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Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
Join Together #4 Corflu 31 Memory Book July 2014 Join Together #4
JOIN TOGETHER #4 CORFLU 31 MEMORY BOOK JULY 2014 JOIN TOGETHER #4 CONTENTS COVER PHOTO GoH Gre! Trend, by Gary """"""""" Mattingly " CORFLU 31 LOGO Jay Kinney/Nic Farey 3 ONE CO- CHAIRMAN’S BIT Nic Farey 5 PROGRAM IN PICTURES Gary Mattingly 12 A CONSUITE CONVERSATION Aileen Forman 15 CONREP Rich Coad 21 VIRTUAL VIEWS Divers hands 24 A FEW MORE ‘OLIDAY PHOOTS Keith Freeman 27 FAAn AWARDS SUMMARY Compiled by Andy Hooper 31 MEMBER LIST Corflu 31 team: Sandra Bond, Randy Byers, Nic Farey, Aileen Forman, Ken Forman, Andy Hooper, Nathan Madison, John Nielsen-Hall, Curt Phillips Corflu.org webmaster: Bill “Magister” Burns Virtual convention streaming & recording: by Bill Burns & Rob Jackson Lifetime Achievement Award panel: Claire Brialey, Nic Farey, Andy Hooper, Earl Kemp, Dan Stefan, Damien Warman, Ted White For the Doubletree: Jason Whitt, Robin Stannard For Hotelplanner.com: Aedan Whitaker Franklin Document Services: Bryan Norris franklindocs.com PAGE 2 CORFLU 31 MEMORY BOOK JULY 2014 In Praise of... by NIC FAREY Yes, Virginia, that was a Corflu! I was massively grateful to be able to attend, meaning that there was only one of the top echelon team missing from proceedings (Randy Byers), who due to the exigencies of work, would only have been able to flit in for barely two days of Desperate Fun. Them Chungas know their fanac though, don’t they just? Andy Hooper’s sterling contributions to the program in particular and the whole event in general might have led the proverbial Martian drop-in to conclude that it was another of his Corflus after all. -
“War of the Worlds Special!” Summer 2011
“WAR OF THE WORLDS SPECIAL!” SUMMER 2011 ® WPS36587 WORLD'S FOREMOST ADULT ILLUSTRATED MAGAZINE RETAILER: DISPLAY UNTIL JULY 25, 2011 SUMMER 2011 $6.95 HM0811_C001.indd 1 5/3/11 2:38 PM www.wotw-goliath.com © 2011 Tripod Entertainment Sdn Bhd. All rights reserved. HM0811_C004_WotW.indd 4 4/29/11 11:04 AM 08/11 HM0811_C002-P001_Zenescope-Ad.indd 3 4/29/11 10:56 AM war of the worlds special summER 2011 VOlumE 35 • nO. 5 COVER BY studiO ClimB 5 Gallery on War of the Worlds 9 st. PEtERsBuRg stORY: JOE PEaRsOn, sCRiPt: daVid aBRamOWitz & gaVin YaP, lEttERing: REmY "Eisu" mOkhtaR, aRt: PuPPEtEER lEE 25 lEgaCY WRitER: Chi-REn ChOOng, aRt: WankOk lEOng 59 diVinE Wind aRt BY kROmOsOmlaB, COlOR BY maYalOCa, WRittEn BY lEOn tan 73 thE Oath WRitER: JOE PEaRsOn, aRtist: Oh Wang Jing, lEttERER: ChEng ChEE siOng, COlORist: POPia 100 thE PatiEnt WRitER: gaVin YaP, aRt: REmY "Eisu" mOkhtaR, COlORs: ammaR "gECkO" Jamal 113 thE CaPtain sCRiPt: na'a muRad & gaVin YaP, aRt: slaium 9. st. PEtERsBuRg publisher & editor-in-chief warehouse manager kEVin Eastman JOhn maRtin vice president/executive director web development hOWaRd JuROFskY Right anglE, inC. managing editor translators dEBRa YanOVER miguEl guERRa, designers miChaEl giORdani, andRiJ BORYs assOCiatEs & JaCinthE lEClERC customer service manager website FiOna RussEll WWW.hEaVYmEtal.COm 413-527-7481 advertising assistant to the publisher hEaVY mEtal PamEla aRVanEtEs (516) 594-2130 Heavy Metal is published nine times per year by Metal Mammoth, Inc. Retailer Display Allowances: A retailer display allowance is authorized to all retailers with an existing Heavy Metal Authorization agreement. -
Journal of Lesbian Studies Special Issue on Lesbians and Comics
Journal of Lesbian Studies Special Issue on Lesbians and Comics Edited by Michelle Ann Abate, Karly Marie Grice, and Christine N. Stamper In examples ranging from Trina Robbins’s “Sandy Comes Out” in the first issue of Wimmen’s Comix (1972) and Alison Bechdel’s Dykes to Watch Out For series (1986 – 2005) to Diane DiMassa's Hothead Paisan (1991 – 1996) and the recent reboot of DC’s Batwoman (2006 - present), comics have been an important locus of lesbian identity, community, and politics for generations. Accordingly, this special issue will explore the intersection of lesbians and comics. What role have comics played in the cultural construction, social visibility, and political advocacy of same-sex female attraction and identity? Likewise, how have these features changed over time? What is the relationship between lesbian comics and queer comics? In what ways does lesbian identity differ from queer female identity in comics, and what role has the medium played in establishing this distinction as well as blurring, reinforcing, or policing it? Discussions of comics from all eras, countries, and styles are welcome. Likewise, we encourage examinations of comics from not simply literary, artistic, and visual perspectives, but from social, economic, educational, and political angles as well. Possible topics include, but are not limited to: Comics as a locus of representation for lesbian identity, community, and sexuality Analysis of titles featuring lesbian plots, characters, and themes, such as Ariel Schrag’s The High School Chronicles strips, -
Corflu 26 PR 4
2 Introduction Welcome to AmaZed and CorfluZed the retrogression report for Corflu Zed (26) which was held in Seattle, 13-15 March, 2009 at the fabulous Hotel Deca in the University District. Contributors Art John D. Berry cover Dan Steffan 2 Gary Mattingly throughout Nic Farey 9 Brad Foster 17, 20, 24, 35 Innocent Bystander 10 Words Letter from the Chair 3 Chris Wrdnrd 5 Nic Farey 8 Rob Jackson 14 Ian Sorensen 18 Mark Manning 19 Andy Hooper, et al 21 Jerry Kaufman 28 Suzanne Tompkins 30 Andy Hooper 31 Letter Column 32 Membership List 34 And a tip o‘ the pubzed beanie to carl juarez and John D. Berry for typographical assistance and software advice. AmaZed and CorfluZed #4 3 Letter from the Chair by Randy Byers ell, Corflu Zed has come and gone, and all the Beloved that’s left is to say, “Thank godthat’s over Fanthology, Wwith!” which went into No, no, that’s not right. I actually enjoyed the the membership convention a great deal, and I was grateful that packets. (That those of us running it were not struck with any major was Ulrika’s idea, disasters — just a few minor catastrophes. As so by the way.) Pat often when I get involved in an elaborate fannish and Curt “Corflu project like this, I was reminded of how willing Fiddy” Phillips people are to lend their shoulders to the work. (Of did a whole lot pushing the convention up the hill? Hmm.) So my of work on the own variation on looking backward is going to consist pre-convention of acknowledging a few non-committee members membership Randy chairs another on-topic and who helped us out. -
Amazed and Corfluzed the Retrogression Report for Corflu Zed (26) Which Was Held in Seattle, 13-15 March, 2009 at the Fabulous Hotel Deca in the University District
2 Introduction Welcome to AmaZed and CorfluZed the retrogression report for Corflu Zed (26) which was held in Seattle, 13-15 March, 2009 at the fabulous Hotel Deca in the University District. Contributors Art John D. Berry cover Dan Steffan 2 Gary Mattingly throughout Nic Farey 9 Brad Foster 17, 20, 24, 35 Innocent Bystander 10 Words Letter from the Chair 3 Chris Wrdnrd 5 Nic Farey 8 Rob Jackson 14 Ian Sorensen 18 Mark Manning 19 Andy Hooper, et al 21 Jerry Kaufman 28 Suzanne Tompkins 30 Andy Hooper 31 Letter Column 32 Membership List 34 And a tip o‘ the pubzed beanie to carl juarez and John D. Berry for typographical assistance and software advice. AmaZed and CorfluZed #4 3 Letter from the Chair by Randy Byers ell, Corflu Zed has come and gone, and all the Beloved that’s left is to say, “Thank godthat’s over Fanthology, Wwith!” which went into No, no, that’s not right. I actually enjoyed the the membership convention a great deal, and I was grateful that packets. (That those of us running it were not struck with any major was Ulrika’s idea, disasters — just a few minor catastrophes. As so by the way.) Pat often when I get involved in an elaborate fannish and Curt “Corflu project like this, I was reminded of how willing Fiddy” Phillips people are to lend their shoulders to the work. (Of did a whole lot pushing the convention up the hill? Hmm.) So my of work on the own variation on looking backward is going to consist pre-convention of acknowledging a few non-committee members membership Randy chairs another on-topic and who helped us out. -
FUN BOOKS During COMIC-CON@HOME
FUN BOOKS during COMIC-CON@HOME Color us Covered During its first four years of production (1980–1984), Gay Comix was published by Kitchen Sink Press, a pioneering underground comic book publisher. Email a photo of you and your finished sheet to [email protected] for a chance to be featured on Comic-Con Museum’s social media! Share with us! @comicconmuseum #comicconmuseum SPECIAL EDITION 4 Anagrams of Class Photo Class Photo is a graphic novella by Gay Comix contributor and editor Robert Triptow. Take 3 minutes and write down words of each size by combining and rearranging the letters in the title. After 3 minutes, tally up your score. How’d you do? 4-LETTER WORDS 5-LETTER WORDS 1 point each 2 points each 6-LETTER WORDS 7-LETTER WORDS 8-LETTER WORDS 3 points each 4 points each 6 points each Share with us! @comicconmuseum #comicconmuseum SPECIAL EDITION 4 Cross Purpose It’s a crossword and comics history lesson all in one! Learn about cartoonist Howard Cruse, the first editor of the pioneering comic book Gay Comix and 2010 Comic-Con special guest. ACROSS DOWN Share with us! @comicconmuseum #comicconmuseum SPECIAL EDITION 4 Dots & Boxes Minimum 2 players. Take turns connecting two dots horizontally or vertically only; no diagonal lines! When you make a box, write your initials in it, then take another turn. Empty boxes are each worth 1 point. Boxes around works by the listed Gay Comix contributors are each worth 2 points. The player with the most points wins! Watch Out Fun Home Comix Alison Vaughn Frick Bechdel It Ain’t Me Babe Trina Robbins & Willy Mendes subGurlz Come Out Jennifer Comix Camper Mary Wings "T.O. -
TEEN AGE -A Construção Da Narrativa Gráfica a Partir Da Autobiografia
TEEN AGE A Construção da Narrativa Gráfica a Partir da Autobiografia Ana Raquel Cunha Diogo Relatório de Projeto para Obtenção de grau de Mestre em Artes Plásticas, Especialização em Desenho Orientador Professor Doutor Mário Moura Porto, 2019 Agradecimentos | i Quero agradecer ao meu orientador, Professor Mário Moura, pela sua disponibilidade em orientar-me, e acompanhar-me ao longo deste processo de trabalho. Agradeço principalmente aos meus pais pelo apoio e esforço que sempre fizeram ao longo destes anos de estudo. A Bárbara e Maria, que sempre me acompanharam durante este caminho e sempre me incentivaram para continuar, às suas recomendações e conhecimentos partilhados. Ao Pedro, pela paciência e motivação, e por me ajudar a nunca desistir. Aos meus colegas e amigos de mestrado, pelos bons e maus momentos, entreajuda, partilha de ideias e opiniões. Resumo | ii O presente relatório de projeto tem como principal objetivo abordar a banda desenhada autobiográfica como um modo expressivo de contar histórias aos quadradinhos em que os autores se assumem nas suas histórias como personagens, da mesma forma que se expressam perante a sociedade. O nosso caso de estudo é a banda desenhada do movimento artístico norte-americano criado na década de 60 e chamado Comix-Underground. A autobiografia é uma forma inevitável de exprimir o pessoal de cada um, visível ao leitor. Falamos assim de um projeto autorrepresentativo e do papel da mulher na sociedade nomeadamente na prática de skate na qual é assumida com a dominação masculina e se torna visível a desigualdade entre estes experienciando assim pequenos episódios de discriminação, preconceitos e estereótipos presentes na modalidade. -
Lbr-2016-17-021
SMALL BUSINESS COMMISSION CITYAND COUNTYOF SAN FRANCISCO M ARK DWIGHT, PRESIDENT EDWIN M. LEE, M AYOR REGINA D ICK-E NDRIZZI, D IRECTOR Legacy Business Registry Staff Report HEARING DATE NOVEMBER 28, 2016 CARTOON ART MUSEUM OF CALIFORNIA Application No.: LBR-2016-17-021 Business Name: Cartoon Art Museum of California Business Address: 275 5th Street, Suite 303 District: District 6 Applicant: Summerlea Kashar, Executive Director Nomination Date: October 3, 2016 Nominated By: Mayor Edwin Lee Staff Contact: Richard Kurylo [email protected] BUSINESS DESCRIPTION The Cartoon Art Museum of California is a 501(c)(3) nonprofit museum located in the South of Market neighborhood that preserves and exhibits the history and continuation of cartoon art and related artworks. The museum was founded by a group of cartoon enthusiasts in 1984 who began organizing exhibitions of artwork from their own collections and often set up these exhibitions in other local museums or corporate spaces before establishing themselves as an organization. The museum showcases a variety of cartoon art forms including editorials, comic books, graphic novels, anime, and weekend cartoons. The Cartoon Art Museum is not only known for its exhibition content but also its dedication to preserving and documenting this unique and accessible art form. Their continued mission is to “ignite imaginations and foster the next generation of visual storytellers by celebrating the history of cartoon art, its role in society, and its universal appeal.” The museum is the longest running museum of original cartoon art in the United States that is committed to the preservation and exhibition of this art. -
Corflu 37 Program Book (March 2020)
“We’re Having a Heatwave”+ Lyrics adapted from the original by John Purcell* We’re having a heatwave, A trufannish heatwave! The faneds are pubbing, The mimeo’s humming – It’s Corflu Heatwave! We’re starting a heatwave, Not going to Con-Cave; From Croydon to Vegas To bloody hell Texas, It’s Corflu Heatwave! —— + scansion approximate (*with apologies to Irving Berlin) 2 Table of Contents Welcome to Corflu 37! The annual Science Fiction Fanzine Fans’ Convention. The local Texas weather forecast…………………………………….4 Program…………………………………………………………………………..5 Local Restaurant Map & Guide…………..……………………………8 Tributes to Steve Stiles:…………………………………………………..12 Ted White, Richard Lynch, Michael Dobson Auction Catalog……………………………………………………………...21 The Membership…………………………………………………………….38 The Responsible Parties………………………………………………....40 Writer, Editor, Publisher, and producer of what you are holding: John Purcell 3744 Marielene Circle, College Station, TX 77845 USA Cover & interior art by Teddy Harvia and Brad Foster except Steve Stiles: Contents © 2020 by John A. Purcell. All rights revert to contrib- uting writers and artists upon publication. 3 Your Local Texas Weather Forecast In short, it’s usually unpredictable, but usually by mid- March the Brazos Valley region of Texas averages in dai- ly highs of 70˚ F, and nightly lows between 45˚to 55˚F. With that in mind, here is what is forecast for the week that envelopes Corflu Heatwave: Wednesday, March 11th - 78˚/60˚ F or 26˚/16˚C Thursday, March 12th - 75˚/ 61˚ F or 24˚/15˚ C Friday, March 13th - 77˚/ 58˚ F or 25 / 15˚ C - Saturday, March 14th - 76˚/ 58 ˚F or 24 / 15˚C Sunday, March 15th - 78˚ / 60˚ F or 26˚/16˚C Monday March 16th - 78˚ / 60˚ F or 26˚/ 16˚C Tuesday, March 17th - 78˚ / 60˚ F or 26˚/ 16˚C At present, no rain is in the forecast for that week. -
'WWWWD: What Would Wonder Woman Do?' an Interview With
‘WWWWD: What Would Wonder Woman Do?’ An interview with Trina Robbins Olivia Hicks (University of Dundee) and Julia Round (Bournemouth University) Trina Robbins is a comics creator, historian and activist. A long-time champion for female creators and readers, Trina has written and drawn pioneering feminist and LGBT comics in addition to reimagining iconic female super-heroines such as Wonder Woman. She spoke to Julia Round on 24 August 2016. What initially drew you to comics? My mother was a second-grade schoolteacher and she taught me to read at the age of 4, and that’s probably the greatest gift anyone has ever given me. Well, actually, the greatest gift anybody ever gave me was also from my mother and that was being born! But after that, learning to read at 4. I was reading way ahead of my age; I was reading everything. I was reading all the books in the house, and of course I was reading comics. Those were the days when they thought that comics were not good for kids; and a lot of people probably do still think that, but because I read everything, my parents weren’t afraid I would just read comics and never read anything else. So I had no problems from them, no objections. Do you remember what sort of comics you were reading early on? The earliest were comics that my mother bought for me. I really loved the Raggedy Ann book and so my mother got me the comics – there were Raggedy Ann comics. They were great! Our Gang was another. -
The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis
University of Alberta Telling Stories About Storytelling: The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis by Orion Ussner Kidder A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies ©Orion Ussner Kidder Spring 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-60022-1 Our file Notre référence ISBN: 978-0-494-60022-1 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats.