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Production Notes
A Film by John Madden Production Notes Synopsis Even the best secret agents carry a debt from a past mission. Rachel Singer must now face up to hers… Filmed on location in Tel Aviv, the U.K., and Budapest, the espionage thriller The Debt is directed by Academy Award nominee John Madden (Shakespeare in Love). The screenplay, by Matthew Vaughn & Jane Goldman and Peter Straughan, is adapted from the 2007 Israeli film Ha-Hov [The Debt]. At the 2011 Beaune International Thriller Film Festival, The Debt was honoured with the Special Police [Jury] Prize. The story begins in 1997, as shocking news reaches retired Mossad secret agents Rachel (played by Academy Award winner Helen Mirren) and Stephan (two-time Academy Award nominee Tom Wilkinson) about their former colleague David (Ciarán Hinds of the upcoming Tinker, Tailor, Soldier, Spy). All three have been venerated for decades by Israel because of the secret mission that they embarked on for their country back in 1965-1966, when the trio (portrayed, respectively, by Jessica Chastain [The Tree of Life, The Help], Marton Csokas [The Lord of the Rings, Dream House], and Sam Worthington [Avatar, Clash of the Titans]) tracked down Nazi war criminal Dieter Vogel (Jesper Christensen of Casino Royale and Quantum of Solace), the feared Surgeon of Birkenau, in East Berlin. While Rachel found herself grappling with romantic feelings during the mission, the net around Vogel was tightened by using her as bait. At great risk, and at considerable personal cost, the team’s mission was accomplished – or was it? The suspense builds in and across two different time periods, with startling action and surprising revelations that compel Rachel to take matters into her own hands. -
Brian Tufano BSC Resume
BRIAN TUFANO BSC - Director of Photography FEATURE FILM CREDITS Special Jury Prize for Outstanding Contribution To British Film and Television - British Independent Film Awards 2002 Award for Outstanding Contribution To Film and Television - BAFTA 2001 EVERYWHERE AND NOWHERE Director: Menhaj Huda. Starring Art Malik, Amber Rose Revah, Adam Deacon, Producers: Menhaj Huda, Sam Tromans and Stella Nwimo. Stealth Films. ADULTHOOD Director: Noel Clarke Starring Noel Clarke, Adam Deacon, Red Mandrell, Producers: George Isaac, Damian Jones And Scarlett Johnson Limelight MY ZINC BED Director: Anthony Page Starring Uma Thurman, Jonathan Pryce, and Producer: Tracy Scofield Paddy Considine Rainmark Films/HBO I COULD NEVER BE YOUR WOMAN Director: Amy Heckerling Starring Michelle Pfeiffer and Paul Rudd Producer: Philippa Martinez, Scott Rudin Paramount Pictures KIDULTHOOD Director: Menhaj Huda Starring Aml Ameen, Adam Deacon Producer: Tim Cole Red Mandrell and Jamie Winstone Stealth Films/Cipher Films ONCE UPON A TIME IN Director: Shane Meadows THE MIDLANDS Producer: Andrea Calderwood Starring Robert Carlyle, Rhys Ifans, Kathy Burke. Ricky Tomlinson and Shirley Henderson Slate Films / Film Four LAST ORDERS Director: Fred Schepisi Starring: Michael Caine, Bob Hoskins, Producers: Rachel Wood, Elizabeth Robinson Tom Courtenay, Helen Mirren, Ray Winstone Scala Productions LATE NIGHT SHOPPING Director: Saul Metzstein Luke De Woolfson, James Lance, Kate Ashfield, Producer: Angus Lamont. Enzo Cilenti andShauna MacDonald Film Four Intl / Ideal World Films BILLY ELLIOT Director: Steven Daldry Julie Walters, Gary Lewis, Jamie Draven and Jamie Bell Producers: Jon Finn and Gregg Brenman. Working Title Films/Tiger Aspect Pictures BBC/Arts Council Film. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] BRIAN TUFANO BSC - Director of Photography WOMEN TALKING DIRTY Director: Coky Giedroyc Helena Bonham-Carter, Gina McKee Producers: David Furnish and Polly Steele James Purefoy, Jimmy Nesbitt, Richard Wilson Petunia Productions. -
God's Own Country Is Francis’ First Feature Film Project
GOD’S OWN COUNTRY A film by Francis Lee UK • 104 min. • 2017 OFFICIAL SELECTION: Sundance Film Festival 2017 Berlin International Film Festival 2017 San Francisco International Film Festival 2017 Provincetown International Film Festival 2017 Outfest Los Angeles 2017 (Opening Night) Distribution Contacts: Samuel Goldwyn Films Ryan Boring, [email protected] New York Publicity Contacts: Cinetic Marketing Ryan Werner, [email protected] Courtney Ott, [email protected] Bingham Bryant, [email protected] God’s Own Country Production Notes Logline Francis Lee’s feature film debut is a contemporary tale of self-discovery and emotional-awakening set on the sheep farming hills of rural England. Synopsis Johnny Saxby works long hours in brutal isolation on his family’s remote farm in the north of England. He numbs the daily frustration of his lonely existence with nightly binge-drinking at the local pub and casual sex. When a handsome Romanian migrant worker arrives to take up temporary work on the family farm, Johnny suddenly finds himself having to deal with emotions he has never felt before. An intense relationship forms between the two which could change Johnny’s life forever. Long Synopsis Spring. Yorkshire. Johnny Saxby (24) carries the weight of his family’s dilapidating sheep farm alone. His formidable grandmother Deirdre (70) is now too old to work the land, whilst his father Martin (50), once a capable farmer, struggles in the aftermath of a stroke. Socially and geographically isolated and overwhelmed by the responsibility, yet too proud to accept any help, Johnny numbs his frustration with drink, dope and casual sex. -
Brett Turnbull - Director of Photography Tel: +44 7796 953 837
Brett Turnbull - Director of Photography tel: +44 7796 953 837 . email: [email protected] website: www.brett-turnbull.com Selected credits Music videos Coldplay “Life in Technicolor II” Dizzee Rascal “Dreams” (CAD award winner 2005 “Best Effects Video”) The Streets “Fit But You Know It” (CAD award winner 2005 “Best Video”) Will Young “Who Am I” Klonherz “ Three Girl Rhumba” Dir: Dougal Wilson Prod: Colonel Blimp / Blink Travis “Re-Offender” Dir: Anton Corbijn Prod: State U2 “Magnificent” (special effects DOP) Kaiser Chiefs “Good Day Bad Days” Dir: Alex Courtes Prod: Partizan Bryan Adams “you’ve Been a Friend to Me” Dir: Bryan Adams Prod: Cheese The Ordinary Boys “Boys Will be Boys” “Life Will be the Death of Me” Dir: Andy Hylton Prod: Exposure The Feeling “Fill My Little World” Dir: Jon Riche Prod: Therapy The Enemy “We’ll Live and Die in These Towns” Dir: Barnaby Roper Prod: Flynn Paul Weller “Wishing on a Star” “From the Floorboards Up” ”Brushed” Dir: Lawrence Watson Prod: Medialab / Get Shorty Robbie Williams “No Regrets” (2nd unit DOP) Dir: Pedro Romanyi Prod: Oil Factory Enya “Trains and Winter Rains” Dir: Rob O’Connor Prod: Stylorouge Calvin Harris “Acceptable in the ‘80’s” Dir: Woof Wan Bau Prod: Nexus Placebo “Every Me Every You” Dir: Matthew Amos Prod: Red Star Urban Species “Woman” Todd Terry “ Something Going On” “It’s Over Love” “Ready For a New Day” Incognito “Nights Over Egypt” Dir: Brett Turnbull Prod: Medialab Live music David Gray “Live at the Apollo” Coldplay “Live in Vancouver” Dir: Hamish Hamilton Prod: Done -
Made in Britain: Warp Films at 10
13/14 Made in Britain: Warp Films at 10 A 10th Anniversary celebration at BFI Southbank In spring last year BFI Southbank launched Made in Britain, an annual exploration of contemporary British Cinema. In April the strand returns with a selection of the most ground- breaking titles from Warp Films, as we celebrate this seminal production companyǯ ͳͲ anniversary. Warp Films have in their way defined a decade and are helping to shape the future of British cinema, offering the opportunity for highly original and exciting talent to make films that might otherwise be overlooked. BAFTA-winning films such as the This is England (2006), Four Lions (2010) and Tyrannosaur (2011) will all feature, but the season will launch with what promises to be a truly awesome event when ǯ (2004), directed by Shane Meadows, will screen with a live music accompaniment Ȃ featuring musicians from UNKLE and Clayhill plus Jah Wobble - at the Queen Elizabeth Hall on Friday 29 March. There will also be a Warp Films Shorts Programme, including work by Lynne Ramsay, Chris Cunningham and Paddy Considine plus a BUG: Warp Records Special, followed by an aftershow in benugo with Warp DJs hitting the decks. To complement this amazing showcase there will be an exhibition of newly designed Warp Film posters, by Sheffield-based artist Pete McKee, displayed exclusively in The Atrium at BFI Southbank. Warp Films have been at the heart of a new wave of filmmaking in the UK and have provided a platform for fresh, radical ideas and emerging talent from film and TV. -
Presseheft (Pdf)
Tyrannosaur – Eine Liebesgeschichte Ein Film von Paddy Considine Startdatum Deutschschweiz: 29. März 2012 Drama, Grossbritannien 2011, 89 Min, farbig, Sprache: Englisch, UT: Deutsch cineworx gmbh ⋄ clarastrasse 48 ⋄ CH-4005 Basel ⋄ +41 61 261 63 70 ⋄ [email protected] ⋄ www.cineworx.ch Inhaltsverzeichnis Besetzung & Stab 2 Synopsis 3 Entstehungsgeschichte 3 Die Protagonisten und der Regisseur über den Film 6 Biographie des Regisseurs 9 Biographie der Schauspieler 10 Peter Mullan als Joseph 10 Olivia Colman als Hannah 11 Eddie Marsan als James 12 Pressestimmen 13 Festivals und Auszeichnungen 14 2 Besetzung & Stab Besetzung Joseph Peter Mullan Hannah Olivia Colman James Eddie Marsan Bod Paul Popplewell Tommy Ned Dennehy Samuel Samuel Bottomley Marie Sally Carman Kelly (Samuel's Mum) Sian Breckin Terry Paul Conway Lee Lee Rufford Jack Robin Butler Postamtangestellter Archie Lal Frau im Charity Shop Fiona Carnegie Mann im Pub Piers Mettrick Stab Drehbuch & Regie Paddy Considine Kamera Erik Alexander Wilson Schnitt Pia Di Ciaula Ton Chris Sheedy Casting Des Hamilton Kostümbild Lance Milligan Maske Nadia Stacey Szenenbild Simon Rogers Musik Dan Baker Chris Baldwin Sound Designer Ben Squires Produzent Diarmid Scrimshaw Ausführende Produzenten Peter Carlton Mark Herbert Katherine Butler Hugo Heppell Suzanne Alizart Will Clarke cineworx gmbh 2 Synopsis Joseph hat sich selbst in einer Spirale aus Alkohol und sinnloser Gewalt verloren. In einem Mo- ment existentieller Krise sucht er in Hannahs Laden Zuflucht. Es scheint, als könnte sie der ret- tende Engel für ihn sein. Hannah nähert sich Joseph mit einer zarten, unaufdringlichen Einfühl- samkeit, die ihm so schon lange keiner mehr entgegengebracht hat. Doch hinter ihrer bürgerli- chen Fassade tut sich ein unerwarteter Abgrund auf.. -
Blood Moon Directed by Dori Baltzo
www.cine-city.co.uk ADVENTURES IN WORLD CINEMA The Brighton Film Festival 11-27 NOV 2016 DUKE OF YORK’S WELCOME OPENING NIGHT FRI 11 NOV / 6:30PM / 11:15PM TH TO THE 14 DIR: BEN WHEATLEY. WITH: SHARLTO COPLEY, ARMIE HAMMER, BRIE LARSON, EDITION OF CILLIAN MURPHY, JACK REYNOR, SAM RILEY, NOAH TAYLOR. CINECITY UK 2016. 90 MINS. Ben Wheatley (Sightseers, A Field in www.cine-city.co.uk England) follows hot-on-the-heels of his last feature High-Rise with this all guns blazing action thriller, shot CINECITY presents the very best in world on location in a warehouse outside cinema with a global mix of premieres Brighton. and previews, treasures from the archive, Set in America in 1978, Justine (Brie artists’ and live cinema, a showcase of Larson) has arranged a deal on behalf films made in this city and a programme of two Irishmen (Cillian Murphy, of talks and education events. The festival ADVENTURES IN Michael Smiley) to buy a stash of guns from gangsters Vernon (Sharlto Copley) gives you first sight of highly anticipated and Ord (Armie Hammer) but then titles ahead of release and highlights there’s a misunderstanding and shots many others brought to Brighton from WORLD CINEMA FREE are fired… The standout cast have great fun with this shoot-em-up and around the world for one-off screenings. The Brighton Film Festival 11-27 NOV 2016 the playful script’s wry dialogue as the manic standoff escalates to a bloody FIRE game of survival. The main festival cinemas are the Duke of is probably the most international line-up to York’s Picturehouse and Duke’s at Komedia date and presents a host of award-winning To help you see but screenings and events take place right films. -
Alan S Traquair
M: +44 (0) 7973 344 683 E: [email protected] S: alburger7 Alan S Traquair Producer / LINE producer / agency producer Commercials Title production company/Agency Director You tube ‘more than just viewers’ pulse films/amv bbdo nick jack davies ICELAND AIR ‘ 90 MINUTES’ BURGER/BROOKLYN BROTHERS HARVEY EATON BECEL ‘ WHAT?’ BURGER/MULLEN LOWE TIM JAMES-BROWN VIVO ‘MY WAY’ BURGER/VAGABOND/NOMADS’ LAND PEDRO BECKER SAP ‘WHO’S THE BLUE’ BURGER/MOMENTUM GUNDEEP ANAND WORCESTER BOSCH ‘CATS’ BURGER/COME THE GLORIOUS DAY MATT HUNTLEY POLAROID ‘BACK’ BURGER/COME THE GLORIOUS DAY CHRIS ULLENS SADIA ‘JAMIE OLIVER TRANSLATOR’ BURGER/VAGABOND/ALICE FILMES FELIPE MANSUR THREE MOBILE ‘FREE TO ROAM’ BURGER/GRAVITY ROAD MATT HUNTLEY AIRBNB ‘BROUGHT TO YOU BY’ BURGER/AIRBNB STEPHAN HILPERT BLUE DRAGON ‘KEEP EXPLORING’ BURGER/RECIPE ALEXANDER HAINES TOYOTA ‘C-HR X JBL’ BURGER/SAATCHI & SAATCHI ALEXANDER HAINES HAIG CLUB ‘FATHER’S DAY’ BURGER/MULLEN LOWE ALEXANDER HAINES KIA ‘CATCH’ BURGER/INNOCEAN JESS SCOTT-HUNTER INSPIRING WOMEN ‘REDRAW’ BURGER/MULLEN LOWE MATT HUNTLEY aMAYSIM ‘THE HOFF’ BURGER/SPECIAL GROUP AUSTRALIA MATT HUNTLEY One a Day ‘Morning Jog’ Sweetshop LA/Energy BBDO BEN QUINN Lysol ‘Musical Healthing’ Sweetshop LA/HAVAS Worldwide BEN QUINN Dove ‘Baby’ Sweetshop/Ogilvy BEN QUINN Barclays ‘Digital Eagles’ Pulse/BBH FRED & NICK Dementia ‘Friends’ Pulse/DLKW Lowe MAT WHITECROSS Adidas ‘Genealogy’ MPCC/Adidas JOHN SUNTER Esurance ‘Day Off’ MPCC/Leo Burnett USA RYAN KNOWLES Adidas ‘Away Days’ Sweetshop/We Are Social NOAH CONOPASK IG Group ‘Switched -
Paddy Considine
Tyrannosaur : Paddy Considine Autor(en): Rall, Veronika Objekttyp: Article Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 54 (2012) Heft 321 PDF erstellt am: 25.09.2021 Persistenter Link: http://doi.org/10.5169/seals-863652 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch FILMBULLETIN 2.12 IMEU IM KINO TYRANNOSAUR Paddy Considine Manche Kritiken neigen dazu, den eine Zuflucht wie für Joseph, die christliche ein Bierglas in die Runde starrt, wie er zu den filmischen Gestus nachzuvollziehen - sie Barmherzigkeit nur ein dürftiges Gewand für Nachbarn hinüberblickt. Eine andere Facette schwärmen von schwärmerischen Produktionen, die Gewalt, die sie zuhause von ihrem zeigt Olivia Coleman in der Rolle der Hannah, sie beschreiben deskriptive und Ehemann erfährt. -
Bruce Brothers Win Start up of the Year Road Trip of A
Old Stoic Society Committee President: Sir Richard Branson (Cobham/Lyttelton 68) Vice President: THE MAGAZINE FOR OLD STOICS Dr Anthony Wallersteiner (Headmaster) Chairman: Jonathon Hall (Bruce 79) Issue 6 Vice Chair: Hannah Durden (Nugent 01) Director: Anna Semler (Nugent 05) Treasurer: Peter Comber (Grenville 70) Members: Paul Burgess (Cobham 89) Tim Hart (Chandos 92) Jonathan Keating (Conham 73) Katie Lamb (Lyttelton 06) Ben Mercer (Development Director) Phoebe English (Nugent 04) is causing Nigel Milne (Chandos 68) waves with her de-constructed fashion. Simon Shneerson (Temple 72) Jules Walker (Lyttelton 82) ROAD TRIP OF A LIFETIME Mike Andrews (Chatham 57) relives an epic 43,500 mile journey. BRUCE BROTHERS WIN START UP OF THE YEAR Charlie (Bruce 07) and Harry Thuillier (Bruce 04) win the Guardian’s start up of the Year for their healthy Ice Cream, Oppo. Old Stoic Society Stowe School Stowe Buckingham MK18 5EH United Kingdom Telephone: +44 (0) 1280 818349 Email: [email protected] www.oldstoic.co.uk www.facebook.com/OldStoicSociety ISSN 2052-5494 Design and production: MCC Design, mccdesign.com Photographer, Chloe Newman. OLD STOIC DAY Saturday 17 September 2016 THE MAGAZINE FOR OLD STOICS Issue 6 FEATURES 4 HIGH-CONCEPT FASHION 24 TREASURES OF A SPIRITUAL AGE Phoebe English (Nugent 04) is causing Richard Temple (Temple 55) built waves with her de-constructed fashion. a career around his love of icons. 12 ROAD TRIP OF A LIFETIME 65 THE VIEW FROM NEPAL Mike Andrews (Chatham 57) relives an Marcus Cotton (Chatham 82) epic 43,500 mile journey. writes about the aftermath of the earthquakes in Nepal. -
Brett Turnbull - Director of Photography Tel: +44 7796 953 837
Brett Turnbull - Director of Photography tel: +44 7796 953 837 . email: [email protected] website: www.brett-turnbull.com Selected credits Music videos Coldplay “Life in Technicolor II” Dizzee Rascal “Dreams” (CAD award winner 2005 “Best Effects Video”) The Streets “Fit But You Know It” (CAD award winner 2005 “Best Video”) Will Young “Who Am I” Klonherz “ Three Girl Rhumba” Dir: Dougal Wilson Prod: Colonel Blimp / Blink Travis “Re-Offender” Dir: Anton Corbijn Prod: State U2 “Magnificent” (special effects DOP) Kaiser Chiefs “Good Day Bad Days” Dir: Alex Courtes Prod: Partizan Bryan Adams “You’ve Been a Friend to Me” Dir: Bryan Adams Prod: Cheese The Ordinary Boys “Boys Will be Boys” “Life Will be the Death of Me” Dir: Andy Hylton Prod: Exposure The Feeling “Fill My Little World” Dir: Jon Riche Prod: Therapy The Enemy “We’ll Live and Die in These Towns” Dir: Barnaby Roper Prod: Flynn Paul Weller “Wishing on a Star” “From the Floorboards Up” ”Brushed” Tiffany Page “On Your Head” Dir: Lawrence Watson Prod: Medialab, CCLab, Get Shorty Robbie Williams “No Regrets” (2nd unit DOP) Dir: Pedro Romanyi Prod: Oil Factory Phil Collins “Heatwave” Donkeyboy “Ambitions” Dir: Brett Sullivan Prod: Steam Motion Enya “Trains and Winter Rains” Dir: Rob O’Connor Prod: Stylorouge Calvin Harris “Acceptable in the ‘80’s” Dir: Woof Wan Bau Prod: Nexus Placebo “Every Me Every You” Dir: Matthew Amos Prod: Red Star Urban Species “Woman” Todd Terry “ Something Going On” “It’s Over Love” “Ready For a New Day” Incognito “Nights Over Egypt” Dir: Brett Turnbull -
The Beatles: Eight Days a Week – the Touring Years
1 THE BEATLES: EIGHT DAYS A WEEK – THE TOURING YEARS Release Dates U.S. Theatrical Release September 16 SVOD September 17 U.K., France and Germany (September 15). Australia and New Zealand (September 16) Japan (September 22) www.thebeatleseightdaysaweek.com #thebeatleseightdaysaweek Official Twitter handle: @thebeatles Facebook: facebook.com/thebeatles YouTube: youtube.com/thebeatles Official Beatles website: www.thebeatles.com PREFACE One of the prospects that drew Ron Howard to this famous story was the opportunity to give a whole new generation of people an insightful glimpse at what happened to launch this extraordinary phenomenon. One generation – the baby boomers - had a chance to grow up with The Beatles, and their children perhaps only know them vicariously through their parents. As the decades have passed The Beatles are still as popular as ever across all these years, even though many of the details of this story have become blurred. We may assume that all Beatles’ fans know the macro-facts about the group. The truth is, however, only a small fraction are familiar with the ins and outs of the story, and of course, each new generation learns about The Beatles first and foremost, from their music. So, this film is a chance to reintroduce a seminal moment in the history of culture, and to use the distance of time, to give us the chance to think about “the how and the why” this happened as it did. So, while this film has a lot of fascinating new material and research, first and foremost, it is a film for those who were “not there”, especially the millennials.