will 90 min.) The Naked Night (Ingmar Karin Mdnsdotter (Alf remain open only for film audiences Sat. 2:30 Summer Interlude (Ingmar Bergman, 1954, 95 min.) and Sjoberg, 1953, 102 min.) Bergman, 1950, 95 min.) A Lesson in Love (Ingmar Sat. 2:30 Miss Julie (Alf Sjoberg, Sat. 2:30 Bergman, 1954, 95 min.) Sun. 6:00 1950, 90 min.) Sat. 2:00 Sun. 6:00 Secrets of Women (Ingmar Sun. 6:00 Bergman, 1952, 108 min.) Sun. 6:00 Miss Julie, 1950, directed by Alf Sjoberg, to be shown June 3 (The Museum of Modern Art/Film Stills Archive) SUNDAY LECTURES June 3 June 10 June 17 June 24 Free lectures given by distinguished scholars. The Profane and the Sacred: The Academic Reaction in On the Allegory of the The National Gallery of No reservations needed but seating is limited. Why Art Offends Later Nineteenth-Century Seasons in Jasper Johns ' Art Scotland and Its Collection French Art Sunday 4:00 p.m. Jane Addams Alien James Cuno Hugh Macandrew East Building Auditorium Art Critic Patricia Mainardi Director, Hood Museum of Art Keeper of Prints and Washington, D.C. Professor of Art History, Dartmouth College Drawings Brooklyn College and The Hanover, New Hampshire National Gallery of Scotland, Graduate Center, City Edinburgh University of New York SUNDAY CONCERTS June 3 June 10 June 17 June 24 Free concerts by the National Gallery Duncan Stearns, piano Ariel Trio Daria Telizyn, piano Theodora Hanslowe, mezzo- Orchestra, recitalists, and ensembles. soprano , Mark Markham, Unreserved seats available from 6:00 p.m. Music of Franck, Ravel, and Music of Beethoven, Martin, Music of Barber, Tchaikovsky, piano All concerts are broadcast live by Alkan and Dvorak and Eiszt WGMS 103.5 FM Music of Poulenc, Schoen- Sunday 7:00p.m. berg, songs by Purcell and West Building, West Garden Court Obradors The West Building will close at 6:00p.m. on Final concert of the season. Sundays, but concert audiences may enter Concerts will resume in the through the Fourth Street and Constitution fall. Avenue entrances. Masters of Nineteenth-Century Film Programs Painting from the Annenberg East Building Auditorium and Biihrle Collections Matisse, Voyages^ a new film written and The education department offers a series of directed by Didier Baussy for the Centre five lectures on important impressionist and Georges Pompidou, will be shown May 30 post-impressionist artists represented in two through June 3 in conjunction with the exhi­ significant private collections currently on view bition Matisse in Morocco. Art of the Western at the National Gallery of Art. The lectures are World., a nine-part series produced last year in held at 12:30 on Tuesdays and will be repeated association with WNET/Thirteen, New York, on Saturdays at the same time in the East will continue from June 6 through June 24 Building Auditorium. Tickets are not required, with the last three episodes in the series: but seating is limited and on a first-come, first- Impressionism and Post-Impressionism^ Into served basis. the Twentieth Century^ and In Our Own Time. The series "Alf Sjoberg and Ingmar Manet and Degas, May 29, June 2, Bergman: Early Films" continues in June with Eric Denker, lecturer seven films by the two Swedish directors June 12, 16, Early Impressionism: Renoir and equally distinguished for their work in theater Monet, Philip Eeonard, lecturer and cinema. Karin Mansdotter (1953), a masterwork by Alf Sjoberg rarely screened in June 19, 23, Cezanne, the United States, has been loaned by the Wilford W. Scott, lecturer Swedish Film Institute in Stockholm. This June 26, 30, Monet's Later Work, intricately structured film relates the life of the Frances Feldman, lecturer mistress of King ^ik XIV and is partially based on August Strindberg's Erik XIV. The July 3, 7, Van Gogh and Gauguin, series is presented in association with Edvard Dennis Weller, lecturer Munch: Master Prints from the Epstein Family During the week of each lecture, a related tour Collection. of the artists' works in the permanent collec­ tion will be offered. The tours will begin at 1:00 on Wednesdays, Thursdays, and Fridays, in the West Building, Rotunda. Gallery Talks The talks are given by members of the museum staff and by Graduate Lecturing Fellows in the education department. All talks Introduction to the Annenberg begin at 2:00 p.m. and Biihrle Collections The Drawings of Jasper Johns, Nan Rosenthal, From May 15 through July 15, the education Curator of Twentieth-Century Art, department presents introductory slide lectures Wednesday, June 6; Meet in the 7th Street on the Annenberg and Biihrle Collections. The Eobby, West Building 45-minute overviews will take place in the East Building Auditorium Tuesdays, Thursdays, and The Expatriates: Whistler, Sargent, and Saturdays at 11:00 a.m. and Wednesdays and Cassatt, Barbara Baxter, Graduate Fridays at 2:30 p.m. Reservations are not Lecturing Fellow, Education Department, necessary, but seating is limited and on a first- Wednesday, May 30, Saturday, June 9, come, first-served basis. Wednesday, June 20; Meet in the West Building, Rotunda Jasper Johns: Painting on Painting, Barbara Baxter, Graduate Lecturing Fellow, Education Department, Saturday, June 23; Meet at the East Building Information Desk Introduction to the West Recorded Tours Building Collections The Director's Tour of the West Building collec­ by J. Carter Brown, is available Monday through Saturday 3:00 p.m. tions, narrated Floor Sales Area during Gallery Sunday 1:00 p.m. at the Ground West Building, Rotunda hours. A recorded tour of Twentieth-Century Painting and Sculpture is available in two parts at the East Building publications desk, Introduction to the East Concourse Level. Building Collections Recorded tours of Masterpieces of Impressionism and Post-Impressionism: The Monday through Friday 11:30 a.m. Annenberg Collection and The Passionate Eye: Saturday 11:00 a.m. Impressionism and Other Master Paintings Sunday 12:00 p.m. from the Collection ofEmil G. Biihrle^ both East Building, Ground Floor Information Desk narrated by J. Carter Brown, are available at the entrances to the exhibitions. Recorded tours are $3.00; $2.50 for senior Foreign Language Tours citizens, students, and groups. Regularly scheduled foreign language tours of the West Building are offered on Tuesdays at noon beginning in the Rotunda. June 5 French; June 12 Spanish; June 19 German; June 26 Italian OPENING EXHIBITION CONTINUING EXHIBITIONS Old Master Drawings from the The Passionate Eye: National Gallery of Scotland Impressionist and Other June 24-September 23, 1990 Master Paintings from the East Building, Ground Floor Collection of Emil G. Biihrle On view are eighty-six works lent by the Through July 15, 1990 National Gallery of Scotland, which has East Building, Upper Level become one of the world's principal collections and Mezzanine of old master drawings. These works, created between the fourteenth and eighteenth cen­ The first exhibition in the United States turies, have been selected primarily from the devoted to the extraordinary collection of Swiss Italian and Netherlandish holdings, two main industrialist and collector Emil G. Biihrle is on strengths of the Scottish collection. Among the view in the East Building of the National superb examples are Raphael's Nude Woman Gallery of Art, through July 15, 1990. The Kneeling^ Barocci's Visitation^ Piranesi's An collection features 85 old master, impressionist, Imaginary Prison^ Rembrandt's Eliezar and post-impressionist, and early modern works. Rebecca at the Well^ Van Dyck's Study for Among the impressionist and post-impres­ Portrait ofNicolas Lanier, and Massys' sionist works are six paintings by Van Gogh, Landscape with the Temptation of Christ, one including The Sower, and seven paintings by of the earliest dated Netherlandish landscape Cezanne, including The Boy in the Red Vest, Canaille Pissarro, Road from Versailles to Louvecierines, drawings.
Recommended publications
  • "Infidelity" As an "Act of Love": Patrick Marber's After Miss Julie (1995) As a Rewrite of August Strindberg's Miss Julie (1888)
    "Infidelity" as an "Act of Love": Patrick Marber's After Miss Julie (1995) as a Rewrite of August Strindberg's Miss Julie (1888). مسـرحيــة After Miss Julie للكاتب البريطاني باتريك ماربر كإعادة إبداع لمسرحية Miss Julie للكاتب السويدي أوجست ستريندبرج Dr. Reda Shehata associate professor Department of English - Zagazig University د. رضا شحاته أستاذ مساعد بقسم اللغة اﻹنجليزية كلية اﻵداب - جامعة الزقازيق "Infidelity" as an "Act of Love" Patrick Marber's After Miss Julie (1995) "Infidelity" as an "Act of Love": Patrick Marber's After Miss Julie (1995) as a Rewrite of August Strindberg's Miss Julie (1888). Abstract Depending on Linda Hutcheon's notion of adaptation as "a creative and interpretative act of appropriation" and David Lane's concept of the updated "context of the story world in which the characters are placed," this paper undertakes a critical examination of Patrick Marber's After Miss Julie (1995) as a creative rewrite of August Strindberg's Miss Julie (1888). The play appears to be both a faithful adaptation and appropriation of its model, reflecting "matches" for certain features of it and "mismatches" for others. So in spite of Marber's different language, his adjustment of the "temporal and spatial dimensions" of the original, and his several additions and omissions, he retains the same theme, characters, and—to a considerable extent, plot. To some extent, he manages to stick to his master's brand of Naturalism by retaining the special form of conflict upon which the action is based. In addition to its depiction of the failure of post-war class system, it shows strong relevancy to the spirit of the 1990s, both in its implicit critique of some aspects of feminism (especially its call for gender equality) and its bold address of the masculine concerns of that period.
    [Show full text]
  • Miss Julie by August Strindberg
    MTC Education Teachers’ Notes 2016 Miss Julie by August Strindberg – PART A – 16 April – 21 May Southbank Theatre, The Sumner Notes prepared by Meg Upton 1 Teachers’ Notes for Miss Julie PART A – CONTEXTS AND CONVERSATIONS Theatre can be defined as a performative art form, culturally situated, ephemeral and temporary in nature, presented to an audience in a particular time, particular cultural context and in a particular location – Anthony Jackson (2007). Because theatre is an ephemeral art form – here in one moment, gone in the next – and contemporary theatre making has become more complex, Part A of the Miss Julie Teachers’ Notes offers teachers and students a rich and detailed introduction to the play in order to prepare for seeing the MTC production – possibly only once. Welcome to our new two-part Teachers’ Notes. In this first part of the resource we offer you ways to think about the world of the play, playwright, structure, theatrical styles, stagecraft, contexts – historical, cultural, social, philosophical, and political, characters, and previous productions. These are prompts only. We encourage you to read the play – the original translation in the first instance and then the new adaptation when it is available on the first day of rehearsal. Just before the production opens in April, Part B of the education resource will be available, providing images, interviews, and detailed analysis questions that relate to the Unit 3 performance analysis task. Why are you studying Miss Julie? The extract below from the Theatre Studies Study Design is a reminder of the Key Knowledge required and the Key Skills you need to demonstrate in your analysis of the play.
    [Show full text]
  • KT 2-9-2015 Layout 1
    SUBSCRIPTION WEDNESDAY, SEPTEMBER 2, 2015 THULQADA 18, 1436 AH www.kuwaittimes.net Speaker urges Worst fears Video of Israel Real pin blame UN to boost confirmed as soldier arresting on Man Utd values of famed Palmyra boy latest in war for De Gea democracy2 temple8 flattened of13 perception deal19 collapse 26 indicted over arms Min 31º Max 45º cache, Iran, Hezb links High Tide 02:03 & 14:13 Low Tide 00:57 & 20:11 40 PAGES NO: 16628 150 FILS Suspects include 25 Kuwaitis, one Iranian By B Izzak No plans to impose KUWAIT: The public prosecutor yesterday said he has taxes on individuals pressed charges against 26 people in a cell linked to Iran and Hezbollah, and accused 24 of them of plotting to carry out KUWAIT: Deputy Prime Minister and Minister of Finance attacks against Kuwait. The cell was busted on Aug 13 and Anas Al-Saleh said there are no government plans to authorities seized large quantities of explosives, arms and impose taxes on individuals. The government is only con- ammunition in a farm in Abdali near the border with Iraq. sidering imposing taxes on national and foreign compa- Three Kuwaitis were arrested then and following investiga- nies, Saleh told Al-Rai newspaper yesterday. tions, dozens of others have been arrested. The minister also noted Public Prosecutor Dherar Al- that value added tax would Asousi said 25 of the suspects not be applied in Kuwait are Kuwaitis and one is Iranian. until an agreement was Three of them are still at large. reached among GCC coun- Asousi said in the statement tries to apply in all GCC that he has charged 24 men “of member states as per the spying for the Islamic republic recommendations of the of Iran and the Hezbollah group International Monetary to carry out aggressive acts Fund (IMF).
    [Show full text]
  • A Fire in Her Mind: Medicine, Gender Identity, and Strindberg's Miss Julie
    A Fire in Her Mind: Medicine, Gender Identity, and Strindberg’s Miss Julie A Research Community Proposal for the LARC grant, Summer 2016 Jonathan Cole Monique Bourque Mary Rose Branick Will Forkin Victoria Mohtes-Chan Jesse Sanchez Community Proposal A Fire in Her Mind: Medicine, Gender Identity, and Strindberg’s Miss Julie This LARC group will examine some of the biggest questions that underlie modernity: the nature of human nature, the role of “the natural” and scientific/medical authority in dictating and defining normal behavior, particularly in regard to sexuality; and the emergence of psychiatry as one of the human sciences. These emerging scientific ideas found an immediate home in nineteenth-century experimental theatre. Theatre artists, tired of the contrived plotlines and moralist, one- dimensional characters of the Melodrama, began to turn to the emerging tenets of behaviorism, genetics, and Social Darwinism in order to bring experiments in human behavior to the stage. Led by European artists-thinkers like Emile Zola, Andre Antoine, Otto Brahm, Henrik Ibsen and August Strindberg, experimental theatre strove to create a theatre praxis that utilized the theatre as an experiment: a way to observe human behavior. This artistic movement, loosely organized under the mantle of “Naturalism,” birthed Strindberg’s greatest work, Miss Julie. While the play itself fails as a piece of Naturalist theatre, Strindberg’s obsession with the inner workings of the human mind, with behavior, with heredity, bloodline, sexuality and fealty/fidelity created in Jean and Julie two of the most fascinating characters in theatre literature. These characters are inexorably linked to Strindberg’s understanding of the science of the time.
    [Show full text]
  • Music Preview
    JACKSONVILLE NING! OPE entertaining u newspaper change your free weekly guide to entertainment and more | february 15-21, 2007 | www.eujacksonville.com life in 2007 2 february 15-21, 2007 | entertaining u newspaper table of contents cover photo of Paul Paxton by: Dennis Ho feature NASCAR Media Day ............................................................................PAGES 16-17 Local Music Preview ...........................................................................PAGES 18-24 movies Breach (movie review) .................................................................................PAGE 6 Movies In Theatres This Week .................................................................PAGES 6-9 Seen, Heard, Noted & Quoted .......................................................................PAGE 7 Hannibal Rising (movie review) ....................................................................PAGE 8 The Last Sin Eater (movie review) ................................................................PAGE 9 Campus Movie Fest (Jacksonville University) ..............................................PAGE 10 Underground Film Series (MOCA) ...............................................................PAGE 10 at home The Science Of Sleep (DVD review) ...........................................................PAGE 12 Grammy Awards (TV Review) .....................................................................PAGE 13 Video Games .............................................................................................PAGE 14 food
    [Show full text]
  • Student Handbook 2019-2020
    Student Handbook 2019-2020 This handbook has been prepared for the students and employees of Saint Mary’s College of California, and others wishing to know more about College policies, procedures, programs, and activities. While every effort has been made to make certain that the information contained herein is accurate as of September 2019, please refer to www.stmarys1 -ca.edu/studenthandbook for the current version of this handbook. Saint Mary’s College of California reserves the right to correct errors and to make changes in policies, procedures, programs, and/or activities (without prior notice) as it deems appropriate and in the best interest of the College. Table of Contents Saint Mary’s College Mission Statement ................................................................................................. 7 Student Life Mission Statement ................................................................................................................ 7 Student Code of Conduct .......................................................................................................................... 7 Preamble ............................................................................................................................................... 7 Article I: Definitions ............................................................................................................................. 7 Article II: Code of Conduct Authority .................................................................................................
    [Show full text]
  • After Miss Julie” by Patrick Marber, 1995, After Strindberg
    Educational material: “After Miss Julie” By Patrick Marber, 1995, after Strindberg Lektor: Birgitte Holm Halkjær Birkerød Gymnasium, HF og IB That-theatre Company spring 2017 A study of the original “Miss Julie” Task: In pairs. Search google and find out who wrote “Miss Julie, 1888”? Task: In pairs. Search google and find out what did the original “Miss Julie” deal with? Write down a brief summary of the original “Miss Julie”. 1 Task: In pairs. Translate into Danish: “Strindberg´s work in the theatre was largely written in revolt against contemporary social conventions and was startlingly modern and radical for the time”. Try and apply that statement to Strindberg´s play “Miss Julie”. A study of the author of “After Miss Julie” Task: In pairs. Comment on the title of the play that you are about to read and work with in class. Why do you think the play is called “After Miss Julie”? While reading the play find out if there is any direct reference to the title? Task: In pairs, translate the following into Danish: “Patrick Albert Crispin Marber is an English comedian, playwright, director, puppeteer, actor and screenwriter. After working for a few years as a stand-up comedian, Marber was a writer and cast member on radio shows…”. In pairs, 2 search google and find out more about Marber and his life and works. Next, write a little more about Patrick. A study of Strindberg versus Marber Task: In pairs. Compare and contrast the play “Miss Julie” with the play “After Miss Julie”. How is the “free-spirit” of Strindberg´s play, “Miss Julie”, presented in Marber´s play “After Miss Julie” ? Any similarities/ differences between Strindberg´s play and Marber´s play? Both when it comes to content and form.
    [Show full text]
  • Download Brownie Badge Buddy
    Snack Chat 1. While enjoying a healthy snack, here are a few questions to ask the girls: • What are some of your favorite Girl Scout traditions? • What are some of your favorite Girl Scout songs? • How do you keep your bedroom tidy? • Is it easier to tidy up at Girl Scouts or at home? Why? Activity: Clean up! 2. After enjoying snack, clean up 1. Explain to the girls the importance of leaving a place better than you found it. That could mean picking up trash, putting away your Girl Scout meeting supplies, or placing tables and chairs in the correct spot. As a space. Help the girls by group, brainstorm different ways they can keep their meeting singing the Brownie Tidying space clean. Write their ideas down a large piece of paper. Up song they learned in 2. For many years, Girl Scouts all around the world have cleaned up Activity #1. their meeting spaces each time they gather together. Teach the girls this song to sing at clean-up time. Explain that they will sing Field Trip this at the end of the meeting while cleaning up. Take a trip to the library or Girl Brownie Tidying-Up Song Scout museum (Nashville service (To the tune of “London Bridge”) center) and learn more about Girl Weave the magic in and out, Scout traditions. In and out, in and out. Weave the magic in and out, For we are Brownies. Program Guide We have tidied everything, Girl Scout Day on the Hill: March Everything, everything. 17, 2020 We have tidied everything Service Project Activity: Make a Sit-Upon! Organize a needs donation event Materials Needed: Squares of waterproof material; yarn, tape; foam for a homeless shelter.
    [Show full text]
  • After Miss Julie
    presents AFTER MISS JULIE By Patrick Marber Directed by Elly Green Through September 26, 2015 Thu, Fri & Sat 8pm · Sun 4pm Tickets $28 ($24 senior) Jon Cole Media SYNOPSIS The sexual polics of master/servant boil over in this new take on the Strindberg classic, set in 1945 England. The Jeff-nominated director of Stage Le's Rabbit and Trap Door Theatre's The Woman Before makes her Strawdog debut with a play London Telegraph called "a white -hot night of theatrical intensity," by the Tony-winning author of Closer. PRODUCTION TEAM PLAYWRIGHT BIO Author: Patrick Marber Patrick Marber (1964 -) is a Brish comedian, Director: Elly Green playwright, director, actor and screenwriter. Set Design: Mike Mroch * His theater wring is known for confronng the Light Design: Claire Chrzan audience with the use of explosive language and Costume Design: Briany Dee Bodley * limit-pushing subject maer; but Marber is also Props Design: Jamie Karas lauded for his complex characterizaons, his Sound Design: Heath Hays * wiy use of dialogue, and his skill with narrave Dialects: Adam Goldstein structure. Dramaturge: Cassandra Rose Stage Manager: Emily Dillard Plays: Dealer's Choice (1995) Aer Miss Julie Producon Manager: Emmaline Keddy- (1995) Closer (1997) Howard Katz (2001) The Hector Musicians (2004) Don Juan in Soho (2006) The Red Lion (2015) CHARACTERS/CAST Anita Deely * as Chrisne John Henry Roberts * as John Maggie Scrantom as Julie Understudies: Scoe Caldwell and Nick Bonges AUGUST STRINDBERG AND THE ORIGINAL MISS JULIE Marber’s play is a fresh take August Strindberg’s Miss Julie (1888) which resets the story from a Swedish estate in the late 19th century to a manor house in post-war England on the night of the Labour Party’s victory in 1945.
    [Show full text]
  • 2000-Ca-01192-Sct
    IN THE SUPREME COURT OF MISSISSIPPI NO. 2000-CA-01192-SCT MISSALA MARINE SERVICES, INC. v. JENNY KAY ODOM DATE OF JUDGMENT: 9/19/2000 TRIAL JUDGE: HON. JAMES W. BACKSTROM COURT FROM WHICH APPEALED: JACKSON COUNTY CIRCUIT COURT ATTORNEY FOR APPELLANT: GARY L. ROBERTS ATTORNEYS FOR APPELLEE: KIMBERLY GOLDEN GORE W. LEE WATT NATURE OF THE CASE: CIVIL - OTHER DISPOSITION: AFFIRMED - 06/12/2003 MOTION FOR REHEARING FILED: MANDATE ISSUED: BEFORE McRAE, P.J., EASLEY AND GRAVES, JJ. GRAVES, JUSTICE, FOR THE COURT: ¶1. This civil action is an appeal by Missala Marine Services, Inc. (Missala) following a jury verdict rendered in the Circuit Court of Jackson County, Mississippi. The judgment awarded Jenny Kay Odom compensatory damages of $120,000 and punitive damages of an additional $120,000. An amended final judgment added attorney’s fees and expert witness fees, increasing the total judgment in Odom’s favor to $318,797.90. Aggrieved by those judgments, Missala appeals and raises the following issues: I. WHETHER THE TRIAL COURT ERRED BY FAILING TO DISMISS THE CASE. II. WHETHER ODOM PROVED DAMAGES AS A RESULT OF MISSALA’S MISMANAGEMENT. III. WHETHER THE TRIAL COURT ERRED IN ALLOWING INCONSISTENT CLAIMS TO BE SUBMITTED TO THE JURY. IV. WHETHER THE TRIAL COURT ERRED BY PERMITTING THE JURY TO CONSIDER PUNITIVE DAMAGES. V. WHETHER THE TRIAL COURT ERRED IN REFUSING TO DISMISS ODOM’S CLAIM FOR MISMANAGEMENT. VI. WHETHER THE TRIAL COURT IMPROPERLY AWARDED ATTORNEY’S FEES AND EXPERT WITNESS FEES. VII. WHETHER THE COURT ERRED BY GRANTING JURY INSTRUCTIONS 4, 5, 6, 7, 7A, 8, 8A AND REFUSING INSTRUCTIONS D-1, D 11-A AND D-13A.
    [Show full text]
  • An Integrated Approach. A. Recommended Guide for Oklahoma, Elementary Level
    DOCUMENT RESUME ED 332 990 SP 033 116 TITLE Creative Nutrition Education--An Integrated Approach. A. Recommended Guide for Oklahoma, Elementary Level. Fourth Edition. INSTITUTION Oklahoma State Dept. of Education, Oklahoma City. SPONS AGENCY Department of Agriculture, Washington, D.C. PUB DATE Sep 86 NOTE 444p.; Child Nutrition Programs Division, Nutrition - Education A Training Program. Printed on colored paper, certain sections may not reproduce well. PUB TYPE Guides - Classroom Use - Instructional Materials (For Learner) (051) -- Guides - Classroom Use - Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC18 Plus Postage. DESCRIPTORS Child Health; *Class Activities; Cooking Instruction; *Eating Habits; Educational Games; Educational Resources; Elementary Education; *Foods Instruction; Health Activities; Instructional Materials; *Nutrition Instruction; Songs; State Curriculum Guides; Teaching Guides; Visual Aids IDENTIFIERS *Oklahoma; *Recipes (Food) ABSTRACT This guide to Nutrition Education has 12 sections which cover the following areas: scope; facts aboutnutrition basics; games and activities; poems, plays, and stories; songs;food preparation in the classroom; puppets, patterns,and puzzles; suggestions for tasting parties; recipes for snacks andcelebrations; clues for creative cafeterias; and learning center activities.Each section is color coded and has completeinstructions and all the necessary materials. The final section listsaudiovisual resources (169 items) and 72 sources of nutrition education materials.(LL) ***********************************************************************
    [Show full text]
  • A Dream Play Background Pack
    Education A Dream Play Background Pack Contents A Dream Play 2 Introduction 3 The Original Play 4 The Director: Interview with Katie Mitchell 5 The Actor: Interview with Angus Wright 9 The Designer: Interview with Vicki Mortimer 12 Activities and Discussion 15 Related Materials 16 ADreamPlay By August Strindberg in a new version by Caryl Churchill with additional material by Katie Mitchell and the Company Angus Wright Photo: Stephen Cummiskey A Dream Play Background pack written by NT Education Background pack By August Strindberg, in a Jonathan Croall, journalist National Theatre © Jonathan Croall new version by Caryl Churchill and theatrical biographer, and South Bank The views expressed in this With additional material by author of three books in the London SE1 9PX background pack are not Katie Mitchell and the series ‘The National Theatre T 020 7452 3388 necessarily those of the Company. at Work’. F 020 7452 3380 National Theatre Director Editor E educationenquiries@ Katie Mitchell Emma Thirlwell nationaltheatre.org.uk Further production details Design www.nationaltheatre.org.uk Patrick Eley, Lisa Johnson A Dream Play CAST (IN ALPHABETICAL ORDER) KATIE MITCHELL Director VICKI MORTIMER Designer MARK ARENDS CHRIS DAVEY Lighting Designer Young George, the broker’s brother KATE FLATT Choreographer Geoffrey, Victoria’s lover SIMON ALLEN Music Director and Arranger ANASTASIA HILLE CHRISTOPHER SHUTT Sound Designer Christine, the broker’s mother KATE GODFREY Company Voice Work KRISTIN HUTCHINSON Rachel, the broker’s first wife Music played live by: Paul Higgs Associate MD/piano/keyboard SEAN JACKSON Joe Townsend violin Security Supervisor Katja Mervola viola Port Health Officer Penny Bradshaw cello CHARLOTTE ROACH Schubert’s ‘Nacht und Träume’ specially Lina the maid recorded by: Ugly Edith, the broker’s co-respondent Mark Padmore tenor DOMINIC ROWAN Andrew West piano Herbert, the broker’s father Adult George, the broker’s brother This production opened at the National’s JUSTIN SALINGER Cottesloe Theatre on 15 February 2005.
    [Show full text]