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Proyecto Iberoamericano De Intercambio Artístico Y Cooperación Cultural Ibero-American Project of Artistic Exchange and Cultural Cooperation

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Proyecto Iberoamericano De Intercambio Artístico Y Cooperación Cultural Ibero-American Project of Artistic Exchange and Cultural Cooperation ibero-american project proyecto iberoamericano of artistic exchange de intercambio artístico and cultural cooperation y cooperación cultural arte sonoro música experimental piezas audiovisuales polipoesía sound art experimental music audiovisual works poly poetry 2007.08.09 proyecto iberoamericano de intercambio artístico y cooperación cultural ibero-american project of artistic exchange and cultural cooperation Directores. Directors Javier Piñango Jorge Haro Gestión. Management Betania Lozano Alma Laprida LIBRO. BOOK Edición y prólogo. Edition and preface Julieta Sepich Autores. Authors Norberto Cambiasso Miguel Álvarez-Fernández Oriol Rossell Pancho Marchiaro Rodrigo Alonso Eduard Escoffet Entrevistas. Interviews Elena Cabrera Traducción. Translation Ingrid Migelson Corrección (inglés). Editing (english) Verónica Gabriela Zuccotti Diseño. Design Estudio Y/O Mónica Pallone Experimentaclub LIMb0 : proyecto iberoamericano de intercambio artístico y cooperación Fotografías. Photos cultural / Norberto Cambiasso ... [et.al.] ; dirigido por Jorge Haro y Javier Fernando Martín de la Hoz, Anki Toner, Jorge Haro, Piñango. - 1a ed. - Betania Lozano, Centro Cultural de España en México, Buenos Aires : Región : Experimentaclub LIMb0, 2010. Bruno Galarza, Jorge Castro, Miguel Fernández Flores, 144 p. + Cd Audio ; 23x17 cm. Julieta Sepich, Jaime Munárriz, Javier Piñango ISBN 978-987-25783-0-5 y Cámen Milla 1. Arte. I. Cambiasso, Norberto II. Haro, Jorge, dir. III. Piñango, Javier, dir. CDD 708 Esta publicación cuenta con el apoyo de la Agencia Española de Cooperación Internacional para el Desarrollo (AECID) © de esta edición, Jorge Haro y Javier Piñango, Marzo 2010. Queda hecho el depósito que establece la Ley 11.723 This book has support of the Spanish Agency of International Development Cooperation (AECID) Impreso en Talleres Trama s.a. en el mes de Abril de 2010, en la Ciudad Autónoma de Buenos Aires. Impreso en Argentina. Printed in Argentine. Esta obra está licenciada bajo una Licencia Atribución-Compartir Obras Derivadas Igual 2.5 Argentina de Creative Commons. Para ver una copia de esta licencia, visite http://experimentaclublimbo.org http://creativecommons.org/licenses/by-sa/2.5/ar o envíenos una carta a Creative http://myspace.com/experimentaclublimb0 Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. 2 / E I O ibero-american project proyecto iberoamericano of artistic exchange de intercambio artístico and cultural cooperation y cooperación cultural arte sonoro música experimental piezas audiovisuales polipoesía sound art experimental music audiovisual works poly poetry E I O / 3 » 01. Presentación del proyecto 7 Project presentation » 02. Entrevistas. Interviews Javier Piñango 12 Jorge Haro 22 Por. By Elena Cabrera » 03. Prólogo. Preface Julieta Sepich 35 » 04. Textos. Tex t s Norberto Cambiasso 43 Miguel Alvarez-Fernández 53 Oriol Rossell 65 Pancho Marchiaro 75 Rodrigo Alonso 87 Eduard Escoffet 95 » 05. Memoria de actividades 103 Record of events 2007. 2008. 2009 » 06. Publicaciones. Releases 113 » 07. Memoria gráfica 115 Graphic memory 2007. 2008. 2009 » 08. CD REGION: Experimentaclub LIMbO » 01. Presentación del proyecto. Project presentation Experimentaclub LIMb0 es un proyecto iberoamericano de intercambio artístico y cooperación cultural en las disciplinas de música electrónica experimental, improvisación, arte sonoro, piezas audiovisuales y polipoesía creado en 2006 por Experimentaclub, con sede en Madrid (España), que entre otras actividades organiza en el centro cultural La Casa Encendida (Obra Social Caja Madrid) el festival internacional de música experimental del mismo nombre, y el área de arte sonoro y música experimental del proyecto LIMb0 (Laboratorio de Investigaciones Multidisciplinarias buenos aires 0), con sede en Buenos Aires (Argentina), desde el que se gestiona el ciclo Conciertos en el LIMb0 del Museo de Arte Moderno de Buenos Aires. Para la creación de este proyecto se tomó en consideración la colaboración entre artistas sonoros, músicos, compositores, realizadores audiovisuales y poetas de España y Argentina. Si bien esto ha permitido un flujo de colaboraciones y el establecimiento de una red de artistas que han enriquecido el panorama de cada país, era necesaria la creación de una plataforma estable de cooperación e intercambio a nivel iberoamericano, con proyección de futuro a medio y largo plazo, que permitiera no sólo la realización de conciertos, performances y recitales sino también la producción de publicaciones conjuntas, workshops, conferencias y trabajos en común, contando para ello con la colaboración de la red de Centros Culturales de la AECID (Agencia Española de Cooperación Internacional para el Desarrollo) y otras instituciones culturales y académicas. El desconocimiento recíproco de las escenas artísticas en ambas geografías y la necesidad de apoyar y promocionar estas disciplinas artísticas eran además dos de las carencias más claras que nos impulsaron al desarrollo de este proyecto, integrando las escenas iberoamericanas en el marco de un programa de cooperación que sirviera de impulso para el desarrollo cultural. E I O / 7 Experimentaclub LIMb0 is an Ibero-American Project aimed at the artistic exchange and cultural cooperation in the disciplines of experimental electronic music, improvisation, sound art and audiovisual pieces. Created in 2006 by Experimentaclub and headquartered in Madrid (Spain), at La Casa Encendida (Caja Madrid Social Security Cultural Center), it hosts activities, such as the namesake International Experimental Music festival, while the LIMb0 project area of sound art and experimental music operates at the Buenos Aires 0 Laboratory of Multidisciplinary Research (Argentina), which is entrusted with the organization of the LIMb0 concerts season held at the Museum of Modern Art. For the purpose of creating this project, sound artists, musicians, composers and poets from Argentina and Spain agreed to collaborate. Although this has allowed a flow of collaboration and the establishment of a network of artists who have enriched the outlook of every country, the set-up of a stable cooperation and exchange platform featuring a mid and long term projection at Ibero-American level was perceived as necessary. Not only did this allow the organization of concerts, performances and recitals but it also eased the production of cooperative publications, workshops, conferences and works achieved through the collaboration of the Cultural Centers AECID (Spanish Agency of International Development Cooperation) network and of other cultural and academic institutions. Two of the most remarkable shortcomings that fuelled our development of this project were the mutual unawareness of the artistic scenes in the Ibero-American geographies and the urge to support and promote these artistic disciplines which eventually resulted in the integration of the Ibero-American scenes within the framework of a cooperation program that would contribute to propelling cultural development. Following the completion of the project initial phase in 2010 (which ran between 2007 and 2009), Experimentaclub LIMb0 has grown to currently encompass the following countries: Argentina, Uruguay, Brazil, Chile, Paraguay, Mexico, Portugal, Colombia, Peru, Ecuador and Spain, thus progressively consolidating its geographical outstretch throughout the Ibero-American context. The time has therefore come for us to take stock of all our achievements. The experience gained shall serve as the cornerstone to enable us to approach the aims to achieve in the years to come. Certainly, this initial cycle has somehow helped us take a picture of the Ibero-American cultural web, both in terms of our concerned artistic disciplines area and beyond, and has allowed us to emphasize the project-related successive lines of action in accordance with each country, city, context and artistic scenario particular features, and this has eventually enabled the promotion of those activities intended to enrich their cultural reality. The outcomes of this mapping have been, on the one hand, the discovery of first-class artists’ works which were virtually unknown in the other geographical areas involved in the exchange scope and, on the other, the creation of a ever-growing network gathering artists, cultural agents, institutions and means of communication, which have both allowed us to establish multi-directional lines of work at geographical as well as at cultural level. Since 2007, we have been therefore working cooperatively with the AECID Centers, as well as with cultural and academic institutions and programmers on both sides of the Atlantic. The European institutions involved are: Instituto Cervantes, Casa de América, Casa Arabe, La Casa Encendida, Medialab-Prado (Ayuntamiento de Madrid), DA2 Salamanca, Archivo de la Corona de Aragón (Barcelona, Ministerio de Cultura), Fine Arts School of UCM, as 8 / E I O En 2010, cumplida la etapa inicial del proyecto (2007-2009), Experimentaclub LIMb0 abarca los siguientes países: Argentina, Uruguay, Brasil, Chile, Paraguay, México, Portugal, Colombia, Perú, Ecuador y España consolidando progresivamente la ampliación geográfica dentro del ámbito iberoamericano. Es tiempo pues de hacer un balance de lo hecho y, a partir de la experiencia acumulada, abordar los objetivos por alcanzar en los próximos años. De alguna manera, este primer ciclo ha servido para radiografiar el tejido cultural iberoamericano, tanto en lo concerniente al ámbito de las disciplinas artísticas que nos
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