DOCSLIB.ORG

2018 Dulux Study Tour Report - Joseph O’Meara 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

2018 Dulux Study Tour Report - Joseph O’Meara 1. 2018 DULUX STUDY TOUR Post Tour Report Joseph O’Meara INTRODUCTION You cannot learn through books what you can through experience. I think architecture in particular can only be fully understood and appreciated when experienced. The unique opportunity that the Dulux Study Tour offered to learn through first-hand experience and to become completely immersed in the architectural culture of the cities we visited was truly transformative. The study tour fostered an intellectual stimulation which was both educational and rewarding. The intensity of architectural reflection generated by the tour has inspired and influenced me personally and professionally in countless ways. I am very grateful to all the architects and guides we met on the tour who generously offered us their time. I am incredibly grateful to the Australian Institute Tin House - Henning Stummel of Architects and Dulux Australia for giving me this opportunity. Special thanks go to Richard Hansen, Alison Mahoney and Helen Fitzpatrick from Dulux Australia, Mai Huynh and Joshua Morrin from the Australian Institute of Architects and Kaitlin Butler from Architecture Media who joined us, organised us and documented this incredible journey. I feel extremely fortunate to have shared this experience with fellow winners Leah Gallagher, Kim Bridgland, Dirk Yates and Jason Licht. Each brought something unique to the table and our conversations in taxis between tours, over dinner (or an Aperol spritz) developed my way of thinking about architecture. The opportunity to observe architecture through their eyes enhanced my appreciation of what we do. The laughter shared, the stories told and the new friendships formed has been the most rewarding aspect of the trip for me. I am excited to continue developing this friendship and to become part of the growing Dulux Study Tour alumni. There is no way I can capture all the learnings from the 2018 study tour in this report. I think I’ll still be processing the experience for years to come. Instead, this report intends to document some key themes and findings that interested and inspired me in each city we visited. Fondazione Prada - OMA 2018 Dulux Study Tour Report - Joseph O’Meara 2. DATA: PEOPLE LONDON ITINERARY BERLIN ITINERARY MILAN / VERONA / VENICE ITINERARY 2018 Dulux Study Tour recipients: PROJECT VISITS PROJECT VISITS PROJECT VISITS Leah Gallagher Kim Bridgland Tin House Frizz23 MILAN Jason Licht London Design Museum New Media Headquarters for TAZ Newspaper Porta Nuova District Dirk Yates Battersea Power Station ze05 (Big Yard) House of Memory Joseph O’Meara Tate Modern Extension (Switch House) Australian Embassy Berlin Bosco Verticale St Paul’s Cathedral Brandendurg Gate Piazza Gae Aulenti Dulux representatives: Wren churches The Schlossplatz Corso Italia Richard Hansen Mansion House The Altes Museum Torre Velasca Alison Mahoney 1 Poultry Neues Museum Duomo di Milano Cathedral Helen Fitzpatrick 30 St Mary Axe (Gherkin) James Simon Gallery Castello Sforzesco Leadenhall Building (Cheesegrater) Reichstag Building City Life District Australian Institute of Architects representatives: Lloyds Building (Inside-out-building) Konig Gallery Fondazione Prada Joshua Morrin Willis Building Jewish Museum Mai Huynh 20 Fenchurch Street (Walkie Talkie) Memorial to the Murdered Jews of Europe VERONA 20 Farringdon Street Castelvecchio Museum Architecture Media representative: Woodblock House PRACTICE VISITS Banca Popolare di Verona Kaitlin Butler RIBA Palazzo Giardino Giusti David Chipperfield Architects PRACTICE VISITS ACME Berlin VENICE Deadline Architects Fondazione Querini Stampalia Carmody Groarke GMP Architekten Negozio Olivetti Zaha Hadid Architects Realities United 2018 Architecture Biennale - Giardini - Arsenale Rogers Stirk Harbour + Partners AL_A Ash Sakula PRACTICE VISITS WilkinsonEyre Foster + Partners BE.ST (Stefano Belingardi) Studio Octopi Piuarch arcHITects srl Progetto CMR Park Associati 2018 Dulux Study Tour Report - Joseph O’Meara 3. LONDON Our first stop on the Dulux Study Tour was London. This contemporary, progressive city is currently in the midst of economic boom and is rapidly expanding outward and upward with tall buildings dominating the skyline. London’s population is at an all-time high and as a response to the continuing housing crisis, the pace of development will continue in the near future with copious high-rise towers in the pipeline. On our walking tour of London, our learned guide David Garrard lead us through the cluster of high-rise icons in downtown London’s CBD. As we passed Fosters ‘Gherkin’, Rogers, ‘Cheese grater’ and ‘inside-out building’, Grimshaw’s ‘Walkie Talkie’ and KPF’s ‘Scapel’ we looked up in awe and speculated the nickname of the next impressive trophy on the skyline. London’s skyline THE DIGITAL AGE There appears to be no shortage of work on London’s horizon. This is likely Forster + Partners, which is one of the largest architectural practices in part of the reason why this city is home to so many internationally the world (employing over 1200 staff) have a whole building on their renowned ‘starchitects’ such as Fosters + Partners, Rogers Stirk campus designated to a permanent material and finishes display library Harbour + Partners, Zaha Hadid Architects and Wilkinson Eyre, which are and another just for model making. A designated Specialist Modelling Group but a few of the large practices we visited on the tour. I think the scale of (SMG) carry out research and development in a project driven these studios was foreign to some of my study tour companions, most of environment with top of the line 3D printers, CNC router stations and which are running their own emerging studios and practicing at a much laser-cutter chambers to rapid prototype. They proudly suspend a smaller scale. I was the only architect on the tour who is practicing in a stunning 1:1 test model within the open-plan space of their main studio. large-scale organisation (BVN). While this in a way set us apart, I think it added another layer to conversations and observations. Visiting some of Located in an industrial warehouse in London’s inner North, the natural the fantastic small-to-medium scale practices such as Carmody Groake, light-filled office of AL_A had a beautiful blush red carpet with a ‘no-shoes’ Studio Octopi, Ash Sakula and Henning Stummel further revealed a diverse policy. This facilitated a calmer, more relaxed atmosphere which was spectrum of architectural values and different ways of working. welcomed by the group, particularly coming straight from visiting ZHA. Foster + Partners While the scale of AL_A was smaller (around fifty staff), the value they de- The changes brought about by globalisation, new technologies and the scribed in the process of material exploration and the experimental inves- Information Age have had a monumental impact on societies, cultures, tigation of complex geometries was extremely high. politics and economies across the globe. This has brought one of the greatest recent changes in architectural practice. Most, if not all of the Interestingly this level of research and exploration also translated into large, forward-thinking practices we visited in London were exploring small scale product design and several practices we visited were these issues along with an appropriate architectural expression that fabricating furniture, lighting, fittings and fixtures and jewellery along with captures our current digital Zeitgeist. their architecture. AL_A had a beautiful furniture line on display in their office and ZHA had a whole gallery at the street frontage of their office Research and development, new material exploration and digitally-driven designated to furniture and jewellery design. processes of designing to augment and add value to space were recurring themes in the offices we visited. The sheer magnitude of We visited some exceptional buildings in London which were both inspiring physical 3D printed, CNC machined and lazor cut models and prototypes we and memorable. The exquisite latticed brickwork at the Tate Modern Switch witnessed played testament to the value of innovative exploration through House by Herzog de Meuron, the stunning Lloyd’s building by Richard research and development which each company aspired. Rogers and partners, the beautiful Tin House by Henning Stummel and the joyful Woodblock House by dRMM were all highlights. However, it was the architectural practice visits that were most memorable for me on the first Wilkinson Eyre leg of the tour in London. 2018 Dulux Study Tour Report - Joseph O’Meara 4. Carmody Groarke AL_A AL_A - No shoe policy Roger Stirk Harbour and Partners ZHA Gallery Ash Sakula House Ash Sakula Studio Studio Octopi 2018 Dulux Study Tour Report - Joseph O’Meara 5. Switch House - Herzog & de Meuron Tin House - Henning Stummel ‘The Gherkin’ - Foster & Partners Lloyds Building - Richard Rogers & Partners Leah Gallagher at the Tin House - Henning Stummel London Design Museum - RMJM (fitout by John Pawson with OMA) 1 Poultry - Sir James Stirling WoodBlock House - dRMM 2018 Dulux Study Tour Report - Joseph O’Meara 6. BERLIN Our next destination was Berlin, Germany. Unlike London, skyscrapers are not a feature of this cities built environment. A twenty-two meter high eaves datum above street level was regulated back in the 19th century and while this has been loosened in recent years due to the population increase and urbanisation it remains today the predominant datum. This has generated a human
Recommended publications
  • Design Update –3 –Cool Moist Biome, Gardens by the Bay, Singapore, Wilkinsoneyre the Water Issue

    Design Update –3 –Cool Moist Biome, Gardens by the Bay, Singapore, Wilkinsoneyre the Water Issue

    Design Update –3 –Cool moist biome, Gardens by the Bay, Singapore, WilkinsonEyre The Water Issue 66 per cent of the world’s inhabitants could live in water- I find it extremely encouraging that the debate stressed conditions by 2025 –GOV.UK around water consumption and treatment has become so prominent. In school most of us were only taught the facts and “Water is life, and clean water means percentages of how much water covered the earth or how health” –AUDREY HEPBURN much filled our bodies, missing out on a more philosophical understanding of how important water is in our lives. “Water, in all its forms, is what carries the knowledge of life As a bathroom specialist it’s a topic that, unsurprisingly, throughout the universe.”– tends to be at the forefront of our minds – whether it’s the ANTHONY T. HINCKS physics and chemistry of water or less tangible outcomes like “In rivers, the water that you touch is the last of relaxation and wellbeing. what has passed and the first of that which So this issue of Design Update picks up the debate and looks comes; so with present to the past and to the future with the theme of water. We hear time.”– LEONARDO DA VINCI from leading design journalists, industry professionals and One in four of the some of the VitrA team on how new ways of thinking are even world’s cities are shaping how a tap is turned on or off. already experiencing water stress –RACONTEUR This issue runs in parallel with the preparation of our new A leaky tap can waste London showroom near Farringdon station.
  • Venice & the Common Ground

    Venice & the Common Ground

    COVER Magazine No 02 Venice & the Common Ground Magazine No 02 | Venice & the Common Ground | Page 01 TABLE OF CONTENTS Part 01 of 02 EDITORIAL 04 STATEMENTS 25 - 29 EDITORIAL Re: COMMON GROUND Reflections and reactions on the main exhibition By Pedro Gadanho, Steven Holl, Andres Lepik, Beatrice Galilee a.o. VIDEO INTERVIew 06 REPORT 30 - 31 WHAT IS »COMMON GROUND«? THE GOLDEN LIONS David Chipperfield on his curatorial concept Who won what and why Text: Florian Heilmeyer Text: Jessica Bridger PHOTO ESSAY 07 - 21 INTERVIew 32 - 39 EXCAVATING THE COMMON GROUND STIMULATORS AND MODERATORS Our highlights from the two main exhibitions Jury member Kristin Feireiss about this year’s awards Interview: Florian Heilmeyer ESSAY 22 - 24 REVIEW 40 - 41 ARCHITECTURE OBSERVES ITSELF GUERILLA URBANISM David Chipperfield’s Biennale misses social and From ad-hoc to DIY in the US Pavilion political topics – and voices from outside Europe Text: Jessica Bridger Text: Florian Heilmeyer Magazine No 02 | Venice & the Common Ground | Page 02 TABLE OF CONTENTS Part 02 of 02 ReVIEW 42 REVIEW 51 REDUCE REUSE RECYCLE AND NOW THE ENSEMBLE!!! Germany’s Pavilion dwells in re-uses the existing On Melancholy in the Swiss Pavilion Text: Rob Wilson Text: Rob Wilson ESSAY 43 - 46 ReVIEW 52 - 54 OLD BUILDINGS, New LIFE THE WAY OF ENTHUSIASTS On the theme of re-use and renovation across the An exhibition that’s worth the boat ride biennale Text: Elvia Wilk Text: Rob Wilson ReVIEW 47 ESSAY 55 - 60 CULTURE UNDER CONSTRUCTION DARK SIDE CLUB 2012 Mexico’s church pavilion The Dark Side of Debate Text: Rob Wilson Text: Norman Kietzman ESSAY 48 - 50 NEXT 61 ARCHITECTURE, WITH LOVE MANUELLE GAUTRAND Greece and Spain address economic turmoil Text: Jessica Bridger Magazine No 02 | Venice & the Common Ground | Page 03 EDITORIAL Inside uncube No.2 you’ll find our selections from the 13th Architecture Biennale in Venice.
  • Large Scale Events

    Large Scale Events

    4th Annual Singapore A great city must begin with the unmeasurable, must go through measurable means when it is being designed and in the end must be unmeasurable. 9th – 12 th March 2015 Louis Kahn Enhancing livability in today’s soaring metropolises by using vertical space more effectively to achieve sustainability through conceptual technology and integrated designs to encompass today’s changing world, its growing diversity and complexity Showcasing Presentations and Case Studies by Key Distinguished Speakers: Dato Dr. Ken Yeang Managing Director Rachdi Manal Founder Nayan B. Trivedi, P.E., M. ASCE Partner Ken Yeang Design International Ltd, UK OXO Architects, France Leslie E. Robertson Associates (LERA), US Hamzah & Yeang, Malaysia Marshall Strabala Founder and Design Partner 40-under-40 Superstar award - Building Design and North Hamzah Yeang Architectural and Engineering 2DEFINE Architecture, China Construction Magazine Company, China Andrew Low Principal Stephen Jones Regional Managing Principal, Asia Ahmad Abdelrazaq Sr. Executive Vice President: Head of Hassell, Australia Woods Bagot, Hong Kong Highrise & Complex Building Division Eddie Can Project Arhcitect Marlon Kobacker Principal Consultant - Buildings & Places Samsung C&T Corporation, South Korea Zaha Hadid, Hong Kong AECOM, Australia Stephen Pimbley Director Eddie Cassidy Design Principal Travis Soberg Principal Director, Sustainable Design SPARK, Singapore RMJM, China Goettsch Partners, US Nathalie de Vries Director Jason EJ Pomeroy Founder & Principal Craig Gibbons Global Head of Structural Engineering MVRDV, Netherlands Pomeroy Studio, Singapore Arup, Australia Michael Grove Principal Dominic Bettison Director Eric Corey Freed Architect & Founding Principal Sasaki Associates, US WilkinsonEyre.Architects, UK organicARCHITECT, US Mathieu Meur Managing Director Vincent Tse Managing Director of Buildings, China Region Simon Bee Global Design Director Meinhardt Façade Technology International, Singapore Herbert Lam Director of Buildings, China Region Benoy, Hong Kong Jonathan A.
  • 420 Architectural Works Compete for the European Union Prize for Contemporary Architecture – Mies Van Der Rohe Award 2015

    420 Architectural Works Compete for the European Union Prize for Contemporary Architecture – Mies Van Der Rohe Award 2015

    EUROPEAN UNION PRIZE FOR CONTEMPORARY ARCHITECTURE MIES VAN DER ROHE AWARD 2015 420 ARCHITECTURAL WORKS COMPETE FOR THE EUROPEAN UNION PRIZE FOR CONTEMPORARY ARCHITECTURE – MIES VAN DER ROHE AWARD 2015 The European Commission and the Fundació Mies van der Rohe announced today the list of 420 projects competing for the European Union Prize for Contemporary Architecture – Mies van der Rohe Award 2015. 27% of the proposals deal with Housing while 24% are Cultural facilities. 11% are connected to Education, 5% to Offices and the other 33% include mostly Sport, Commercial, Governmental, Transport and Urban typologies. Initiated in 1987 after an agreement between the European Commission and the Barcelona City Hall, the 60.000€ prize is the highest award in European architecture and is awarded biennially to works completed within the previous two years. The principal objectives are to recognise and commend excellence in the field of architecture and to draw attention to the important contribution of European professionals in the development of new ideas and technologies and of the clients who support them. Previous winners include: Harpa - Reykjavik Concert Hall & Conference Centre; Reykjavik, by Peer Henning Larsen Architects / Teglgaard Jeppesen, Osbjørn Jacobsen; Studio Olafur Eliasson / Olafur Eliasson; Batteríid architects / Sigurður Einarsson Neues Museum, Berlin, by David Chipperfield Architects / David Chipperfield, in collaboration with Julian Harrap Norwegian National Opera & Ballet, Oslo, by SNØHETTA / Kjetil Trædal Thorsen, Tarald
  • Architectsnewspaper 11 6.22.2005

    Architectsnewspaper 11 6.22.2005

    THE ARCHITECTSNEWSPAPER 11 6.22.2005 NEW YORK ARCHITECTURE AND DESIGN WWW.ARCHPAPER.COM $3.95 GUGGENBUCKS, GUGGENDALES, CO GUGGENSOLES 07 MIAMI NICE LU ARTISTIC Z O GO HOME, LICENSING o DAMN YANKEES 12 Once again, the ever-expanding Guggenheim is moving to new frontiers. TOP OF THE A jury that included politicians, Frank CLASS Gehry and Thomas Krens has awarded 4 the design commission for the newest 17 museum in the Guggenheim orbitto VENTURI AND Enrique Norten for a 50-story structure on a cliff outside Guadalajara, Mexico's sec• SCOTT BROWN ond-largest city. The museum will cost BRITISH TEAM WINS VAN ALEN COMPETITION PROBE THE PAST the city about $250 million to build. 03 EAVESDROP But there is now a far less expensive 18 DIARY range of associations with the Guggenheim 20 PROTEST Coney Island Looks Up brand. The Guggenheim is actively 23 CLASSIFIEDS exploring the market for products that it On May 26 Sherida E. Paulsen, chair of the Fair to Coney Island in 1940, closed in 1968, can license, in the hope of Guggenheim- Van Alen Institute's board of trustees, and but the 250-foot-tall structure was land- ing tableware, jewelry, even paint. An Joshua J. Sirefman, CEO of the Coney marked in 1989. eyewear deal is imminent. Island Development Corporation (CIDC), Brooklyn-based Ramon Knoester and It's not the museum's first effort to announced the winners of the Parachute Eckart Graeve took the second place prize license products but it is its first planned Pavilion Design Competition at an event on of S5,000, and a team of five architects strategy to systematize licensing.
  • Page 1 – 1 Barch Year 6 Continuity in Architecture

    Page 1 – 1 Barch Year 6 Continuity in Architecture

    2010 Page 1 – 1 BArch Year 6 Continuity in Architecture Catalogue 2010 TABLE OF CONTENTS 2 – 3 Introduction from Head of School 4 – 17 BA (Hons) · Year 1 – 3 82 – 89 Research 4 – 5 Introduction 82 – 83 Architecture Research Centre at MIRIAD 6 – 9 Year 1 84 – 85 MA Architecture+Urbanism 10 – 13 Year 2 86 – 89 MARC · Manchester Architecture Research Centre 14 – 17 Year 3 18 – 81 BArch · Year 5 & 6 90 – 111 The School and the City 18 – 19 Introduction 90 – 91 msa squared International Collaboration & Exhibition 92 – 93 msa² · Manchester Society of Architects Design Awards 2010 22 – 29 Continuity in Architecture Year 5 & 6 96 – 97 MADF · Manchester Architecture & Design Festival Archaeology’s Places and Contemporary Uses · Venice 98 – 103 The Courtyard Project at the Manchester Museum Experiments in Urban Narratives · Manchester 104 – 107 Events month 108 – 109 mssa · the Manchester Student Society of Architecture 30 – 33 Emergent Urbanism Year 5 110 – 111 EASA 34 – 39 [Re_map] Year 6 International Workshop · Hannover 40 – 43 Prototype Year 5 44 – 47 Material-Space Year 5 48 – 53 Emergent Topographies Year 6 MAD-MAN 54 – 59 Displace Year 5 & 6 Heterotopia sequences workshop · Salerno & Naples, Italy 60 – 65 Biomimetics Year 5 & 6 Extreme Environments · Cornwall 66 – 71 msa Projects Year 5 & 6 Collaborations and Impact · Manchester City Council 72 – 75 Part-Time · Flexible Provision 76 – 77 BA · Humanities 78 – 79 BArch · Humanities 80 – 81 BArch · Technology · Climate Change, Proposition & Detail Page 1 Table of contents msa 2010 Catalogue 2010 INTRODUCTION Welcome to the 2010 review of the msa The school continues to be a popular and Student success this year includes the Kohn highly respected destination for the study of Pedersen Fox / Architecture Foundation Student – the catalogue summarises the breadth architecture in a city with a rich tradition and Travel Award won by Nandi (Marshal) Han, of activity within the school illustrating vibrant contemporary architectural scene.
  • Architecture Program Report 7 September 2015

    Architecture Program Report 7 September 2015

    ARCHITECTURE PROGRAM REPORT FOR THE NATIONAL ARCHITECTURAL ACCREDITATION BOARD 7 SEPTEMBER 2015 THE IRWIN S. CHANIN SCHOOL OF ARCHITECTURE THE COOPER UNION FOR THE ADVANCEMENT OF SCIENCE AND ART NADER TEHRANI, DEAN ELIZABETH O’DONNELL, ASSOCIATE DEAN The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 The Cooper Union for the Advancement of Science and Art The Irwin S. Chanin School of Architecture Architecture Program Report for 2016 NAAB Visit for Continuing Accreditation Bachelor of Architecture (160 credits) Year of the Previous Visit: 2010 Current Term of Accreditation: From the VTR dated July 27, 2010 “The accreditation term is effective January 1, 2010. The Program is scheduled for its next accreditation visit in 2016.” Submitted to: The National Architectural Accrediting Board Date: 7 September 2015 The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 Program Administrator: Nader Tehrani, Dean and Professor Chief administrator for the academic unit in which the Program is located: Nader Tehrani, Dean and Professor Chief Academic Officer of the Institution: NA President of the Institution: William Mea, Acting President Individual submitting the Architecture Program Report: Nader Tehrani, Dean and Professor Name of individual to whom questions should be directed: Elizabeth O’Donnell, Associate Dean and Professor (proportional-time) The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 Section Page Section 1. Program Description I.1.1 History and Mission I.1.2 Learning Culture I.1.3 Social Equity I.1.4 Defining Perspectives I.1.5 Long Range Planning I.1.6 Assessment Section 2.
  • Düsseldorf 'S Media Harbour

    Düsseldorf 'S Media Harbour

    Düsseldorf ’s Media Harbour Culture, communication and creativity D üsseldorf ’s Media Harbour The development of part of the old harbour into prime office space and a new trendy district was a successful urban planning project that has served as a role model for similar projects in Germany. From commercial harbour to and a lively restaurant scene. Soon, there will also be architectural showcase residential properties in the Media Harbour. The When structural change set in during the seventies transition from commercial harbour to Media Har- and eighties it became obvious that the around 212 bour ref lects t he fundamenta l changes t hat have hectare commercial harbour site wouldn’t be needed taken place in Düsseldorf ’s economy. Today, the city for its origina l pur pose any longer. However, t he is predominantly a service hub with a strong indus- harbour’s location close to the city centre offered a trial background. This same structural change is also unique opportunity to transform it into an attractive evident in the Media Harbour, with the media, the district with offices, restaurants and hotels. movers and the shakers in the foreground and the typical harbour industries on the land spits further back. The city council decided to close the Berger Hafen and Zollhafen sections of the harbour in 1976. The Past and present wet dock was filled in to create the land on which the Plot for plot, each site was developed to ref lect its Rheinturm tower and the Landtag parliament build- future user’s requirements. An urban planning com- ing today stand.
  • PHASE3 Architecture and Design

    PHASE3 Architecture and Design

    [email protected] 17 May 2017 BUILDINGS PLACES CITIES [email protected] 17 May 2017 LONDON: DESIGN CAPITAL BUILDINGS / PLACES / CITIES This NLA Insight Study was published by New London Architecture (NLA) in May 2017. It accompanies the NLA exhibition London: Design Capital on display from May–July 2017 and is part of the NLA International Dialogues year-round programme, supporting the exchange of ideas and information across key global markets. New London Architecture (NLA) The Building Centre 26 Store Street London WC1E 7BT Programme Champions www.newlondonarchitecture.org #LDNDesignCapital © New London Architecture (NLA) Programme Supporter ISBN 978-0-9956144-2-0 [email protected] 17 May 2017 2 Contents Forewords 4 Chapter one: London’s global position 6 Chapter two: London’s global solutions 18 Chapter three: London’s global challenges and opportunities 26 Chapter four: London’s global future 32 Project showcase 39 Practice directory 209 Programme champions and supporters 234 References and further reading 239 © Jason Hawkes – jasonhawkes.com [email protected] 17 May 2017 4 5 Creative Capital Global Business As a London based practice with offces based on three continents and London is the world’s global capital for creative design and construction a team of highly creative architects currently engaged in design and skills. Just as the City of London became the fnancial capital of the world, development opportunities around the globe, I welcome the NLA’s latest so London has beneftted from its history, its location, its legal and education insight study and exhibition London: Design Capital for two reasons.
  • Rolex and Architecture 2016 Press

    Rolex and Architecture 2016 Press

    PRESS RELEASE ROLEX CONTINUES PARTNERSHIP WITH INTERNATIONAL ARCHITECTURE EXHIBITION – LA BIENNALE DI VENEZIA – AS 2016 EDITION OPENS Venice, 26 May 2016 – Rolex is supporting the world’s most important architecture exhibition, which runs from 28 May to 27 November in Venice. This marks the second of three editions (2014, 2016 and 2018) with Rolex as the exclusive Partner and Official Timepiece of the International Architecture Exhibition – La Biennale di Venezia. “We are very proud of our association with the Architecture Biennale,” said Arnaud Boetsch, Director Communication & Image at Rolex. “Architecture and watchmaking have much in common, as both must achieve a perfect rendering of function and aesthetic pleasure. This can only be accomplished by meeting the highest standards of precision and performance, something we at Rolex excel at and which is being showcased at the exhibition in this historic city over the next six months.” Rolex’s success as the world’s leading luxury watch brand can be traced back more than a century to company founder Hans Wilsdorf who was motivated by a sense of excellence at every level. He created nothing less than a new architecture for the watch case, making the iconic Oyster the first waterproof watch, one that, like great buildings, has stood the test of time. In the design and construction of its own buildings over the past 50 years, Rolex has demanded the same values of excellence manifest in its watchmaking. The company’s two newest buildings, a tower in Dallas, Texas, by Kengo Kuma and a building in Milan by Italy’s own Studio Albini, are the focus of an exhibition presented by Rolex in the Giardini.
  • David Chipperfield.Indd

    David Chipperfield.Indd

    David Chipperfield http://www.davidchipperfi eld.co.uk/ David Chipperfield Background 1953 Born in London, UK 1978 Diploma in Architecture, ARchitectual Association, UK 1978-84 Worked for Douglas Stephen, Richard Rogers, and Nor man Foster 1985 Established David Chipperfield Architects Founder member of 9H Gallery, London, UK 1992-97 Trustee of the Architecture Foundation, London, UK Teaching Taught as a Visiting Professor at: Harvard University, Cambridge, Mass. USA Ecole Polytechnique, Lausanne, Switzerland London Institute, UK TAught as a Professor at: Staatliche Akademie der Bildenden Kunste, Suttgart Germany Mies van der Rohe Chair, Barcelona School of Architecture, Spain Awards and Prizes 81’ Schinkel Prize, special mention - 90’ Brithish Design and Art Direc tion Award ; Andrea Palladio Award for the Toyota Auto Kyoto building, Kyotot, Japan; British Design and Art Direction Award; Fi nancial Pantone Colour Award - 98’ AIA Award(UK) for KaistraBe Studios, Dusseldorf, Germany; RIBA Regional Award for the RIver and Rowing Museum, Henley-on-Thames, UK etc... David Chipperfield Design Philosophy The work of David Chipperfield Architects is based upon a solid foundation of design excellence, budget and programme control, pro- ficient project management and the achievement of best value and ar- chitectural quality. Working directly with architectural teams, David Chipperfield is actively involved in the design and supervision of each project from the initial concept stage, through planning, construction and completion. The practice is driven by a consistent philosophical approach, not a predetermined house style. As a result it aims to create specifically de- tailed buildings that are intimately connected to context and function. We believe that high quality design results from the continuity of the design process and intensive dialogue with the client, consultants, con- tractors and end users.
  • CORB++ 6 Credits ARCH 456 Le Corbusier in Context 3 Cr

    CORB++ 6 Credits ARCH 456 Le Corbusier in Context 3 Cr

    SUMMER 2015 MAY 18 – JUNE 26 CORB++ 6 credits ARCH 456 Le Corbusier in Context 3 cr. A Study of the architecture, painting, sculpture, applied arts and milieu of Corb ARCH 497 Reflective Recordings 3cr. A method of active observation and creative production Itinerary Map 4 countries 15 cities +/- Sites Le Corbusier Contemporary Architecture Architects UNStudio Group8 Shigeru Bahn Yi Architects Jean Tschumi Wiel Arets Architecture James Stirling and Partners Bernard Tschumi Phalt Architekten Spillman Delugan Meissel SANAA Eschle Architekten Mies van der Rohe Piano and Rogers Andrea Maffei Architects Hans Scharoun Jean Nouvel Cino Zucchi Archietti Santiago Calatrava Dominique Perrault Carta Associates Damien Karl Moser Lacaton and Vassal Fluchaire & Julien Cogne Gigon & Guyer Boerli Studio Holzer Kober Cormac David Chipperfield Institute for Lightweight Christophe Gulizzi Alsop Robert Maillart Structure Architects 2b_architectes Gustav Zeuner Institute for Computational Heinz Isler Matte Trucco Design Lacroix Chessex Renzo Piano Frei Otto Herzog and De Meuron Foster and Partners Jorg Schlaich Edouard Francois Eileen Gray Werner Sobek Manuelle Gautrand Rudy Rocciotti Hascher Jehle Architektur AS Architecture Studio Zaha Hadid GWJ Architektur Victor Laloux and Gae Kengo Kuma Otto and Werner Pfister Aulenti Museums of Modern and Contemporary Art Historic Buildings and Public Spaces Travel Expenses Estimated cost for the trip is $4200. This includes: Airfare 1200 Trains 560 Transit 105 Hotels 1300 Entries 215 Food 820 There is the potential for the cost to be less based on each students’ choice of flight and hotels. Costs are based on mid-priced hotels. Train fares are as of January, 2015 and may be less when booked.