download carter v album free Lil Wayne: 'Tha Carter V' Album Stream & Download - Listen Now! After years of delays, the 36-year-old rapper released his highly-anticipated Tha Carter V album. it’s been over seven years since Wayne released his last album – Tha Carter IV – and fans have been patiently waiting for the latest album to drop. “I’m very much a perfectionist. I don’t know what it’s setting me up for — some big comeback, or maybe some big fall back or whatever — but it’s setting me up for something, and I’m ready,” Wayne told Billboard earlier this month. You can download Wayne ‘s new album off of iTunes here. Stream & Download Lil Wayne’s Final Studio Album Tha Carter V. It’s been more than 6 years since Lil Wayne announced to everyone that Tha Carter V is coming out “Sometime Next Year.” But after a very long six years – it seems that Tha Carter V is actually here and ready to be listened to. According to Weezy – Tha Carter 5 might very well be his final full-length album – and if that’s the case then soak it in. Whether you are a Weezy stan, or just know his radio hits it is undeniable that he has been an integral name in the hip-hop community. Whether he chooses to hang them up or keep going, let’s just appreciate that we finally have it. Tha Carter V includes some incredible features by Kendrick Lamar, Travis Scott, and even Post Malone, which was reported to be a last minute feature. Check out the album in its entirety below. We can finally say it again. It’s Weezy Season. ALBUM: Lil Wayne – Tha Carter V (Deluxe) (10 Tracks) 1. Life of Mr. Carter 2. Holy 3. More to the Story (feat. Raekwon) 4. Scottie 5. F Him Good 6. Siri (feat. 2 Chainz) 7. Lost 8. In This House (feat. Gucci Mane) 9. What About Me (feat. Post Malone) 10. Hasta La Vista. DOWNLOAD ZIP MP3 (HexUpload) DOWNLOAD ZIP MP3 (Dbree) DOWNLOAD ZIP MP3 (wi.to) Leave a Comment Cancel reply. 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It is mandatory to procure user consent prior to running these cookies on your website. Tha Carter V. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at 17.99€ "Still the motherfuckin' best rapper a-live," Lil Wayne offhandedly declares on "Dope New Gospel," a coasting track on which the unmistakable MC also insists that he's irreplaceable, even in death. Claiming supremacy while considering mortality has long been as natural as walking while chewing gum for Dwayne Carter, but there's a greater, grimmer sense across the long-anticipated Carter V that life is just a moment. Wayne's mother sets the tone with a spoken intro that verges on eulogistic, and through her tears somehow leaves the impression that even she is ever so slightly exasperated about the setbacks and protracted delays that plagued the fifth Carter after her son publicized its imminence in 2012. A multitude of personal and professional obstacles, occasionally poignant featured appearances, and mixtapes and intervening albums of diminishing quality, were packed into the six years that passed since the fifth Carter volume was promised. The series finale nonetheless arrives with an undue weight of expectation -- its maker already has a proven and immense catalog that includes ten Top Ten solo LPs -- and has some burdensome qualities itself. Almost 90 minutes in length, it's pieced together with material recorded from years to weeks ahead of release, and one cut goes back to resemble an early-2000s crossover bid, from its smoothly melodic Mannie Fresh production to its Ashanti hook. A greater portion forms a sluggish, indistinct mass. Moreover, Wayne is often in a mode of mechanical recklessness, dropping to the lowest point on "Open Safe," a felonious fantasy wherein the protagonist boasts of coaxing information from a woman by "stick[ing] her hands in the fan blades." Derogatory terms fly there and elsewhere, contradicting Wayne's proclamation of growth, whether he was referring to artistic or human development. Alternately, there are touching rhymes regarding parenthood, and the moments of romantic heartache and inner conflict -- especially the cathartic last verse of "Let It All Work Out," concerning his attempted childhood suicide -- have instant and lasting resonance. He's also still inspired enough to match wits with Kendrick Lamar (on the suspenseful, bewildering "Mona Lisa") and dash off cunning wordplay like "You a roughneck, I'm a cutthroat" (over a Swizz Beatz recycling of the Ez Elpee news-flash beat he joked about disliking the first time he used it). For all the excess and buildup, this exhibits Wayne on an upswing, lucid and invigorated. © Andy Kellman /TiVo. Tha Carter V. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £15.99. "Still the motherfuckin' best rapper a-live," Lil Wayne offhandedly declares on "Dope New Gospel," a coasting track on which the unmistakable MC also insists that he's irreplaceable, even in death. Claiming supremacy while considering mortality has long been as natural as walking while chewing gum for Dwayne Carter, but there's a greater, grimmer sense across the long-anticipated Carter V that life is just a moment. Wayne's mother sets the tone with a spoken intro that verges on eulogistic, and through her tears somehow leaves the impression that even she is ever so slightly exasperated about the setbacks and protracted delays that plagued the fifth Carter after her son publicized its imminence in 2012. A multitude of personal and professional obstacles, occasionally poignant featured appearances, and mixtapes and intervening albums of diminishing quality, were packed into the six years that passed since the fifth Carter volume was promised. The series finale nonetheless arrives with an undue weight of expectation -- its maker already has a proven and immense catalog that includes ten Top Ten solo LPs -- and has some burdensome qualities itself. Almost 90 minutes in length, it's pieced together with material recorded from years to weeks ahead of release, and one cut goes back to resemble an early-2000s crossover bid, from its smoothly melodic Mannie Fresh production to its Ashanti hook. A greater portion forms a sluggish, indistinct mass. Moreover, Wayne is often in a mode of mechanical recklessness, dropping to the lowest point on "Open Safe," a felonious fantasy wherein the protagonist boasts of coaxing information from a woman by "stick[ing] her hands in the fan blades." Derogatory terms fly there and elsewhere, contradicting Wayne's proclamation of growth, whether he was referring to artistic or human development. Alternately, there are touching rhymes regarding parenthood, and the moments of romantic heartache and inner conflict -- especially the cathartic last verse of "Let It All Work Out," concerning his attempted childhood suicide -- have instant and lasting resonance. He's also still inspired enough to match wits with Kendrick Lamar (on the suspenseful, bewildering "Mona Lisa") and dash off cunning wordplay like "You a roughneck, I'm a cutthroat" (over a Swizz Beatz recycling of the Ez Elpee news-flash beat he joked about disliking the first time he used it). For all the excess and buildup, this exhibits Wayne on an upswing, lucid and invigorated. © Andy Kellman /TiVo.