DOCSLIB.ORG

Ronda L. Brulotte Curriculum Vitae October 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ronda L. Brulotte Curriculum Vitae October 2019 Ronda L. Brulotte Curriculum Vitae October 2019 Latin American & Iberian Institute Department of Geography & Environmental Studies MSC02-1690 MSC01-1110 1 University of New Mexico 1 University of New Mexico Albuquerque, NM 87131-0001 Albuquerque, NM 87131-0001 Email: [email protected] Phone: (505) 277-7042 EDUCATION 2006 PhD University of Texas at Austin, Anthropology 1999 MA University of Texas at Austin, Latin American Studies 1996 BA (magna cum laude) University of Washington, Spanish and Latin American Studies PROFESSIONAL APPOINTMENTS 2019 Interim Director (Fall semester), Latin American and Iberian Institute, University of New Mexico 2017- Associate Professor, Department of Geography & Environmental Studies & Latin American Studies, University of New Mexico Faculty Affiliate, Department of Anthropology, University of New Mexico Faculty Affiliate, Department of American Studies, University of New Mexico 2016-2022 Director, Latin American Studies, Latin American and Iberian Institute, University of New Mexico 2015-2016 Associate Professor, Department of Anthropology, University of New Mexico 2009-2015 Assistant Professor, Department of Anthropology, University of New Mexico 2009- Faculty Affiliate, Latin American and Iberian Institute, University of New Mexico Brulotte-1 2007-2008 Lecturer III, Department of Anthropology, Anthropology, University of New Mexico 2007 Assistant Professor, Department of Anthropology, University of Oklahoma TEMPORARY & VISITING POSITIONS 2015 Visiting Research Faculty, Centro de Investigaciones y Estudios Superiores en Antropología Social (CIESAS)-Unidad Pacífico Sur, Oaxaca, Mexico 2008 Co-Director, Conexiones Program in Michoacán, Mexico, Department of Spanish and Portuguese and University Honors Program, University of New Mexico 2005-2006 Program Specialist & Co-Editor of la Tertulia, Hulbert Center for Southwest Studies, Colorado College 2005 Assistant Director, Summer Ethnographic Field School in Oaxaca, Mexico, Department of Anthropology, California State University, Long Beach PROFESIONAL AWARDS & HONORS 2017 UNM Ombuds/Dispute Resolution Service’s Faculty Mediation Recognition 2015-2020 Fulbright Specialist, eligible for short-term international collaborations funded by the U.S. Department of State Bureau of Education and Cultural Affairs 2014 Outstanding Faculty Member Recognition, Accessibility Resource Center, University of New Mexico 2011 Dean’s Research Semester Award, University of New Mexico 2010 American Indian Student Services Outstanding Faculty Recognition, University of New Mexico 2010 Nominee, New Faculty Teacher of the Year, University of New Mexico 1998-1999 Friends of Latin American Studies Fellowship, Institute of Latin American Studies, University of Texas at Austin 1997-1998 Foreign Language and Area Studies (FLAS) Fellowship, Institute of Latin American Studies, University of Texas at Austin Brulotte-2 DESCRIPTION OF RESEARCH, TEACHING & SERVICE INTERESTS My research and teaching interests focus on tourism, critical heritage studies, materialism, and food systems. I frame my broader theoretical interests in commodities and consumption within the context of the historical development of Mexico as a site of global tourism. My first book, Between Art and Artifact: Archaeological Replicas and Cultural Production in Oaxaca, Mexico (University of Texas Press 2012), is an ethnographic account of the historically contentious relationship between local artisans and state-sponsored archaeology at the Monte Alban zone, a UNESCO World Heritage site and one of Oaxaca’s most popular tourist attractions. Additionally, I have begun to research and write about heritage from the perspective of food studies. In 2014 I published Edible Identities: Food as Cultural Heritage (Ashgate Publishing), a co-edited volume that brings the lens of critical heritage studies to bear on a discussion of food and food-related practices. This book explores the ways in which the cultivation, preparation, and consumption of food is used to create identity claims of "cultural heritage" on local, regional, national, and international scales. My latest research examines the sociologically complex field of production, marketing, and connoisseurship surrounding Oaxacan mezcal as it circulates in the global market. Mezcal is a distilled spirit made from agave, the same plant used to produce tequila. However, while tequila has enjoyed vast commercial success at home and abroad since the 1970s, until the late 1990s mezcal remained a regional drink, produced on a relatively small scale for local consumption and was virtually unknown outside of Mexico. Oaxacan mezcal is currently undergoing a dramatic transformation into an economically valuable prestige commodity destined for export to other regions of Mexico and around the world. I completed a Fulbright Scholar research fellowship in Mexico and am currently working on a book manuscript, under contract with the University of Texas Press. I have taught a 100-level introduction to cultural anthropology (Cultures of the World), 300-level courses on material culture and indigenous Mexico, and a 200-level honors course on contemporary Mexican society. I advocate interdisciplinary approaches to teaching and developed the course “The Ethnography of Archaeology and Community” and later The Anthropology of Heritage, both of which I have co-taught with archaeology colleagues. At the graduate level, I have taught seminars on cultural theory and popular culture, post-WWII anthropological theory, and food and culture. Most recently I taught an undergraduate, humanities-focused course in Latin American Studies, a graduate seminar in Latin American Studies, the introductory course “World Regional Geography,” and an undergraduate/graduate field school in Mexico, “Exploring Oaxaca Through Food and Craft.” In 2016 I was appointed as Associate Director for Academic Programs at Latin American and Iberian Institute; in this role I oversee the Latin American Studies program at UNM in addition to chairing the Interdisciplinary Committee on Latin American Studies (ICLAS), the faculty governance body of the LAS program. I am on the editorial board for the Journal of Anthropological Research and am the President for the Society for Latin American and Caribbean Anthropology, an organization of the American Anthropological Association. In Mexico, I am a member of the executive board of the Welte Institute for Oaxacan Studies, a research center and library dedicated to scholarship on Southern Mexico. Brulotte-3 SCHOLARLY ACHIEVEMENTS Books 2014 Ronda L. Brulotte & Michael A. Di Giovine, eds. Edible Identities: Food as Cultural Heritage, New York: Routledge 2012 Ronda L. Brulotte, Between Art and Artifact: Archaeological Replicas and Cultural Production in Oaxaca, Mexico. Austin: University of Texas Press Articles 2017 “Alcohol and Ambivalence in Mexico and the Americas,” Latin American Research Review, 52(5), 910–915 2010 “Collecting the Sacred, ‘Huichol Art and Culture: Balancing the World’ at the Museum of Indian Arts and Culture in Santa Fe, New Mexico,” Anthropology Now 2(3): 95-104 2009 “‘Yo soy nativo de aquí’: The Ambiguities of Race and Indigeneity in Oaxacan Craft Tourism,” Journal of Latin American and Caribbean Anthropology 14(2): 457-482 2000 “Oaxacan Woodcarving in Cyberspace: Virtual Tourism and the Crafting of Zapotec Tradition,” Text, Practice, Performance 2: 63-82 Book Chapters 2019 “Defining Craft: Hermeneutics and Economy,” with MJR Montoya. In A Cultural Economic Analysis of Craft, Anna Mignosa and Priyatej Kotipalli, eds., pp. 15-23. New York: Palgrave Macmillan 2019 “A Taste for Agave: The Emerging Practices and Politics of Mezcal Connoisseurship.” In Taste, Politics, and Identities in Mexican Food Cultures, Steffan Igor Ayora Diaz, ed., pp. 83-99. London: Bloomsbury Publishing 2017 “Archaeological Replica Vendors and an Alternative History of a Mexican Heritage Site: The Case of Monte Albán.” In World Heritage Sites and Tourism: Global and Local Relations, Maria Gravari-Barbas, Laurent Bourdeau, and Mike Robinson, eds., pp.56-66. New York: Routledge 2014 “Introduction: Food and Foodways as Cultural Heritage,” with Michael A. Di Giovine. In Edible Identities: Exploring Food as Cultural Heritage, Ronda L. Brulotte and Michael A. Di Giovine, eds., pp. 1-27. New York: Routledge Brulotte-4 2014 “Caldo de Piedra and Claiming Pre-Hispanic Cuisine as Cultural Heritage,” with Alvin Starkman. In Edible Identities: Exploring Food as Cultural Heritage, Ronda L. Brulotte and Michael A. Di Giovine, eds., pp. 109-123. New York: Routledge Published Conference Proceedings 2011 “Monte Albán as World Heritage: Archaeological Replicas and the Struggle over Mexico’s Ancient Past,” World Heritage and Tourism: Managing for the Global and the Local, pp. 264-273. Quebec City: University of Laval Press Book Reviews 2019 Eating NAFTA: Trade, Food Policies, and the Destruction of Mexico, by Alyshia Gálvez, Revista del CESLA: International Latin American Studies Review, in press. 2017 Mexico’s Uneven Development: The Geographical and Historical Context of Inequality, by Oscar J. Martínez, Journal of Historical Geography 57: 117-118. 2016 Crafting Identity: Transnational Indian Arts and the Politics of Race in Central Mexico, by Pavel Shlossberg, Museum Anthropology Review 10(1): 42-42 2015 ¡Tequila! Distilling the Spirit of Mexico, by Marie Sarita Gaytán, Journal of Anthropological Research 71 (2): 262-63 2015 Land, Livelihood, and Civility in Southern Mexico: Oaxaca Valley Communities in
Load more

Recommended publications
  • 2020 Martins-Neves-Diniz-E-Arnaud
    Título Arqueologia & História 13ª Série Volume 70 Ano de Edição 2020 Ano Associativo AAP 2018 Edição As sociação dos Arqueólogos Portugueses Largo do Carmo, 1200 ‑092 Lisboa Tel. 213 460 473 / Fax. 213 244 252 [email protected] www.arqueologos.pt Direcção José Morais Arnaud Coordenação José Morais Arnaud e Andrea Martins Design gráfico Flatland Design Fotografia da capa Estrutura pétrea de Rôdo (Gomes et al. – artigo 6) Impressão Europress, Indústria Gráfica Tiragem 300 exemplares Depósito legal 73 446/93 ISSN 0871-2735 © Associação dos Arqueólogos Portugueses Os artigos publicados nesta revista são da exclusiva responsabilidade dos respectivos autores. índice 5 Editorial José Morais Arnaud PALEOLÍTICO EM PORTUGAL – NOVOS DADOS, NOVAS PERSPECTIVAS 9 Análise comparativa entre o Acheulense de Grandes Lascas e o Acheulense “Tradicional” no Centro de Portugal Alexandre Varanda 25 O aprovisionamento de matérias‑primas líticas no centro da Península Ibérica no Paleolítico Médio – Estado da questão Ana Abrunhosa, Belén Márquez, David M. Martín‑Perea, Juan Luis Arsuaga, Alfredo Pérez‑González, Enrique Baquedano 39 Ground Stone Tools: análise funcional quantitativa à escala macro e microscópica Eduardo Paixão, João Marreiros 51 Cadeias operatórias do Paleolítico Médio da bacia do Arneiro Nelson Almeida 75 Novos dados para a compreensão da ocupação humana na Fonte Santa (Torres Novas) Luis Gomes 95 Contextos de descoberta e desafios do estudo dos sítios pré‑históricos do Aproveitamento Hidroelétrico de Ribeiradio‑Ermida Sérgio Gomes, Lurdes
    [Show full text]
  • SEM 63 Annual Meeting
    SEM 63rd Annual Meeting Society for Ethnomusicology 63rd Annual Meeting, 2018 Individual Presentation Abstracts SEM 2018 Abstracts Book – Note to Reader The SEM 2018 Abstracts Book is divided into two sections: 1) Individual Presentations, and 2) Organized Sessions. Individual Presentation abstracts are alphabetized by the presenter’s last name, while Organized Session abstracts are alphabetized by the session chair’s last name. Note that Organized Sessions are designated in the Program Book as “Panel,” “Roundtable,” or “Workshop.” Sessions designated as “Paper Session” do not have a session abstract. To determine the time and location of an Individual Presentation, consult the index of participants at the back of the Program Book. To determine the time and location of an Organized Session, see the session number (e.g., 1A) in the Abstracts Book and consult the program in the Program Book. Individual Presentation Abstracts Pages 1 – 76 Organized Session Abstracts Pages 77 – 90 Society for Ethnomusicology 63rd Annual Meeting, 2018 Individual Presentation Abstracts Ethiopian Reggae Artists Negotiating Proximity to Repatriated Rastafari American Dreams: Porgy and Bess, Roberto Leydi, and the Birth of Italian David Aarons, University of North Carolina, Greensboro Ethnomusicology Siel Agugliaro, University of Pennsylvania Although a growing number of Ethiopians have embraced reggae music since the late 1990s, many remain cautious about being too closely connected to the This paper puts in conversation two apparently irreconcilable worlds. The first is repatriated Rastafari community in Ethiopia whose members promote themselves that of George Gershwin’s Porgy and Bess (1935), a "folk opera" reminiscent of as reggae ambassadors. Since the 1960s, Rastafari from Jamaica and other black minstrelsy racial stereotypes, and indebted to the Romantic conception of countries have been migrating (‘repatriating’) to and settling in Ethiopia, believing Volk as it had been applied to the U.S.
    [Show full text]
  • Porto Ku'.W Stone Collars and Tripointed Mm >I.S
    PORTO KU'.W STONE COLLARS AND TRIPOINTED MM >I.S By J. WALTER FEWKES I INTRODUCTION Before their discovery the aboriginal inhabitants of the West In- dies had developed a culture which was peculiar, and only distantly related to that of the mainland of America. The peculiarities of this culture are indicated by characteristic stone objects, the geo- graphical distribution of which determines its boundaries. The centers of this peculiar Antillean culture were Porto Rico and Santo Domingo, but its influence was felt more or less strongly throughout all the West Indian islands. Porto Rico has furnished the student of prehistoric life two dis- tinctive types of polished stone objects, one of which is commonly called the stone collar, the other the tripointed idol. We occasion- allv rind representatives of these types on the neighboring islands, but as they never occur in such abundance nor so elaborate!) made as those of Porto Rico, we are justified in regarding them as having originated on the latter island. While it is difficult to enumerate the stone collars of Porto Rico, there is no doubt that the number collected on that island exceeds that of all the other Antilles. The Latimer collection in the Na- tional Museum at Washington had originally thirty-five specimens. A few have been taken from this collection, but fourteen have been added to it by my expeditions of 1902-1903. The American Mu- seum of Natural History in New York also has many stone collars, including six complete specimens and several fragments, mentioned 1 in the. catalogne of his collection by Dr.
    [Show full text]
  • African Art at the Portuguese Court, C. 1450-1521
    African Art at the Portuguese Court, c. 1450-1521 By Mario Pereira A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History of Art and Architecture at Brown University Providence, Rhode Island May 2010 © Copyright 2010 by Mario Pereira VITA Mario Pereira was born in Boston, Massachusetts in 1973. He received a B.A. in Art History from Oberlin College in 1996 and a M.A. in Art History from the University of Chicago in 1997. His master’s thesis, “The Accademia degli Oziosi: Spanish Power and Neapolitan Culture in Southern Italy, c. 1600-50,” was written under the supervision of Ingrid D. Rowland and Thomas Cummins. Before coming to Brown, Mario worked as a free-lance editor for La Rivista dei Libri and served on the editorial staff of the New York Review of Books. He also worked on the curatorial staff of the Isabella Stewart Gardner Museum where he translated the exhibition catalogue Raphael, Cellini and a Renaissance Banker: The Patronage of Bindo Altoviti (Milan: Electa, 2003) and curated the exhibition Off the Wall: New Perspectives on Early Italian Art in the Gardner Museum (2004). While at Brown, Mario has received financial support from the Graduate School, the Department of History of Art and Architecture, and the Program in Renaissance and Early Modern Studies. From 2005-2006, he worked in the Department of Prints, Drawings and Photographs at the Museum of Art, Rhode Island School of Design. In 2007-2008, he received the J. M. Stuart Fellowship from the John Carter Brown Library and was the recipient of an Andrew W.
    [Show full text]
  • Fundação Getulio Vargas Escola De Administração De
    FUNDAÇÃO GETULIO VARGAS ESCOLA DE ADMINISTRAÇÃO DE EMPRESAS DE SÃO PAULO A STUDY OF THE MUSICAL THEATRE INDUSTRY AND PRODUCTION IN SÃO PAULO: CHALLENGES AND OPPORTUNITIES CANDICE LÚCIA CHRIS ACHÉ MONTANGERAND SÃO PAULO 2017 CANDICE LÚCIA CHRIS ACHÉ MONTANGERAND A STUDY OF THE MUSICAL THEATRE INDUSTRY AND PRODUCTION IN SÃO PAULO: CHALLENGES AND OPPORTUNITIES Thesis presented to Escola de Administração de Empresas de São Paulo of Fundação Getulio Vargas, as a requirement to obtain the title of Master in International Management (MPGI). Knowledge Field: Gestão e Competitividade em Empresas Globais Advisor: Prof. Dr. Luís Henrique Pereira SÃO PAULO 2017 Montangerand, Candice Lúcia Chris Aché A study of the musical theatre industry and production in São Paulo: challenges and opportunities / Candice Lúcia Chris Aché Montangerand. – 2017. 125f. Orientador: Luís Henrique Pereira Dissertação (MPGI) - Escola de Administração de Empresas de São Paulo. 1. Teatro musical - São Pauo (SP). 2. Indústria do lazer. 3. Entretenimento. I. Pereira, Luís Henrique. II. Dissertação (MPGI) - Escola de Administração de Empresas de São Paulo. III. A study of musical theatre industry and production in São Paulo: challenges and opportunities. CDU 792.5(816.11) CANDICE LÚCIA CHRIS ACHÉ MONTANGERAND A STUDY OF THE MUSICAL THEATRE INDUSTRY AND PRODUCTION IN SÃO PAULO: CHALLENGES AND OPPORTUNITIES Thesis presented to Escola de Administração de Empresas de São Paulo of Fundação Getulio Vargas, as a requirement to obtain the title of Master in International Management (MPGI). Knowledge Field: Gestão e Competitividade em Empresas Globais Approval Date 13/12/2017 Committee members: ________________________________ Prof. Dr. Luís Henrique Pereira ________________________________ Prof. Dr. Benjamin Rosenthal ________________________________ Prof.
    [Show full text]
  • Special List 375: Fiction
    special list 375 1 RICHARD C.RAMER Special List 375 Fiction 2 RICHARDrichard c. C.RAMER ramer Old and Rare Books 225 east 70th street . suite 12f . new york, n.y. 10021-5217 Email [email protected] . Website www.livroraro.com Telephones (212) 737 0222 and 737 0223 Fax (212) 288 4169 June 1, 2020 Special List 375 Fiction Items marked with an asterisk (*) will be shipped from Lisbon. SATISFACTION GUARANTEED: All items are understood to be on approval, and may be returned within a reasonable time for any reason whatsoever. VISITORS BY APPOINTMENT special list 375 3 Special List 375 Fiction With the Author’s Signed Presentation Inscription 1. ABELHO, [Joaquim] Azinhal. Arraianos. Histórias de contrabandistas & malteses. [Lisbon]: [Edição do Autor at Tipografia Ideal], 1955. 8°, original illustrated wrappers (minor wear). Light browning. In good to very good condition. Author’s signed two-line presentation inscription on the half-title to Henrique Avelar. 208 pp., (2 ll.). $75.00 FIRST and ONLY EDITION of one of the most important works by [Joaquim] Azinhal Abelho (Nossa Senhora da Orada, Borba, 1916-Lisbon, 1979). Abelho also wrote plays, some in the manner of Gil Vicente and others in the post-Romantic mode. For the Teatro d’Arte de Lisboa, which he founded in 1955 with Orlando Vitorino, he and Vitorino translated plays by Graham Greene, Lorca and Chekhov. ❊ On Abelho, see Dicionário cronológico de autores portugueses IV, 446-7; this is listed as one of his major works. See also João Bigotte Chorão in Biblos, I, 10. NUC: DLC, NN, CLU, MH.
    [Show full text]
  • A Call for Rethinking Cultural Studies
    BEYOND CELEBRATION: A CALL FOR RETHINKING CULTURAL STUDIES Carolyn Lea A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2007 Committee: Dr. Ellen Berry, Advisor Dr. Nancy C. Patterson Graduate Faculty Representative Dr. Donald McQuarie Dr. Ewart Skinner © 2007 Carolyn Lea All Rights Reserved iii ABSTRACT Dr. Ellen Berry, Advisor This is a polemical dissertation which seeks to serve as an intervention into the theoretical debates and tensions within cultural studies. These debates, which have taken place over the last few decades, have centered on the populist bent within cultural studies, the turn away from the concerns of political economy, and the influence of French theories that emphasize signification, play, and relativism. At stake in these debates is our way of understanding the world and imagining it differently. I argue that the celebratory direction found in much of the work by cultural studies scholars in which resistance, subversion and transgression are located in all things popular has led to an expressivist politics which lacks explanatory power and is symptomatic of a loss of political will. This dissertation critiques three particular directions that exemplify the celebratory turn: claims regarding transgression; claims regarding audience activity; and celebratory accounts of consumption. Chapter one provides an exposition of the debates that have plagued cultural studies, laying the ground for later arguments. Chapter two provides an introduction to reality television which is enlisted as a cultural symptom through which to interrogate weaknesses in theoretical positions (in chapters three through five) adopted by cultural studies scholars and strengths in alternative theoretical legacies.
    [Show full text]
  • The Evolution of Brazil Compared with That of Spanish and Anglo-Saxon
    TO PRESIDENT JOHN CASPER BRANNER DISTINGUISHED SCIENTIST, EMINENT SCHOLAR AND TRUE FRIEND OF BRAZIL 'IC TOKE" OF ADMIRATION AND AFFECTION LELAND STANFORD, JUNIOR UN1VERSITY PUBLICATIONS UNIVERSITY SERIES The Evolution of Brazil cOlnpared. with that of Spanish and An,gIo-Saxon' Alnerica BY l\\ANOEL DE OLIVEIRA LIMA '! Edited with Introduction and Notes BY PERCY ALVIN MARTIN Assistant Professor 01 History Leland Stanford Junior University (Issued June, I914) , Stanford University, California Published by the University 1914 STANFORD UNIVERSITY PRESS CONTENTS PAGE INTRODUCTION 9 '. LECTURE I. The conquest of America.-Religious defence of the native element.--Indians and negroes.-The color problem and the discrimination against the col­ onists.-The institution of slavery and the conditions of political inde­ pendence in the Spanish and Portuguese colonies, affecting diversely the abolition of slavery.-The first Spanish American civil war and the verdict of history in regard to it.-The social organization in the pos­ sessions of the New World.-The Indians and the c1ergy.--Th'e part taken by the Jesuits.-The fusion of the races and the neo-European product.-Causes of the separation: disregard of nationality and eco­ nomic exploitation.-Monopolies and prohibitions.-Spirituat tutelage and emancipation.-Historical reasons for the Catholic intolerance.­ Intellectual revival of the Iberian Peninsula during the Spanish reign of Charles III, and under the Portuguese dictatorship of the Marquis de Pombal.-Influence of this revival in the colonies.
    [Show full text]
  • LCSH Section I
    I(f) inhibitors I-215 (Salt Lake City, Utah) Interessengemeinschaft Farbenindustrie USE If inhibitors USE Interstate 215 (Salt Lake City, Utah) Aktiengesellschaft Trial, Nuremberg, I & M Canal National Heritage Corridor (Ill.) I-225 (Colo.) Germany, 1947-1948 USE Illinois and Michigan Canal National Heritage USE Interstate 225 (Colo.) Subsequent proceedings, Nuremberg War Corridor (Ill.) I-244 (Tulsa, Okla.) Crime Trials, case no. 6 I & M Canal State Trail (Ill.) USE Interstate 244 (Tulsa, Okla.) BT Nuremberg War Crime Trials, Nuremberg, USE Illinois and Michigan Canal State Trail (Ill.) I-255 (Ill. and Mo.) Germany, 1946-1949 I-5 USE Interstate 255 (Ill. and Mo.) I-H-3 (Hawaii) USE Interstate 5 I-270 (Ill. and Mo. : Proposed) USE Interstate H-3 (Hawaii) I-8 (Ariz. and Calif.) USE Interstate 255 (Ill. and Mo.) I-hadja (African people) USE Interstate 8 (Ariz. and Calif.) I-270 (Md.) USE Kasanga (African people) I-10 USE Interstate 270 (Md.) I Ho Yüan (Beijing, China) USE Interstate 10 I-278 (N.J. and N.Y.) USE Yihe Yuan (Beijing, China) I-15 USE Interstate 278 (N.J. and N.Y.) I Ho Yüan (Peking, China) USE Interstate 15 I-291 (Conn.) USE Yihe Yuan (Beijing, China) I-15 (Fighter plane) USE Interstate 291 (Conn.) I-hsing ware USE Polikarpov I-15 (Fighter plane) I-394 (Minn.) USE Yixing ware I-16 (Fighter plane) USE Interstate 394 (Minn.) I-K'a-wan Hsi (Taiwan) USE Polikarpov I-16 (Fighter plane) I-395 (Baltimore, Md.) USE Qijiawan River (Taiwan) I-17 USE Interstate 395 (Baltimore, Md.) I-Kiribati (May Subd Geog) USE Interstate 17 I-405 (Wash.) UF Gilbertese I-19 (Ariz.) USE Interstate 405 (Wash.) BT Ethnology—Kiribati USE Interstate 19 (Ariz.) I-470 (Ohio and W.
    [Show full text]
  • Anderson Eslie Leite De Oliveira a Construção Do
    UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE FILOSOFIA E CIÊNCIAS HUMANAS ANDERSON ESLIE LEITE DE OLIVEIRA A CONSTRUÇÃO DO ÍDOLO POP EM PROGRAMAS DE REALITY SHOW MUSICAL: SOBRE O THE VOICE BRASIL CAMPINAS 2019 ANDERSON ESLIE LEITE DE OLIVEIRA A CONSTRUÇÃO DO ÍDOLO POP EM PROGRAMAS DE REALITY SHOW MUSICAL: SOBRE O THE VOICE BRASIL Tese apresentada ao Instituto de Filosofia e Ciências Humanas da Universidade Estadual de Campinas como parte dos requisitos exigidos para a obtenção do título de Doutor em Ciências Sociais. Orientador: José Eduardo Ribeiro de Paiva ESTE TRABALHO CORRESPONDE À VERSÃO FINAL DA TESE DEFENDIDA PELO ALUNO ANDERSON ESLIE LEITE DE OLIVEIRA, E ORIENTADO PELO PROF. DR. JOSÉ EDUARDO RIBEIRO DE PAIVA. CAMPINAS 2019 Ficha catalográfica Universidade Estadual de Campinas Biblioteca do Instituto de Filosofia e Ciências Humanas Cecília Maria Jorge Nicolau - CRB 8/3387 Oliveira, Anderson Eslie Leite de, 1984- OL4c A construção do ídolo pop em programas de reality show musical : sobre o The Voice Brasil / Anderson Eslie Leite de Oliveira. – Campinas, SP : [s.n.], 2019. Orientador: José Eduardo Ribeiro de Paiva. Tese (doutorado) – Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas. 1. The Voice Brasil (Programa de televisão). 2. Indústria cultural. 3. Indústria fonográfica. 4. Música popular. 5. Reality shows (Programas de televisão). I. Paiva, José Eduardo Ribeiro de, 1959-. II. Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas. III. Título. Informações para Biblioteca Digital
    [Show full text]
  • Tango Buenos Aires: the Spirit of Argentina
    PHOTO BY ELVIS SUAREZ TANGO BUENOS AIRES: THE SPIRIT OF ARGENTINA Wednesday, October 4, 2017, at 7:30pm Tryon Festival Theatre PROGRAM TANGO BUENOS AIRES: THE SPIRIT OF ARGENTINA PART I Gardel Delincuente (Delinquent Garde) Misterioso Pasado (Mysterious Past) Composer: Fernando Marzan Amores De Estudiante (Loves of a Student) Composer: Gardel-Le Pera/Mario Batistella Romantic waltz, Gardel is a young teen. Zorro Gris (Grey Fox) Composer: Rafael Tuegols/F.García Giménez One couple dances. Orchestra Solo Gardel y sus Pasiones (Gardel and his passions) Futbol (Soccer) A la Cancha (At the Arena) Composer: Fernando Marzan The dancers enter the stage as if entering a futbol stadium. La Luciérnaga (The Firefly Milonga) Composer: José Dames Racing Club Composer: Vicente Greco Boxeo y Turf (Boxing and Turf) Marcha Deportiva (Sports Gear) Composer: Fernando Marzan Gardel watches one of his friends boxing. Por una Cabeza (By a Head) Composer: Gardel-Le Pera Group dance in the style of American tango. Tierra Querida (Land Wanted) Composer: Julio de Caro One couple dances. Gaucho (Cowboy) Milonga Triste (Sad Milonga) Composer: Homero Manzi Gardel, in Cowboy attire, is at a Milonga, a place where tango is traditionally danced. Boleadoras (Bolas) Orchestra Solo Sol Tropical (Tropical Sun) Composer: Terig Tucci-Le pera Rumba, full Company, very colorful and rhythmic. 20-minute intermission PART II Gardel In Paris Mimí Pinzón Composer: Aquiles Roggero/José Rótulo Elegant Parisian cabaret. El Dia Que Me Quieras (The Day That I Want) Composer: Gardel-Le Pera One couple dances. Romantic scene with minimal accompaniment. El Marne (The Marne) Composer: Eduardo Arolas Four couples dance.
    [Show full text]
  • How American Idol Constructs Celebrity, Collective Identity, and American Discourses
    AMERICAN IDEAL: HOW AMERICAN IDOL CONSTRUCTS CELEBRITY, COLLECTIVE IDENTITY, AND AMERICAN DISCOURSES A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Amanda Scheiner McClain May, 2010 i © Copyright 2010 by Amanda Scheiner McClain All Rights Reserved ii ABSTRACT This dissertation is a three-pronged study examining American themes, celebrity, and collective identity associated with the television program American Idol. The study includes discourse analyses of the first seven seasons of the program, of the season seven official American Idol message boards, and of the 2002 and 2008 show press coverage. The American themes included a rags-to-riches narrative, archetypes, and celebrity. The discourse-formed archetypes indicate which archetypes people of varied races may inhabit, who may be sexual, and what kinds of sexuality are permitted. On the show emotional exhibitions, archetypal resonance, and talent create a seemingly authentic celebrity while discourse positioning confirms this celebrity. The show also fostered a complication-free national American collective identity through the show discourse, while the online message boards facilitated the formation of two types of collective identities: a large group of American Idol fans and smaller contestant-affiliated fan groups. Finally, the press coverage study found two overtones present in the 2002 coverage, derision and awe, which were absent in the 2008 coverage. The primary reasons for this absence may be reluctance to criticize an immensely popular show and that the American Idol success was no longer surprising by 2008. By 2008, American Idol was so ingrained within American culture that to deride it was to critique America itself.
    [Show full text]