Introduction to Islamic Maps
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Islamic Art from the Collection, Oct. 23, 2020 - Dec
It Comes in Many Forms: Islamic Art from the Collection, Oct. 23, 2020 - Dec. 18, 2021 This exhibition presents textiles, decorative arts, and works on paper that show the breadth of Islamic artistic production and the diversity of Muslim cultures. Throughout the world for nearly 1,400 years, Islam’s creative expressions have taken many forms—as artworks, functional objects and tools, decoration, fashion, and critique. From a medieval Persian ewer to contemporary clothing, these objects explore migration, diasporas, and exchange. What makes an object Islamic? Does the artist need to be a practicing Muslim? Is being Muslim a religious expression or a cultural one? Do makers need to be from a predominantly Muslim country? Does the subject matter need to include traditionally Islamic motifs? These objects, a majority of which have never been exhibited before, suggest the difficulty of defining arts from a transnational religious viewpoint. These exhibition labels add honorifics whenever important figures in Islam are mentioned. SWT is an acronym for subhanahu wa-ta'ala (glorious and exalted is he), a respectful phrase used after every mention of Allah (God). SAW is an acronym for salallahu alayhi wa-sallam (may the blessings and the peace of Allah be upon him), used for the Prophet Muhammad, the founder and last messenger of Islam. AS is an acronym for alayhi as-sallam (peace be upon him), and is used for all other prophets before him. Tayana Fincher Nancy Elizabeth Prophet Fellow Costume and Textiles Department RISD Museum CHECKLIST OF THE EXHIBITION Spanish Tile, 1500s Earthenware with glaze 13.5 x 14 x 2.5 cm (5 5/16 x 5 1/2 x 1 inches) Gift of Eleanor Fayerweather 57.268 Heavily chipped on its surface, this tile was made in what is now Spain after the fall of the Nasrid Kingdom of Granada (1238–1492). -
General Index
General Index Italic page numbers refer to illustrations. Authors are listed in ical Index. Manuscripts, maps, and charts are usually listed by this index only when their ideas or works are discussed; full title and author; occasionally they are listed under the city and listings of works as cited in this volume are in the Bibliograph- institution in which they are held. CAbbas I, Shah, 47, 63, 65, 67, 409 on South Asian world maps, 393 and Kacba, 191 "Jahangir Embracing Shah (Abbas" Abywn (Abiyun) al-Batriq (Apion the in Kitab-i balJriye, 232-33, 278-79 (painting), 408, 410, 515 Patriarch), 26 in Kitab ~urat ai-arc!, 169 cAbd ai-Karim al-Mi~ri, 54, 65 Accuracy in Nuzhat al-mushtaq, 169 cAbd al-Rabman Efendi, 68 of Arabic measurements of length of on Piri Re)is's world map, 270, 271 cAbd al-Rabman ibn Burhan al-Maw~ili, 54 degree, 181 in Ptolemy's Geography, 169 cAbdolazlz ibn CAbdolgani el-Erzincani, 225 of Bharat Kala Bhavan globe, 397 al-Qazwlni's world maps, 144 Abdur Rahim, map by, 411, 412, 413 of al-BlrunI's calculation of Ghazna's on South Asian world maps, 393, 394, 400 Abraham ben Meir ibn Ezra, 60 longitude, 188 in view of world landmass as bird, 90-91 Abu, Mount, Rajasthan of al-BlrunI's celestial mapping, 37 in Walters Deniz atlast, pl.23 on Jain triptych, 460 of globes in paintings, 409 n.36 Agapius (Mabbub) religious map of, 482-83 of al-Idrisi's sectional maps, 163 Kitab al- ~nwan, 17 Abo al-cAbbas Abmad ibn Abi cAbdallah of Islamic celestial globes, 46-47 Agnese, Battista, 279, 280, 282, 282-83 Mu\:lammad of Kitab-i ba/Jriye, 231, 233 Agnicayana, 308-9, 309 Kitab al-durar wa-al-yawaqft fi 11m of map of north-central India, 421, 422 Agra, 378 n.145, 403, 436, 448, 476-77 al-ra~d wa-al-mawaqft (Book of of maps in Gentil's atlas of Mughal Agrawala, V. -
In. ^Ifil Fiegree in PNILOSOPNY
ISLAMIC PHILOSOPHY OF SCIENCE: A CRITICAL STUDY O F HOSSAIN NASR Dis««rtation Submitted TO THE Aiigarh Muslim University, Aligarh for the a^ar d of in. ^Ifil fiegree IN PNILOSOPNY BY SHBIKH ARJBD Abl Under the Kind Supervision of PROF. S. WAHEED AKHTAR Cbiimwa, D«ptt. ol PhiloMphy. DEPARTMENT OF PHILOSOPHY ALIGARH IWIUSLIIM UNIVERSITY ALIGARH 1993 nmiH DS2464 gg®g@eg^^@@@g@@€'@@@@gl| " 0 3 9 H ^ ? S f I O ( D .'^ ••• ¥4 H ,. f f 3« K &^: 3 * 9 m H m «< K t c * - ft .1 D i f m e Q > i j 8"' r E > H I > 5 C I- 115m Vi\ ?- 2 S? 1 i' C £ O H Tl < ACKNOWLEDGEMENT In the name of Allah« the Merciful and the Compassionate. It gives me great pleasure to thanks my kind hearted supervisor Prof. S. Waheed Akhtar, Chairman, Department of Philosophy, who guided me to complete this work. In spite of his multifarious intellectual activities, he gave me valuable time and encouraged me from time to time for this work. Not only he is a philosopher but also a man of literature and sugge'sted me such kind of topic. Without his careful guidance this work could not be completed in proper time. I am indebted to my parents, SK Samser All and Mrs. AJema Khatun and also thankful to my uncle Dr. Sheikh Amjad Ali for encouraging me in research. I am also thankful to my teachers in the department of Philosophy, Dr. M. Rafique, Dr. Tasaduque Hussain, Mr. Naushad, Mr. Muquim and Dr. Sayed. -
The History of Arabic Sciences: a Selected Bibliography
THE HISTORY OF ARABIC SCIENCES: A SELECTED BIBLIOGRAPHY Mohamed ABATTOUY Fez University Max Planck Institut für Wissenschaftsgeschichte, Berlin A first version of this bibliography was presented to the Group Frühe Neuzeit (Max Planck Institute for History of Science, Berlin) in April 1996. I revised and expanded it during a stay of research in MPIWG during the summer 1996 and in Fez (november 1996). During the Workshop Experience and Knowledge Structures in Arabic and Latin Sciences, held in the Max Planck Institute for the History of Science in Berlin on December 16-17, 1996, a limited number of copies of the present Bibliography was already distributed. Finally, I express my gratitude to Paul Weinig (Berlin) for valuable advice and for proofreading. PREFACE The principal sources for the history of Arabic and Islamic sciences are of course original works written mainly in Arabic between the VIIIth and the XVIth centuries, for the most part. A great part of this scientific material is still in original manuscripts, but many texts had been edited since the XIXth century, and in many cases translated to European languages. In the case of sciences as astronomy and mechanics, instruments and mechanical devices still extant and preserved in museums throughout the world bring important informations. A total of several thousands of mathematical, astronomical, physical, alchemical, biologico-medical manuscripts survived. They are written mainly in Arabic, but some are in Persian and Turkish. The main libraries in which they are preserved are those in the Arabic World: Cairo, Damascus, Tunis, Algiers, Rabat ... as well as in private collections. Beside this material in the Arabic countries, the Deutsche Staatsbibliothek in Berlin, the Biblioteca del Escorial near Madrid, the British Museum and the Bodleian Library in England, the Bibliothèque Nationale in Paris, the Süleymaniye and Topkapi Libraries in Istanbul, the National Libraries in Iran, India, Pakistan.. -
HISTORY and PEDAGOGY of MATHEMATICS NEWSLETTER
International Study Group on the Relations Between HISTORY and PEDAGOGY of MATHEMATICS NEWSLETTER An Affiliate of the International Commission on Mathematics Instruction No. 46 March 2001 HPM Advisory Board: Fulvia Furinghetti, Chairperson Dipartimento di Matematica (Universita` di Genova), via Dodecaneso 35, 16146 Genova, Italy Peter Ransom, Editor ([email protected]), The Mountbatten School, Romsey, SO51 5SY, UK Jan van Maanen, The Netherlands, (former chair); John Fauvel United Kingdom, (former chair); Florence Fasanelli, USA, (former chair); Ubiritan D’Ambrosio, Brazil, (former chair) Peter Ransom, The Mountbatten School Editorial Establishment of a History of Many thanks to all of you for your messages after Mathematics committee in the distribution of the last HPM Newsletter. I Hungary apologise for not getting the numbering correct, having mistakenly numbered it 44 instead of 45, hence this copy is now the 46th newsletter. My On the initiative of Katalin Munkácsy and László thanks to all the distributors who sent out copies Filep, the János Bolyai Mathematical Society of to people on their mailing lists. It gives me great Hungary has decided to form a standing pleasure to announce that the HPM Newsletter is committee for dealing with all matters concerning now on line, thanks to the work of Karen Dee history of mathematics including its relation to Michalowicz. You can find it at pedagogy, i.e. to the teaching of mathematics. The committee wants to put special emphasis on http://www.sju.edu/~ambruso/hpm/Welcome.html the history of mathematics in Hungary, and to build up fruitful relations with sister committees in other countries, as well as with ICHM. -
Ideals of Leadership — Masterpieces from the Aga Khan Museum
Ideals of Leadership Masterpieces from the Aga Khan Museum Collections ceremonials. ceremonials. The Aga Khan Museum, AKM72 Museum, Khan Aga The complexes, often key sites for court court for sites key often complexes, the establishment of royal garden garden royal of establishment the Opaque watercolour, gold, and ink on paper on ink and gold, watercolour, Opaque yet another aspect of royal patronage: patronage: royal of aspect another yet Qazvin, Iran, 1576-77 Iran, Qazvin, his architectural commissions. architectural his The Aga Khan Museum, AKM703 Museum, Khan Aga The scene depicted here in turn alludes to to alludes turn in here depicted scene seeks to promote dialogue, tolerance and mutual understanding among people. people. among understanding mutual and tolerance dialogue, promote to seeks panel was probably meant for one of one for meant probably was panel Attributed to Sadiqi Beg Beg Sadiqi to Attributed miniature painter in his own right. The The right. own his in painter miniature heritage. Through education, research, and collaboration, the Aga Khan Museum Museum Khan Aga the collaboration, and research, education, Through heritage. exquisite decoration, this star-shaped star-shaped this decoration, exquisite Ivory, wood, and metal in a wooden frame wooden a in metal and wood, Ivory, (Book of Kings) of Shah Isma’il Isma’il Shah of Kings) of (Book library and also an accomplished accomplished an also and library size, the materials used and the the and used materials the size, Egypt, 1470s Egypt, Shahnameh Shahnameh dispersed a from Folio Beg, the future director of the royal royal the of director future the Beg, appreciation of the contribution that Muslim civilisations have made to world world to made have civilisations Muslim that contribution the of appreciation Sultan Qaitbay (r. -
Al-K¯Ash¯I's Mift¯Ah.Al-H.Isab, Volume I Arithmetic
Al-K¯ash¯ı’sMift¯ah. Al-H. isab, Volume I Arithmetic: Translation and Commentary Nuh Aydin and Lakhdar Hammoudi Contents 1 Preface 3 2 Introduction5 2.1 A Biography of al-K¯ash¯ıand a Brief History..................5 2.2 List of al-K¯ash¯ı’sKnown Works......................... 10 2.3 Manuscript Copies of Mift¯ah. ........................... 14 2.4 Modern Researchers' Assessment of Mift¯ah. and al-K¯ash¯ı’sWork....... 16 2.5 Pedagogical Aspects of Mift¯ah. .......................... 18 2.6 Possible Future Projects............................. 20 2.7 Notes on Translation and the Purpose of This Work.............. 21 3 The Mift¯ah. Translation 22 3.1 Cover Page.................................... 22 3.2 Preface of The Mift¯ah. .............................. 24 3.3 Table of Content of The Mift¯ah. ......................... 30 3.4 The First Treatise on Integer Arithmetic.................... 41 3.5 The Second Treatise on Arithmetic of Fraction................. 123 3.6 The Third Treatise on Arithmetic of Astronomers............... 185 References 245 2 1 Preface It is unfortunate that one of the most important mathematics books of the medieval Islamic civilization,1 namely Mift¯ah. al-H. isab written by al-K¯ash¯ı in 1427, has not been fully trans- lated to English before. In fact, until the middle of the twentieth century it was unknown to modern researchers [27]. According to Rashed [31], traditional history of mathematics was shaken by Luckey's discovery of this monumental work. Mift¯ah. Al-H. isab is written in Arabic and has never been fully translated to another language except for Russian [33]. Also, two small sections of Mift¯ah. -
Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art
MASTERPIECES from the Department of Islamic Art in The Metropolitan Museum of Art EDITED BY Maryam D. Ekhtiar, Priscilla P. Soucek, Sheila R. Canby, and Navina Najat Haidar The Metropolitan Museum of Art, New York Distributed by Yale University Press, New Haven and London This catalogue is published in conjunction with the reopening of the Galleries for Copyright © 2011 by The Metropolitan Museum of Art, New York the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia on November 1, 2011. First printing, 2011 This publication is made possible through the generous support of Sharmin and All rights reserved. No part of this publication may be reproduced or transmitted in Bijan Mossavar-Rahmani. any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in Published by The Metropolitan Museum of Art, New York writing from the publishers. Mark Polizzotti, Publisher and Editor in Chief Gwen Roginsky, Associate Publisher and General Manager of Publications The Metropolitan Museum of Art Peter Antony, Chief Production Manager 1000 Fifth Avenue Michael Sittenfeld, Managing Editor New York, New York 10028 Robert Weisberg, Assistant Managing Editor metmuseum.org Edited by Cynthia Clark and Margaret Donovan Distributed by Designed by Bruce Campbell Yale University Press, New Haven and London Bibliography by Penny Jones yalebooks.com/art Production by Jennifer Van Dalsen yalebooks.co.uk Map by Anandaroop Roy Floor plans by Brian Cha -
Geometrical and Floral Motifs in Indian Islamic Paintings
GEOMETRICAL AND FLORAL MOTIFS IN INDIAN ISLAMIC PAINTINGS ABSTRACT OF THE ^y THESIS SUBMITTED FOR THE AWARD OF THE DEGREE Of Boctor of pt)tlQ£(op{ip FINE ARTS \ *^ BY FARAH KHAN Under the Supervision of DR. TALAT SHAKEEL DEPARTMENT OF FINE ARTS ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 2009 31 MAR 2011 ABSTRACT Decorative motif is a special branch of fine arts which has great aesthetic expression power. Different decorative motifs were used in different times as per personal whims of artists and the prevailing conditions. They have many elements like geometric patterns, floral motifs or simple patterns of Islamic art. But geometric patterns dominate because of their meaningful expression and outward beauty. Icons and motifs reveal sensuous, formal or stylistic values of metaphysics, religion and existing spiritual experiences. These motifs and forms are very popular in paintings of Islamic period and are developed considerably well by Muslim artists. This does not mean that their works were based on religious themes. These paintings displayed muslim cultures and were subject to rules and spirit of Islam. Here we are discussing the bases of Islamic art because Islam stands for peace and visualizes truth in an easy and balancing form in life. It encourages spread of culture and art within bounds of decency and morality. In the early days of Islam there were no figures or picture in mosques, schools and residential houses and this type of arts was not encouraged. However the passage of time and growth of cultural integration led to use of decorated wall paintings and portraits of natural scenes and illumination of manuscripts and textiles. -
Ulugh Beg 1393-1449
Ulugh Beg 1393-1449 Reproduction of Ulugh Beg’s visage Background Details Ulugh Beg was born in modern-day Iran to an Uzbek family His nickname, Ulugh Beg, means “great ruler” His real name was Mirza Mohammad Tāregh bin Shāhrokh He was the grandson of a great conqueror and his mother was a noble woman He is known for his capable leadership and contributions to math and astronomy Early Life Ulugh Beg became the ruler of a large amount of land at the young age of 18 where he moved the intellectual center of the territory to Samarkhand (UZ) He also built a madrasa, an Islamic school, based on the teachings of the Koran, the holy book of Muslims In 1428 he built a very large observatory where his study of the stars began Contributions to Astronomy By working in his observatory, Ulugh Beg cataloged 994 stars in his work Zij-i-Sultani in 1437 The catalog of stars was quite important and was used by other astronomers until the 17th century. He determined that a year has 365 days He also determined the tilt of the Earth, which remains the most accurate to this day Soviet Stamp commemorating 550 years of Ulugh Beg’s observatory Contributions to Math Beg is also important for his contributions to trigonometry He wrote accurate trigonometry tables for sine and tangent values correct at least eight decimal places. Death and Legacy Following his death, his contributions to math and science were forgotten His legacy was rehabilitated by a relative who was founder of the Mughal Empire, a territory primarily located in Northern India The moon crater, Ulugh Beigh, was named after Beg by German astronomer Johann Heinrich von Mädler For Further Reading: Ulugh Beg Biography: http://www-history.mcs.st- and.ac.uk/Biographies/Ulugh_Beg.html The Legacy of Ulugh Beg: http://vlib.iue.it/carrie/texts/carrie_books/paksoy- 2/cam6.html. -
Na~Ir Al-Din Al-Tüsi on Lunar Crescent Visibility and an Analysis with Modern Altitude--Azimuth Criteria
Na~ir al-Din al-Tüsi on Lunar Crescent Visibility and an Analysis with Modern Altitude--Azimuth Criteria Hamid-Reza Giahi Yazdi Introduction In Islamic astronorny, lunar crescent visibility was ao important observational subject of study. As the Muslim calendar is completely lunar, each month begios with Ihe first observation of Ihe lunar crescent aboye tbe western harizon. The determination ofluDar crescent visibility is a difficult task, because it depends on a variety of astronomicai and a variety of atmospheric parameters, sorne of lhe most important of which are the moon's angular separation fram lhe SUD, the time lag between sunset and moonset, the position of the mooo in ils orbít (relative to ils apogee and perigee), lhe fraction ofthe moon's surface that is illuminated, lhe c1eamess of lhe sky, and Ihe observer's power of vision. Therefore, medieval Muslim astronomers sought lo develop criteria for detennining lunar crescenl visibility al the beginning ofeach month.! Some of the tables or crileria for lunar crescent visibility in medieval Islamic astronomy have been sludied by historians ofastronomy, but many of their methods have not yet been investigated. A hislorically important criterion based on two parameters, the ecliplic elongalion, (buCd_i siwii) and the adjusled elongalion (b¡{d-i 11l1{addaf), was used by Nm{ir al-Din al-Tus! (597-672 WI201-1274 A.D.) in his llkhiínizfj. compiled ca. 640 H I See King, "Ru'yat al·hilal" [=Iunar crcsccnt visibilily] in thc Encyclopedia 01 Islam; also Kennedy and Janjanian, 1965, or Kennedy, 1983, pp. 151·156. Sce Kcnncdy, 1956, for significant ziJes conlaining tab1es on lunar crcsccnt visibililY. -
Macfest Brochure 2021
MACFEST MUSLIM ARTs AND CULTURE FESTIVAL CELEBRATING ARTS AND CONNECTING COMMUNITIES OVER 70 EVENTS JANUARY - JUNE 2021 WWW.MACFEST.ORG.UK [email protected] @MACFESTUK FESTIVAL HIGHLIGHTS 19TH CENTURY THE BLACK KEYNOTE ADDRESS FRENCH CONVERTS QUEENS OF ISLAM BY AKBAR S AHMED TO ISLAM FAMOUS PERSIAN CUISINE WRITERS: MUSICAL FINALE AND CULTURE IBN RUSHD AZERBAIJAN ARAB HERITAGE FESTIVAL FESTIVAL WELCOME TO MACFEST 2021! MACFEST MUSLIM ARTs AND CULTURE FESTIVAL Welcome to MACFEST 2021, a groundbreaking and John Rylands Libraries, Whitworth Art Gallery, and award-winning Muslim Arts and Culture Manchester Museum, Manchester Science and Festival in the North West. This year we have Industry Museum, Elizabeth Gaskell’s House, gone global! Khizra Mosque, the British Muslim Heritage Centre and Stretford Public Hall. Our mission: celebrating arts, diversity and connecting communities. We are proud to offer We are delighted to partner with Huddersfield you a rich feast of over 70 events from January Literature Festival, Manchester Science to June 2021 across Greater Manchester, Festival, Bury BAME project, Bolton Sunnyside celebrating the rich heritage of the Muslim Club, Glasgow Active Life Club, Manchester diaspora communities. As a national festival Muslim Writers and Trafford/Stockport College we are delighted to have MACFEST hosted in Partnership Group, hosting events and mini Manchester, Bolton, Bury, Oldham, Stockport, festivals. Rochdale, Huddersfield, Glasgow and Liverpool in the UK. We are equally delighted to host various schools and colleges from the North West of England, We are also delighted to offer you an who are celebrating MACFEST Days, with arts international feast, with events hosted from and cultural activities.