Eddie 'Beaver' Haskell

Total Page:16

File Type:pdf, Size:1020Kb

Eddie 'Beaver' Haskell We Are Vets We-Are-Vets.us ‘Eddie Haskell’ from ‘Leave it to Beaver’ dead at 76. Survived being shot five times as a real life cop in LA. Los Angeles, CA – Ken Osmond has died. He is probably better known to people as Eddie Haskell. He played the conniving character from 1957 to 1963 on TV’s Leave It To Beaver. I will greatly miss my lifelong friend Ken Osmond who I have known for over 63 years. I have always said that he was the best actor on our show because in real life his personality was so opposite of the character that he so brilliantly portrayed. RIP dear friend! “He was an incredibly kind and wonderful father,” Eric said in a statement. “He had his family gathered around him when he passed. He was loved and will be very missed.” 1 To his family, the most important work he did was as a husband to Sandra, and father to his sons, Christian and Eric. Not sure we'll discuss actor Ken Osmond (aka Eddie Haskell), but we should. He created a memorable character so convincing Actor Ken Osmond, known for playing weaselly, two-faced suck-up Eddie Haskell on the classic sitcom 'Leave It to Beaver,' has died, according to his son Eric. To the people of Los Angeles, his finest work may have taken place between 1970 and 1988. After spending time in the US Army Reserve, Osmond joined the Los Angeles Police Department, serving there for 18 years. A line of duty injury suffered in 1980 forced his retirement. After joining the LAPD, he grew a mustache to help hide is identity. He worked as a motorcycle officer. On September 20, 1980, Osmond and his partner, Henry Lane, were working in the Rampart Division. Their assignment was DUI enforcement. Through the events of the shift, the partners found themselves in a foot pursuit of a suspected car thief. 2 Osmond was shot five times during that chase. Four of the bullets impacted his vest, while the fifth round ricocheted off his belt buckle. His story was dramatized in a 1992 episode of the CBS series Top Cops. Osmond himself narrated the episode. Here is that story, in his words. “It was an extremely warm night. Around 11:30 we pulled into a fire station to take a short break.” The episode portrays some dialogue between Osmond, his partner and a couple of firemen who recognize him. Osmond took off his shirt to put on his vest, commenting that he was not previously wearing it because of how warm it was outside. “Bulletproof vests weren’t mandatory equipment in 1980. And back then, they were very bulky and uncomfortable. But Henry and I knew how important they were and always put them on as soon as it was tolerable to wear them,” his narration continued. As they are pulling out of the station, a dispatcher came on the radio detailing a report of a stolen taxi. The dispatcher gives the details of the vehicle, including cab number and California license plate number. “About an hour later, we were at Alvarado and 8th. A popular place for us, because on Friday night, almost every other driver who goes past has been drinking.” As they sat watching traffic, the stolen cab drove by. Falling in behind him, they began their pursuit. “We had just gotten in behind him when he pulled to the curb. I pulled up behind and went to the passenger door. I wasn’t sure if he had seen us or not, so I moved quickly to get the drop on him.” Osmond made contact with the suspect, who then sped off. Getting back on their bikes, they resumed pursuit and called in the details of the suspect. “In L.A., a pursuit call is the equivalent of a help call,” Osmond said. “Other units started to converge and back us up and were hopefully only minutes away. He took a hard left on Rampart Street, then made another left at the next corner, which was 7th Street.” Not being able to maintain the turn at the speed he was going, the suspect plowed into a parked car, disabling the cab. At that point, he jumped out and began fleeing on foot. “He ran down the street and down an alley next to an apartment block. We were still on our bikes and he was on foot. At this point, neither Henry or I knew that he had a weapon.” At that point, they came to a fence where he turned and pointed a gun at them. They could no longer pursue the fleeing suspect on their motorcycles. Following him on foot, they continued down the alley. The man turned and pointed his gun again, and Lane fired, grazing the suspect in the side. “Henry took some shots at him. The bullet went through his jacket, skimming his side. It knocked him down, but it didn’t stop him.” Again the car thief ran, stopped and leveled his gun. Lane fired again. “Henry’s gun was now empty. His second volley hit him on his other side, but he still kept running. The suspect took the corner and eastbound on 7th. For a second, he was out of sight. Then I saw him. He turned into a building and I assumed he went inside.” The depiction shows Osmond walking down the side of the building and the suspect stepping out right in front of him, gun pointed at his chest. “We were virtually toe to toe. I never heard a gunshot, I never heard any noise. I just saw flash bulbs going off in my face. At that range, the bullets hit you at a velocity of 300 miles per hour. So I don’t remember shooting him. I don’t remember anything before I hit the ground. Henry was reloading as I fell and the 3 suspect was moving in to finish me off. I was gone, dazed with the breath knocked out of me. He leaned in for the coup de grâce.” Before he was able to fire another shot, Lane tackled him to the ground and they began struggling for control. “I saw my left hand stretched out next to me with my gun in it. I don’t know how it got there, because I am right-handed. I tried to fire, but I couldn’t.” Lane was able to fire a shot that incapacitated the shooter. “Two of the shots had been stopped by my vest, the third hit my belt buckle. It was unbelievable luck. None had penetrated, but they had hot so hard, I had three 10” bruises that went for a week. And I still have scars. 4 Backup and paramedics had arrived, and because it was only a one-man ambulance, the suspect and I rode to the hospital together.” According to the re-enactment, the suspects name was Norcross. He was out on parole after being convicted of stabbing his girlfriend 27 times. “Henry Lane saved my life that night and was awarded a much-deserved medal of valor. But that shooting marked the beginning of the end of my second career. 30 days later, I was in a second shootout, were a .357 bullet grazed my scalp. Besides the physical injuries, like a lot of cops who have been in shootings, I had a lot of emotional problems. Four years later, I retired as a result of lingering medical problems from the shooting. I had a tough time at first, but my wife, and friends like Henry, they saw me through. As terrifying as that night was, it also renews my joy of life. You know, when you realize your own mortality, you don’t take things for granted anymore. You become aware of the little things. And I am never going to lose that feeling.” Read more like this at We-Are-Vets.us 5 .
Recommended publications
  • Manifest Destiny
    UNLV Retrospective Theses & Dissertations 1-1-2007 Manifest Destiny John Nardone University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Nardone, John, "Manifest Destiny" (2007). UNLV Retrospective Theses & Dissertations. 2132. http://dx.doi.org/10.25669/gi3n-246p This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. MANIFEST DESTINY by John Nardone Bachelor of Arts University of Scranton 1999 A thesis submitted in partial fulfillment of the requirements for the Master of Fine Arts Degree in Creative Writing Department of English College of Liberal Arts Graduate College University of Nevada, Las Vegas December 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1443780 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction.
    [Show full text]
  • February 7, 2007 (Download PDF)
    Volume 51 – Number 16 Wednesday – February 7, 2007 TechTalk S ERVING T HE M I T C OMMUNITY Reactivated gene shrinks tumors, MIT study finds Anne Trafton cancer treatments,” said David Kirsch of known whether such activity would actu- properly, it activates DNA repair mecha- News Office MIT’s Center for Cancer Research and ally reverse tumor growth in primary nisms and prevents cells with damaged Harvard Medical School, one of the lead tumors. DNA from dividing. If DNA damage is co-authors of the paper. The new MIT study shows that re-acti- irreparable, p53 induces the cell to destroy Many cancers arise due to defects in The study appeared in the Jan. 25 vating p53 in mouse tumors dramatically itself by undergoing apoptosis, or pro- genes that normally suppress tumor issue of Nature. It was conducted in the reduces the size of the tumors, in some grammed cell death. growth. Now, for the first time, MIT laboratory of Tyler Jacks, director of the cases by 100 percent. When p53 is turned off by mutation researchers have shown that re-activat- Center for Cancer Research, the David H. “This study provides critical genetic or deletion, cells are much more likely ing one of those genes in mice can cause Koch Professor of Biology and a Howard evidence that continuous repression of a to become cancerous, because they will tumors to shrink or disappear. Hughes Medical Institute investigator. tumor suppressor gene is required for a divide uncontrollably even when DNA is The study offers evidence that the P53 has long been known to play a tumor to survive,” said Andrea Ventura, an damaged.
    [Show full text]
  • 2010 Annual Report
    2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M.
    [Show full text]
  • Watch out for Eddie Haskell
    Human Capital Management Watch Out for Eddie Haskell f you’re old enough to remem- quirements, and they offer almost noth- ber Leave It To Beaver, or if ing to attract real talent. Online job posts you’ve caught a re-run on “Nick are no better. Sometimes they’re longer, I but again, most say little more than “this at Nite,” you know who Eddie is what we need.” Remember, Eddie’s Haskell is. He’s Wally’s smooth out there reading these, and he’s looking talking friend, and no matter what for the next new thing to pique his inter- trouble he may have caused, he was est. Recruitment advertising, whether always able to charm his way past online or off, is marketing. To make your Mrs. Cleaver. marketing successful, and attract real tal- ent, you need to create compelling copy. Now before you say, “what does this You need to sell. And you need to give have to do with me,” consider this: There candidates a strong reason to take ac- are a lot of “Eddie Haskell’s” out there… tion…now! Make ads and position de- and they’re trying to get a job with you! scriptions visibly attractive with intrigu- ing titles and graphics that capture the But, were they great interviewees? Some attention of the best candidates. Include CAN YOU SPOT EDDIE? may have been, but many more prob- detailed information about the benefits ably were not. Here’s why: great em- of working for your company, the posi- The problem with Eddie Haskell’s is that ployees don’t change jobs all that often, tive aspects of your corporate culture, they’re hard to spot.
    [Show full text]
  • Classic Tv and Faith: Vii - Leave It to Beaver ‘Red and Yellow, Black and White
    “CLASSIC TV AND FAITH: VII - LEAVE IT TO BEAVER ‘RED AND YELLOW, BLACK AND WHITE . .’” Karen F. Bunnell Elkton United Methodist Church August 19, 2012 Galatians 3:23-29 Luke 19:1-10 Life has been different this week without the Olympics on television. I don’t know about you, but I was glued to the TV for two weeks, watching the action. I don’t want to tell you how many nights I stayed up until midnight watching the competition, and then when my alarm went off at 5:30 a.m., turned it back on again. It was so great to watch how well everyone did. Who will ever forget watching Michael Phelps achieve something no other Olympic athlete has ever done? Or who will forget watching Usain Bolt run - “the fastest man alive”? Or the women’s gymnastics team, or the women’s soccer team, or the young American diver who shocked the diving world by winning the gold medal? It was all just wonderful. But you know what I always find really, really inspiring? It’s the closing ceremonies. No, not the opening ceremonies, although this year’s was exceptional, with the Queen appearing with James Bond and all. But the closing ceremonies are always wonderful for one big reason, in my opinion - that all of the athletes come on to the field in a group - all nations, all athletes, all sports - one great, huge group of humanity. They join together across competitive boundaries, and national boundaries, and ethnic boundaries, and language boundaries - they forget all of that and just revel in joy together at what they’ve experienced at the Games! It is absolutely wonderful, and I truly believe, in my heart of hearts, that it is a portrait of the coming kingdom of God - where all dwell together in harmony, as one.
    [Show full text]
  • AP English Language & Composition HIGHLIGHTED Summer Assignment Packet
    1 AP English Language & Composition HIGHLIGHTED Summer Assignment Packet HIGHLIGHTED Summer Assignment Packet Table of Contents ● Passage #1: Analyzing Diction in “The Declaration of Independence” 5 by Thomas Jefferson 2 ● Passage #2: Analyzing Imagery in “Once More to the Lake” by E.B. White ● Passage #3: Analyzing Detail in “Grant and Lee: A Study in Contrasts” by Bruce Catton ● Passage #4: Analyzing Syntax in “Ain’t I a Woman” by Sojourner Truth ● Passage #5: Analyzing Tone in “I Am Tired of Fighting” by Chief Joseph ● Passage #6: Analyzing Visual Text Using “The Louisville Flood” Margaret Bourke White’s Photograph ● Passage #7: Analyzing Visual Text Using Vintage Advertisements ● Summaries, Worksheets, and Reactions on Summer Reading Books Assignments 1. Read all of the passages found in this packet, and, using Google Classroom, highlight each passage according to the instructions. 2. Then, in Google Classroom, respond to each question or statement using the format provided. 3. You also need to read the two books listed below and write summaries and reactions as directed later in the packet. The books you need to read are: ● Narrative of the Life of Frederick Douglass by Frederick Douglass which can be downloaded at http://www.ibiblio.org/ebooks/Douglass/Narrative/Douglass_Narrative.pdf ● Thank You for Arguing, Revised and Updated Edition, Chapters 1-- 13, by Jay Heinrichs which can be downloaded at http://www.mrpenza.com/uploads/2/1/3/5/21358904/thank-you-for-arguing.pdf 4. Look up all words in this packet for which you do not know the meaning. It is imperative that you build your vocabulary in AP Language.
    [Show full text]
  • 092607 Tv Land Celebrates the 50Th Anniversary of Leave It To
    Contacts: Vanessa Reyes-Smith Rachel Sandler 310-752-8081 212-846-4412 [email protected] [email protected] GEE, WALLY!! TV LAND CELEBRATES THE 50TH ANNIVERSARY OF LEAVE IT TO BEAVER WITH 24 HOUR ON-AIR SALUTE BEGINNING SATURDAY, OCTOBER 6TH Marathon Features Show’s Rarely-Seen 1957 Pilot, “It’s A Small World” TV Land.com Offers Full Streaming Episodes, Exclusive Photos and Sweepstakes New York, NY – September 26, 2007 –- TV Land celebrates the 50th anniversary of one of television’s beloved family sitcoms, Leave It To Beaver, with a 24 hour marathon beginning on October 6th at 8:00PM ET/PT concluding on Sunday, October 7th at 8:00PM ET/PT. The marathon includes the rarely-seen 1957 pilot entitled “It’s a Small World” that features Jerry Mathers as the Theodore “Beaver” Cleaver; Paul Sullivan as Wally and Barbara Billingsley and Max Showalter as the parents June and Ward Cleaver. Additionally, veteran comedic actor Harry Shearer is seen in one of his very first roles as Frankie, a neighborhood tough guy. Leave It To Beaver is one of the first sitcoms to take a look at life from a seven-year old’s point of view. Much to the dismay of his parents, Ward and June, “Beaver” got himself into and out of one childhood jam after another. In addition to the All-American Cleavers, audiences fondly remember the shenanigans of Eddie Haskell who tried hard to sweet talk the adults all the while bullying Beaver and his pals. The show premiered on October 4, 1957 and followed “Beaver” and his brother, Wally through their adolescent years, with the series ending September 12, 1963 with Wally going off to college and “Beaver” starting his teenage years.
    [Show full text]
  • Points-West 1995.09.Pdf
    CaruxoAR oF Evrxrs September - Open 8 am to 8 pm October - Open 8 am to 5 pm November - Open 10 am to 3 pm SEPTEMBER Native American Day school program. Buffalo Bill Art Show public program. Artist Donald "Putt" Putman will speak on "What Motivates the Artist?" 3 pm. Historical Center Coe Auditorium. Cody Country Chamber of Commerce's Buffalo Bill Art Show and Sale. 5 pm. Cody Country Art League, across Sheridan Avenue from the Historical Center. OCTOBER 19th Annual Patrons Ball. Museum closes to the public at 4 pm. Museum Tiaining Workshop. Western Design Conference seminar sessions. Patrons' Children s Wild West Halloween Party. 3-5 pm. Buffalo Bill Celebrity Shootout, Cody Shooting A western costume party with special activities and Complex. Three days of shooting competitions, treats for our younger members. including trap, skeet, sporting clays and silhouette shooting events. NOVEMBER One of One Thousand Societv Members Shootout events. Public program: Seasons of the Buffalo.2 pm. Historical Center Coe Auditorium. 19th Annual Plains Indian Seminar: Art of the Plains - Voices of the Present. Public program: Seasons of the Buffalo.2 pm. Historical Center Coe Auditorium. Public program'. Seasons of the Buffalo.2 pm. Historical I€I{5 is putrlished quiutsly # a ben€{it of membershlp in lhe Bufialo Eiil lfistorical Crnter Fu informatron Center Coe Auditorium. about mmberghip contact Jme Sanderu, Director o{ Membership, Bulfalo Bill'l{istorical Centet 7?0 Shdidan Avenuo, Cody, IAI{ 82414 o1 catl (30fl 58Va77l' *t 255 Buffalo Bill Historical Center closes for the season. Requst Bsmjssion to cqpy, xepdni or disftibuie dticles in ary ftedium ox fomat.
    [Show full text]
  • Mental Muscle “The Hardest Part About This Competition Was Chess Owls Are No
    News From Memphis University School Volume 13, Number 3, May 2011 about what’s going on in your head.” Sorensen had a similar outlook. MENTAL MUSCLE “The hardest part about this competition was CHESS OWLS ARE NO. 2 IN THE STATE playing people better than I am, especially when by Miss Erin Floyd I didn’t have much time to think about my moves,” he said. “Also, it’s challenging to play chess as a The chess teams had all the right moves team-based game because you rely on your other while competing in the Region IV Team teammates to win their games. The team has Qualifying Tournament on March 5. to get two and a half wins out of four to win At the regional level, the varsity team came the round.” in second and the Lower School team came in When it comes to sharpening their skills, fourth. Both teams qualified for the Tennessee members of the chess team agreed that practice MUS MUS State makes perfect. Scholastic “When I first Team Chess learned chess, I Tournament in frequently prac- o n o r q u e 1 8 9 3 H Cookeville on ticed to improve March 26. my skills,” o u n d e d F Because of Sorensen said. e r i t a s V schedule “Tactics become conflicts, the very important.” Lower School Meyer team did not added that skills compete at the he develops state level. The (left to right) Amit Shah, Nathan Vogt, Andy Sorensen, while practicing varsity team Ashish Nathani, and Pete Abston chess aid him in came home everyday life.
    [Show full text]
  • 1 Mark Hamrick
    NATIONAL PRESS CLUB LUNCHEON WITH HARRY SHEARER SUBJECT: MEDIA MYTHS IN MAJOR NEWS COVERAGE MODERATOR: MARK HAMRICK, PRESIDENT, NATIONAL PRESS CLUB LOCATION: NATIONAL PRESS CLUB BALLROOM, WASHINGTON, D.C. TIME: 12:30 P.M. EDT DATE: MONDAY, MARCH 14, 2011 (C) COPYRIGHT 2008, NATIONAL PRESS CLUB, 529 14TH STREET, WASHINGTON, DC - 20045, USA. ALL RIGHTS RESERVED. ANY REPRODUCTION, REDISTRIBUTION OR RETRANSMISSION IS EXPRESSLY PROHIBITED. UNAUTHORIZED REPRODUCTION, REDISTRIBUTION OR RETRANSMISSION CONSTITUTES A MISAPPROPRIATION UNDER APPLICABLE UNFAIR COMPETITION LAW, AND THE NATIONAL PRESS CLUB RESERVES THE RIGHT TO PURSUE ALL REMEDIES AVAILABLE TO IT IN RESPECT TO SUCH MISAPPROPRIATION. FOR INFORMATION ON BECOMING A MEMBER OF THE NATIONAL PRESS CLUB, PLEASE CALL 202-662-7505. MARK HAMRICK: (Sounds gavel.) Good afternoon, and welcome to the National Press Club. I’m Mark Hamrick, I'm a broadcast journalist for the Associated Press, and I'm the 104th president of the National Press Club. We are the world’s leading professional organization for journalists committed to our profession’s future through our programming, events such as this, while fostering a free press worldwide. For more information about the National Press Club, I'd ask you to please visit our website at www.press.org. And to donate to programs offered to the public through our Eric Friedheim National Journalism Library, you could find that information on our website as well. So on behalf of our members worldwide, I'd like to welcome our speaker and those of you attending today’s event. Our head table guests include guests of our speaker, as well as working journalists who are club members.
    [Show full text]
  • American Families: Not Just Leave It to Beaver. PUB DATE 94 NOTE 16P.; Paper Presented at the Kappa Delta Pi Bnnual Association (39Th, Orlando, FL, 1994)
    DOCUMENT RESUME ED 369 103 CS 214 308 AUTHOR Field, Sherry; Labbo, Linda r TITLE American Families: Not Just Leave It to Beaver. PUB DATE 94 NOTE 16p.; Paper presented at the Kappa Delta Pi Bnnual Association (39th, Orlando, FL, 1994). PUB TYPE Speeches/Conference Papers (150) -- Reference Materials. Bibliographies (131) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Annotated Bibliographies; *Childrens Literature; Class Activities; *Cultural Differences; Elementary Education; *Family Characteristics; Family Structure; Literature Appreciation; Multicultural Education; Reading Material Selection IDENTIFIERS Trade Books ABSTRACT This paper provides an annotated bibliography of sets of multicultural, family-related literature and suggests ways that teachers may build a sense of personal and global community in their classrooms as cultural differences are read about, discussed, and celebrated. The paper first gives a rationale for studying nontraditional, multicultural families. The paper then presents a 57-item annotated bibliography of books published between 1967 and 1993, divided into sections on grandparents; elderly friends and extended family; dealing with death; homelessness; a new baby; divorce/absent parent; growing and changing; interracial families; and siblings. The paper also offers ideas for clasroom discussions and activities that extend literature study. (RS) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. ***********************************************************************
    [Show full text]
  • Torrance Press
    8-2 Tele-Visions BY THORTON KANE Last ww»k NEC devoted 90 minutes to proving tbat magazines and television don't mix, and, incidentally, that Henry Luce can't act. This may be comforting to many of us who are glad to discover there is something Mr. Luce can't do, hut "25 Years of Life" was wasted air time-as far as entertainment was concerned. The show, widely touted as a brilliant review oL the You can become an "over­ past 25 years as recorded in Life, had a most impressive night success" in Hollywood, cast. Among the players were Bob Hope, Sid Caesar, Peggy all right, but if the mop flops Cass, Fredric March and some top-flight singing and danc­ the wrong way you become ing groups, plus a closing song fe.st starring Mary Martin. an "overnight hasbeen," too. Hope's opening monologue was funny, Sid Caesar and Ask Dick Davalos. Peggy Cass made the best of two inferior skits designed Dick started acting when to contrast family life today with that of 1936. Fredric he was'five, worked his way March did a good job of narration of Life still photos and up through school produc­ Mary Martin's solo and her duet with Hope were pleasant tions, became a .dancer, fin­ to the ear. ally got his break in pictures, Unfortunately, throughout the show, Henry Luce, the rising to the role of Jimmy man behind Life, Time and Fortune, kept intruding into Dean's brother in "East of the proceedings. In every instance, he managed to put a Eden." damper on any hilarity the professional performers had A few more picture suc­ been able to produce.
    [Show full text]