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Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
CATALOGUE WELCOME to NAXOS JAZZ LEGENDS and NAXOS NOSTALGIA, Twin Compendiums Presenting the Best in Vintage Popular Music
NAXOS JAZZ LEGENDS/NOSTALGIA CATALOGUE WELCOME TO NAXOS JAZZ LEGENDS AND NAXOS NOSTALGIA, twin compendiums presenting the best in vintage popular music. Following in the footsteps of Naxos Historical, with its wealth of classical recordings from the golden age of the gramophone, these two upbeat labels put the stars of yesteryear back into the spotlight through glorious new restorations that capture their true essence as never before. NAXOS JAZZ LEGENDS documents the most vibrant period in the history of jazz, from the swinging ’20s to the innovative ’40s. Boasting a formidable roster of artists who forever changed the face of jazz, Naxos Jazz Legends focuses on the true giants of jazz, from the fathers of the early styles, to the queens of jazz vocalists and the great innovators of the 1940s and 1950s. NAXOS NOSTALGIA presents a similarly stunning line-up of all-time greats from the golden age of popular entertainment. Featuring the biggest stars of stage and screen performing some of the best- loved hits from the first half of the 20th century, this is a real treasure trove for fans to explore. RESTORING THE STARS OF THE PAST TO THEIR FORMER GLORY, by transforming old 78 rpm recordings into bright-sounding CDs, is an intricate task performed for Naxos by leading specialist producer-engineers using state-of-the-art-equipment. With vast personal collections at their disposal, as well as access to private and institutional libraries, they ensure that only the best available resources are used. The records are first cleaned using special equipment, carefully centred on a heavy-duty turntable, checked for the correct playing speed (often not 78 rpm), then played with the appropriate size of precision stylus. -
A3c7cf0f-1C32-444B-A63c-3F0cb5d3b3ca.Pdf
2013 - 2014 DEPARTMENT OF MUSIC FACULTY AND STUDENT HANDBOOK THE WILLIAM PATERSON UNIVERSITY OF NEW JERSEY Phone: (973) 720-3128 Fax: (973) 720-2217 Website: http://www.wpunj.edu/coac/departments/music/ THE DEPARTMENT OF MUSIC MISSION STATEMENT The Department of Music at William Paterson University is a community of musician-educators committed to professionalism in performance, teaching, scholarship and creative activity, and community service. We collaborate to provide the foundations of comprehensive musicianship for all music majors at the undergraduate and graduate levels, and to create a thriving cultural life on the campus and in the community through challenging academic offerings and performances of the highest artistic level. We provide the resources, guidance, and diverse environment that motivate our students to seek excellence as they build and maintain careers in music, including classical and jazz performance and composition, sound engineering arts, music education, and music management. Combining traditional teaching and learning with innovative approaches, the Department gives students the knowledge and skills to meet the challenges of the contemporary musical environment. Approved by Faculty April 9, 1991 Revised February 15, 2005 Goal 1: A high level of musical and technical competency. Goal 2: An understanding of the elements and organization of music, and ability to apply this knowledge to aural and visual analyses. Goal 3: A broad knowledge of music history and literature Goal 4: The aesthetic sense and skill to organize and communicate sound Goal 5: An ability to integrate technology into the study and practice of music. Goal 6: Specialization in an area of the profession. Goal 7: A successful career. -
American Square Dance Vol. 49, No. 8
SQUARE DANCING: REMEMBER SQUARE DANCE MONTH IS SEPTEMBER AMERICAN Er) "The International Magazine With The Swinging Lines" S'QUAILE LIA/Ve'A' Magazine • SINGLE $2.00 AUGUST 1994 ANNUAL $20.00 SUPREME AUDIO, INC. The Professional Source for Callers & Cuers Supreme Audio has the Largest Selection of Professional Calling and Cueing equipment -- with continuing after-sale support! Call Supreme Audio before purchasing any equipment! • Hanhurst's Tape & Record Service • Calling & Cueing Sound Systems • Square Dance Tape Service - • Wireless Microphones 12 Tapes per year • Microphones • Round Dance Tape Service - • Record & Equipment Cases 6 Tapes per year • YAK STACK, DIRECTOR & •Publications SUPREME Sound Columns • 50,000 Quality Square & Round • Graduation Diplomas Dance Record Inventory - • Instructional Video Tapes All Labels in Stock •Competitive Prices • Toll Free Order Lines • Fast ... Professional Service! •Computerized Record Information • Shipped within 24 hours! Hanhurst's Square Dance Tape Service The "Original" monthly tape service. The Continuing Choices"' of more than 1,700 Callers! AN EXCELLENT GIFT IDEA FOR YOUR FAVORITE CALLER ! • • • TELEX & SAMSON • • WIRELESS MICROPHONE SYSTEMS • • New Low Prices! • • • • Lapel Systems now start at $234.00 • 1-800-445-7398 (USA & Canada) (Foreign: 603-876-3636) FREE (Fax: 603-876-4001) AUDIO SUPREME AUDIO, INC. CATALOG P.O. Box 50 Mariborouip, NH 03455-0050 = (Callers I Coors lily - otter' send $4.11) AMERICAN Fri soitiRE DANCE VOLUME 49, No 8 Magazine AUGUST 1994 THE INTERNATIONAL MAGAZINE -
Issue 15 Inspired by L.A
OTIS COLLEGE OF ART AND DESIGN MAGAZINE SPRING 2014 in this issue: 04 - ALUMNI AND FACULTY ISSUE 15 INSPIRED BY L.A. 06 - KEEPING IT SIMPLE AND FRESH: MEG CRANSTON 18 - OTIS REPORT ON THE CREATIVE ECONOMY: 1 IN 10 JOBS IN CA I remember L.A. as blackety-black shadows cast from brutalist blocks that take the history of architecture and reduce and contain it silently, like lunary tombs or Aztec temples morphed into Fome-Cor® cartoons. This kind of light makes decisions easier, more black and white. Good-vs-bad, pure-vs- impure, aspiration-vs-collapse, determined grim optimism-vs-self-indulgent despair. The suggestion of an old Hollywood mono- lithic black-and-white movie set encourages self-invention and self-consciousness as you make your way down an imaginary long white staircase. There’s not another living soul on the set and the spotlight is on you, wiping out any flaw or imperfection, hallucinating yourself into who you wanna be … exactly how I remember it … forward Fashion designer Rick Owens (’81) moved from L.A. to Paris in 2003. 01 03 05 06 1. George Maitland Stanley (’24) 2. Kent Twitchell (’77 MFA) 3. Judithe Hernández (’74 MFA) 4. Insung Kim (’97) 5. Robert Irwin (’50) 6. Hillary Jaye (’90) Muses Fountain, Hollywood Bowl Harbor Freeway Overture mural, New Spring, mural for the Expo Line for Hunt Design Associates The Central Garden, The Getty for Sussman/Prezja & Co. 1938 1993 Terminus Station in Santa Monica, Identity and wayfinding program Center, 1997 Wayfinding and bus graphics Photo courtesy: Hollywood Bowl opening in 2016 for downtown L.A. -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
Ac-Cent-Tchu-Ate the Positive Achin Hearted Blues After Youve Gone
Ac-cent-tchu-ate The Positive Baltimore Bluesette Achin Hearted Blues Barbados Bluesology After Youve Gone Basin Street Blues Bluin The Blues Afternoon In Paris Battle Hymn Of The Republic Body And Soul Again Baubles Bangles And Beads Bohemia After Dark Aggravatin Papa Be My Love Bouncing With Bud Ah-leu-cha Beale Street Blues Bourbon Street Parade Aint Cha Glad Beale Street Mama Breeze And J Aint Misbehavin Beau Koo Jack Breezin Along With The Breeze Aint She Sweet Beautiful Love Broadway Air Mail Special BeBop Brother Can You Spare A Dime Airegin Because Of You Brown Sugar Alabama Jubilee Begin The Beguine Buddy Boldens Blues Alabamy Bound Bei Mir Bist Du Schoen Buddys Habits Alexanders Ragtime Band Believe It Beloved Budo Alice Blue Gown Bemsha Swing Bugle Boy March All Alone Bernies Tune Bugle Call Rag All Gods Chillun Got Rhythm Besame Mucho But Beautiful All I Do Is Dream Of You Besie Couldnt Help It But Not For Me All My Life Best Things In Life Are Free Button Up Your Overcoat All Of Me Between The Devil And The Deep Buzzy All Of You Blue Sea By The Beautiful Sea All Or Nothing At All Bewitched By The Light Of The Silvery Moon All That Meat And No Potatoes Beyond The Blue Horizon By The River Sainte Marie All The Things You Are Biden’ My Time By The Waters Of Minnetonka All Through The Night Big Butter And Egg Man Bye And Bye All Too Soon Big Noise From Winnetka Bye Bye Blackbird Alligator Crawl Bill Bailey Bye Bye Blues Almost Like Being In Love Billie Boy C Jam Blues Alone Billies Bounce Cakewalking Babies From Home Alone Together -
Dossier De Presse
rec tdic iph cseé uqp, luoJ Dossier de presse ieuo e"rn rAMH qka uas iDrs laie stfl eral saS tb cir oJea naev cvta oaei c"nl t,cl éqo ,uma aipv ulae tegc onp bril aeé pgdt tieh isDo sthr érae Fefd oae uvr reYt tcoi hlus West ose rmes lufd http://www.amr-geneve.ch/amr-jazz-festival dseo (itn Compilation des groupes du festival disponible sur demande qcPt uiaB Contact médias: Leïla Kramis [email protected], tél: 022 716 56 37/ 078 793 50 72 aeo tnla AMR / Sud des Alpes rsob 10, rue des Alpes, 1201 Genève iAFa T + 41 22 716 56 30 / F + 41 22 716 56 39 èbrM mdea eosa 35e AMR Jazz Festival – dossier de presse 1 mul oM., nbH Table des matières I. L’AMR EN BREF....................................................................................................................................... 3 II. SURVOL DES CONCERTS..................................................................................................................... 4 III. DOSSIERS ARTISTIQUES..................................................................................................................... 5 PARALOG.............................................................................................................................................. 5 JOE LOVANO QUARTET...................................................................................................................... 7 PLAISTOW........................................................................................................................................... 10 J KLEBA............................................................................................................................................ -
Wallace Roney Joe Fiedler Christopher
feBrUARY 2019—ISSUe 202 YOUr FREE GUide TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BILLY HART ENCHANCING wallace joe christopher eddie roney fiedler hollyday costa Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East feBrUARY 2019—ISSUe 202 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : wallace roney 6 by anders griffen [email protected] Andrey Henkin: artist featUre : joe fiedler 7 by steven loewy [email protected] General Inquiries: on the cover : Billy hart 8 by jim motavalli [email protected] Advertising: encore : christopher hollyday 10 by robert bush [email protected] Calendar: lest we forGet : eddie costa 10 by mark keresman [email protected] VOXNews: LAbel spotliGht : astral spirits 11 by george grella [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or oBitUaries 12 by andrey henkin money order to the address above or email [email protected] FESTIVAL REPORT 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, CD reviews 14 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Miscellany Tom Greenland, George Grella, 31 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, event calendar Matthew Kassel, Mark Keresman, 32 Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Brian Charette, Steven Loewy, As unpredictable as the flow of a jazz improvisation is the path that musicians ‘take’ (the verb Francesco Martinelli, Annie Murnighan, implies agency, which is sometimes not the case) during the course of a career. -
Abstract Why Song?
114 Yearbook of Population Research in Finland 35 (1998-1999), pp. 114-132 W ho do W e think W e are - the Finnishness in Finnish-A m erican songs JUHA NIEM ELÄ, M. A. Researcher Institute o f Migration Turku, Finland Abstract From the last part o f the 19th century, Finnish immigrants in North America were in volved in a variety of cultural activities. Among the many interests the immigrants had were music and songs, which were a natural part of their existence. My intention here is to give a brief overview of this area of tradition which is less known in every way. I will provide an idea o f the Finnish-American identity described in the songs o f Finns in America between the years 1900 and 1930. Sometimes only written by hand, published in a small booklet or printed by a Finnish-American organization as a songbook, or sung on major- label records, in these songs there can still be found traces of the individual mind and group voice o f these immigrants. The identity itself has a double meaning and is very well suited as a focus when discussing these songs. As we all know, one meaning of identity is sameness and another is distinctiveness, where the latter seems to refer to individual identity and the former has to do with a sense of commonality between several persons who constitute a group.' The song texts in question often more or less follow these given identity patterns. I am simply trying to find an answer to the following question: What was the identity that an individual Finn or Finns as a group wanted to manifest to other ethnic groups during the “golden years“ o f Finnish-American culture in the United States. -
A Performance E a Vida De Chet Baker
Universidade Federal da Bahia | 2013 A performance e a vida de Chet Baker André Cerqueira ANDRÉ CERQUEIRA A PERFORMANCE E A VIDA DE CHET BAKER Trabalho apresentado ao colegiado do curso de Comunicação com habilitação em Jornalismo pela Faculdade de Comunicação da Universidade Federal da Bahia como requisito para a conclusão do último semestre e obtenção do diploma da graduação. Orientação: Prof. Drª Itania Gomes Salvador 2013 ANDRÉ CERQUEIRA A PERFORMANCE E A VIDA DE CHET BAKER Trabalho apresentado ao colegiado do curso de Comunicação – Jornalismo da Faculdade de Comunicação, na Universidade Federal da Bahia como requisito para a conclusão do curso e obtenção do diploma da graduação. Orientação: Prof. Drª Itania Gomes Aprovado por Componentes da banca examinadora: _______________________________________________ _______________________________________________ _______________________________________________ ___ de __________ de 2013 A Álvaro Andrade, pelo caminho infinito. AGRADECIMENTOS Sou profundamente grato aos meus pais, principalmente a minha mãe, por terem investido em meus estudos e terem feito dos meus sonhos parte dos seus, aos meus irmãos pelo apoio e companheirismo na vida, e a todos os tios e primos e sobretudo meus avós, que me ensinaram a importância de mergulhar na música de olhos fechados. A realização deste trabalho seria impossível sem a generosidade e o apoio de Jorge Cardoso Filho e dos integrantes do grupo Mídia e Música Popular Massiva, que me auxiliaram nas reflexões da melhor maneira possível, tornando-se peça essencial