Slaughtergrid

Total Page:16

File Type:pdf, Size:1020Kb

Slaughtergrid SlaughterGrid CREATOR TABLE OF CONTENTS Rafael Chandler Backstory................................................................4 PLAYTESTERS State of Affairs.........................................................4 Kerra Bolton Running SlaughterGrid.............................................5 Gary Bowerbank Light and Sound.......................................................5 Scott Dorward Treasure..................................................................5 Kate Hill Death and Resurrection.............................................6 Matt King Giant Flatworm Eggs................................................6 Jürgen Mayer Thieving Abilities and Detection.................................6 Tricking Monsters.....................................................7 EDITORS Lifting Heavy Objects................................................7 Trent Isaacson Gold-Whore Encounters...........................................7 Jack Shear Weaponized Amorphids...........................................7 Hexcrawl.................................................................9 COVER ARTIST Dungeon...............................................................13 Pavel Popov Level 1..................................................................13 Level 2..................................................................19 INTERIOR ARTISTS Level 3..................................................................27 Sandy Jacobs-Tolle Resurrection Results................................................31 Pavel Popov NPCs and Pregens.................................................35 Magic Items...........................................................35 MAPS & DIAGRAMS Monsters...............................................................36 Rafael Chandler ACKNOWLEDGEMENTS ART CREDITS Thanks to Trent and Jack for the excellent Sample file editing work -- I am truly grateful! You Were Warned, cover: Pavel Popov Sandy and Pavel did a tremendous job SlaughterGrids Deployed, page 1: Sandy Jacobs-Tolle bringing all this ugliness to life. Hexcrawl, page 8: Rafael Chandler Thanks to all my playtesters Level 1, Uterus, page 12: Rafael Chandler for diving face-first into the meat grinder. This Will Not End Well, page 15: Pavel Popov Much gratitude to Keith J. Davies and Erik Tenkar Level 2, Bowels, page 18: Rafael Chandler for their enthusiasm for this EG&G line of books. Involuntary Laparotomy, page 23: Sandy Jacobs-Tolle Much gratitude to Stuart Marshall for OSRIC. Kaiva Grey-Nail, page 24: Sandy Jacobs-Tolle And thank you! I hope you dig this adventure. Level 3, Belly, page 26: Rafael Chandler Progenitor, page 29: Sandy Jacobs-Tolle “Never become despondent; fight until the very end.” Discovering the Ovum, page 34: Pavel Popov - E. Gary Gygax All non-OSRIC/non-OGL text in this book is open content. Use it however you please. All illustrations copyright 2013 original artists. Notice to printers: the user has my permission to print/bind this PDF. SLAUGHTERGRID: PLAYLIST Here are the songs I listened to when working on this Helmet - Overrated module: Helmet - Sinatra Insomnium - In the Groves of Death Agalloch - Blood Birds Insomnium - Lay the Ghost to Rest Agalloch - Limbs Insomnium - Weighted Down With Sorrow Amebix - VisitationAmon Amarth - Arson Lord Belial - Antichrist Reborn Amon Amarth - Doom Over Dead Man Lord Belial - Black Wings of Death Amon Amarth - The Last Stand of Frej Melechesh - Emissaries and the Mysterium Magnum Amorphis - Warrior's Trial Melechesh - Mystics of the Pillar Arch Enemy - Savage Messiah Meshuggah - Break Those Bones Whose Sinews Gave It Arch Enemy - Under Black Flags We March Motion Autopsy - Torn from the Womb Meshuggah - Lethargica Behemoth - Alas, Lord is Upon Me Meshuggah - Obzen Behemoth - Lucifer Ministry - Crumbs Behexen - Rituale Satanum Ministry - Khyber Pass Bolt Thrower - Mercenary Ministry - The Last Sucker Bolt Thrower - Those Once Loyal Napalm Death - Plague Rages Cancer - Tribal Bloodshed, Part 2: Under the Flag Nile - Sarcophagus Coalesce - Blend as Well Novembers Doom - Collapse of the Fallen Throe Coalesce - Counting Murders And Drinking Beer (The Novembers Doom - They Were Left to Die $46,000 Escape) Pig Destroyer - Pixie Coalesce - The Comedian in Question Portal - Curtain Crowbar - December's Spawn Scar Symmetry - Artificial Sun Projection Cult of Luna - Eternal Kingdom Scarve - The Perfect Disaster Cult of Luna - Owlwood Sepultura - Ostia Dark Fortress - As The World Keels Over Sepultura - Spectrum Dark Fortress - Shardfigures Setherial - Relinquishment From the Unlighted Chambers Dark Tranquillity - Inside the Particle Storm Shai Hulud - Cold Lord Quietus Dark Tranquillity - Iridium Shape of Despair - Angels of Distress Dark Tranquillity - Out of Gravity Shape of Despair - Quiet These Paintings Are Daylight Dies - A Dream Resigned Sample fileSix Feet Under - Seed of Filth Deicide - Hang in Agony Until You're Dead Six Feet Under - Ten Deadly Plagues Enslaved - Ascension Skrew - Crawl Enslaved - Center Skrew - Dark Ride Enslaved - Tides of Chaos Skrew - Porcelain Evile - Genocide Skrew - Swallow Exodus - As it Was Slayer - Blood Red Exodus - Hammer and Life Slayer - Divine Intervention Exodus - Nanking Slayer - Expendable Youth Exodus - Shudder to Think Slayer - In the Name of God Fear Factory - Body Hammer Slayer - Mandatory Suicide Fear Factory - Moment of Impact Slayer - Seven Faces Fen - As Buried Spirits Stir Slayer - Spill the Blood Fen - Bereft Soulfly - Inner Spirit Goatwhore - Of Ashen Slumber Stompbox - saltpeterexitwound Goatwhore - To Mourn and Forever Wander Through Strapping Young Lad - Imperial Forgotten Doorways Strapping Young Lad - Landscape Godflesh - Circle of Shit Sylosis - From the Edge of the Earth Godflesh - Hunter Synthetic Breed - Cybernetics Godflesh - Merciless Unsane - Get Off My Back Godflesh - Witch Hunt Unsane - Out Gojira - Of Blood and Salt Unsane - Stop Gojira - Vacuity 3 BACKSTORY TABLE 3: GEOGRAPHY 1. Lake Hvergelmir Fill this in, using the tables below: 2. Ravenpeak Mountain 3. Cloakmire Marsh The SlaughterGrids were built by genocidal halflings, 4. Khulgra Falls aeons ago. Mammoth automatons of stone, maintained 5. Gandvik River by small crews, they were sent to fight against (TABLE 1), 6. Mount Corbenic and they were later responsible for the destruction of (TABLE 2). TABLE 4: LEADERS 1. Lady Delphinia, Bladeborn Warden One of the massive constructs strayed from the others 2. Izmirlian the Red, plains-ranger and stumbled, lost and directionless, through foreign 3. Karolina the Misericorde, Elven Assassin lands. Across planes and realms, it left a trail of 4. Vashti of Jamsheed, Tularian Wyvern-Rider unspeakable destruction. Finally, it reached (name of 5. Amenophis the Second, Light of the Sky your world/realm). Armies were deployed against it. 6. Brother Haemon the Dirge-Singer It killed thousands at the battle of (insert name of promi- TABLE 5: ADVENTURERS nent geographical location in your world, or roll on 1. Four scarred veterans seeking their fortune TABLE 3). Led by (TABLE 4), a group of adventurers 2. Five louts too intoxicated to feel fear entered the SlaughterGrid and made their way to her 3. A half-dozen youths armed with wooden swords brain, which they destroyed by means of powerful mag- 4. Six brave heroes in search of destiny ics. The SlaughterGrid collapsed near (name of location 5. A group of desperate thieves and graverobbers in your world, or roll on TABLE 2 again), and eventual- 6. A band of adventurers lusting for treasure ly, was covered over by grass and vines. Its pelvic mound now resembles a dirt-covered hill, and the bulk of the SlaughterGrid is actually under the earth. STATE OF AFFAIRS Yesterday, its orifice opened, and (TABLE 5) entered. They were not heard from again. Experience Points Adventure awaits... Ignoring encounters during the hexcrawl, and setting aside any random encounters, there are approximately 13,000 XP worth of monsters in this dungeon (assuming TABLE 1: ARMIES that the characters find and kill/defeat/outwit them all). 1. the shimmering legions of the Dragon Elves Sample file 2. a filth-caked coalition of trolls, ogres, and goblinoids Random Encounters 3. the demon hordes of Mictlan and their infernal lords The default likelihood of encountering a monster in an 4. a ticking bronze army of gnome-wrought automatons empty room is 1 in 6, but that number increases by 1 5. the undead phalanx of Lich Queen Marizela Bone- with each new room that the players enter without an Wright encounter of some kind (2 in 6, then 3 in 6, etc., then 6. ten thousand stalwart dwarves marching in silent for- resetting to 1 in 6 after an encounter has transpired). mation Level 1 TABLE 2: LOCATIONS Here, small creatures feed on guano, and are in turn 1. Mecha Zel, subterranean clockwork kingdom of the eaten by ambulatory mushrooms and various carnivo- gnomes rous animals. Mivik, a cave goblin, has escaped the car- 2. Miravell, a glorious city of pearl-encrusted spires and nage on Level 2, and has made his way up here. The opal dragons ovum can be found on the western end of this level, and 3. the Temple of Murder, where the Guild of Reapers ladders to the north will lead down to Level 2. kept the First Sickle 4. Greyflesh Keep, a citadel of necromancers and forni- Level 1 Random Encounters cators 1. Cadaver Carver 5. Jurndar Hall, where the North-Women raised vora- 2. Impaler cious Frostwyrms 3. Dropper 6. Rokesta Tower, focal point of the halfling campaign 4. Grey Recluse against humankind 5. Clutcher 6. Ascomyte
Recommended publications
  • Strapping Young Lad
    THE DAYGLO’S AUSSIE TOUR #3 APRIL/MAY 2005 - ABSOLUTELY FREE PUNK, HARDCORE & METAL - THE SCUM ALSO RISES STRAPPING YOUNG LAD and shitloads more! ABSOLUTE EDITORIAL Absolute Editorial #3 Things are coming together nicely for us here at Absolute Underground. This is starting go be fun! We’re getting into a few free shows and people are starting to send in CD’s for us to review. We’ve got a lot of new people pitching in to make this rag better than ever. Emily Kendy joins us from Vancouver and brings with her a very impressive resume (The Nerve, Discorder, Terminal City, Exclaim...). We’ll be featuring a different Vancouver based band each issue starting with scum punks the Excessives. With the new Arena and Rod Stewart having played Victoria, you can just feel that this is going to be a great year for live music around town. I’m always impressed with the turnout and energy of the younger crowds at the all-ages shows. Even if you’re old you should go check one out sometime. You might find it invigorating to jump in a circle pit of mohawked fury. It was great hanging out with the crew at Spitfire Tattoo special thanks to Rick and Amanda. Electric Frankenstein was an amazing show and just proves that Victoria gets wicked shows all the time. A big middle finger to the asshole bouncers @ Diego’s who wouldn’t let me in even though I was on the guest list and then proceeded to tell the headlining act CHOKE to “pack their shit, they weren’t going to play.” This was after two huge idiots working the door beat up CHOKE’s drummer who weighs about a buck ten soaking wet.
    [Show full text]
  • Jason Hartley-Smith (Bass, Backing Vocals)
    EPK 2018 screamingbeast.com BIO Formed from the depths of the much revered Manchester (UK) metal scene, Screaming Beast fuse heavy metal and the swagger of the deep south to bring you groovy and bluesy melodic metal. The band began as the project of vocalist Anton War and drummer Daniel Mucs in the summer of 2013. Once songs took shape, the band released the first EP “Blistering Lies” in February of 2014, followed by a second EP “To Assail and Conquer” in September 2015. By late 2017 a full band line-up was solidified and Daniel and Anton were joined by Arun Kamath (guitar, backing vocals), Rory Vallely (guitar) and Jason Hartley-Smith (bass, backing vocals). “Why this band is unsigned remains a mystery in the face of great songwriting!” Metal Glory - Germany Having each individually forged their own creative paths over the years, and with a lifetime’s worth of combined musical experience, all five of these rather talented and handsome chaps are connected by their love for creating and playing the best music possible, and having jolly good fun in the process! “Screaming Beast creates energetic driven songs with biting vocals” Musika - Belgium Lyrically, the band draws on a healthy mix of personal experience and outward commentary, while not wishing to preach or force a particular message upon anyone, the listener is taken on a journey through the mindset of the songs protagonists. screamingbeast.com “Screaming Beasts first foray into a full length opus shows a lot of promise and despite being a tad heavier than my usual speaker fodder I found myself leaving it play, even when not scribbling my drivel about it.
    [Show full text]
  • Daniel Gildenlöw, Pain of Salvation, on the Upcoming Album, an Alter Ego and Flat Backflips
    Daniel Gildenlöw, Pain of Salvation, on the upcoming album, an alter ego and flat backflips »Specific? Me? Nah!« In July 2016 Century Media released a special reissue version of Pain of Salvation‘s classic 2002 album “Remedy Lane” entitled “Remedy Lane Re:visited (Re:mixed & Re:lived)” via InsideOut Music. Furthermore the band is working on a new studio album called “In The Passing Light Of Day”. BetreutesProggen.de took the chance and asked bandleader Daniel Gildenlöw for more details (deutschsprachige Version des Interviews). Daniel Gildenlöw, 2016 is a stirring year. You have spent a lot of time working in the studio. Your long-time label- partner InsideOut published your album “Remedy Lane Re:visited (Re:mixed & Re:lived)“ on July 1st. And the reactions are very positive. How does it feel? It feels very good. I had a good feeling about this year. As some of my fans (who follow me on Facebook) know, I named this year Garbo. I simply came to the conclusion that years need to be named, baptized. More so than many other things we choose to baptize in the modern world, I’d say. Haha. Well, in any case, Garbo is strict but just. We have this thing going, me and her. We have an understanding. (laughs) You summarized the background of this re-mix project as follows: “Jens Bogren, aka Fascination Street Studios, approached us a few years after the release of “Remedy Lane“, saying he was a fan of the band and kindly offered his services. He was later involved in “BE” and “Scarsick“, but always in the periphery, since we were taking new directions in our sound and production by then.
    [Show full text]
  • Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
    nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here..
    [Show full text]
  • Production Perspectives of Heavy Metal Record Producers Abstract
    Production Perspectives of Heavy Metal Record Producers Dr Niall Thomas University of Winchester – [email protected] Dr Andrew King University of Hull – [email protected] Abstract The study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented the exploration of the production and the artistic nature of this endeavour is still developing. This article explores phenomenological aspects of producing Heavy Metal music from the perspective of seven renowned producers working within the genre. Through a series of interviews and subsequent in-depth analysis particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A conceptual framework is then put forward for understanding the production methodology of recorded Heavy Metal Music, and, how developing technology has influenced the production of the genre. Keywords: recording; Heavy Metal; production; producers; phenomenology Introduction The affordances of digital technology have significantly changed the opportunities for practicing musicians to record music. Technology enables even amateur music makers the opportunity to record music with relative ease. The democratisation of technology has meant that mobile devices can become pocket sized recording studios (Leyshon, 2009), whilst affordable solutions and emulations of prohibitively expensive computing and recording technology are readily available via the Internet. The technology associated with certain aspects of music making is now more widespread and enables a new sense of creative musical freedom; music producers command a limitless array of technological choices. Despite the benefits of the ever-increasing rate of technological development, the recording industry is changing dramatically, and with it, the production perspectives of record producers.
    [Show full text]
  • Late 1960'S - Early 1970'S
    Late 1960's - Early 1970's The birth of heavy metal. Groups like Black Sabbath, Led Zeppelin and Deep Purple were the first heavy metal bands. Late 1970's The rise of the New Wave of British Heavy Metal. Bands like Iron Maiden and Judas Priest become very popular. 1978 Van Halen released their debut album. This began the Los Angeles/Sunset Strip scene, and many bands would come out of this era, including Motley Crue and Quiet Riot. The so called "hair bands" like Poison, Warrant and Ratt came from that scene as well. The Who's Keith Moon died. Bands formed this year: Dokken, Ratt, Whitesnake A sample of heavy metal albums released in 1978: Black Sabbath - Never Say Die Judas Priest - Stained Class UFO - Obsession 1979 The German band Accept releases their self-titled debut album. They are considered to be the first European power metal band. Ozzy Osbourne was fired from Black Sabbath and replaced by Ronnie James Dio. Bands formed this year: Europe, Hanoi Rocks, Trouble and Venom. A sample of heavy metal albums released in 1979: AC/DC - Highway To Hell Judas Priest - Hell Bent For Leather Led Zeppelin - In Through The Out Door Kiss - Dynasty Saxon - Saxon Scorpions - Lovedrive 1980 Best Heavy Metal Album Of 1980: AC/DC - Back In Black AC/DC lead singer Bon Scott dies and is replaced by Brian Johnson. Also Led Zeppelin drummer John Bonham dies. Bands formed this year: Manowar, Mercyful Fate, Overkill A sample of heavy metal albums released in 1980: Angel Witch - Angel Witch Black Sabbath - Heaven And Hell Def Leppard - On Through The Night Diamond Head - Lightning To The Nations Iron Maiden - Iron Maiden Judas Priest - British Steel Motorhead - Ace Of Spades Ozzy Osbourne - Blizzard Of Ozz Saxon - Wheels Of Steel 1981 Best Heavy Metal Album Of 1981: Motley Crue - Too Fast For Love Venom's first album was released, beginning the genre of black metal.
    [Show full text]
  • Nr Kat EAN Code Artist Title Nośnik Liczba Nośników Data Premiery Repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl
    nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 19075816432 190758164328 '77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 9985848 5051099858480 '77 Nothing's Gonna Stop Us CD Longplay 1 2015-10-30 HEAVYMETAL/HARDROCK 88697636262 886976362621 *NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882 888750258823 *NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 19075906532 190759065327 00 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 88875143462 888751434622 12 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 88697919802 886979198029 2CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 88843087812 888430878129 2CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 88875052342 888750523426 2CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 88725409442 887254094425 2CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 19075869722 190758697222 2CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 88883745419 888837454193 2CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 88985349122 889853491223 2CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 88985461102 889854611026 2CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 19075818232 190758182322 4 Times Baroque Caught in Italian Virtuosity CD Longplay 1 2018-03-09 CLASSICAL 88985330932 889853309320 9ELECTRIC The Damaged Ones
    [Show full text]
  • Order Form Full
    METAL ARTIST TITLE LABEL RETAIL 1349 MASSIVE CAULDRON OF CHAOS (SPLATTER SEASON OF MIST RM121.00 16 LIFESPAN OF A MOTH RELAPSE RM111.00 16 LOST TRACTS OF TIME (COLOR) LAST HURRAH RM110.00 3 INCHES OF BLOOD BATTLECRY UNDER A WINTERSUN WAR ON MUSIC RM102.00 3 INCHES OF BLOOD HERE WAITS THY DOOM WAR ON MUSIC RM113.00 ACID WITCH MIDNIGHT MOVIES HELLS HEADBANGER RM110.00 ACROSS TUNDRAS DARK SONGS OF THE PRAIRIE KREATION RM96.00 ACT OF DEFIANCE BIRTH & THE BURIAL (180 GR) METAL BLADE RM147.00 ADMIRAL SIR CLOUDESLEY SHOVELL KEEP IT GREASY! (180 GR) RISE ABOVE RM149.00 ADMIRAL SIR CLOUDSLEY SHOVELL CHECK 'EM BEFORE YOU WRECK 'EM RISE ABOVE RM149.00 AGORAPHOBIC NOSEBLEED FROZEN CORPSE STUFFED WITH DOPE RELAPSE RECORDS RM111.00 AILS THE UNRAVELING FLENSER RM112.00 AIRBOURNE BLACK DOG BARKING ROADRUNNER RM182.00 ALDEBARAN FROM FORGOTTEN TOMBS KREATION RM101.00 ALL OUT WAR FOR THOSE WHO WERE CRUCIFIED VICTORY RECORDS RM101.00 ALL PIGS MUST DIE NOTHING VIOLATES THIS NATURE SOUTHERN LORD RM101.00 ALL THAT REMAINS MADNESS RAZOR & TIE RM138.00 ALTAR EGO ART COSMIC KEY CREATIONS RM119.00 ALTAR YOUTH AGAINST CHRIST COSMIC KEY CREATIONS RM123.00 AMEBIX MONOLITH (180 GR) BACK ON BLACK RM141.00 AMEBIX SONIC MASS EASY ACTION RM129.00 AMENRA ALIVE CONSOULING SOUND RM139.00 AMENRA MASS I CONSOULING SOUND RM122.00 AMENRA MASS II CONSOULING SOUND RM122.00 AMERICAN HERITAGE SEDENTARY (180 GR CLEAR) GRANITE HOUSE RM98.00 AMORT WINTER TALES KREATION RM101.00 ANAAL NATHRAKH IN THE CONSTELLATION OF THE.. (PIC) BLACK SLEEVES RM128.00 ANCIENT VVISDOM SACRIFICIAL MAGIC
    [Show full text]
  • Campus Stores Annually Lose Money to Theft
    Volume 100, Issue 18 Carnegie Mellon’s Student Newspaper since 1906 20 February 2006 Zeta becomes Alpha Chi Omega The only local sorority, Zeta joins national organization ffect ngton a by Nicole Barley ashi Staffwriter sals in W t propo ld recen try? Add another item to the list of wou e coun changes taking place on Carnegie Mel- How ss th lon’s campus this year: Local sorority ife acro ollege l llege Zeta Psi Sigma is no longer. The letters c co adorning the house have been removed to me st,” and are soon to be replaced by three co nd of te y that ki , new ones: AXΩ. ma to take Brown ts need e Julia es test homor ajor. d t would said sop iting m ze exam tical nal wr i- di The cri ofessio uman ar d riting, a pr est a h nd e gaine nts’ w m-solv- o you t uter ta s to b stude proble How d comp S ntage tan- and be “ rsus a A) e adva g a s nking, would ajor ve ’s no th isterin thi esults ties m There admin specifi - lls. Its r ount major? e from signed ing ski total am cience ndardiz test de sess the ing s ally sta nstern ardized udents. ed to as occurr to re Morge d llege st 13 us that is way y Claire ly for co bruary arning which up- b cal to a Fe of le ut also that.” is s Justin Brown/Assistant Photo Editor fwriter ording Times, eges, b dents college Staf Acc ew York in coll the stu “Each gs dif- s have n The N t of ontain ost do thin student rticle i ised ou hools c the m d to ecca On February 1, Zeta Psi Sigma offi - onally, col- a was ra re sc arning pose d Reb Traditi ing of issue or mo are le y,” sai n cially asked national sorority Alpha Chi beginn - the need f who ferentl t-year i ted the e’s stan ceived olleges east.
    [Show full text]
  • Devin Townsend – Devolution Series #1
    Devin Townsend – Devolution Series #1 – Acoustically Inclined, Live in Leeds (61:03, CD, Vinyl, Digital, InsideOut Music / Sony Music, 2021) Devin Townsend mal ganz anders. Hinter der „Devolution Series“ steckt laut dem Künstler die Idee „einige Schrägheiten, sowie interessantes Material herauszubringen, das nicht unbedingt als offizielle Veröffentlichung durchgeht“. So sollen in nächster Zeit seine Quarantäne Songs, die „nomen est nomen“ während des Covid-19 Lockdowns entstanden, wie auch diverse Liveshows der letzten Jahre das Tageslicht im Rahmen dieser Serie erblicken. Den Anfang macht das Akustikalbum „Live In Leeds“, welches ursprünglich ein Teil der Ultimate Edition von „Empath“ war. Rexmided und Remastered beweist diese Neuauflage, dass der sympathische Kanadier auch in einem ganz anderen Kontext beste Unterhaltung abliefert. So steht sein Namen in erster Linie für einen bombastischen Progressive Metal Over-the-top Ansatz, darf es immer von allen noch etwas mehr sein. Das Maß der Übertreibung und selbstironischen Karikatur gehört zum festen Bestandteil des Hevy Devy Kosmos, der hier komplett ohne Theater und großartige Inszenierung beste Unterhaltung liefert. Funktionierte übrigens 2019 auch in unseren Breiten. Denn auch ohne Netz und doppelten Boden erweist sich der Mann aus der Nähe von Vancouver als glänzender Entertainer. Komplett zurückgenommen, quasi als „der Mann mit seiner Gitarre“ (und einigen Soundeffekten) punktet er mit seinem ansteckendem Humor (dies ist ausnahmsweise in diesen Zeiten nicht virologisch gemeint) und seiner launigen, überaus unterhaltsamen Redseligkeit. Doch neben jeder Menge Geschichten und Anekdoten, überzeugen ebenfalls die ausgestöpselten, teils spontan vorgetragenen Versionen der vor allem aus den 2000er Jahren stammenden Songs – reicht u.a. von „Synchestra (2006), „‚Ziltoid The Omniisient (2007)“, über „Ki“, „Addicted“ (beide 2009) bis hin zu einem Ausflug zu Strapping Young Lad.
    [Show full text]
  • 1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 the Time Machine 2004
    #'s 1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 The Time Machine 2004 1349 Beyond the Apocalypse 2004 Norway Hellfire 2005 Active Liberation 2003 Revelations of the Black Flame 2009 36 Crazyfists A Snow Capped Romance 2004 Alaska Bitterness the Star 2002 Active Collisions and Castaways 27/07/2010 Rest Inside the Flames 2006 The Tide and It's Takers 2008 65DaysofStati The Destruction of Small 2007 c Ideals England The Fall of Man 2004 Active One Time for All Time 2008 We Were Exploding Anyway 04/2010 8-bit Operators The Music of Kraftwerk 2007 Collaborative Inactive Music Page 1 A A Forest of Stars The Corpse of Rebirth 2008 United Kingdom Opportunistic Thieves of Spring 2010 Active A Life Once Lost A Great Artist 2003 U.S.A Hunter 2005 Active Iron Gag 2007 Open Your Mouth For the Speechless...In Case of Those 2000 Appointed to Die A Perfect Circle eMOTIVe 2004 U.S.A Mer De Noms 2000 Active Thirteenth Step 2003 Abigail Williams In the Absence of Light 28/09/2010 U.S.A In the Shadow of A Thousand Suns 2008 Active Abigor Channeling the Quintessence of Satan 1999 Austria Fractal Possession 2007 Active Nachthymnen (From the Twilight Kingdom) 1995 Opus IV 1996 Satanized 2001 Supreme Immortal Art 1998 Time Is the Sulphur in the Veins of the Saint... Jan 2010 Verwüstung/Invoke the Dark Age 1994 Aborted The Archaic Abattoir 2005 Belgium Engineering the Dead 2001 Active Goremageddon 2003 The Purity of Perversion 1999 Slaughter & Apparatus: A Methodical Overture 2007 Strychnine.213 2008 Aborym
    [Show full text]
  • Separation of Church and Politics?
    Vol. XXVII, Issue 11 March 24, 2006 NN ee ww ss Separation of Church and Politics? By Mark Bannick “Whatever happened to the separation of church Consisting mostly of evangelicals and the orthodox, like Karl Rove, have, since the 1970s, observed the and state?” this conservative bloc could not live with the nec- successes of grassroots politicking among Christian “It’s hanging in there, but I’m afraid the constitu- essary conditions of social thought; that is, they Right. Combined with the soft-money campaign tion doesn’t say anything about the separation of could not differentiate between how one ought to donations by the wealthy business class and the get- church and politics.” act and believe in public, with how one ought to do out-the-vote drive of his political base, George W. “You saying that’s a good thing?” so in private. For them, there was no demarca- Bush had many campaign promises to fulfill in his “I’m saying that’s the way it is: always has been.” tion—the private was public. Even Jimmy Carter, slight victory (loss?) over Al Gore in 2000. “You think a voter really needs to know if I go to an evangelical himself, was renounced by these As it was more important for the President church?” groups for his support of Roe v. Wade (1973). to first achieve his tax-cuts, followed by preemp- “I don’t need to know but then I’m not going to After these beginnings, the Christian Right tively waging a war, he continued to campaign to vote for you anyway.
    [Show full text]