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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Piano Recital Prize and Arnold Schoenberg
1 Welcome to Summer 2015 at the RNCM As Summer 2015 approaches, the RNCM Our orchestral concerts are some of our most prepares for one of its most monumental concerts colourful ones, and more fairytales come to life to date. This is an historic moment for the College with Kodaly’s Hary Janos and Bartók’s Miraculous and I am honoured and thrilled to be welcoming Mandarin as well as with an RNCM Family Day, Krzysztof Penderecki to conduct the UK première where we join forces with MMU’s Manchester of his magnificent Seven Gates of Jerusalem Children’s Book Festival to bring together a feast at The Bridgewater Hall in June. This will be of music and stories for all ages with puppetry, the apex of our celebration of Polish music, story-telling, live music and more. RNCM Youth very kindly supported by the Adam Mickiewicz Perform is back on stage with Bernstein’s award- Institute, as part of the Polska Music programme. winning musical On the Town, and our Day of Song brings the world of Cabaret to life. In a merging of soundworlds, we create an ever-changing kaleidoscope of performances, We present music from around the world with presenting one of our broadest programmes to Taiko Meantime Drumming, Taraf de Haïdouks, date. Starting with saxophone legend David Tango Siempre, fado singer Gisela João and Sanborn, and entering the world of progressive singer songwriters Eddi Reader, Thea Gilmore, fusion with Polar Bear, the jazz programme at Benjamin Clementine, Raghu Dixit, Emily Portman the RNCM collaborates once more with Serious and Mariana Sadovska (aka ‘The Ukranian as well as with the Manchester Jazz Festival to Bjork’). -
Printmakers Presspack
THE PRINTMAKERS “In the old days, this band would have had the words “All-Stars” in their name. Every one of them is a leading figure in British contemporary jazz. Together, they create 10 evocative sound-pictures of places and times. It’s remarkable how just five instruments and voice can suggest space and depth as they do.” Dave Gelly, The Observer The word supergroup is common currency, especially in the rock world. Jazz, of course, has its fair share of supergroups too. Sometimes, one supergroup comes along that really is very special indeed. The Printmakers is such a group. The group formed at the instigation of Steve Mead at The Manchester Jazz Festival several years ago and since then has gone from strength to strength. Award winning Nikki Iles is one of the heroines of British jazz. She has made an invaluable contribution to the jazz scene in this country and beyond, while also making a very personal musical statement in many groups, not least her own superb Anglo-American trio with Rufus Reid and Jeff Williams. Grammy nominated and ECM recording artist Norma Winstone MBE, pioneering innovator of the voice, has been a leading light in European music for many years. She collaborated with Kenny Wheeler and John Taylor in Azimuth, described by Richard Williams as “one of the most imaginatively conceived and delicately balanced of all contemporary chamber jazz groups“. She has also worked with Fred Hersch, Steve Swallow, Jimmy Rowles, Mike Gibbs and Ralph Towner. She has had a resurgence recently, with three superb award winning ECM releases in collaboration with European musicians, Klaus Gesing and Glauco Venier. -
AP ENSEMBLE 4Wk List Extend5
A n d r e w P o p p y PERFORMANCE BIOGRAPHY DISCOGRAPHY WORKS LIST SCORES PRESS CONTACT “Bewitching, beautifully crafted and highly addictive.” The Wire “Gloriously abundant in cascading cycles of notes and noises” The Guardian solo performance at Chelsea Theatre and Lewis Arts Lab 2009 Since the late 70s composer Andrew Poppy has made solo performances and devised different sized ensembles to perform his music. From recent solo club dates at Lewis Arts Lab and a salon in Düsseldorf to the large scale performance installations at Museum of Science & Technology in Paris these events explore different ways of presenting a unique brand of contemporary concert music. As a solo performer he plays piano and keyboards, supported by speaking parts, electronics and video projection. Sustaining Ensemble is the most recent version of work with other musicians which toured UK in the autumn of 2009 Andrew Poppy’s SUSTAINING ENSEMBLE is Andrew Poppy: piano, keyboard, bass guitar and voice Genevieve Wilkins: marimba, vibs, glock and percussion Jez Wiles: vibraphone, glock and percussion Kate Halsall piano and keyboard Martin Langthorne: Lighting Julia Bardsley video Oxford Contemporary Music Oxford Dec 09 performance and CD ‘. a n d t h e S h u f f l e o f T h i n g s ’ is inspired by Francis Bacon’s thoughts about the urge to collect things. Dark ambient grooves, Schubert and the funk, classical piano and some oscillators accompanied by enigmatic stories of lost submarines and the head of Orpheus as a football. Compositions, improvisations and songs without singing. -
The Jazz Rag
THE JAZZ RAG ISSUE 140 SPRING 2016 EARL HINES UK £3.25 CONTENTS EARL HINES A HIGHLY IMPRESSIVE NEW COLLECTION OF THE MUSIC OF THE GREAT JAZZ PIANIST - 7 CDS AND A DVD - ON STORYVILLE RECORDS IS REVIEWED ON PAGE 30. 4 NEWS 7 UPCOMING EVENTS 8 JAZZ RAG CHARTS NEW! CDS AND BOOKS SALES CHARTS 10 BIRMINGHAM-SOLIHULL JAZZ FESTIVALS LINK UP 11 BRINGING JAZZ TO THE MILLIONS JAZZ PHOTOGRAPHS AT BIRMINGHAM'S SUPER-STATION 12 26 AND COUNTING SUBSCRIBE TO THE JAZZ RAG A NEW RECORDING OF AN ESTABLISHED SHOW THE NEXT SIX EDITIONS MAILED 14 NEW BRANCH OF THE JAZZ ARCHIVE DIRECT TO YOUR DOOR FOR ONLY NJA SOUTHEND OPENS £17.50* 16 THE 50 TOP JAZZ SINGERS? Simply send us your name. address and postcode along with your payment and we’ll commence the service from the next issue. SCOTT YANOW COURTS CONTROVERSY OTHER SUBSCRIPTION RATES: EU £20.50 USA, CANADA, AUSTRALIA £24.50 18 JAZZ FESTIVALS Cheques / Postal orders payable to BIG BEAR MUSIC 21 REVIEW SECTION Please send to: LIVE AT SOUTHPORT, CDS AND FILM JAZZ RAG SUBSCRIPTIONS PO BOX 944 | Birmingham | England 32 BEGINNING TO CD LIGHT * to any UK address THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 FESTIVALS IN PERIL Fax: 0121 454 9996 Email: [email protected] In his latest Newsletter Chris Hodgkins, former head of Jazz Services, heads one item, ‘Ealing Jazz Festival under Threat’. He explains that the festival previously ran for eight Web: www.jazzrag.com days with 34 main stage concerts, then goes on: ‘Since outsourcing the management of the festival to a private contractor the Publisher / editor: Jim Simpson sponsorships have ended, admission charges have been introduced and now it is News / features: Ron Simpson proposed to cut the Festival to just two days. -
I Wasn't on Some Campaign to Change the World, I Was a Drummer in A
Contents Masthead The Off 07 Loic maurin Apesanteur [ZERO GRAVITY] 17 The Sum Of The Parts John Maher 28 Dropping Names Don Lombardi 35 Maximum Break Richard Colburn 44 Retirement Bill Bruford 49 Out On A Limb CONTENTS A conversation with Eddie Prevost Issue One, December 2012 57 Rhythm As A Medium Ben Martin 62 Tatsuya Amano クロスフェイス [CROSSFAITH] Subscriptions/Newsletter Editor: Tom Hoare [email protected] Art Director: Luke Douglas [email protected] Web Editor: Andrew Jones Contributors: Ben Martin, Iain Bellamy, Kate Darracott, Flora Hodson, Elspeth Leadbetter, John Maher, Julia Kaye, Jim Bevington Thanks: Tim Wilson, Rew Kubayashi, Ryan Richards, BGM Rhythms, John Williamson, James Walker, Greg & Julia, Alex Sayles, Crystalline Connolley, Papillon Zamprioli, Needham Avenue, Glen Thomson Contact: Editorial: [email protected] Advertising: [email protected] Cover: A preoccupation with time. Reading note: We’ve made this magazine to be readable online, without the need to zoom and MASTHEAD scroll. It looks best when viewed in full screen. Issue One, December 2012 www Copyright © The Drummer’s Journal 2012 The proprietors and contributors to The Drummer’s Journal have asserted their right under the Copyright Designs and Patens Act 1988 to be identified as the owners and authors of this work. THE OFF www welve months ago, the brief conversation which sowed the seeds for The Drummer’s Journal occurred. It was between a good friend and myself. Having dredged out an assorted collection of drum magazines from under my bed, he selected a copy and Tread it cover to cover. He then picked up another and did the same. -
Sid Peacock & Surge
Sid Peacock & Surge Surge is a 16 piece Big Band made up of musicians from folk, world, jazz and classical backgrounds. Our music is exciting,uplifting, kaleidoscopic, disorientating, warm, funny and highly emotional modern big band music! Photo: Russ Escritt youthful vitality not heard since Django Bates and Loose Tubes raised Ronnie Scott’s rafters a generation ago......there’s a spirit of daring “”about the music and moments of real beauty too......truly an orchestral achievement. ***** London Evening Standard www.sidpeacock.com New album “La Fête” available now +44 (0) 7789 933 131 from Peacockangell Records [email protected] www.peacockangell.com Sid Peacock is the son of a shipyard worker, born in Bangor Northern Ireland. His music practice began in his teens playing in rockabilly and garage bands, as well as busking in the London Underground. Whilst working as a library assistant he learnt music theory from books and then went on to study at North Down College, Bretton Hall, Birmingham Conservatoire and Ulster University. “Sid Peacock is already one of the most exciting composers in that difficult-to-define area between jazz, -con temporary music and improv. His original take on big band jazz is the one that predominates and there is always in his music an energy and groove that makes it both accessible and attention holding. One can hear the influence of Django Bates’ writing for Loose Tubes, Delightful Precipice and StoRMChaser, but with other other influences from contemporary composers such as Brian Irvine and an ability to create wild and quirky big band improvisations, Sid Peacock’s is a truly original voice. -
Radio 3 Listings for 7 – 13 May 2011 Page 1 of 10
Radio 3 Listings for 7 – 13 May 2011 Page 1 of 10 SATURDAY 07 MAY 2011 Isabelle Perrin and Ghislaine Petit (harps), Maîtrise de Radio discusses his Danish StoRMChaser project and his recent album France, Denis Dupays (conductor) Beloved Bird. SAT 01:00 Through the Night (b010vy7m) Rarities, archive and classic recordings from Europe. Tonight, 5:49 AM John Shea's selection includes a concert by the Bergen Telemann, Georg Philipp (1681-1767) SAT 17:00 Jazz Record Requests (b010xw3f) Philharmonic Orchestra Concerto in E minor for recorder, transverse flute, strings and Geoffrey Smith presents a selection of listeners' jazz requests. continuo 1:01 AM La Stagione Frankfurt Wagner, Richard (1813-1883) SAT 18:00 Opera on 3 (b010xw7h) Overture to "The Flying Dutchman" 6:03 AM Live from the Met Bergen Philharmonic Orchestra, Andrew Litton (conductor) Pejacevic, Dora (1885-1923) Life of Flowers (Op.19) Strauss's Ariadne auf Naxos 1:12 AM Ida Gamulin (piano) Tchaikovsky, Pyotr Il'yich (1840-1893) Strauss's Ariadne auf Naxos Concerto for piano and orchestra no. 1 (Op. 23) in B flat minor 6:23 AM Live from the New York Metropolitan Opera Stephen Hough (piano), Bergen Philharmonic Orchestra, Britten, Benjamin (1913-1976) Andrew Litton (conductor) 5 Flower Songs In the grand house of an 18th century nobleman preparations Camerata Chamber Choir, Michael Bojesen (conductor) are underway for the performance of a serious new opera, 1:44 AM Ariadne auf Naxos, to be followed by an Italian comic opera. Rimsky-Korsakov, Nikolay (1844-1908) 6:34 AM But due to a mix up with the timings, the performers are told Sheherazade - symphonic suite (Op.35); Bruch, Max (1838-1920) that both operas are going to have to be performed at the same Bergen Philharmonic Orchestra, Dmitri Kitajenko (conductor) Violin Concerto No.2 in D minor (Op.44) time. -
Sid Peacock & Surge
Sid Peacock & Surge Surge is a 16 piece Big Band made up of musicians from folk, world, jazz and classi- cal backgrounds. Our music is exciting, uplifting, kaleido- scopic, disorientating, warm, funny and highly emotional modern big band music! Photo: Russ Escritt youthful vitality not heard since Django Bates and Loose Tubes raised Ronnie Scott’s rafters a generation ago......there’s a spirit of daring “”about the music and moments of real beauty too......truly an orchestral achievement. ***** London Evening Standard www.sidpeacock.com New album “La Fête” available now +44 (0) 7789 933 131 from Peacockangell Records [email protected] www.peacockangell.com Sid Peacock is the son of a shipyard worker, born in Bangor Northern Ireland. His music practice began in his teens playing in rockabilly and garage bands, as well as busking in the London Underground. Whilst working as a library assistant he learnt music theory from books and then went on to study at North Down College, Bretton Hall, Birmingham Conservatoire and Ulster University. “Sid Peacock is already one of the most exciting composers in that difficult-to-define area between jazz, contemporary music and improv. His original take on big band jazz is the one that predominates and there is always in his music an energy and groove that makes it both accessible and attention holding. One can hear the influence of Django Bates’ writing for Loose Tubes, Delightful Precipice and StoRMChaser, but with other other influences from contemporary composers such as Brian Irvine and an ability to create wild and quirky big band improvisations, Sid Peacock’s is a truly original voice. -
Concerts Thursday 17Th November
C0NCERTS Thursday 17th November Royal Conservatoire of Scotland (RCS) Glasgow Friday 18th November The Blue Lamp, Aberdeen Concerts Thursday 17th November, Royal Conservatoire of Scotland (RCS) Glasgow Friday 18th November, The Blue Lamp, Aberdeen WELCOME TO TONIGHT’S CONCERT BY THE 2016 EURORADIO JAZZ ORCHESTRA It is a great honour to be hosting the 2016 Euroradio Jazz Orchestra. We are particularly thrilled that Tommy Smith, Scotland’s most prominent jazz artist and a leading and prolific educator is such an integral part of this project. The Euroradio Jazz Orchestra is a unique initiative which supports jazz at the highest level. Each player here tonight has been nominated to represent their country by their national broadcaster. We hope that they will enjoy both a profound musical experience and also make lasting friendships as they build on their professional careers. The concert at RCS Glasgow on 17th November will be recorded, and made available for broadcast by EBU radio organizations from 25th November onwards. It will be broadcast on Radio 3’s Jazz Line Up on the10th December 2016. Highlights will also feature on Radio Scotland’s Jazz House. And finally, we are delighted to introduce Alexandra Ridout, the reigning BBC Young Musician of the Year - Jazz Award to our colleagues in Europe to perform Kenny Wheeler’s solo part in the Sweet Sister Suite. Enjoy a unique moment in jazz history tonight! Lindsay Pell Senior Producer, Music BBC Scotland | BBC Radio 3 BBC Broadcasting House 40 Pacific Quay Glasgow G51 1DA Email: [email protected] -
The Final BBC Young Jazz Musician 2020
The Final BBC young jazz musician 2020 The Final The Band – Nikki Yeoh’s Infinitum Nikki Yeoh (piano), Michael Mondesir (bass) and Mark Mondesir (drums) Matt Carmichael Matt Carmichael: Hopeful Morning Saxophone Matt Carmichael: On the Gloaming Shore Matt Carmichael: Sognsvann Deschanel Gordon Kenny Garrett arr. Deschanel Gordon: Haynes Here Piano Deschanel Gordon: Awaiting Thelonious Monk: Round Midnight Alex Clarke Bernice Petkere: Lullaby of the Leaves Saxophone Dave Brubeck: In Your Own Sweet Way Alex Clarke: Before You Arrived INTERVAL Kielan Sheard Kielan Sheard: Worlds Collide Bass Kielan Sheard: Wilfred's Abode Oscar Pettiford: Blues in the Closet Ralph Porrett Billy Strayhorn arr. Ralph Porrett: Lotus Blossom Guitar John Coltrane arr. Ralph Porrett: Giant Steps John Parricelli: Scrim Boudleaux Bryant: Love Hurts JUDGING INTERVAL Xhosa Cole BBC Young Jazz Musician 2018 Saxophone Thelonious Monk: Played Twice Xhosa Cole: George F on my mind Announcement and presentation of BBC Young Jazz Musician 2020 2 BBC young jazz musician 2020 Television YolanDa Brown Double MOBO award winning YolanDa Brown is the premier female saxophonist in the UK, known for delicious fusion of reggae, jazz and soul. Her debut album, “April Showers May Flowers” was no.1 on the jazz charts, her sophomore album released in 2017 “Love Politics War” also went to no.1 in the UK jazz charts. YolanDa has toured with The Temptations, Jools Holland’s Rhythm and Blues Orchestra, Billy Ocean and collaborated with artists such as Snarky Puppy’s Bill Laurance, Kelly Jones from Stereophonics and the Royal Philharmonic Orchestra. A broadcaster too – working across TV and radio, including her eponymous series for CBeebies, "YolanDa’s Band Jam", which recently won the Royal Television Society Awards as Best Children’s Programme. -
NJA British Jazz Timeline with Pics(Rev3) 11.06.19
British Jazz Timeline Pre-1900 – In the beginning The music to become known as ‘jazz’ is generally thought to have been conceived in America during the second half of the nineteenth century by African-Americans who combined their work songs, melodies, spirituals and rhythms with European music and instruments – a process that accelerated after the abolition of slavery in 1865. Black entertainment was already a reality, however, before this evolution had taken place and in 1873 the Fisk Jubilee Singers, an Afro- American a cappella ensemble, came to the UK on a fundraising tour during which they were asked to sing for Queen Victoria. The Fisk Singers were followed into Britain by a wide variety of Afro-American presentations such as minstrel shows and full-scale revues, a pattern that continued into the early twentieth century. [The Fisk Jubilee Singers c1890s © Fisk University] 1900s – The ragtime era Ragtime, a new style of syncopated popular music, was published as sheet music from the late 1890s for dance and theatre orchestras in the USA, and the availability of printed music for the piano (as well as player-piano rolls) encouraged American – and later British – enthusiasts to explore the style for themselves. Early rags like Charles Johnson’s ‘Dill Pickles’ and George Botsford’s ‘Black and White Rag’ were widely performed by parlour-pianists. Ragtime became a principal musical force in American and British popular culture (notably after the publication of Irving Berlin’s popular song ‘Alexander’s Ragtime Band’ in 1911 and the show Hullo, Ragtime! staged at the London Hippodrome the following year) and it was a central influence on the development of jazz.