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Larry Sidor Oral History Interview, November 6, 2015 Title “From Olympia to Deschutes to Crux: A Brewer's Life” Date November 6, 2015 Location Valley Library, Oregon State University. Summary In the interview, Sidor discusses his family background and rural upbringing in La Grande, Oregon, commenting on his father's activities as an OSU Extension Agent, his own boyhood interests in mechanical work, and the life histories of his mother and his siblings. From there, Sidor recounts his undergraduate years at Oregon State University, noting his switch in majors from Mechanical Engineering to Food Science, and commenting on the curriculum then available to undergraduates in the Food Science department. Sidor likewise reflects on the research that he conducted while a student and, in particular, his interest in winemaking during that time. From there, Sidor details the circumstances by which he declined a handful of job opportunities in the wine industry, opted instead to travel for a year in Europe, and began considering a career in brewing as a result of his experiences in Germany. He then traces his first connection with the Olympia Brewing Company; outlines his advancement within the company from packing quality control technician, to assistant brewmaster, to operations manager; shares his perspective on the brewing culture then prevalent at Olympia; and speaks of the connections that he made with hop growers in Washington and Oregon. Sidor next provides an overview of his years working at the S.S. Steiner company, shares his memories of the rise of microbreweries in the 1980s and 1990s, and reflects on the relationships that Steiner maintained with agricultural scientists at OSU. -
Training Video #1 - How Married Couples Learn to Be Sponsors/Mentors
Training Video #1 - How married couples learn to be sponsors/mentors. If you are a marriage educator, adapt these ideas to your situation. INTRODUCTION THE VIDEO and ADDITIONAL RESOURCES WHAT IS A "SPONSOR COUPLE" AND WHAT DO THEY DO? HOW DO YOU KNOW WHETHER YOU CAN DO THIS? THE DESIGN OF THE PROGRAM PREPARING YOURSELVES…BEFORE YOU MEET WITH AN ENGAGED COUPLE LEARNING TO USE EACH OTHER’S STRENGTHS DECIDING WHERE TO MEET MINIMIZING DISTRACTIONS SNACKS & BREAKS PRAYER DEALING WITH QUESTIONS SCHEDULING THE SESSIONS FIRST SESSION THE FOUR RULES INTRODUCING THE CANDLE AND PRAYER DIALGOGUE / DISCUSSION WITH THE ENGAGED COUPLE DEALING WITH UNEXPECTED CHALLENGES RESOURCES A TYPICAL SESSION WITH THE ENGAGED FOLLOW UP CONCLUSION OF VIDEO ONE INTRODUCTION [TRAINER: So, if you are here today because you think have the “perfect marriage,” I would say that you are the one couple I would encourage to find another ministry. You need to be a “normally nutty” couple to able to help those just beginning the journey of Christian marriage. While these books (For Better and For Ever) provide really good information, it is your own life experience through the good times and terrible times of marriage that will help engaged couples learn to survive and grow as married couples. People getting married today are scared that they might not be successful. It does not help them to meet “the perfect couple.” They need to know that normal “nutty” couples …like them…can survive the challenges of marriage. ] NARRATOR: Welcome to the ministry of marriage preparation. · The task of the church is to teach people how to live the gospel of Jesus. -
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The crew visits the lush FOREST MOON OF GRENLYND and find that shrinking down just makes bigger problems. DAR pulls a PLECK. A marriage is consummated. [Dramatic science-fiction music plays, like the text crawl at the beginning of Star Wars] NARRATOR: The period of civil war has ended. The rebels have defeated the evil Galactic Monarchy and established the harmonious Federated Alliance. Now, ambassador Pleck Decksetter and his intrepid crew travel the farthest reaches of the galaxy to explore astounding new worlds, discover their heroic destinies, and meet weird bug creatures and stuff. This is [echoing] Mission to Zyxx! [Music becomes more dramatic and trumpet-y, then fades away] PLECK: Hey, Dar? DAR: Yeah, what’s up? PLECK: Um-- [quietly] Can I ask you, like, a personal question? DAR: No. PLECK: Okay. [pause] Hey, C-53? C-53: [whirrs as if turning to face Pleck] Yes? PLECK: What species is Dar? C-53: Ambassador Decksetter, I believe you just asked Dar whether you could ask her a personal question. PLECK: [very quietly] You don’t need-- you can just keep quiet-- C-53: And she responded in the negative. PLECK: Okay. That’s-- yep. C-53: I would feel I was invading her privacy to reveal that information. PLECK: Okay, yeah. No, we don’t need to talk-- I get that now. We don’t need to talk-- I was just curious. C-53: Very well. PLECK: [clears throat] Hey, Bargie? BARGIE: No. PLECK: [laughs] No, I’m not gonna-- I would not-- I get it, we’re not, I’m-- C-53: [moderately amused] But were you about to ask? PLECK: That doesn’t-- that’s irrelevant at this point. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 1345736 Musicals often demonstrate the cultural aspects of the periods in which they were written Dowd, James M., M.A. The American University, 1991 Copyright ©1991 by Dowd, James M. -
Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager ............................................................. -
Desperate Housewives a Lot Goes on in the Strange Neighborhood of Wisteria Lane
Desperate Housewives A lot goes on in the strange neighborhood of Wisteria Lane. Sneak into the lives of five women: Susan, a single mother; Lynette, a woman desperately trying to b alance family and career; Gabrielle, an exmodel who has everything but a good m arriage; Bree, a perfect housewife with an imperfect relationship and Edie Britt , a real estate agent with a rocking love life. These are the famous five of Des perate Housewives, a primetime TV show. Get an insight into these popular charac ters with these Desperate Housewives quotes. Susan Yeah, well, my heart wants to hurt you, but I'm able to control myself! How would you feel if I used your child support payments for plastic surgery? Every time we went out for pizza you could have said, "Hey, I once killed a man. " Okay, yes I am closer to your father than I have been in the past, the bitter ha tred has now settled to a respectful disgust. Lynette Please hear me out this is important. Today I have a chance to join the human rac e for a few hours there are actual adults waiting for me with margaritas. Loo k, I'm in a dress, I have makeup on. We didn't exactly forget. It's just usually when the hostess dies, the party is off. And I love you because you find ways to compliment me when you could just say, " I told you so." Gabrielle I want a sexy little convertible! And I want to buy one, right now! Why are all rich men such jerks? The way I see it is that good friends support each other after something bad has happened, great friends act as if nothing has happened. -
Cornell Alumni Magazine, NY, and Additional Mail C/O Public Affairs Records, 130 East Seneca St., Suite 400, Ithaca, NY 14850-4353
c1-c4CAMjf11 12/16/10 10:18 AM Page c1 January | February 2011 $6.00 Alumni Corne Magazine Ghost World Photos Bridge Ithaca’s Past and Present cornellalumnimagazine.com c1-c4CAMjf11 12/16/10 10:18 AM Page c2 001-001CAMjf11toc 12/17/10 10:35 AM Page 1 January / February 2011 Volume 113 Number 4 In This Issue Corne Alumni Magazine 4 2 From David Skorton Money matters 4 The Big Picture A big blow-up 6 Correspondence Suicide prevention 9 Letter from Ithaca Shirt off their backs 10 From the Hill Oh, the humanities! 14 Sports Wrestle mania 17 Authors It’s all right 24 Summer Programs and Sports Camps 20 40 Wines of the Finger Lakes Swedish Hill Cynthia Marie Port 54 Classifieds & Cornellians in Business 55 Alma Matters 58 Class Notes 95 Alumni Deaths 48 96 Cornelliana 42 Through a Glass, Darkly Conserving a conservatory? FRANKLIN CRAWFORD Urban renewal was kinder to Ithaca than to some Upstate cities, but over the past cen- Currents tury many stately buildings have still been lost—from Ezra Cornell’s Free Circulating Library to Alonzo Cornell’s mansion to the grand old Strand Theatre. In a series of photos recently exhibited at the History Center of Tompkins County, former visiting professor Mark Iwinski captures the ghostly images of bygone structures superimposed 20 Flour Power over what stands in their place. Often, it isn’t pretty. Milling the old-fashioned way Starry Nights 48 Vegging In Cosmic storyteller BETH SAULNIER Eat Different Promoting a plant-based diet When the Moosewood Restaurant served its first meal thirty-eight years ago this month, the owners were still trying to figure out how to run the steam table (and the entrée Learning Curve was two hours late). -
Community Consolidated School District 46
Community Consolidated School District 46 Park School Campus/East & West 400 West Townline Road • Round Lake • Illinois • 60073 Phone 847.201.7010 Fax 847.201.1971 Craig Keer, Principal Vince Murray, Assistant Principal June 3, 2011 Dear Park School Parents and Guardians, We have two very exciting announcements in this week’s Wolf Pack Press of the school 2010-2011 school year. First, we are absolutely thrilled to announce that Mr. Matt Melamed will be the next principal of Park School Campus. Mr. Melamed was part of the Park School design team that helped open Park School Campus in 2007 and has a thorough understanding of the vision, commitment, and community of our neighborhood school. Mr. Melamed previously served as Park School Campus History Teacher and Activities Director from 2007 to 2009. Since 2009, Mr. Melamed has served as District 46’s Curriculum Coordinator where he has overseen the successful adoption of our new K-8 math curriculum, led the district’s K-8th Grade Curriculum Coordinating Council, and has been in charge of the district’s professional development plan. We are looking forward to an extended transition time and are confident that Mr. Melamed will be an outstanding leader of Park School for many years to come. We are also pleased to announce that Park School Campus is the recipient of The Blue Ribbon Lighthouse Award for 2011. Staff, students and parents were surveyed on nine essential components of effective schools and members of the Blue Ribbon team participated in a site visit. Strengths and areas for continuous improvement were outlined and addressed leading to Park School Campus meeting or exceeding the criteria of all nine categories. -
Ihanrhrslpr Hrralji ANSWER: “ Keogh” Is the Popular Name for Wall, As We Labored to Complete Our 5500-Cs Last Year
■ r ,i r sc.-i ' j ; i ; w — herald. Monday. Jan. 13, 1986 U .S ./W O R L D SPORTS BUSINESS King’s widow Men at temple Huskies AWOL dedicates exhibit turn the tables against Wildcats Business Yes, Keogh plans are still around ... page 4 ... page 13 ... page 17 That form came into being because of a provision in In Brief QUESTION: You often write about “ Keogh plans” the Tax Elquity and Fiscal Responsibility Act, which and I note that investment firms include “ Keoghs” in was passed by Congress. The form ’s exact shape and R«March laads to new Job their literature and seminars. wording were prepared by the various Washington A relative who works for a bank maintains that bureaucrats, who evidently delight in excess verbiage FARMINGTON — The work of a researcher for Investors’ Keoghs are no more. She says they have been and complex calculations. the University of Connecticut Health Center has replaced by “ parities.” I have yet to see that word In Form SSOO-C replaced Form 5500-K last year. You led to a new company that will help him market Guide print, anyplace, although Keoghs are often menti filed a 5500-C in 1985. You must file a Form 5500-R in an adhesive be developed for broken bones, teeth oned. My relative claims a bank officer and her William A. Doyle 1986 and 1987. Then, the cycle begins again — one year and muscles. accountant agree that Keoghs no longer exist. J. Herbert Waite, an assistant professor in the with C and two years with R. -
Desperate Housewives
Desperate Housewives Titre original Desperate Housewives Autres titres francophones Beautés désespérées Genre Comédie dramatique Créateur(s) Marc Cherry Musique Steve Jablonsky, Danny Elfman (2 épisodes) Pays d’origine États-Unis Chaîne d’origine ABC Nombre de saisons 5 Nombre d’épisodes 108 Durée 42 minutes Diffusion d’origine 3 octobre 2004 – en production (arrêt prévu en 2013)1 Desperate Housewives ou Beautés désespérées2 (Desperate Housewives en version originale) est un feuilleton télévisé américain créé par Charles Pratt Jr. et Marc Cherry et diffusé depuis le 3 octobre 2004 sur le réseau ABC. En Europe, le feuilleton est diffusé depuis le 8 septembre 2005 sur Canal+ (France), le 19 mai sur TSR1 (Suisse) et le 23 mai 2006 sur M6. En Belgique, la première saison a été diffusée à partir de novembre 2005 sur RTL-TVI puis BeTV a repris la série en proposant les épisodes inédits en avant-première (et avec quelques mois d'avance sur RTL-TVI saison 2, premier épisode le 12 novembre 2006). Depuis, les diffusions se suivent sur chaque chaîne francophone, (cf chaque saison pour voir les différentes diffusions : Liste des épisodes de Desperate Housewives). 1 Desperate Housewives jusqu'en 2013 ! 2La traduction littérale aurait pu être Ménagères désespérées ou littéralement Épouses au foyer désespérées. Synopsis Ce feuilleton met en scène le quotidien mouvementé de plusieurs femmes (parfois gagnées par le bovarysme). Susan Mayer, Lynette Scavo, Bree Van De Kamp, Gabrielle Solis, Edie Britt et depuis la Saison 4, Katherine Mayfair vivent dans la même ville Fairview, dans la rue Wisteria Lane. À travers le nom de cette ville se dégage le stéréotype parfaitement reconnaissable des banlieues proprettes des grandes villes américaines (celles des quartiers résidentiels des wasp ou de la middle class). -
Determining Stephen Sondheim's
“I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS BY ©2011 PETER CHARLES LANDIS PURIN Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chairperson Dr. Scott Murphy ___________________________ Dr. Deron McGee ___________________________ Dr. Paul Laird ___________________________ Dr. John Staniunas ___________________________ Dr. William Everett Date Defended: August 29, 2011 ii The Dissertation Committee for PETER PURIN Certifies that this is the approved version of the following dissertation: “I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS ___________________________ Chairperson Dr. Scott Murphy Date approved: August 29, 2011 iii Abstract This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as surveyed through his fourteen musicals that have appeared on Broadway. The analysis begins with dramatic concerns, where musico-dramatic intensity analysis graphs show the relationship between music and drama, and how one may affect the interpretation of events in the other. These graphs also show hierarchical recursion in both music and drama. The focus of the analysis then switches to how Sondheim uses traditional accompaniment schemata, but also stretches the schemata into patterns that are distinctly of his voice; particularly in the use of the waltz in four, developing accompaniment, and emerging meter. Sondheim shows his harmonic voice in how he juxtaposes treble and bass lines, creating diagonal dissonances. -
Woodbridge, 1$
Four Page Coked 20 Pages Today Comic Section Three Sections I,. XIII, No. 15. WOODBRIDGE, 1$. J., FRIDAY, JINK 19, PRICE THREE CENTS Track Gave Out In Fatally Crushed Transmission Of Woodbridge Girl Driving Rods Break By Mack Truck Photos Explained Race Here Sunday Recces Degree Qn Speeding Engine William Donnelly Of Rowland To Rotary Members MUs Elisabeth KausU Award-• \_ ** ** n rayed Planking Crumbles Under Wheels — Races Stopped Place Dies Soon After Being ed Bachelor Of Science In locomotive Traveling Sixty Miles An Hour, Pulling Atlantic Often To Repair Track — Bad Break Ends Day's Pro- Injured On St. George Ave- W. C. Bettinson, Of N. J. Belt Physical Education Degree City Expreu When Drivers On Both Side* Let £o In Port gram In Middle Of Final Event — Carpenters Do Patch nue. Telephone Company, Give* At Ithaca College. Reading — Traffic Tied Up More Than An Hour — No Jobs While Driver* Wi Fine Talk. One Injured. William Donnelly, aged 26 years, Elizabeth Kaus of this place upon, Woodbridge board speedway, Sunday did not expose the spectators of 184 Rowland place, was crushed satisfactory completion of the re-1 Train No. 22(1 onthe Central rail- to a point just beyond the Carteret about the body Wednesday shortly W. C. Bettinson, a special repre- ..for repairs" since May 10to danger since they (the breaks) all sentative of the New Jersey Bell quired work received a Bachelor of'wad, an Atlantic' ^ City^ express,,was road crossini g and almoslt t oppositite UUu as fatally injured, occurred in sections near or at thebefore noon when he stepped off the Port Reading station before It was curb on St.