Lollardy” and Medieval Culture
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The Mayor and Early Lollard Dissemination
University of Central Florida STARS HIM 1990-2015 2012 The mayor and early Lollard dissemination Angel Gomez University of Central Florida Part of the Medieval History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses1990-2015 University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by STARS. It has been accepted for inclusion in HIM 1990-2015 by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Gomez, Angel, "The mayor and early Lollard dissemination" (2012). HIM 1990-2015. 1774. https://stars.library.ucf.edu/honorstheses1990-2015/1774 THE MAYOR AND EARLY LOLLARD DISSEMINATION by ANGEL GOMEZ A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in History in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term 2012 Thesis Chair: Dr. Emily Graham Abstract During the fourteenth century in England there began a movement referred to as Lollardy. Throughout history, Lollardy has been viewed as a precursor to the Protestant Reformation. There has been a long ongoing debate among scholars trying to identify the extent of Lollard beliefs among the English. Attempting to identify who was a Lollard has often led historians to look at the trial records of those accused of being Lollards. One aspect overlooked in these studies is the role civic authorities, like the mayor of a town, played in the heresy trials of suspected Lollards. -
Religious Forms and Institutions in Piers Plowman
This essay appeared in The Cambridge Companion to Piers Plowman, edited by Andrew Cole and Andy Galloway (Cambridge: Cambridge University Press, 2013), 97-116 Religious Forms and Institutions in Piers Plowman James Simpson KEY WORDS: William Langland, Piers Plowman, selfhood and institutions; late medieval religious institutions ABSTRACT Which comes first: institutions or selves? Liberal democracies operate as if selves preceded institutions. By and large, pre-Reformation culture places the institution before the self. The self, and particularly the conscience as the source of deepest ethical and spiritual counsel, is intimately shaped, by the institution of the Church. This shaping is both ethical and spiritual; by no means least, it ensures the soul’s salvation, though administering the sacraments especially of baptism, penance, and the Eucharist. The conscience is not a lonely entity in such an institutional culture. It is, rather, the portable voice of accumulated, communal history and wisdom: it is, as the word itself suggests, a ‘con-scientia’, a ‘knowing with’. These tensions generate the extraordinary and conflicted account of self and institution in Langland’s Piers Plowman. 1 Religious Forms and Institutions in Piers Plowman Which comes first: institutions or selves? Liberal democracies operate as if selves preceded institutions, since electors choose their institutional representatives, who themselves vote to shape institutions. Liberal ideology, indeed, traces its genealogy back to heroic moments of the lonely, fully-formed conscience standing up against the might of institutions; those heroes (Luther is the most obvious example) are lionized precisely because they are said to have established the grounds of choice: every individual will be able to choose, in freedom, his or her institutional affiliation for him or herself. -
Wyclif and Lollardy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@University of Nebraska University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications, Classics and Religious Studies Department Classics and Religious Studies 2001 Wyclif and Lollardy Stephen E. Lahey University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/classicsfacpub Part of the Classics Commons Lahey, Stephen E., "Wyclif and Lollardy" (2001). Faculty Publications, Classics and Religious Studies Department. 82. https://digitalcommons.unl.edu/classicsfacpub/82 This Article is brought to you for free and open access by the Classics and Religious Studies at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications, Classics and Religious Studies Department by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in The Medieval Theologians, edited by G. R. Evans (Blackwell, 2001), pp. 334-354. Copyright © 2001 Blackwell Publishers. Used by permission. Wyclif and Lollardy Stephen Lahey John Wyclif’s place in the history of Christian ideas varies according to the historian’s interest. As scholastic theology, Wyclif’s thought appears an heretical epilogue to the glories of the systematic innovations of the thirteenth century. Historians of the Prot- estantism, on the other hand, characterize him as a pioneer, the “Morning Star of the Reformation,” acknowledging -
The First Part of Sir John Oldcastle
(the un iversity or a bic ag o FOUNDID BY J OH N D. ROCKEFELLEB T H E FIRS T PA RT OF SIR JOH N OLDCA STLE A H IS TORICAL DRAM A BY MICH ON , TH Y M H THW Y AND AN ON A A , ROBERT WILSON E E DIT D WITH AN IN TROD UCTION , CRITICAL TEXT . AND NOTES A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF ARTS AND LITERATURE OF THE UNIVERS ITY OF CHICAGO IN CAN DIDACY FO R T H E D E G RE E O F DOCTOR OF PHILOSOPHY (DEPARTM EN T OF ENGLIS H ) JOHN ROBERTSON M ACARTHUR J J J J J CHICAGO S C T T F RES M AND C M P Y O , O AN O AN 1 907 E L! CONTENTS ACKNOWLEDGM ENTS HIS TORY OF T H E TEXT AND ITS EDIT IONS ’ Recor ds in Henslowe . Records in the Stationers Re r . E i s : B . R giste d tion A , , C , D , etc elations of ° A B . r E i . r , , C , D Othe d tions The Second Pa t of Sir John Oldcastle . SOURCES AND GROWT H OF T H E PLAY ' The Rea l Sir John Oldcastle . Immediate Sources — h Holinshed . Causes w ich led to the Wr iting of Sir John Oldcastle : Oldcastle and Falsta ff ; Influence of r r r s Foxe ; G owth of the Oldcastle Sto y in two fo m , Catholic and Protestant ; Wr iting of Sir John Old ’ cas tle ; Wee ver s Poem ; Influence of Henry IV and V ’ — on Oldcastle ; Influence of Peele s Edward I Rela ’ tions in detail ; Relation to Gr eene s Pin ner of Wake R rr E field ; elation to the Me y Devil of dmonton . -
CHOATE-DOCUMENT-2020.Pdf
Copyright Evan Choate 2020 ABSTRACT Fictional Texts, Imaginary Performances, and Historiographic Desire in Renaissance England by Evan Choate This dissertation explores how and why we care about history. I argue that our investment in the past is inseparable from the ways we represent it. Historiographic desire both animates and is animated by a continuous performance of historical proliferation that we experience as exhaustion, frustration, boredom, paranoia, and disappointment. Far from blunting history’s appeal, these affects mark the depth of our investment in it. To understand the dynamics of history as vertiginous webs of fictional texts and imaginary performances, I look to the radical innovations in methodology that emerged from the crucible of the English Reformation, which are too often understudied in the context of literary historicism. By attending the reciprocal evolution of drama and historiography over the course of the sixteenth century, I provide a novel account of the productive tensions among history, desire, and subjectivity that persist to this day. The theater was fundamental to the way Protestant historians such as John Foxe encountered the past. For Foxe, the renewable presence of performance and the duality of theatrical representation provided the basic structure for understanding how and why the past mattered. Theater provided a means of reconciling the objectivity that Foxe wanted from history and his awareness of the inherent subjectivity of actually producing history. Foxe’s influential recentering of history as a mode of experiencing the present was iv essential to the emergence of the commercial theater in London, which produced plays with a level of characterological sophistication and depth unlike anywhere else in sixteenth-century Europe. -
The Enactment of Religious Conversion in Medieval and Early Modern European Saint Plays
Transformed Within, Transformed Without: The Enactment of Religious Conversion in Medieval and Early Modern European Saint Plays Emily Ciavarella Kuntz Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 Emily Ciavarella Kuntz All Rights Reserved Abstract Transformed Within, Transformed Without: The Enactment of Religious Conversion in Medieval and Early Modern European Saint Plays Emily Ciavarella Kuntz My dissertation investigates the ways in which both medieval and early modern saint plays depict and incite religious conversion through self-aware theatrical techniques. In each of my chapters, I examine one or two popular saint plays from a given period and area (medieval England, medieval France, early modern Spain, and early modern England) and show how each play invites the audience to undergo a spiritual shift parallel to that of the saint protagonist. These playmakers harnessed the affective power and technology of theatrical performance to invite the audience to engage with performed religious conversion in a controlled, celebratory environment and to encourage them to convert toward a more deeply felt Christianity. The plays reconfigured the audience’s sensory and intellectual understanding of Christian theology in order for the audience to recognize spiritual truth within an inherently communal, participatory, and performative space. The plays I examine depend on the audience’s familiarity with theatrical culture and practice in order to distinguish between sincere and insincere religious performance. By making the process of conversion a theatrical performance onstage, these plays could advocate for the theatrical medium as a genuine and effective catalyst for spiritual renewal. -
1 Heretical Self-Defence in the Middle Ages
Heretical Self-Defence in the Middle Ages: Text, Law, Subterfuge, Flight and Arms University of Nottingham Abstracts Session 1: Late-antique and early-medieval Models ‘North African Donatism: Fighting against the heretical assimilation’ Carles Buenecasa Perez, University of Barcelona Donatism was nothing but a schism, and its theology was not so different from Catholicism. That’s why, in Africa, Donatism was widely widespread. Catholic bishops decided that, demonstrating to the emperors that Donatism was an heresy, they could impose on Donatists the strict legislation against heretics. Augustine of Hippo has played a significant role in this process, and the arguments he used were multiple. First of all, the bishop of Hippo developed thelogical and ecclesiological concepts, like the uselessness of the baptism given by those who are out of the Church, the lack of theological fundament for rebaptism, etc. Equally, he carried out a deep historical research to remind the Donatists the origins of their own schism (several lies behind the election of Cecilianus, the innocence of Felix of Abthugni...), and to denounce Donatists’s violences (the rupture of ecclesiastical unity, circoncellions’s assassinations...). Then, once Catholic bishops had proved the heretical condition of Donatism, imperial power could promulgate several edicts for its repression from 405. Donatists felt very mistreated by their opponents so they reacted in many and diverse ways. The only problem is that most of our sources are the Catholic ones, so there are not too much objectives. Augustine insists in the fact that the main Donatist reaction was violence agaisnt catholics, but can we really admit this? ‘Gottschalk of Orbais: the quest for Gottschalk’s models’ Bojana Radovanović, Austrian Academy of Sciences, Institut für Mittelalterforschung ‘Heretical self-defence in the Pseudo-Dionysius’ Alan P. -
Style: Figuring Subjectivity in 'Piers Plowman C' and 'The Parson's Tale' and 'Retraction': Authorial Insertion and Identity Poetics 04/05/2006 09:03 AM
Style: Figuring subjectivity in 'Piers Plowman C' and 'The Parson's Tale' and 'Retraction': authorial insertion and identity poetics 04/05/2006 09:03 AM FindArticles > Style > Fall, 1997 > Article > Print friendly Figuring subjectivity in 'Piers Plowman C' and 'The Parson's Tale' and 'Retraction': authorial insertion and identity poetics Daniel F. Pigg For some time, scholars and readers of Chaucer have pondered his knowledge about one of the major poets of his day: William Langland. Readers may typically find statements in scholarly discourse such as "We can now scarcely avoid considering the probability of Chaucer's having actually seen a copy of Piers Plowman in the interval between its first publication (c. 1370) and the beginnings of the Tales at least ten years later" (Bennett 321). Given internal evidence in the fifth passus of the C text - if we are willing to accept any connection between Langland's "autobiographical" confession/apologia and the writer - and documentary evidence of the historical Chaucer, we must assume that each poet was in London for at least a short time. Hypotheses about Chaucer's reading have always been at the forefront of scholarly debate. No one, however, has been about to demonstrate absolutely that Chaucer had knowledge of Piers Plowman. In her closing remarks at the 1994 New Chaucer Society meeting in Dublin, Ireland, Anne Middleton challenged those present to "trouble Chaucer's silences." The present attempt to "trouble the silence" relates to the growth and development of major poetic projects: the C text of Piers Plowman (likely written in the 1380s) and the "final" shape of the Canterbury Tales. -
Sir John Oldcastle Downloaded From
484 July Sir John Oldcastle Downloaded from INCE the early days of the English Reformation Sir John S Oldcastle has held a high place in the traditions of his country. Two of the chief advocates of protestantism, seeking edification in the history of their Lollard predecessors, published accounts of http://ehr.oxfordjournals.org/ his Bufferings; and his renown, proclaimed by Tyndale's work,1 and doubtless increased by the issue of Bale's Bre/e Chronyclc* grew higher and higher till he came to be regarded as a, national heTo. Early in the reign of Elixabeth, however, Foxe had to defend his eulogy of Oldcastle against the criticism of a Roman catholic historian ; and a generation or so later the Lollard advocates broke a lance with the dramatist*, whose traditions made Oldcastle fl. roystering buffoon. The sympathies of the ascendant at University of Manitoba on August 31, 2015 party were on Foxe's side; his reply succeeded in silencing hiB opponent, and Shakespeare was driven to change the surname of a famous character from Oldcastle to Falstaff.1 Oldcastle'a fame has been kept alive down to modern times by fresh editions of old works and the publication of new ones. He has been associated with Wycliffe, HUB, and Latimer as one of the heroes of the Reformation,4 and with "W»t Tyler and John Ball as a ' popular leader' of the middle ages;' and in the hands of one writer the lAf* and Time$ of Lord Cobham have been made to fill two sub- 1 This nrk, which tu poMbhwl in 1AM, U unfortunately lori. -
Sir John Oldcastle and the Construction of Shakespeare's
SEL38 (1998) ISSN 0039-3657 SirJohn Oldcastle and the Construction of Shakespeare's Authorship DOUGLAS A. BROOKS Let vs returne vnto the Bench againe, And there examine further of this fray. -SirJohn Oldcastle, I.i.124-5 A decade ago the editors of the Oxford William Shakespeare: The CompleteWorks replaced the name of the character called Falstaff in Henry IVPart Iwith a hypothetically earlier version of the character's name, Sir John Oldcastle. The restoration of Oldcastle to the Oxford edition makes it the first authoritative text to undo an alteration which, as scholars have long suspected, Shakespeare himself must have made sometime between a non-extant 1596 performance text and the 1598 quarto of the play. The resulting scholarly debate over this editorial decision has touched on a number of significant issues linked to the authority and authenticity of "Shakespearean" texts, and it has raised important questions about how these texts were shaped by the material, religious, and political conditions in which they were produced.l In the case of HenryIVPart I, crit- ics have struggled to reconstruct how an early version of the text with Oldcastle as the protagonist of the unworthy knight plot might have placed the play and its author in a complicated Douglas A. Brooks recently completed his Ph.D. at Columbia University, and is assistant professor of Shakespeare and Renaissance Drama at Texas A&M University. He is currently working on a book about early modern dramatic authorship and print. 334 SIR JOHN OLDCASTLE position between an individual's reputation and a nation's. -
Dawn of the Reformation Vol 1
THE DAWN OF THE REFORMATION BY HERBERT B. WORKMAN, MA. VOL. I THE AGE OF WYCLIF London: CHARLES H. KELLY 2, CASTLE ST., CITY RD.; AND 26, PATERNOSTER ROW, E.C. 1901 OCR and formatting by William H. Gross www.onthewing.org Nov 2016 Page breaks have been adjusted for readability (widow/orphan) PREFACE I HAVE entitled this little work The Dawn of the Reformation. My purpose is to trace the various influences and forces both within and without the Church, which produced the great revolution of the sixteenth century. At what hour" dawn" begins is always a matter of dispute, and depends largely on local circumstances. But one thing is certain. A new day has begun long before the average worker has commenced his toil. So with the Reformation. The study of its causes cannot commence with Erasmus or Savonarola; its methods and results were to some extent settled for it in the century before Luther or Cranmer. My narrow limits have compelled me to omit many things of interest, and to compress into a few lines others which demanded as many pages. viii PREFACE I have constantly realised that to write a small history is more difficult than to write one of larger margins. In what I have included, as well as in what I have omitted, the understanding of the Reformation and its causes has alone had weight. If it be objected that I have given a disproportionate space to Wyclif, or made him bulk larger than he did in his own day, I must plead that his life has scarcely received the attention it deserves. -
Hacettepe University Faculty of Letters Department of English Language and Literature Course Syllabus
Hacettepe University Faculty of Letters Department of English Language and Literature Course Syllabus Title of the Course IED 151 (03) Introduction to Britain I Year and Term 2017-2018 Autumn Class Hours Mondays – 9.00-12.00 Classroom B8-B03 Office Hours Mondays – 13.30-15.30 & Tuesdays – 9.30-11.30 E-Mail [email protected] / [email protected] I. Course Objective: The aim of the course is to make a survey of Britain and British literature in its historical context. In line with this, the historical evolution of British society and literature from the early ages to the 17th century will be explored through the study of major social, political, and historical developments together with their reflections in the works of literature dating from the mentioned period. II. Course Outline (based on three classes per week): Week I (25 Sep.) General Introduction: Geography, Nationalities (England, Scotland, Wales, Northern Ireland), Ethnic Minorities Week II (02 Oct.) Early Britain - The Social and Cultural History of British Society in the Early Middle Ages: The Celts, the Romans, Asterix in Britain (1986) Week III (9 Oct.) The Saxons, Christianity, Paganism, the Vikings, Vicky the Viking (2009) Week IV (16 Oct.) The Outline of Medieval Literature - Major Literary Works: Beowulf, The Dream of the Rood, The Battle of Maldon Week V (23 Oct.) Midterm I Week VI (30 Oct.) England in the Middle Ages: The Norman Conquest, Feudalism, The Mists of Avalon (2001) Week VII (06 Nov.) The Government, Political Developments (Magna Carta), the Church,