DOCSLIB.ORG

A Monster Calls

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Monster Calls A MONSTER CALLS TEACHING RESOURCES JULY—AUGUST 2018 CONTENTS Cast and Creative team 3 Old Vic Education The Old Vic The Cut Characters 8 London SE1 8NB E [email protected] Synopsis 9 @oldvictheatre Themes 11 © The Old Vic, 2017 All information is correct at the time of going to press, but may A Monster Calls Rehearsal Diary by Miranda Cromwell, 13 be subject to change Associate Director Teaching resources Compiled by An interview with Miranda Cromwell, Associate Director 17 Susie Ferguson Design James Cunninghame Graham An interview with Dan Canham, Movement Director 18 Rehearsal and Production Photography Manuel Harlan An interview with Matt Costain, Cast 19 Education & Community Hannah Fosker An interview with Benji Bower, Composer 20 Head of Education & Community Liz Bate Education Manager Classroom Activities 21 Naomi Lawson Young Persons Programme Manager Monique Odoom-Simpson Glossary 28 Education and Community Intern Portraying Grief and Loss: Challenging Subject Matter 29 Further details of this production oldvictheatre.com for Younger Audiences Bibliography and Further Reading 31 The Old Vic A Monster Calls teaching resources 2 CAST HAMMED ANIMASHAUN MATT COSTAIN Anton/Ensemble Mr Marl/Ensemble Theatre includes: Barber Shop Chronicles, Amadeus, Theatre as a performer includes: La Strada, Hetty Feather The Threepenny Opera (National Theatre); 7 New Plays (West End/UK tour); Treasure Island (West End); (National Theatre Studio); The Importance of Being Earnest Wendy and Peter, The Histories Cycle (RSC); War Horse, (Lyric Hammersmith/Latitude Festival); A Midsummer Night’s The Birds (National Theatre); Macbeth, Pericles, Dream, Bugsy Malone, Secret Theatre (Lyric Hammersmith); Man Falling Down (Shakespeare’s Globe); The Tempest Measure for Measure (Young Vic); Hate/La Haine (Regent’s Park); Romeo and Juliet (Rose Theatre); (Barbican); Heroes, Married to the Game (Theatre 503); A Midsummer Night’s Dream, Dr. Faustus, The Master The Boy Who Fell Into a Book (Soho); Mogadishu and Margarita (Chichester Festival); Theatre as a Director (Royal Exchange Manchester/UK tour). Television includes: and Aerial/Movement Director includes Treasure Island Breeders, Furious Andrew, Black Mirror, Pls Like!, Flowers, (West End); La Strada, (West End/UK tour); Wendy Wizard Sleeve, Deadbeats, The Mimic. Film includes: and Peter, The Histories Cycle, Dido Queen of Carthage The Festival, The Ellington Kid, Twenty8k, Borrowed (RSC); The Birds (National Theatre); The Empire Strikes Time, Tooting Broadway. Back, Brazil, Cuckoo’s Nest, Blade Runner, Bugsy Malone, Alien (Secret Cinema). NANDI BHEBHE Miss Godfrey/Ensemble GEORGIA FROST Theatre includes: The Tin Drum (Liverpool Everyman/ Sully/Ensemble UK tour); Twelfth Night, A Midsummer Night’s Dream Theatre includes: Little Mermaid (the egg, Theatre Royal (Shakespeare’s Globe); 946 (The Asylum/Shakespeare’s Bath); Television includes: Casualty, Magic of Musicals Globe); A Season in the Congo (Young Vic); Fela! (BBC). Georgia recently graduated from Bristol Old Vic (National Theatre/Broadway); 5,6,7,8 (Royal Court); Theatre School, where she won the Alan Bates Award Episodes of Blackness (Vocab Dance Company); 2017. 946 (St Ann’s Warehouse). STUART GOODWIN SELINA CADELL Monster/Ensemble Grandma/Ensemble Theatre includes: La Strada (West End/UK Tour); Theatre includes: The Cherry Orchard (The Old Vic/ Cyrano (The Company); Sleeping Beauty (Bristol Old Vic); New York); The Dresser, Noises Off (West End); Tristan & Yseult (USA tour); The Wild Bride (UK/USA tour); Humble Boy (Orange Tree); People, The Habit of Art, Midnight’s Pumpkin (BAC); A Conversation, Two Clouds Stanley (National Theatre); A Midsummer Night’s Dream Over Eden, Peer Gynt (Royal Exchange Manchester); (Albery Theatre); Twelfth Night, Uncle Vanya (Donmar). Hinge of the World (Yvonne Arnauld Theatre); Television includes: Love Nina, The Lady Vanishes, The Gentleman (Jermyn Street); A Russian in the Woods, Upstairs Downstairs, Toast, Spooks, Lewis, Midsomer Julius Caesar, The Lieutenant of Inishmore (RSC); Murders, Bremner, Bird and Fortune, The Catherine The Country Wife (Sheffield Crucible);The Three Tate Show, Casanova, Foyle’s War, Sword of Honour, Musketeers (Young Vic). Television includes: Doctors, Great Expectations, People Like Us, Doc Martin. Strictly Confidential, The Bill, Prime Suspect, State of Play, Film includes: The Lady in the Van, Nativity, Hereafter, State of Mind, The Cops. Film includes: Cashback, Rita, Snowcake, Festival, Match Point, Mrs Dalloway, Sue and Bob Too. The Madness of King George. FELIX HAYES Dad/Ensemble Theatre: Vice Versa, The Tempest, Comedy of Errors, Twelfth Night, A Midsummer Night’s Dream, City Madam, Cardenio, A Midsummer Night’s Dream (RSC); Peter Pan, Jane Eyre (Bristol Old Vic/National Theatre); One Hundred and One Dalmatians, The Adventures of Pinocchio, The Tempest, A Midsummer Night’s Dream, Ali Baba and the Forty Thieves, A Christmas Carol (Tobacco Factory Theatres). Television includes: Three Girls, A Gert Lush Christmas Special, Drunk Histories, Friday Night Dinner, Roisin Conaty. The Old Vic A Monster Calls teaching resources 3 JONATHAN HOLBY WITNEY WHITE Swing Lily/Ensemble Theatre includes: A Tale of Two Cities, Peter Pan Theatre includes: Loserville (West Yorkshire Playhouse/ (Regent’s Park); Lord of the Flies (Regent’s Park/UK tour), West End); Wonder.Land (National Theatre); Dusty The Importance of Being Earnest (ContextureTheatre); (Charing Cross Theatre); Room (Stratford East/Dundee Mirrorball (Arcola); The Renaissance Body (RSC); Rep/Abbey Theatre). Television includes: Doctors, Brian Looks Like Alan Rickman (BCT/York Theatre Royal); Clean Break. Project Mayhem (Secret Theatre Project, Hong Kong). Television includes: Queens. Film includes: The Terrible TESSA WOOD Tale of Henrietta Tate, The Intent, Blood and Glory, Beatgirl. Understudy Grandma Theatre includes: The Rocky Horror Show (West End/ JOHN LEADER German tour); The Provoked Wife, Five Kinds of Silence Harry/Ensemble (Stepping Out Theatre); Our Town (Almeida); The Barrier Theatre includes: Vivaldi’s The Four Seasons: (Park Theatre); Orpheus & Euridyce, Memories of Loss A Reimagining (Shakespeare’s Globe); The Lion, (Riverside Studios). Televison includes: First Kill, Last Kill, the Witch and the Wardrobe (West Yorkshire Playhouse); Accidental Heroes and Triangle. Film includes: The Last Peter Pan, War Horse (National Theatre); Chigger Foot House on Cemetery Lane, Skin, Swoosh!, Somebody Boys (Tara Arts); Running Wild (Regent’s Park); Romeo to Love Me, Skin — Terror Awards International for Best and Juliet (Orange Tree); Beasty Baby (Theatre Rites/ Supporting Actress. Polka); Alice’s Adventures Underground (Les Enfants Terribles); Clown (Pohang Bada International Festival, MUSICIANS South Korea). John trained at East 15 Acting School. BENJI BOWER MARIANNE OLDHAM Composer/Musician Mum/Ensemble Theatre includes: La Strada, Hetty Feather (West End/ Theatre includes: Rosencrantz & Guildenstern Are Dead Kenny Wax); Peter Pan, Jane Eyre (Bristol Old Vic/ (The Old Vic); An Inspector Calls (West End); National Theatre); The Lion, The Witch & the Wardrobe The Argument (Hampstead); Boy in the Striped Pyjamas (West Yorkshire Playhouse); Sleeping Beauty, The Boy (Chichester); The Real Thing,The Changeling (ETT); Who Cried Wolf, Treasure Island, Papa Please Get Hamlet (The Factory); Design for Living (Salisbury The Moon For Me, Aesop’s Fables (Bristol Old Vic); Playhouse); The Girl in the Yellow Dress (Market Theatre We’re Going on a Bear Hunt (UK/World tour); Outpost, Johannesburg/Live Theatre Newcastle); Troilus and One Hundred and One Dalmatians, Cinderella, Ali Baba Cressida (Cheek by Jowl); How Many Miles to Basra and the Forty Thieves, Ugly Duckling (Tobacco Factory (West Yorkshire Playhouse). Television includes: A Very Theatres); Orpheus and The Furies, Table of Delights English Scandal, The Living and the Dead, Life in Squares, (Damfino Theatre); Television includes:Panorama, The Musketeers, Foyle’s War, The Crimson Field, Doctors, Horizon, Alaska, Countryfile, Autumwatch. The Impressionists, WPC56. Film includes: Finding your Feet, Absolutely Anything, Silent Girl, Titus, WILL BOWER 500 Miles North. Musician Theatre includes: Jane Eyre, Peter Pan (National Theatre/ MATTHEW TENNYSON Bristol Old Vic); The Lion, The Witch & The Wardrobe Conor (West Yorkshire Playhouse); The Boy Who Cried Wolf, Theatre includes: Flare Path (West End); Making Table of Delights (Bristol Old Vic); Cinderella: A Fairytale, Noise Quietly — Evening Standard Theatre Award One Hundred and One Dalmations (Tobacco Factory for Outstanding Newcomer (Donmar); Salome, (RSC); Theatres); Outpost (Green Ginger). Television includes: Cleansed (National Theatre); The Seagull (Regent’s Park); Frozen Planet, Cult of a Suicide Bomber; Faster Harder A Breakfast Of Eels — Off West End Award for Best Male Stronger. Will also is co-founder of UNFORSCENE and Performance (The Print Room); A Midsummer Night’s Bower Brothers with worldwide releases on Tru Thoughts Dream (Shakespeare’s Globe); Beautiful Thing — Records and Kudos Records. Credits include: Pacific Manchester Theatre Award for Best Newcomer Heights, New World Disorder, Fingers and Thumbs (Royal Exchange Manchester). Television includes: and Return of the Wob. A Midsummer Night’s Dream, Grantchester, Humans, Babylon, Father Brown, The Hollow Crown. Film includes: Making Noise Quietly. The Old Vic A Monster Calls teaching resources 4 CREATIVE TEAM SIOBHAN DOWD PATRICK NESS Conception Author Siobhan
Load more

Recommended publications
  • Bristol Leisure Focus
    Hotels Restaurants Pubs Leisure Leisure Property Specialists Investments Bristol Leisure Focus 2015 Bristol, currently European Green Capital, the first UK city to be awarded the accolade, is regularly voted as one of the best places to live in Britain, due to its eclectic and unmistakeable identity. This has led to the city being recognised as the fastest growing hi-tech sector outside of London. Large scale redevelopment of the city centre and surrounding areas and the much needed improvement of the historic waterways is presenting new opportunities and welcoming a host of new arrivals to the city. 1 The eighth largest city in the UK with a population approaching 440,000, Bristol is a vibrant and passionate city that has its own unmistakable identity. Introduction Bristol is the economic capital of the South offices and 250 residential apartments, it Once viewed as a much wasted and West, being home to more than 17,500 offers broad appeal and attracts 17 million neglected asset, Bristol’s waterfront areas businesses, with a third of UK-owned FTSE visitors each year. are benefitting from a series of large scale 100 companies having a significant presence developments bringing life to the waters’ in the city. Bristol was recently attributed as Growth continues with significant edge with schemes such as Finzels Reach the fastest growing hi-tech sector outside of developments underway to improve the and Wapping Wharf offering mixed use London (McKinsey and Co, 2014). city’s transport links. Bristol Airport is developments and waterfront leisure currently in the process of undergoing a opportunities.
    [Show full text]
  • 1999 + Credits
    1 CARL TOMS OBE FRSA 1927 - 1999 Lorraine’ Parish Church Hall. Mansfield Nottingham Journal review 16th Dec + CREDITS: All work what & where indicated. 1950 August/ Sept - Exhibited 48 designs for + C&C – Cast & Crew details on web site of stage settings and costumes at Mansfield Art Theatricaila where there are currently 104 Gallery. Nottm Eve Post 12/08/50 and also in Nottm references to be found. Journal 12/08/50 https://theatricalia.com/person/43x/carl- toms/past 1952 + Red related notes. 52 - 59 Engaged as assistant to Oliver Messel + Film credits; http://www.filmreference.com/film/2/Carl- 1953 Toms.html#ixzz4wppJE9U2 Designer for the penthouse suite at the Dorchester Hotel. London + Television credits and other work where indicated. 1957: + Denotes local references, other work and May - Apollo de Bellac - awards. Royal Court Theatre, London, ----------------------------------------------------- 57/58 - Beth - The Apollo,Shaftesbuy Ave London C&C 1927: May 29th Born - Kirkby in Ashfield 22 Kingsway. 1958 Local Schools / Colleges: March 3 rd for one week ‘A Breath of Spring. Diamond Avenue Boys School Kirkby. Theatre Royal Nottingham. Designed by High Oakham. Mansfield. Oliver Messel. Assisted by Carl Toms. Mansfield Collage of Art. (14 years old). Programme. Review - The Stage March 6th Lived in the 1940’s with his Uncle and Aunt 58/59 - No Bed for Bacon Bristol Old Vic. who ran a grocery business on Station St C&C Kirkby. *In 1950 his home was reported as being 66 Nottingham Rd Mansfield 1959 *(Nottm Journal Aug 1950) June - The Complaisant Lover Globe Conscripted into Service joining the Royal Theatre, London.
    [Show full text]
  • Coram Boy, Adapted by Helen Edmundson from Jamila Gavin’S Whitbread Award-Winning Children’S Book
    24/02/09 A tale of foundlings, angels, murder and music The Western Australian Academy of Performing Arts opens its 2009 theatre season with the acclaimed play Coram Boy, adapted by Helen Edmundson from Jamila Gavin’s Whitbread award-winning children’s book. In the 250th anniversary year of George Frideric Handel’s death, WAAPA brings to its main stage this power- packed drama which fuses the music of the great Baroque composer with a gripping, gothic tale set in the dark heart of 18th century England. Coram Boy will be performed in the Geoff Gibbs Theatre for seven performances only from Friday 13 March. It will showcase the 3rd Year Acting students, supported by post-graduate Classical Vocal students, with direction by WAAPA’s Head of Acting Chris Edmund and musical direction by David Wickham, WAAPA’s Lecturer in Piano. Coram Boy tells the story of two boys who find themselves at the Coram Foundling Hospital in London, a children’s home established for the ‘education and maintenance of exposed and deserted young children’. This actual institution was founded in 1739 by the philanthropic sea captain, Thomas Coram. Handel, and other inspired men of the time including the English artist William Hogarth, was actively involved in supporting the institution. By 1953, when the Coram Hospital ceased operating, more than 27,000 children had passed through its doors. The play weaves the story of the Coram Hospital, the children who made it their home and the music of Handel into a high drama peopled with dastardly villains, cold-hearted aristocrats, devoted friends and passionate lovers.
    [Show full text]
  • The Road to Bristol Old Vic
    250 YEARS OLD Thank you for being part of one of the most significant anniversaries in the history of British theatre. We’ve done our best to curate a programme worthy of your efforts, inspired by the astonishing creativity of the thousands of artists – from Sarah Siddons to Sally Cookson – who have delighted and entertained you and your forebears over the last 250 years. But at heart, ours is a story of passion, survival and reinvention. All the other theatres producing plays in 1766 have fallen down or been demolished because, at some point in their history, their audiences abandoned them. This one has survived because each time it’s faced disaster, Bristolians from all over the world have given it new life. It happened in 1800, when popular demand led to the ceiling being tipped up and the new gallery being built, increasing the capacity to an eye-watering 1,600. It happened in 1933 when Blanche Rogers initiated the campaign that the old place should be saved and become ‘Bristol’s Old Vic’. It happened in 2007 when Dick Penny held the open meeting (which many of you attended), leading to the Arts Council continuing its vital support for the theatre. And it’s happening throughout this wonderful anniversary, as you carry us towards the final stage of the refurbishment that will set us securely on our adventures over the next 250 years. So as you read about the shows we’re staging and the projects we’re curating during our birthday year, don’t forget to give yourself a warm pat on the back for being the people who are, in the end, responsible for all of it.
    [Show full text]
  • New Plays from the MA Drama Writing Students of 2020 First Published in 2020 by Bristol Old Vic Theatre School All Rights Reserved
    New Plays from the MA Drama Writing Students of 2020 First published in 2020 by Bristol Old Vic Theatre School All rights reserved. If you are interested in contacting a writer regarding representation please contact them c/o Bristol Old Vic Theatre School. Application for professional and amateur performance rights should be directed to the author c/o Bristol Old Vic Theatre School. No performance may be given unless a licence has been obtained, and no alterations may be made in the title or the text of the adaptation without the author’s prior written consent. You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or binding or by any means (print, electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. CONTENTS Georgie Bailey, Tadpoles 5 Maddie Beautyman, The Predicament of Living, 31 Emily Glaze, Mute, 47 Jaisal Marmion, West Country Oriental Gentleman, 73 Dan Scott, Orbital Decay, 89 Eva Sinclair, Artificial Flavouring, 117 Abigail Slack, Two Tribes, 135 Jacob P Woods, Pink’s Furniture Store, 151 TADPOLES Georgie Bailey Beware of the pond life, it’s bad yano. Tad’s older, autistic brother Kit is being targeted by the local Estate Boys gang. Deciding to take matters into his own hands, Tad begins a feud with them, leading himself into the jaws of a shady group inhabiting the local pond who offer him protection in exchange for a job, whilst Kit is indoctrinated into a crew of his own: the Toad on the Roads volunteers.
    [Show full text]
  • Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
    English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath.
    [Show full text]
  • Organisations Alexandra Theatre, Bognor Regis
    Statement from (in alphabetical order) Organisations Alexandra Theatre, Bognor Regis - Hazel Latus Almeida Theatre – Rupert Goold, Denise Wood Ambassador Theatre Group - Mark Cornell and Michael Lynas Andrew Treagus Associates - Andrew Treagus Arcola Theatre – Mehmet Ergen, Leyla Nazli, Ben Todd Arts Theatre - Louis Hartshorn and Lizzie Scott Barbican Theatre - Toni Racklin Battersea Arts Centre – David Jubb Belgrade Theatre – Hamish Glen, Joanna Reid Birmingham Hippodrome - Fiona Allan Birmingham Repertory Theatre – Roxana Silbert and Stuart Rogers Birmingham Stage Company - Neal Foster and Louise Eltringham Bridge Theatre – Nicholas Hytner, Nick Starr Bristol Old Vic – Tom Morris, Emma Stenning Bush Theatre – Madani Younis, Jon Gilchrist Cheek by Jowl - Declan Donnellan, Nick Ormerod and Eleanor Lang Chichester Festival Theatre – Daniel Evans, Rachel Tackley Citizens Theatre - Dominic Hill, Judith Kilvington Curve Theatre - Chris Stafford and Nikolai Foster Darlington Hippodrome - Lynda Winstanley Derby Theatre – Sarah Brigham Disney Theatrical Productions - Richard Oriel and Fiona Thomas Donmar Warehouse – Josie Rourke, Kate Pakenham Donna Munday Arts Management - Donna Munday D'Oyly Carte Opera Trust - Ian Martin Eclipse - Dawn Walton Empire Street Productions - James Bierman English National Ballet - Tamara Rojo & Patrick Harrison English Touring Theatre - Richard Twyman, Sophie Watson Everyman Theatre, Cheltenham - Paul Milton and Penny Harrison Festival City Theatres Trust - Duncan Hendry and Brian Loudon Fit The Bill - Martin Blore
    [Show full text]
  • Lay Clerkships at Bristol Cathedral
    Bristol Cathedral Choir L A Y C L E R K S Revised April 2019, TP Lay Clerkships at Bristol Cathedral Bristol Cathedral is one of the city’s most beautiful buildings, containing architecture from the 12th century (most famously in the stunning Chapter House) right through to the 19th (the Nave). It has perfect acoustics for the singing of choral music and is possessed of one of the finest Edwardian Cathedral Organs in the country (built in 1907 by the prestigious firm of J W Walker, and completely restored in 1990). Further information about the Cathedral and its life can be found by visiting bristol-cathedral.co.uk There has been a choir at Bristol Cathedral since its foundation in 1542, and probably since the days of the Augustinians (from 1140). Services are sung six times a week during term time by either the Cathedral Choir (Lay Clerks & Choral Scholars and boys/girls) or the Cathedral Consort. The Choir The Cathedral Choir consists of up to 28 choristers (14 boys and 14 girls), probationary choristers, six Lay Clerks, and four Choral Scholars. The Cathedral Choir encourages singers from the University of Bristol and UWE through the Choral Scholarship scheme. The current pattern for sung worship in the Cathedral (as it affects Lay Clerks) is as follows: Monday, Tuesday rehearsal (4.45pm) for Evensong (5.15 pm) sung by the full Choir Friday rehearsal (4.45pm) for Evensong (5.15pm) sung by the Lay Clerks Saturday rehearsal (2.30pm) for Evensong (3.30pm) sung by the full Choir. There is a Saturday off once a month.
    [Show full text]
  • Central Location City Centre £215,000
    Central Location City Centre £215,000 Flat 1, College House , Orchard Street, City Centre, Bristol, BS1 5DX • Open Plan Kitchen/Lounge • Close to Amenities including Cabot Circus and the Colston Hall • Bike Storage • Walking Distance to the BRI, St Michael's Hospital, Bristol • City Centre Location University, Harbourside and Bristol Temple Meads Train Station Situated in a stunning historic Georgian road just off Park Street, this is a well presented one-bedroom ground floor apartment, ideally suited for all that Bristol City Centre has to offer. A collection of boutiques, bars and restaurants can all be found on the adjacent Park Street. Other nearby well-known Bristol landmarks include: Bristol University, Bristol Cathedral, The Hippodrome, Bristol Old Vic Theatre, Bristol Museum and Art Gallery, The Central Library and Brandon Hill Park. The Cabot Circus shopping centre and city centre markets are also a short distance away. If perhaps you prefer to cycle to see the sights in the city centre, there is bike storage available within the communal areas. Approached via a communal hall a split-level entrance hall with window to the side provides an attractive entrance to the flat. The main reception area has been designed in an open plan style with an attractive large sash window accentuating the rooms natural light. The Kitchen/breakfast area has a range of Shaker style wall and base units, integrated oven, hob, extractor fan, dishwasher and stainless steel sink unit. There is space for an under counter fridge and washer/dryer with space for dining table moving into the living area.
    [Show full text]
  • Colin Grenfell Lighting Designer
    Colin Grenfell Lighting Designer Colin has been lighting shows and performances for over 20 years, beginning his career with the Improbable Theatre Company. His first productions were 70 HILL LANE and ANIMO and these marked the start of a long collaboration; designing the lighting for shows touring the UK and around the world, including THEATRE OF BLOOD (National theatre), THE HANGING MAN (West Yorkshire Playhouse) LIFEGAME (National Theatre, UK Tour, La Jolla Playhouse, Off Broadway, Brisbane, US Tours) SPIRIT (Royal Court, UK, US Tours, Sydney Opera House,New York Theatre Workshop. Agents Rose Cobbe Assistant Florence Hyde [email protected] +44 (0) 20 3214 0957 Credits Theatre Production Company Notes RODELINDA Royal College of Music Dir. Jo Davies 2021 STILL Traverse Theatre Dir. Gareth Nicholls 2021 THE KING OF HELL'S Hampstead Theatre Dir. Michael Boyd PALACE 2019 MACBETH Royal Exchange Theatre, Manchester Dir. Christopher Haydon 2019 TAO OF GLASS Royal Exchange Theatre, Manchester Co-Directors: Phelim 2019 McDermott and Kirsty Housley United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes ON THE EXHALE China Plate & Audible in association Dir. Christopher Haydon 2018 with New Theatre Royal Portsmouth THE CHERRY ORCHARD Bristol Old Vic & Manchester Royal Dir. Michael Boyd 2018 Exchange CHRISTMAS EVE Theatre Royal Bath Dir. Laurence Boswell 2018 TROUBLE IN MIND Print Room at the Coronet/Theatre Dir Laurence Boswell 2017 Royal
    [Show full text]
  • Barber Shop Chronicles
    Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production WHEN: VENUE: THURSDAY, NOV 8, 7∶30 PM ROBLE STUDIO THEATER FRIDAY, NOV 9, 7∶30 PM SATURDAY, NOV 10, 2∶30 & 7∶30 PM Photo by Dean Chalkley Program Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production Writer Inua Ellams Design Associate Director Bijan Sheibani Catherine Morgan Designer Rae Smith Re-lighter and Production Electrician Lighting Designer Jack Knowles Rachel Bowen Movement Director Aline David Lighting Associate Sound Designer Gareth Fry Laura Howells Music Director Michael Henry Sound Associate Fight Director Kev McCurdy Laura Hammond Associate Director Stella Odunlami Wardrobe Supervisor Associate Director Leian John-Baptiste Louise Marchand-Paris Assistant Choreographer Kwami Odoom Barber Consultant Peter Atakpo Company Voice Work Charmian Hoare Pre-Production Manager Dialect Coach Hazel Holder Richard Eustace Tour Casting Director Lotte Hines Production Manager Sarah Cowan Wallace / Timothy / Mohammed / Tinashe Tuwaine Barrett Company Stage Manager Tanaka / Fifi Mohammed Mansaray Julia Reid Musa / Andile / Mensah Maynard Eziashi Deputy Stage Manager Ethan Alhaji Fofana Fiona Bardsley Samuel Elliot Edusah Assistant Stage Manager Winston / Shoni Solomon Israel Sylvia Darkwa-Ohemeng Tokunbo / Paul / Simphiwe Patrice Naiambana Costume Supervisor Emmanuel Anthony Ofoegbu Lydia Crimp Kwame / Fabrice / Brian Kenneth Omole Costume and Buying Supervisor Olawale / Wole / Kwabena / Simon Ekow Quartey Jessica Dixon Elnathan / Benjamin / Dwain Jo Servi Abram / Ohene / Sizwe David Webber Co-commissioned by Fuel and the National Theatre. Development funded by Arts Council England with the support of Fuel, National Theatre, West Yorkshire Playhouse, The Binks Trust, British Council ZA, Òran Mór and A Play, a Pie and a Pint.
    [Show full text]
  • Cast and Crew in Association with Classical Kicks Productions and EB
    Cast and Crew Emily Blacksell—Producer, Director and Writer Emily’s 18-year career in the entertainment sector has seen her assist, support, and represent some of the legendary figures of their respective fields both in the UK and internationally, namely the late John Barton CBE, the late Sir Peter Hall, Sir Paul McCartney and Sally Greene OBE. She has worked for world-renowned organisations and venues including the RSC, MPL Communications Ltd., the Old Vic Theatre, Old Vic Productions (now Greene Light Stage), Ronnie Scott’s Jazz Club, and Bristol Old Vic Theatre, granting her extraordinary access to, and the experience of working with, globally recognised creative teams and artists on diverse projects and creative ventures. These include Tantalus (USA and Europe), Billy Elliot the Musical (worldwide), five world tours, four album releases, and six book publications during her five years as Assistant to Sir Paul McCartney, and eight seasons at the Old Vic Theatre – a period that included the groundbreaking three-year BAM/Old Vic/Sam Mendes Bridge Project collaboration. Emily received her creative and academic training from the Guildhall School of Music and Drama Junior department where she studied violin and voice, and the University of Birmingham where she read English and Drama. Her passion for music specifically, and performance in general, has informed her own practice and enabled her to work creatively as a director, assistant director, and producer across theatre, opera, digital platforms, and film. As Producer: WillShake Henry V (Short Form Film Company) featuring Tom Hiddleston; Theatre Lives (Digital Theatre+) featuring Dame Julie Walters, Imelda Staunton, Juliet Stevenson, Adrian Lester, and Michael Grandage; Producer & Project Manager Peter O’Toole Memorial (Old Vic Theatre, London); Producer & Co-Curator - with Tom Morris and John Caird - Bristol Old Vic 250th Anniversary Gala.
    [Show full text]