AMY HAUFT Leslie Waggener Professor in Sculpture Department of Art and Art History [email protected] University of Texas at Austin Page 1 of 21

EDUCATION

MFA School of the Art Institute of Chicago, Sculpture, 1983. - Skowhegan School of Painting and Sculpture, 1981. BA University of California Santa Cruz, Fine Art, 1980.

ACADEMIC POSITIONS

2013 - now Studio Arts Scholarship and Fellowship Coordinator, Department of Art and Art History University of Texas at Austin, Austin TX. 2013 - 2016 Studio Arts Graduate Advisor, Department of Art and Art History University of Texas at Austin, Austin TX. 2012 - now Leslie Waggener Professor in Sculpture, Department of Art and Art History University of Texas at Austin, Austin TX. 2004 – 12 Professor and Chair, Department of Sculpture + Extended Media School of the Arts, Virginia Commonwealth University, Richmond VA. 2002 – 04 Professor, Sculpture Area Tyler School of Art, Temple University, Elkins Park PA. 1998 – 99 Associate Professor Temple Rome Campus, Rome Italy. 1995 – 02 Associate Professor, Sculpture Area Tyler School of Art, Temple University, Elkins Park PA. 1989 – 95 Assistant Professor, Sculpture Area Tyler School of Art, Temple University, Elkins Park PA. 1989 (spring) Lecturer, Visual Arts Program Princeton University, Princeton NJ. 1988 (fall) Visiting Artist California Institute of the Arts, Los Angeles CA.

ADMINISTRATION

U N I V E R S I T Y - W I D E S E R V I C E

University of Texas at Austin Landmarks Committee (2012 - now) Work with committee to commission and maintain world class public art on campus Recent commissions include: Nancy Rubins, Sol LeWitt, Casey Reas, James Turrell, Ann Hamilton, Marc Quinn Subcommittee for the Review of Artwork (on campus), Chair. (2012 - now) Work with committee to consider quality of proposed public art projects by various colleges for campus Make recommendations to Faculty Building Advisory Committee who report to the President of the University University Graduate Welfare Committee (2012 - 2016) AMY HAUFT [email protected] Page 2 of 21

Work with representatives from the Graduate student government regarding graduate student rights Outstanding Thesis Report Award Committee (2014 - now) Work with several faculty across university to evaluate and rank thesis projects in the humanities for awards

Virginia Commonwealth University U.S. News & World Report ranks VCUarts Sculpture Department #1 (2004–2012) VCU Grace Harris Leadership Institute Training for Chairs (2011) President’s Sculpture: organized commissioned sculpture of outgoing University president for VCU Board of Visitors (2005–2009)

Temple University Provost’s Fellow in the Arts (2002/2003) Provost’s Arts Commission (2002/2003) Graduate Board - Elected Tyler representative, 3-year term (1998–2001) Graduate Board Fellowship subcommittee (1999–2001) Graduate Board Fellowship Arts sub-subcommittee (1999–2001) Graduate Board Fellowship Policy sub-subcommittee (2000/2001) Graduate Admissions and Recruitment Committee (2001–2003) Faculty Leadership Council (2000–2002) Temple’s Rome Campus Committee (1999/2000)

C O L L E G E S E R V I C E

University of Texas at Austin, College of Fine Arts Graduate Advisors and Coordinators Committee (2013 - 2016) College of Fine Arts Promotion and Tenure Committee (2012 - 2015) Mexico City Field Trip (2016-2017) Made proposal and got authorization from Dean to create undergraduate field trip to Mexico City to study contemporary art scene there 4 faculty from across college will accompany a set of undergrads from across college Successfully negotiated financial support from 4 areas to send students

Virginia Commonwealth University, School of the Arts Administrative Advisory Committee to Dean (2004-2012) Committee on Graduate Studies (2004-2012) Chair, Art Foundation Advisory Group. Make recommendations to incoming Art Foundation Director regarding curricular restructuring (2005–2006) Search Committee Member, Director of Art Foundation Program (2005-2006) SOUTH EASTERN COLLEGE ART CONFERENCE (SECAC) co-organizer for Richmond conference (2009-2010) Visiting Speaker Program. Organize and host 10 internationally renown artists, curators and critics annually (2004-2012) Organize/curate exhibitions for FAB Gallery, VCUarts Deville Cohen exhibition - with brochure (2012), “Demo Show” (2011), Adjunct exhibition, “Splice” (2010), Demetius Oliver exhibition - with brochure (2009), Johnston Foster exhibition- with brochure (2008), Exchange MFA Exhibition with Tyler School of Art (2007), Ann Agee exhibition – with brochure (2007), Ester Partegas exhibition - with brochure (2006) Curated exhibition for Anderson Gallery, VCUarts, “Relativity” (with catalogue) (2005) AMY HAUFT [email protected] Page 3 of 21

Windmuller Speaker Series, Selection Committee (2006-2009) Hosted: Christo + Jean Claude (2007), Lawrence Wechler (2008), Lewis Hyde (2009)

Tyler School of Art Course and Curriculum Committee (1994/1995 [Chair] & 1997/1998) Computer Committee (1996/1997 + 2000/2001) Executive Council Elected member at-large (1996/1997 + 1997/1998 + 2002 – 2004) Foundation Council (2001/2002[ex-officio] + 2002 - 2004) Graduate Committee (1999 through 2001 [ex-officio]) Leaves and Awards Committee (2000/2001 [Chair] & 2001/2002 [Chair]) Provost’s Task Force (1997/1998 [elected member at-large]) Personnel Committee (2002/2003 + 2003/2004 [Chair]) Personnel Committee/Crafts Department (2001 through 2004) External member of Departmental tenure committee National Portfolio Day Tyler Representative (1996- 2002) Open House Recruitment Representative (1990-2002) Organizational, administrative and budgetary duties for Sculpture Area and 3D Foundation Area Search Committees: Interdisciplinary Artist for Painting Drawing & Sculpture Department [Chair] (2003) Critical Theory for Painting Drawing & Sculpture Department [Chair] (2003) Sabbatical Replacement for Sculpture [Chair] (2003) Selected by Acting Dean to attend interviews with finalists for Tyler’s Dean (2002/2003) Foundation Coordinator (for new department) (1999/2000) Sabbatical Replacement for Sculpture [Chair] (1993) 3D Foundation Coordinator (1995,1997,1998,2000)

D E P A R T M E N T S E R V I C E

University of Texas at Austin - Department of Art and Art History Graduate Advisor for Studio Art Grad Students (2013–2016) Organizational and fiduciary responsibility for graduate fine arts budget Work with Studio Art Graduate Coordinator Liaise with Department Chair Curriculum Redesign Proposed and received authorization from Graduate School for competely redesigned MFA curriculum Rewrote MFA Handbook for new curriculum Royal College of Art, London exchange Created recipricol exchange program wherein each school sends one student to the other for a semester, annually Got financial commitment from Dean’s office to support program SOMA Summer, Mexico City Created long term relationship with wherein we send one student for 6 week program each summer Publicity/Outreach Created a more outward facing program THE NEW AUSTINIST Created annual publication in which MFA program is professionally documented and presented AMY HAUFT [email protected] Page 4 of 21

Publication used for recrutiment purposes Got funding from Dean’s office for 3 years of publication Art & Education Ads Instituted 2 email blasts each year touting faculty hires, thesis exhibition, etc. Open House Instituted annual fall Open House for Prospective graduate students 1/2 a day long event featuring faculty and students Open Studio Instituted annual Open Graduate Studios for interested community members Responsible for/to: 20 Full-time faculty 25 - 30 (approx) MFA students Areas: Painting, Photography, Printmaking, Sculpture, Transmedia Recruit graduate class in all 5 areas Accept 5% from applicant pool Shepherd and advise enrolled grads through the program Coordinate committee reviews Coordinate thesis exhibitions Distribute Teaching Assistantships Organize faculty committees to determine summer fellowship awards to Skowhegan, Oxbow, Vermont Studio School, SOMA Summer Organize faculty committee to determine RCA semester exchange Work with UT International Studies office to facilitate exchange Work with counterpart at RCA to keep exchange going Work closely with outgoing and incoming exchange students Liaise with the Department Chair, Division Chairs and Area Heads Facility Improvements: Built and installed movable walls to create more privacy in Transmedia grad studios Built and installed movable walls to create more privacy in Photo grad studios Worked with renovation plan to create 4 additional private grad studios in Sculpture Created supplies/toolkit for grad painters Graduate Studio Art Scholarship and Fellowship Committee Chair Distribute $310,000+ in scholarship funds annually Work with Dean’s Office Scholarship Coordinator to insure donor requirements are met Distribute travel grants to graduate students traveling to present their work Graduate Studies Committee (Chair) Work with Studio Art Faculty to run graduate program Building Renovation Liased with Department Chair Worked with Building Manager to design and troubleshoot complete renovation of sculpture area and creation of 3D digital lab Created new classroom space, critique space, private grad spaces, etc. Graduate Task Force Committee Tasked with researching MFA Fine Arts Programs across country Committee made proposal for complete redesign of our program with resulting information AMY HAUFT [email protected] Page 5 of 21

Won approval for program from faculty, Department Chair, College Dean and Graduate School Dean Visual Arts Center Advisory Committee Work with VAC Director to advise and brainstorm for upcoming gallery programming and activities Search Committee Member, Transmedia (2013) Hired Kristin Lucas http://www.kristinlucas.com/ Member, Sculpture Area Faculty

VCUarts - Sculpture Department Chair, Department of Sculpture + Extended Media (2004–2012) Organizational and fiduciary responsibility for $300,000 annual budget (not counting salaries) Responsible for/to: 8 Full-time faculty 10 (approx) Part-time faculty 4 staff members (Administrative Director, Fiscal Administrator, Shop Tech, Computer Lab Tech) 120 undergraduate sculpture majors 12 MFA students Personnel Faculty Recruitment, Tenure Track (All of international and national stature) Ester Partegas hire (2011) http://www.esterpartegas.com/ Corin Hewitt hire (2010) http://laurelgitlen.com/artists/hewitt/main.html Michael Jones McKean hire (2006) http://michaeljonesmckean.com/selected-work.html Faculty Recruitment, Full Time Instructors (All up and coming bringing influences from Hong Kong, the east coast and the realm of the digital) Adrian Wong (2011-2012) http://www.adrianwong.info/ Mike Arcega (2010-2011) http://arcega.us/home.html Steve Cartwright (2006-2009) http://www.stephencartwright.com/ Fountainhead Fellows (All brand new MFA grads with promising futures from the best programs: Yale and Columbia, respectively) Nancy Lupo (2011-2012) http://nancylupo.com/ Sam Ekwurtzel (2010-2011) http://www.simonesubal.com/here/artists/sam-ekwurtzel/images/ Staff Hires Redesigned office responsibilities resulting in Fiscal Administrator and Administrative Director Added Computer Technician (1/2 time) Office Workers Instituted work study students as office workers Wood Shop Monitors Instituted double studios as payment for monitors Alumni Coordinator Hired retiring departmental secretary for communications with alumni Recruit Graduate Class (2005-2011) Applicant pool tripled in 2005 as result of US News+World Report ranking Developed selection process for vastly increased applicant pool Each year accept 4% from pool Recruit students from around country and globe AMY HAUFT [email protected] Page 6 of 21

Increased Internal Graduate Student Funding Doubled since 2005 Success In Assisting Graduate Students to Win Outside Funding Javits Fellowships x 6, each with $120,000 stipend plus tuition over 4 years Dedalus Fellowship x 1, at $25,000 Phi Kappa Phi Scholarship x 3 at $14,000 stipend plus tuition Chinati Residency, Marfa Texas x 2, 3 month residency Core Program Residency, Houston Museum of Fines Arts x 3, 2 year residencies Sculpture Space Residency, Utica NY x 2, 2 month residency Skowhegan School Residency, Maine x 12, 2 month residency Art Omi Residency, Ghent NY, x 2, 2 month residency 7 Below Residency, Vermont, x 4, 2 month residency Digital Equipment Acquisition Successfully integrated new technology into curriculum for the following 3D Printer printing in ABS plastic (2005) 3D Scanner (2009) Handheld 3D Scanner (2011) Computer Numerically Controlled (CNC) Router (for wood, foam and plastic) (2007) CNC Plasma Cutter (for metal) (2012) Numerous HD cameras, still and video (ongoing) HD editing software (ongoing) Computer lab has been entirely replaced 3 times Equipment Acquisition Successfully integrated new technology into curriculum for the following Pneumatic metal roller (2007) Hossfeld Bender (for metal) (2006) Ring roller (for metal) (2008) Digital readout Milling Machine (2008) SawStop Tablesaw (2007) Portable Fume Extractor for grad studios (2012) Facility Improvements Reconfigured undergraduate studio area resulting in 112 same-sized studios with group work areas (2005) Upgraded foundry and slurry area (2005) Upgraded moldmaking area with new metal tables, etc (2006) Upgraded welding area (2006) Converted tablesaw to permanent cross-cut saw (2008) Redesigned stations in computer lab so all have clear sight lines to projection (2007) Created storages lockers for sophomore level classes (2006) Improved dust collection in graduate area (2007) Reconfigured office space (2007) Created Departmental Database Created Filemaker database to track Faculty loads Alumni mailing list Mailing list for departmental friends AMY HAUFT [email protected] Page 7 of 21

Mailing list for peer institutions Remade All Visual Communications from Department Worked with designer to redesign department website http://arts.vcu.edu/sculpture/ Worked with designer on MFA poster mailings Poster earned top prize in AIGA (American Institute for Graphic Arts) national award in poster design Worked with designer on magazine advertising for graduate program Worked with graduate assistants on poster design for visiting speakers CURIOUS A full-color book resulting from the Allen/Buster graduate seminar The document is exceptional for showing off the graduate program’s talent Published biennially Produced 4 editions Faculty Departmental Retreat (2004) 2-day retreat resulted in: Adjusting undergraduate curriculum Adjusting graduate curriculum Revamped advising process (that is now model for entire school) Reconfigured undergraduate studio area Redesign of shop availability Created Artist in Residence Fellowship (2010 – 2012) Assigned by dean as primary organizer and liaison between donor and school Partnered with local philanthropist to offer 9-month Fountainhead Fellowship to a newly graduated MFA’s in sculpture, painting + craft Each fellow gets studio, apartment, stipend and solo exhibition Each Fellow teaches 4 classes per year Biennial New York City Alumni Exhibitions Curated and organized 4 exhibitions in NYC: Kim Foster Gallery 2005, 2007, 2009, Pierogi Boiler 2011. Important opportunity for graduate alumni Great for keeping alumni connected Alumni Relations Created accurate and comprehensive alumni mailing list Created weekly alumni newsletter for e-mail sent by Alumni Coordinator Host annual alumni party in NYC each fall Host biennial alumni party in NYC every other summer in concert with Alumni NYC show Hosted 3 day alumni reunion (2007) with over 200 attending from all over the country Helped Create and Run For-Profit Summer Program (2004-2012) Summer Studio Program at VCU (SSP@VCU) is an 8-week program Painters and sculptors come from all over the country to study This intensive portfolio-building program is for people trying to get into grad school Gross $90,000 annually Sculpture profits about $25,000 annually (Painting makes the other $25,000) I left the department with a kitty of about $120,000 discretionary funding that roles over

TYLER SCHOOL OF ART – Painting Drawing & Sculpture Department Course and Curriculum (1997/1998) AMY HAUFT [email protected] Page 8 of 21

Graduate Fellowship Committee (1996 through 2004) Merit Committee selected by Painting Drawing and Sculpture Chair (1998) Personnel Committee - Painting Drawing and Sculpture (1998 + 2000 + 2003) Technology Committee (2001/2002) Mellon Grant wrote and won grant to purchase digital technology for department (2001/2002) AREA SERVICE - Sculpture Area Head, Sculpture (1993/1994 + 1996/1997 + 1999/2000 + 2003/2004) Organizational, administrative and budgetary duties for $15,000 annual budget Responsible for: Full time faculty of 3 Part time faculty of 1 35 undergraduate sculpture majors 8 grads New Building Created detailed drawing/report for Area’s physical needs (in concert with Sculpture Faculty) Created detailed inventory of equipment and costs for move (in concert with Sculpture Faculty) Liaison – Junior Year Abroad Temple Rome Campus sculpture program (1995 through 2004) Juror - Sculpture portion of Student Show (1990 through 2004) Advisor - Registration and ongoing major advising, Grads and Undergrads (1990 through 2004)

RESEARCH

SOLO EXHIBITIONS

2019 700,00: 1, MassMOCA, North Adams MA. 2018 700,00: 1, Gordon Gallery, Old Dominion University, Norfolk VA. 2017 Testsite, Austin TX. 2010 Counter Re-Formation. Anderson Gallery, Virginia Commonwealth University, Richmond VA. 2009 Counter Re-Formation. Richmond Center for Visual Arts, Western Michigan University, Kalamazoo, MI. 2006 FOG AREA. Alcott Gallery. University of North Carolina Chapel Hill, NC. 2001 Spray Skirt in a Folding Field. Art Container Project, NYC. 1999 when i say marco, you say polo… Stuyvesant-Fish House, The Cooper Union, NYC. when i say marco, you say polo… Augustus Saint-Gaudins Foundation Gallery, Cornish, NH. Working Knowledge: From Kitty Hawk to the Janiculum. American Academy, Rome, Italy. 1998 Period Room. Beaver College Art Gallery, . Beistegui Roof Garden. Postmasters Hole, NYC. No More Than Meets The Eye, version 2. Derek Eller Gallery, NYC. 1997 No More Than Meets The Eye. Galeria Wschodnia, £ódz Poland. 1994 Counting To Infinity. Lipton + Owens Co., NYC. 1993 Disaster Plans: New York. Andrea Rosen Gallery, NYC. Disaster Plans: California. Quint/Krichman Projects, San Diego. Whitman Raised. Cadman Plaza Park, NYC (Sponsored by Public Art Fund). 1991 If This Is True… Berland/Hall Gallery, NYC. AMY HAUFT [email protected] Page 9 of 21

1990 A Reasonable Facsimile. Center for the Arts, Wesleyan University, Middletown, CT. You Are Here. Contemporary Arts Forum, Santa Barbara CA. 1989 The Irony Of Geology. window, The New Museum, NYC. 1988 “A Descent Into the Maelstrom.” USC Atelier Gallery, Los Angeles. Ploughing the Sea. BACA Downtown, Brooklyn NY. 1987 Naming Things. P.S.1, Long Island City, NY. Die Galerie Der Romantiker. Art Awareness, Lexington NY. 1985 Confessions Of The New Germans. Franklin Furnace, NYC.

SELECTED GROUP EXHIBITIONS

2015 Inquiry: Department of Art and Art History Faculty Exhibition / Assembly / Collection / Assortment. Visual Art Center, University of Texas at Austin. 2013 Department of Art and Art History Faculty Exhibition: Part Three. The Llano Uplift. Visual Art Center, University of Texas Austin. 2009 Open ev+A 2007: A Sense of Place. Fog Area/Watermark. Istabraq Hall, Limerick City Hall, Limerick, Ireland. Curated by Klaus Ottman. From the Archives: 40 Years / 40 Projects. White Columns, NYC. Double X. Step Gallery. Herberger College of the Arts, Arizona State University, Phoenix AZ. Faculty Exhibition. FAB Gallery, Virginia Commonwealth University, Richmond VA. 2003 Folly. 2003 Biennial Exhibition of Public Art. Neuberger Museum, SUNY Purchase, NY. 2001 Drawing Projects - Drawings by Seven Artists. Gallery Joe, Philadelphia. Non-Matriculated Residencies. Temple Gallery, Philadelphia. 1997 What I Did On My Summer Vacation. White Columns, NYC. 1996 Making Sense. Drawn & Quartered. Katonah Museum, Katonah NY. Curated by Patricia Phillips. 1995 Critical Distance. The Unreliable Narrator. Neuberger Museum, SUNY Purchase, NY. Curated by Connie Butler. 1995 Face Forward: Contemporary Self Portraiture. If This Is True… John Michael Kohler Arts Center, Sheboygan Wisconsin. Curated by Maureen Sherlock. 1994 Free Falling. Berlin Shafir Gallery, NYC. Passages, Incubator. Sleeth Gallery, West Virginia Wesleyan College, Buckhannon WV. Curated by V. Daniels & N. Fisch. 1993 Construction In Process. The Fumes of Sleep. International Artists Museum, £ódz, Poland. 1992 Outside Possibilities. How True. The Rushmore Festival, Woodbury NY, curated by Bill Arning. 1992 Fall. Amy Lipton Gallery, NYC. 1991 Coast To Coast. If This Is True… Betty Rymer Gallery, School of The Art Institute of Chicago. Curated by Mary Jane Jacob. Nomos. 8 Lb 7 Oz. Penine Hart Gallery, NYC, curated by Robert Mahoney. 1990 Working In Brooklyn - Installations. You Are Here. Brooklyn Museum, curated by Charlotta Kotik. On Nature. Incubator. Berland/Hall Gallery, NYC. Group Drawing Exhibition. Althea Viafora Gallery, NYC. 1988 Tent of Clouds. Outdoor project for ArtPark, Lewiston NY. 1987 A New Generation. Theater of the Eye. Museum of Contemporary Art, Chicago. 1987 Constructions: Between Sculpture and Architecture. Theater Of Memory and Surveillance. Sculpture Center, NYC. AMY HAUFT [email protected] Page 10 of 21

1986 Amy Hauft and Andy Yoder. The Hall of Fakes and Forgeries. White Columns, NYC. Domiciles. Pleasure Of Ruins. Hallwalls, Buffalo NY. 1985 New Artists/New Work. Rm W/VW. Marianne Deson Gallery, Chicago. 1984 Selections From The File. The Work Of Art In The Age Of Mechanical Reproduction. Artists Space, NYC. 1983 New Talent Show. The Best Of All Possible Worlds. N.A.M.E. Gallery, Chicago.

CURATORIAL PROJECTS

2011 Our Cult’s Classic. Pierogi Boiler, Brooklyn NY (With Gregory Volk). The Demo Show. FAB Gallery, Virginia Commonwealth University, Richmond VA. 2008 What The Flock?! Johnston Foster, FAB Gallery, Virginia Commonwealth University, Richmond VA. (Poster) Boxing In The Kitchen: Ann Agee. FAB Gallery, Virginia Commonwealth University, Richmond VA. (Brochure) 2006 Fixed And Hazardous Objects: Ester Partegas. FAB Gallery, Virginia Commonwealth University, Richmond VA. (Brochure) 2005 Relativity: Suntek Chung, James Davis, Jeannine Harkleroad And Chris Norris. Anderson Gallery, Virginia Commonwealth University, Richmond VA. (Catalogue)

GRANTS + RESIDENCIES

2016 Sculpture Space Residency, Utica NY. 6-week residency. 12 - now Leslie Waggener Professorship, University of Texas at Austin. Annual funding for research projects. 2009 Dean’s Research Funding, VCUarts. Funding for solo exhibition at University of Michigan. 2006 Dean’s Research Funding, VCUarts. Funding for solo exhibition at University of North Carolina Chapel Hill. Grant-In-Aid-of-Research, Tyler School of Art. Funding for Neuberger Museum Biennial project. 2001 New York Foundation for the Arts Fellowship in Sculpture. Lily Auchinclaus Foundation, Art Container Project. Confluence Watersports, Art Container Project. Burning Relic Design Studio, Art Container Project. 2000 Summer Research Grant, Tyler School of Art. Funding for solo exhibition in NYC, Art Container 2001. 98/99 Saint-Gaudins Memorial Fellowship, a nominated grant awarded to one sculptor each year. 1999 Saint-Gaudins Memorial Fellowship, funding for solo exhibition held at the Saint Gaudens foundation headquarters in New Hampshire and subsequently reshown in New York City. 1998 Pew Exhibitions Initiative, An major grant that funded solo exhibition production for Period Room, a 72-page color catalog with 3 essays by critics and scholars, and collaborative costs with 6 museums and institutions including: the Philadelphia Museum of Art, The Philadelphia Philosophical Society, the Philadelphia Atheneum. ArtsLink Grant. Funding for solo exhibition at Galerie Wscodnia in Poland. 1995 Grant-In-Aid-of-Research, Tyler School of Art. AMY HAUFT [email protected] Page 11 of 21

Funding for solo exhibition at Galerie Wscodnia in Poland. 95/96 Howard Foundation Fellowship, Brown University. A yearlong sabbatical at full pay supported by Brown University. 1995 New York Foundation for the Arts, Fellowship in Sculpture. Civitella Ranieri Foundation Residency, Umbria Italy. 2 month Residency in Umbria Italy Grant –In-Aid-of-Research, Tyler School of Art Funding for Civitella Ranieri Residency

BIBLIOGRAPHY

2010 Hitchcock, Chris. “Hauft’s Massive Piece a Replica of 17th Century Banquet Table.” KALAMAZOO GAZETTE, 09 September 2009: Web. 5 June 2010. http://bit.ly/GSxk0x Ryan, Dinah. “Future Anterior: an index to contemporary art’s imminent history; Amy Hauft.” ART PAPERS, May/June 2010: p. 51. Print. 2009 Proctor, Roy. “Re-creating a fantasy.” RICHMOND TIMES-DISPATCH 13 December 2009: n. page. Web. http://www2.timesdispatch.com/entertainment/2009/dec/13/s-hauf13_20091209-184413-ar-15661/ Harp, Hilary, Amy Hauft, Elizabeth Chaney, M. Michelle Illuminato and Chelsea Lorber. “Shifting Viewpoints/ Shifting Meanings in the Work of Four Women Artists : Curator’s Statement, Double X.” FRONTIERS. Vol. 30, No. 1 (2009): 65-87. Print. 2002 Kaufman, Leslie, “College Art Galleries”, October 2002, Volume 21 No. 8, SCULPTURE MAGAZINE, pp. 50-55. 2001 Hill, Lori, “firstfridayfocus – Gallery Joe”, January 2001,PHILADELPHIA WEEKLY. Rice, Robin, “In The Beginning – Pre-project renderings can be as compelling as the end result”. January 25 – February 1 2001, PHILADELPHIA CITY PAPER. Sozanski, Edward J., “Drawing’s public face”, February 2 2001, THE PHILADELPHIA INQUIRER. 2000 Phillips, Patricia, “Critique and Compliance”, May 2000, SCULPTURE MAGAZINE, Volume 19 - No. 4 1999 Csaszar, Tom, “Amy Hauft @ Beaver College Art Gallery”, February 1999, NEW ART EXAMINER. 1998 Levin, Kim, “CHOICES: Amy Hauft: No More Than Meets the Eve (version two)”, January 20 1998, THE VILLAGE VOICE, p. 11. Johnson, Ken, “ART IN REVIEW: Amy Hauft”, January 23, 1998, THE NEW YORK TIMES, p. E32. Arning, Bill, “ART REVIEWS: Amy Hauft, No More Than Meets The Eye-version 2”, January 29 – February 5 1998, TIME OUT NEW YORK, p. 45. Brown, Gerard, “Period Piece”, August 12, 1998, PHILADELPHIA WEEKLY. Sozanski, Edward J., “Bringing a new dimension to chair caning”, August 28, 1998, THE PHILADELPHIA INQUIRER. Rice, Robin, “Relentless Geometry, Caning at Beaver College: It’s a good thing”, October 16 22 1998, PHILADELPHIA CITY PAPER. http://archives.citypaper.net/articles/101598/art.shtml Neff, Eileen, “Amy Hauft at Beaver College Art Gallery”, December 1998, ARTFORUM, pp. 133-134.. Koplos, Janet, “Amy Hauft at Derek Eller”, April 1998, ART IN AMERICA, pp. 116 -117. Riggio, Tod, “Sculptor Blurs Some Barriers in Celebration of Chair Caning”, December 1998, WOODSHOP NEWS. 1995 Zimmer, William, “Neuberger’s Anniversary Exhibit Shows the Museum’s Physical Side”, February 5 1995, THE NEW YORK TIMES, p. WC 16. 1994 Volk, Gregory, “My Home Is Your Home”, January 1994, ART + TEXT, p. 95. Myers, Terry R., “Construction in Process - In Depth”, January/February 1994, FLASH ART, p. 58. Morgan, Robert C., “Doing Art in Poland-Trying Not To Make Sense”, January 1994, COVER, p. 14. Clines, Francis X., “New York Savors Weekend Stolen From a Distant Spring,” February 20, 1994, THE NEW YORK TIMES, pp. A1 + 41. AMY HAUFT [email protected] Page 12 of 21

Levin, Kim, “CHOICES: Amy Hauft; Counting to Infinity”, May 10 1994,THE VILLAGE VOICE. Surek, Suzy, ed., Construction in Process issue, illustration - FUMES OF SLEEP, July/August/September/ October 1994, Issue #102, NEW OBSERVATIONS, p. 19. Phillips, Patricia C., “Amy Hauft/Lipton Owens Co.”, December 1994, ARTFORUM, pp. 85 86. 1993 Butler, Connie, “Terrible Beauty and the Enormity of Space”, September 1993, ART + TEXT, pp. 60 - 65. Raven, Arlene, “What Goes Around,” December 28, 1993, THE VILLAGE VOICE, p. 59. 1992 NOW TIME, No. 1, 1992, project for pages 53-54. 1991 Mahoney, Robert, “On Nature,” March 1991, ARTS MAGAZINE, p. 94. Martin, Douglas, “Of Ephemera Like Manhattan: The Long View,” March 13 1991, THE NEW YORK TIMES, p. B1. Avgikos, Jan, “Green Piece,” April 1991, ARTFORUM, p. 106-107. Mahoney, Robert, “Amy Hauft at Berland-Hall”, November/December 1991, FLASH ART, pp. 132-133. Nesbitt, Lois, “Amy Hauft at Berland-Hall”, December 1991, B, p. 102. Faust, Gretchen, “Amy Hauft @ Berland/Hall,” December 1991, ARTS MAGAZINE, p. 85. 1990 Crowder, Joan, “Time Waits For No One,” January 12 1990, SANTA BARBARA NEWS PRESS, pp. 22-24. Woodard, Josef, “Be Here Now,” January 15 1990, THE INDEPENDENT. Woodard, Josef , “Thinking About Time,” January 25 1990, ARTWEEK, p. 12. Iverem, Ester, “Installations with Twists of Their Own,” August 7 1990, NEW YORK NEWSDAY. Levin, Kim, “Choices: Working in Brooklyn,” August 28 1990, THE VILLAGE VOICE. Kotik, Charlotta, “Working in Brooklyn - Installations,” September 1990, ART TODAY video magazine. Larson, Kay, “Working in Brooklyn - Installations,” October 8 1990, NEW YORK MAGAZINE, p. 68. 1989 Robbins, Jim, “Splendor in the Grass,” May 7 1989, THE BOSTON GLOBE, pp. B1. Sozanski, Edward J., “Amy Hauft and Robert Storr at Tyler Gallery,” September 21, 1989, THE PHILADELPHIA INQUIRER, p. 4-D. 1988 Phillips, Patricia C., “Constructions: Between Sculpture and Architecture at Sculpture Center,” June 1988, ARTFORUM. Huntington, Richard, “Artpark: Watching Sculptures Take Shape,” July 3 1988, BUFFALO NEWS, pp. G1&G5. Gardner, Colin, “Hauft Offers Unsettling Look Into the Environmental Abyss,” December 16 1988, LOS ANGELES HERALD TRIBUNE. 1986 Huntington, Richard, “Four Sculptors Find Strange Things in Our Everyday Environment - and Even Stranger Building Materials,” April 25 1986, BUFFALO NEWS. 1986 Westerbeck, Colin, “A New Generation From S.A.I.C. at the Museum of Contemporary Art,” December 1986, ARTFORUM, p. 120. 1984 ARTFORUM, December 1984, Artists’ Pages, “A. More Store,” project for p. 76. 1983 Artner, Alan, “New Talent Show @ N.A.M.E.,” July 15 1983, CHICAGO TRIBUNE. 1982 Hanson, Henry, “Up’s Column,” January 1982, CHICAGO MAGAZINE, p. 12.

BIBLIOGRAPHY - Catalogues and Brochures

2009 Kistler, Ashley, and Christina Corsiglia. Amy Hauft: Counter Re-formation. Richmond VA: VCUarts Anderson Gallery, 2009. 8. Brochure. 2003 Young, Dede, ed. Neuberger Museum of Art 2003 Biennial Exhibition of Public Art. Purchase NY: Neuberger Museum of Art, Purchase College, State University of New York ,2003. Catalogue. Shilkoff, Jacqueline, ed. Neuberger Museum of Art 2003 Biennial Exhibition of Public Art Map. Purchase NY: Neuberger Museum of Art, Purchase College, State University of New York ,2003. Brochure. 1998 Torchia, Richard, ed. Period Room: Projects by Amy Hauft,.Philadelphia: Beaver College Art Gallery 1998, AMY HAUFT [email protected] Page 13 of 21

Catalogue. Essays by Connie Butler, Patricia Phillips and Gregory Volk. Sherlock, Maureen, ed. Face Forward: Contemporary Self-Portraiture. Sheboygan Wisconsin: John Michael Kohler Arts Center, 1998. Catalogue. 1996 Phillips, Patricia., ed. Making Sense - 5 Installations on Sensations, Katonah NY: Katonah Museum, 1996. Catalogue. 1995 Butler, Connie, ed. Critical Distance: Between Art and Architecture. Purchase, NY: Neuberger Museum, 1995. Catalogue. 1994 Rodenbeck, J. F., ed. Passagers. Buckhannon West Virginia: West Virginia Wesleyan College. 1994. Catalogue. 1992 Kane, Mitchell, ed. Pressure On The Public. Chicago: The Hirsh Foundation, 1992. pp. 30-39. Catalogue. 1991 Mahoney, Robert. Comments on Nomos. New York City: Penine Hart Gallery, 1991. Catalogue. Jacob, Mary Jane, ed. Coast To Coast. Chicago: School of the Art Institute of Chicago, 1991. Catalogue. 1990 Kotik, Charlotta, ed. Working in Brooklyn - Installations. Brooklyn NY: Brooklyn Museum, 1990. Catalogue. 1988 Taylor, Frederike, ed. Constructions: Between Sculpture and Architecture, New York City, The Sculpture Center, 1988. Catalogue. 1987 Warren, Lynne, ed. A New Generation from S.A.I.C. Chicago: The Museum of Contemporary Art Chicago, 1987. Catalogue. 1986 Howe, Catherine, ed. Domiciles . Buffalo NY: Hallwalls, 1986. Catalogue. 1983 Smith, Valerie, ed. Selections from the Files. New York City: Artist Space, 1983. Catalogue.

CURATORIAL REVIEWS

2005 Coates, Jason. “In With the New.’ Style Weekly. 20 July, 2005: 33-34. Humes, Peter. “Theory of Relativity.’ Richmond Times-Dispatch. 26 June, 2005: H1 + H6. Lombardi, Dominick D. “Relativity, Anderson Gallery, Richmond VA.” NY Arts Magazine. October/November 2005 Volume 10. No. 9/10. Ryan, Dinah. “Reviews | Mid-Atlantic | Richmond.” ArtPapers. November/December 2005: 52.

AUTHORED PUBLICATIONS

2008 Hauft, Amy, King, Elizabeth and Norr, David. Teresita Fernandez. 1st ed. Richmond VA: Reynolds Gallery, 2008. Catalogue. Kistler, Ashley, Nancy Princenthal, and Amy Hauft. Elizabeth King: The Sizes of Things in the Mind’s Eye. 1st ed. Richmond VA: Visual Arts Center, 2008. Print. 2007 Hauft, Amy, “Candy Coated People, Peanuts and a Prize: Ann Agee Boxing in the Kitchen”, 2007, published by Virginia Commonwealth University, Richmond VA. Brochure. 2005 Hauft, Amy, Grantham, Tosha, and Moorefield, Amy.Relativity . 1st ed. Richmond VA: Virginia Commonwealth University, 2005. Catalogue.

COLLECTIONS  Yale University Art Gallery, New Haven, CT. Gift of Eileen Cohen. Bill Arning, Houston. Susie and Joe Berland, NYC. AMY HAUFT [email protected] Page 14 of 21

Civitella Ranieri Foundation, Umbertide, Italy. Yael Danieli, NYC. Derek Eller, NYC. Vera List, Greenwich CT. Elizabeth Merena, NYC. Patrick Owens, NYC. Jordan Piemer, Los Angeles. Richard Schloss, NYC. Beverly Semmes and Henry Schwartz, NYC. Richard Torchia, Philadelphia.

EXTERNAL ACTIVITIES

P U B L I C P R E S E N T A T I O N S

2014 University of Southern Illinois Edwardsville, Juror. Juried and awarded prizes for outdoor sculpture competition, lecture and critiques with sculptors 2013 Landarts of the American West, Field Guest, Marfa TX. Lecture for architecture and art students for Texas Tech program 2012 University of Texas at Austin, Austin TX Guest Lecture College Art Association Mentor volunteer for College Art portfolio review in New York City 2011 College Art Association Presented in Ignite Session, National Council of Art Administrators Mentor volunteer for College Art portfolio review in Los Angeles National Council of Art Administrators Elected to Board of Directors 2010 College Art Association Mentor volunteer for College Art portfolio review in Chicago National Council for Art Administrators Member and contributor VCUarts Anderson Gallery, Richmond VA Gallery talk for Counter Re-Formation 2009 Maryland Arts Council Adjudicator: 09/10 Artist Grants for Sculptors New Jersey Arts Council Adjudicator: 09/10 Artist Grants for Sculptors 2009 Rhode Island Arts Council Adjudicator: 09/10 Artist Grants for Sculptors National Council for Art Administrators Ad-Hoc Committee Member regarding future of organization University of Michigan, Kalamazoo MI Gallery talk and class visits with sculptors AMY HAUFT [email protected] Page 15 of 21

2008 University of Southern Illinois Edwardsville Artist’s lecture and critiques Tyler School of Art, Philadelphia Commencement tribute to retiring professor, Winifred Lutz University of the Arts Sculpture Program, Philadelphia External Reviewer 2007 Tennessee Arts Council Adjudicator: 08/09 Artist Grants for Sculptors Virginia Center for Creative Arts Grant Juror for 08/09 residencies for Artists National Council for Art Administrators Ad-Hoc Committee Member regarding future of organization Richmond Public Sculpture Committee Participant: startup group to spearhead restoration and maintenance of Richmond’s public sculpture Washington University, St. Louis Grad thesis critiques w/ two additional guest critics. 2006 University of North Carolina, Chapel Hill, Hanes Visiting Artist Lecture Series Lecture and grad critiques. 2005 College Art Association Mentor sessions for artists and prospective studio faculty, Boston Massachusetts University of the Arts, Philadelphia. Lecture and grad critiques South Eastern College Art Association, Panel Participant “Museum Spaces and Curatorial Projects”, Little Rock, Arkansas. Paper title: “RELATIVITY: four curiously strong equations” College Art Association, Panel Chair “It Takes A Village, Artists’ Residencies” 2003 College Art Association, Panel Participant “Curator as Collaborator”, presentation with curator, Richard Torchia, NYC 2001 Boston Museum School, Boston Guest lecture and critiques for graduate students Brown University, Howard Foundation Juror 1 of 3 jurors to review 35 finalists in Sculpture, Painting and Art History. Review of dossier/proposals. 10 fellows were selected to receive full year sabbaticals at full pay. Princeton University, Princeton NJ Guest critic for graduate architects Cranbrook, Bloomfield MI Guest lecture and critiques for graduate sculptors Queens College, City University of New York, Flushing NY Guest lecture for graduate fine arts program 2000 New York University, NYC Guest critic for graduate sculptors 1999 Rhode Island School of Design, European Honors Program, Rome Italy Guest critic for semester-end critiques, undergraduate painters and sculptors American Academy in Rome, Rome Italy AMY HAUFT [email protected] Page 16 of 21

Gallery talk on WORKING KNOWLEDGE exhibition for Italian art students from Accademia della Belle Arti in Rome 1998 Beaver College Art Gallery, Philadelphia “Behind the Velvet Rope”, conversation between curator, Richard Torchia, and myself on the PERIOD ROOM Beaver College Art Gallery, Philadelphia “More Than Meets the Eye: New Approaches to Installation”, lecture by Connie Butler, Associate Curator, The Museum of Contemporary Art Los Angeles on the development of the practice of installation and the relationship of my work to the practice. Beaver College Art Gallery, Philadelphia Gallery talk on PERIOD ROOM exhibition American Academy in Rome, Rome Italy Guest lecture 1997 New York University, NYC Guest critic for graduate and undergraduate painters and sculptors 1996 Parsons School of Art, NYC Guest lecture. Brooklyn Museum, NY Panel discussion on , chaired by Curator of 20th Century Art, Charlotta Kotik Neuberger Museum, S.U.N.Y. Purchase, Purchase, NY Gallery talk State University of New York, Albany Guest lecture and critiques for graduate sculptors 93-02 New Museum, NYC Artists’ Advisory Board 1996 Parsons School of Art, NYC Guest lecture 1995 Neuberger Museum, SUNY PURCHASE, Purchase NY Gallery talk SUNY Albany, Albany NY Guest lecture 1994 School of The Visual Arts, NYC Guest lecture New York University, NYC Guest MA critiques Wesleyan College. Buckhannon WV Guest lecture 1993 School of The Visual Arts, NYC Guest lecture New York University, NYC Guest lecture 1992 The Cooper Union, NYC Guest lecture 1991 School of The Visual Arts, NYC Guest lecture 1990 Cal Arts, Los Angeles Guest lecture and MFA studio critiques (one week) Wesleyan University, Middletown, CT AMY HAUFT AMY HAUFT [email protected]

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Gallery talk 1989 Art Center of Design, Los Angeles Guest lecture Otis Art Institute And Parsons School of Design, Los Angeles Guest lecture 1989 University of Southern California, Los Angeles Guest lecture Cal Arts, Los Angeles Guest lecture 1988 Sarah Lawrence College, Bronxville, NY Guest lecture Rhode Island School of Design, Providence, RI Guest lecture State University Of New York at Purchase, Purchase NY Guest lecture

O R G A N I Z A T I O N A L W O R K

2016-17 National Council of Art Administrators Board of Directors - Past President 2013-15 National Council of Art Administrators Board of Directors - President Board of Directors - Communications Committee (Chair) Developed new interactive website with Memberclicks Chief web master for organization 2012 National Council of Art Administrators Board of Directors - Communications Committee Instrumental in moving organization from lame management firm to self governance and website maintenance 2011 National Association of Art Administrators Elected to Board of Directors (through 2014) 2010/11 College Art Association, Task Force for Professional Practices Committee: Standards for Retention and Tenure of Visual Arts Faculty – Revision. 2010/12 Commissioner, Public Art Commission, City of Richmond Worked with Design class to develop new graphic design identity for organization 2010/12 Virginia Indian Commemorative Commission, State of Virginia, Consultant Educated Native Americans and politicians on committee about the possibilities for contemporary public art Recruited Native American contemporary artists to apply for public work on VA capitol grounds

P R O G R A M A N D T E N U R E R E V I E W S

2016 Outside Reviewer for promotion Southern Methodist University Virginia Commonwealth University 2015 Outside reviewer for promotion Oakland University AMY HAUFT [email protected]

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2014 Outside reviewer for promotion Brown University Tyler School of Art Smith College Williams College Hunter College Virginia Commonwealth University 2013 Outside reviewer for promotion University of Chicago 2011 Outside consultant for new sculpture building Cornish College of Art, Seattle Outside reviewer for promotion Arizona State University Lamarr Dodd School of Art, University of Georgia 2010 Outside reviewer for promotion Penn State Western Michigan University 2009 External reviewer for Art and Design Program University of Illinois Chicago Outside reviewer for promotion Renssalaer Polytechnic Institute 2008 External reviewer for Area of Visual Art University of the Arts, Philadelphia Outside reviewer for promotion University of Utah 2007 External reviewer for the Department of Fine Arts University of Cincinnati 2006 Outside reviewer for promotion Syracuse University 2005 Outside reviewer for promotion University of California Riverside 2004 Outside reviewer for promotion Kansas University 2001 Outside reviewer for promotion University of Connecticut, Storrs

AMY HAUFT [email protected]

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TEACHING

C O U R S E S T A U G H T

Undergraduate Advanced Installation (UT) Senior Seminar (VCU) Independent Study (VCU) 3D Foundation Principles (Tyler) Sophomore Sculpture (Tyler) Junior Sculpture Seminar (Tyler) Advanced Sculpture (Tyler) Installation Sculpture (Tyler) Senior Sculpture (Tyler) Independent Study (Tyler)

Graduate Critique in Studio Art (UT) 1st Year Seminar (UT) Masters Exhibition Seminar (UT) Forum Seminar (UT) Independent Study (UT) Graduate Group Critique (VCU) Graduate Projects Sculpture (Tyler) Graduate Projects Painting and Sculpture (Tyler) Graduate Sculpture Seminar (Tyler) Critical Dialogues (Tyler) Independent Study (Tyler)

M F A T H E S I S C O M M I T T E E S UT Department of Art and Art History Each student composes her/his committee by invitation to faculty. Each thesis committee is 4 or 5 faculty. 2012/13 Member of M.F.A. Advisory Committees: Sculpture: 1 Painting: 4 (1 as lottery member) Printmaking: 2 (1 as lottery member) Photo: 1 2013/14 Member of M.F.A. Advisory Committees: Sculpture: 4 (as Grad Advisor I was only able to serve on committees in Sculpture) 2014/15 Member of M.F.A. Advisory Committees: Sculpture: 4 (as Grad Advisor I was only able to serve on committees in Sculpture) 2015/16 Member of M.F. A. Advisory Committees: Sculpture: 6 (as Grad Advisor I was only able to serve on committees in Sculpture) AMY HAUFT [email protected]

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Sculpture: 4 (as Grad Advisor I was only able to serve on committees in Sculpture) 2015/16 Member of M.F. A. Advisory Committees: Sculpture: 6 (as Grad Advisor I was only able to serve on committees in Sculpture) Transmedia: 1 (subsituting for faculty member on sabbatical) VCUarts Sculpture Department Sculpture: 4 (as Grad Advisor I was only able to serve on committees in Sculpture) 2014/15 Member of M.F.A. Advisory Committees: Sculpture: 4 (as Grad Advisor I was only able to serve on committees in Sculpture) 2015/16 Member of M.F. A. Advisory Committees: Sculpture: 6 (as Grad Advisor I was only able to serve on committees in Sculpture) Transmedia: 1 (subsituting for faculty member on sabbatical) As chair, I created the graduate committees for the sculptors. Each student has 3-4 faculty on their committee and were reviewed 4 times: twice by their committee and twice by the entire sculpture faculty. 2011/2012 5 committees plus additional 7 reviews with entire faculty 2011/2012 5 committees plus additional 7 reviews with entire faculty 2010/2011 5 committees plus additional 7 reviews with entire faculty 2009/2010 5 committees plus additional 7 reviews with entire faculty 2008/2009 5 committees plus additional 7 reviews with entire faculty 2007/2008 5 committees plus additional 7 reviews with entire faculty 2006/2007 5 committees plus additional 7 reviews with entire faculty 2005/2006 5 committees plus additional 7 reviews with entire faculty 2004/2005 5 committees plus additional 7 reviews with entire faculty

Tyler School of Art Each student composes her/his committee by invitation to faculty. Each thesis committee is 4 or 5 faculty. 2003–2004 Member of M.F.A. Advisory Committees: Sculpture: 8 (major advisor) Painting: 2 Ceramics: 1 Glass: 1 Fibers: 1 Printmaking: 1 Photo: 3 Metals: 1 2002–2003 member of M.F.A. Advisory Committees: Sculpture: 7 (major advisor) Painting: 2 Ceramics: 1 Glass: 1 Printmaking: 1 Photo: 3 Metals: 1 2001–2002 member of M.F.A. Advisory Committees: AMY HAUFT [email protected]

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Glass: 2 Printmaking: 1 Metals: 1 2000–2001 member of M.F.A. Advisory Committees: Sculpture: 8 (major advisor) Painting: 8 Ceramics: 1 Glass: 1 1999–2000 member of M.F.A. Advisory Committees: Sculpture: 8 (major advisor) Painting: 5 Ceramics: 2 Glass: 1 Printmaking: 1 1998–99 member of M.F.A. Advisory Committees (Temple Rome Campus): Painting: 3 Printmaking: 2 1997–98 Member of M.F.A. Advisory Committees: Sculpture: 8 (major advisor) Printmaking: 2 1996–97 Member of M.F.A. Advisory Committees: Sculpture: 7 (major advisor) Painting: 3 Ceramics: 2 Glass: 1 Printmaking: 1