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Dlkj;Fdslk ;Lkfdj THE MUSEUM OF MODERN ART PRESENTS ITS ANNUAL EXHIBITION OF BRAZILIAN CINEMA, PREMIERE BRAZIL! Exhibition Features 14 Films, Including Four International Premieres, and a Retrospective of Filmmaker Cao Guimarães Premiere Brazil! July 14–27, 2011 The Roy and Niuta Titus Theaters NEW YORK, June 23, 2011—The Museum of Modern Art announces Premiere Brazil!, running July 14–27, 2011, in The Roy and Niuta Titus Theaters. A collaboration between MoMA and the Rio de Janeiro International Film Festival, Premiere Brazil! introduces New York audiences to original and accomplished work by both new and established Brazilian filmmakers. This year’s survey of Brazilian cinema features 14 films, including four international premieres, as well as a retrospective of the work of artist and filmmaker Cao Guimarães. The exhibition is organized by Jytte Jensen, Curator, Department of Film, The Museum of Modern Art; and Ilda Santiago and Vilma Lutosa, Directors, the Rio de Janeiro International Film Festival. Now in its ninth edition, the festival shines a light on the strength and vivacity of recent Brazilian film productions with several promising debuts. The festival opens on July 14 with Riscado (Craft) (2010), Gustavo Pizzi’s fictional portrait of the ups and downs of a talented, creative personality; Pizzi will be in attendance to introduce the film and participate in a post-screening discussion. Further distinguishing this season is João Jardim’s Amor? (2010), authentic interviews about love between couples gone terribly wrong, re-enacted verbatim by actors and actresses; and Noitada de samba foco de resistência (Samba’s Evening) (2010), Cély Leal’s narrative of Teatro Opinião, a samba club in Rio de Janeiro that became a symbol of political and cultural resistance in the early 1970s. The series features two biographical films: Toniko Melo’s VIPS (2010), which takes a stylish, fictionalized look at real-life con artist Marcelo da Rocha, and Daniel Filho’s Chico Xavier (2010), a film that recounts the life of the Spiritist medium Chico Xavier. Other films in the festival mine historical subject matter to offer new perspectives on the present, including Carlos Adriano’s Santos Dumont: Pré-cineasta? (Santos Dumont’s Mutoscope: Early Cinema and Found Footage Film) (2010), a moving and insightful celebration of the earliest innovative spirit, Santos Dumont, a Brazilian aviator and inventor, and his relationship to early cinema; Silvio Tendler’s Utopia e barbárie (Utopia and Barbarism) (2009), a journey through a half-century of global dreams and the barbarism that punctuated them; and Flavia Castro’s Diário de uma busca (Diary, Letters, Revolutions…) (2010), a story about Brazilian activist Celso Afonso Gay de Castro, the filmmaker’s father. Complementing the film festival is a retrospective of the works of artist and filmmaker Cao Guimarães (Brazilian, b. 1965). Several of the artist’s haunting, evocative documentaries and film essays will be screened at MoMA, including O Fim do sem fim (The End of the Endless) (2001), a feature-length documentary about the imminent disappearance of certain jobs and occupations in Brazil; Ex isto (Ex It) (2010), Guimarães possible answer to poet Paulo Leminski’s question, “and what if René Descartes had come to Brazil along with Mauríco de Nassau?”; Acidente (Accident) (2006), a beautifully photographed montage following Guimarães as he visits 20 towns in the state of Minas Gerais; Andarilho (Drifter) (2007), a film about three lonely drifters following different paths, each establishing intimate relationships with various elements of a transitory world; Alma do osso (The Soul of the Bone) (2004), a revealing look into the isolated existence of a older man living in a cave; and Rua de mao dupla (Two-Way Street) (2010), a documentary that follows strangers who exchange houses for a 24- hour period. A selection of looped short films by Guimarães will be on view at MoMA PS1 throughout the first weekend of the festival. These short films focus on everyday events and quiet actions in both urban and rural settings—from billowing tarps to an army of ants to soap bubbles. SPONSORSHIP The exhibition is generously supported by the Consulate General of Brazil in New York and by Marjorie Andrade and Richard Kandel. No. 45 Press Contact: Sarah Jarvis, 212-708-9757, [email protected] Margaret Doyle, 212-408-6400, [email protected] For downloadable high-resolution images, register at the MoMA Press Image Center. Hours: Films are screened Wednesday-Monday. For screening schedules, please visit our Film Exhibitions. Film Admission: $10 adults; $8 seniors, 65 years and over with I.D. $6 full-time students with current I.D. (For admittance to film programs only.) The price of a film ticket may be applied toward the price of a Museum admission ticket when a film ticket stub is presented at the Lobby Information Desk within 30 days of the date on the stub (does not apply during Target Free Friday Nights, 4:00–8:00 p.m.). Admission is free for Museum members and for Museum ticketholders. ************************* Public Information: The Museum of Modern Art, 11 West 53 Street, New York, NY 10019, 212-708-9400 MoMA.org InsideOut, A MoMA/MoMA PS1 Blog MoMA on Facebook MoMA on Twitter MoMA on YouTube MoMA on Flickr Hours: Wednesday through Monday: 10:30 a.m.-5:30 p.m. Friday: 10:30 a.m.-8:00 p.m. Closed Tuesday. Screening Schedule Premiere Brazil! 2011 July 14-27, 2011 Thursday, July 14 8:00 Riscado (Craft). 2010. Directed by Gustavo Pizzi. With Karine Teles, Camilo Pellegrini, Otávio Müller. 85 min. Bianca is a talented young actress trying to get her career off the ground, but so far her jobs have been limited to impersonating movie divas and promoting events. After auditioning for a major international film, she finally gets her big break with a director who, inspired by her personality and her work, molds the character into a version of Bianca. Is this a chance of a lifetime? Pizzi portrays the casual cruelty of the competitive world in which we live, and heightens the drama not through melodrama or exaggerated scenarios but by picking the perfect protagonist: an actress. Craft was cowritten with the astounding Karine Teles, who inhabits the role of Bianca with heartbreaking poignancy. New York Premiere. Introduction and discussion by Gustavo Pizzi. Friday, July 15 5:00 Chico Xavier. 2010. Directed by Daniel Filho. Based on the novel The Lives of Chico Xavier by Marcel Souto Maior. With Ângelo Antônio, Matheus Costa, Tony Ramos. 125 min. “No one can go back and create a new beginning; but anyone can start again and create a new ending.” This was one of the many messages that Spiritist medium Chico Xavier (1910–2002) received from his spiritual guide, Emmanuel, and shared with those around him. In his 92 years, Xavier worked incessantly, producing over 400 books through the use of “psychography,” or spirit writing, and dedicating his life to philanthropy. He garnered a devoted following as well as national controversy. To his admirers, he was a saint. To nonbelievers, he was an intriguing character at least—as the film so richly illustrates. U.S. Premiere. Introduction and discussion by Giselia Aracy Martins da Silva, producer. 7:30 VIPs. 2010. Directed by Toniko Melo. With Wagner Moura, Arieta Corrêa, Gisele Fróes. 96 min. A spinner of tall tales turns into a reluctant con man in this energetic tale based on the real life story of the bluffer Marcelo da Rocha. As a child, Marcelo’s one ambition was to fly planes; as an adult, our anti-hero stumbles upon his dream when he becomes a pilot for a drug trafficking enterprise. Dangerous escapades, money, and high-powered friends follow; soon he’s being taken for the brother of the president of Gol Airlines, and that’s only the beginning.... The tone is breezy and the situations funny, rendering the film as seductive as its main character. VIPs garnered all the main prizes at the 2010 Rio Film Festival. International Premiere. Introduction and discussion by Toniko Melo. Saturday, July 16 2:00 O Fim do sem fim (The End of the Endless). 2001. Directed by Cao Guimarães, Beto Magalhães, and Lucas Bambozzi. 92 min. Filmed in 10 Brazilian states, this feature-length documentary tackles the imminent disappearance of certain jobs and occupations in Brazil, focusing on the inventiveness and resistance of man vis-à-vis technological and cultural changes. The project was recorded in Super 8, 16mm, and video, giving texture and life to the images as they coalesce into a portrait of Brazil’s changing economic landscape. U.S. Premiere. Introduction and discussion by Cao Guimarães. 5:30 Amor? 2010. Directed by João Jardim. With Lília Cabral, Eduardo Moskovis, Letícia Colin. 100 min. The question mark is key in the title of this film, a meditation on the uncertain and precarious nature of love. Drawn from real interviews, the film features testimonials from relationships gone wrong—stories including all forms of violence and pain, both physical and psychological— interpreted by actors and actresses in unadorned, testimonialstyle shots. Interspersed with the characters’ frank portrayals of jealousy and guilt, passion and power, are contrasting scenes of a more poetic ideal of male-female relationships—but the sting of the harrowing stories is not easily pushed aside. International Premiere. Introduction and discussion by João Jardim. Sunday, July 17 2:30 Diário de uma busca (Diary, Letters, Revolutions…). 2010. France/Brazil. Directed by Flávia Castro. 105 min. The director tells the story of her father, Brazilian activist Celso Afonso Gay de Castro, whose life was intertwined with the political struggles that traumatized Latin America starting in the 1960s. The documentary maps a journey through the countries where Celso A.
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