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LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Merchant, Jimmy Merchant, Jimmy
Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 4-7-2006 Merchant, Jimmy Merchant, Jimmy. Interview: Bronx African American History Project Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Merchant, Jimmy. 7 April 2006. Interview with the Bronx African American History Project. BAAHP Digital Archive at Fordham. This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Interviewee: Jimmy Merchant Interviewers: Alessandro Buffa, Loreta Dosorna, Dr. Brian Purnell, and Dr. Mark Naison Date: April 7, 2006 Transcriber: Samantha Alfrey Mark Naison (MN): This is the 154th interview of the Bronx African American History Project. We are here at Fordham University on April 7, 2006 with Jimmy Merchant, an original and founding member of Frankie Lymon and the Teenagers, who has also had a career as an artist. And with us today, doing the interviews, are Alessandro Buffa, Lorreta Dosorna, Brian Purnell, and Mark Naison. Jimmy, can you tell us a little about your family and where they came from originally? Jimmy Merchant (JM): My mom basically came from Philadelphia. My dad – his family is from the Bahamas. He – my dad – was shifted over to the south as a youngster. His mother was from the Bahamas and she moved into the South – South Carolina, something like that – and he grew up there. -
Dear READER, Winter/Spring 2021 SQUARE BOOKS TOP 100 of 2020 to Understate It—2020 Was Not Square Books’ Best Year
Dear READER, Winter/Spring 2021 SQUARE BOOKS TOP 100 OF 2020 To understate it—2020 was not Square Books’ best year. Like everyone, we struggled—but we are grateful to remain in business, and that all the booksellers here are healthy. When Covid19 arrived, our foot-traffic fell precipitously, and sales with it—2020 second-quarter sales were down 52% from those of the same period in 2019. But our many loyal customers adjusted along with us as we reopened operations when we were more confident of doing business safely. The sales trend improved in the third quarter, and November/December were only slightly down compared to those two months last year. We are immensely grateful to those of you who ordered online or by phone, allowing us to ship, deliver, or hold for curbside pickup, or who waited outside our doors to enter once our visitor count was at capacity. It is only through your abiding support that Square Books remains in business, ending the year down 30% and solid footing to face the continuing challenge of Covid in 2021. And there were some very good books published, of which one hundred bestsellers we’ll mention now. (By the way, we still have signed copies of many of these books; enquire accordingly.) Many books appear on this list every year—old favorites, if you will, including three William Faulkner books: Selected Short Stories (37th on our list) which we often recommend to WF novices, The Sound and the Fury (59) and As I Lay Dying (56), as well as a notably good new biography of Faulkner by Michael Gorra, The Saddest Words: William Faulkner’s Civil War (61). -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
THE MENTOR 77, January 1993
THE MENTOR Australian Science Fiction CONTENTS #77 - COLUMNISTS: 9 - FANTASY DOWNUNDER by Bill Congreve 22 - WARRIORS OF ANCIENT WORLDS by Andrew Darlington 36 - ARGENTINE SF HISTORY 2 by Claudio Omar Noguerol 44 - OUT OF OZ by Ron Clarke COMIC SECTION: 47 - FERAL KILLERS by Carter & Carcinogen FICTION: 2 - OBUNAGA'S FINGER by Mustafa Zahirovic 15 - GODDESS OF STONE by Sean Williams 31 - THE SALE OF YOUTH by George Ivanoff DEPARTMENTS: 56 - THE R&R DEPT. - Reader's Letters. 75 - REVIEWS by Ron Clarke Front Cover Art by Peggy Ranson. Interior Illos: Peggy Ranson p. 8, 21, 30, 74 Jozef Szekeres p. 14, 55. Kerrie Hanlon p.1 THE MENTOR 77, January 1993. ISSN 0727-8462. Edited, printed and published by Ron Clarke, 6 Bellevue Road, Faulconbridge, NSW 2776, Australia. THE MENTOR is published at intervals of roughly three months. It is available for published contribution (fiction [science fiction or fantasy]), poetry, article, trade ( not with an APAzine), or substantial letter of comment on a previous issue. It is not available for subscription, but is available for $5 for a sample issue (posted) Contributions may be on an IBM ascii file or a known-brand world processor on disc or typed, single or double-spaced, preferably a good photocopy (and if you want it returned, please send a Stamped, Self Addressed Envelope of the appropriate size)! Contributions are not paid; THE MENTOR 77 page 1 however they receive a free copy of the issue their contribution is in, and any future issue containing comments on their contribution. Contents (C) Copyright 1992 for the Contributors THE MENTOR 77 page 2 OBUNAGA'S FINGER by Mustafa Zahirovic The first breath of life is the best breath. -
College Honors Hall of Fame and HEADWAE Honorees
Nonprofit Organization U.S. Postage PAID g{x Summit, MS 39666 Permit No. 10 [email protected] URR February 24, 2017 Serving SMCC Since 1940 Volume 72, No. 5 Campus Events P B Southwest Monday, February 27 BSU Worship 7:00pm recognizes Tuesday, February 28 Wesley Foundation HEADWAE Bible Study 6:30 Wednesday, March 1 Wesley Foundation instructor Ash Wednesday Service 6:00 and Thursday, March 2 Q: 1st Term On student Campus Accelerated By Cody Pol, editor Classes end Higher Education Friday, March 3 Appreciation Day-Working for QQ: 2nd Term On Academic Excellence (HEAD- Campus Accelerated WAE) is a program developed by Classes begin the Legislature of Mississippi and sponsored by the Mississippi Sunday, March 5 Association of Colleges. Each Evening Classes 60% year, HEADWAE honors the date intellectually talented students and faculty members of Monday, March 6 Mississippi’s higher education QQ: Last day to regi institutions for their marvelous ter for 2nd Term On contributions to promoting aca- Campus Accelerated demic excellence. Southwest Classes Mississippi Community College BSU Worship 7:00pm instructor James O’Rourke and FEA Meeting Noon Madison Martin, Joey Elliott, Alissa Adam, and Cody Pol pose in the red Corvette convertible. sophomore Matthew Black are Room 11, Humanities photo by Chuck Barnes recognized at the Higher Building Education Appreciation Day- Working for Academic Tuesday, March 7 Excellence ceremony in Jackson, Wesley Foundation College honors Hall of Fame Mississippi. Bible Study 6:30 O’Rourke, an instructor of Residence Hall thirty years, serves as an English Meeting and literature instructor. As Softball Game Chairperson of the Humanities Copiah-Lincoln 6:00 and Fine Arts departments, he is Summit and HEADWAE honorees credited with the Mississippi By Cody Pol, Humanities Council 2015 editor Wednesday, March 8 Humanities Teacher Award. -
A Music Critic on His First Love, Which Was Reading
them over, and get its mitts on record distribution in the bargain. Nor is it all about the Benjamins. If by popular music you mean domestic palliatives from “Home Sweet to Celine Dion, OK, that’s another realm. But most of what’s now played in concert halls and honored at the Kennedy Center has its roots in antisocial impulses—in a carpe diem hedonism that is a way of life for violent men with money to burn who know damn well they’re destined for prison or the morgue. Most music books assume or briefly acknowledge these inconvenient facts when they don’t ignore them altogether. But they’re central to two recent histories and two recent memoirs, all highly recommended. Memphis-based Preston Lauterbach’s The Chitlin’ Circuit and the Roots of Rock ’n’ Roll For anyone who cares about the history of pop—and also, in a better world, anyone relishes the criminal origins of a mostly southern black club scene from the early ’30s to who cares about the history of the avant-garde—Between Montmartre and the Mudd the late ’60s. Journalist-bizzer Dan Charnas’s history of the hip-hop industry, The Big has a big story to tell. Popular music is generally identified with the rise of Payback, steers clear of much small-timeClub thuggery and leaves brutal LA label boss Suge Knight to Ronin Ro’s Have Gun, Willsong Travel, publishing butROBERT plenty and of piano crime manufacture stories rise up inas theprofits mid-nineteenth century. But starting snowball. Ice-T’s Ice devotes twenty-fivein the 1880s, steely artists pages toand the other lucrative fringe-dwelling heisting operation weirdos have been active as pop the rapper-actor ran before he madeperformers, music his composers, job. -
Atticus Finch: the Understood the Principles of Good Government, a Young Nelle Lee Ridi- Biography Culed the Bill and Its Supporters
FALL 2018 First Southern Studies MFA Student Graduates Support from fellow students and faculty proved invalu- PENMAN SUSIE COURTESY able for Susie Penman, the first graduate in the Master of Fine Arts in Documentary Expression. Penman, who has also earned two other degrees from the University of Mississippi—a BA in journalism in 2007 and an MA in Southern Studies in 2012—says she made good use of the resources here. “For someone who is thinking about it, it’s a very supportive program,” Penman said. “There are people here to help you not just pursue what you are already interested in, but—certainly in my case because I had never done film before—there were people who were patient and who taught me what I needed to know. That’s what I got out of it most, just learning this whole new skill set, which is working with film.” Her thesis film,The Knowing of People, is about juve- nile crime and punishment in New Orleans. She took a personal experience she had while living in the city and brought it to life onscreen. “I was carjacked a couple of years ago, and the people who did it were three teenagers who were tried as adults,” Penman said. “When I found that out, before I even knew about the MFA program, I Susie Penman became interested in this as a topic to think more about, because I wasn’t part of the judicial process at all. I just got a letter saying they’d been sentenced. I didn’t know a story about juvenile crime in New Orleans through my anything about how the justice system worked, and experience.” I wanted to explore that. -
On the Square in Oxford Since 1979. U.S
Dear READER, Service and Gratitude It is not possible to express sufficiently how thankful we at Square Books have been, and remain, for the amazing support so many of you have shown to this bookstore—for forty years, but especially now. Nor can I adequately thank the loyal, smart, devoted booksellers here who have helped us take safe steps through this unprecedented difficulty, and continue to do so, until we find our way to the other side. All have shown strength, resourcefulness, resilience, and skill that maybe even they themselves did not know they possessed. We are hearing stories from many of our far-flung independent bookstore cohorts as well as other local businesses, where, in this community, there has long been—before Amazon, before Sears—a shared knowledge regarding the importance of supporting local places and local people. My mother made it very clear to me in my early teens why we shopped at Mr. Levy’s Jitney Jungle—where Paul James, Patty Lampkin, Richard Miller, Wall Doxey, and Alice Blinder all worked. Square Books is where Slade Lewis, Sid Albritton, Andrew Pearcy, Jesse Bassett, Jill Moore, Dani Buckingham, Paul Fyke, Jude Burke-Lewis, Lyn Roberts, Turner Byrd, Lisa Howorth, Sami Thomason, Bill Cusumano, Cody Morrison, Andrew Frieman, Katelyn O’Brien, Beckett Howorth, Cam Hudson, Morgan McComb, Molly Neff, Ted O’Brien, Gunnar Ohberg, Kathy Neff, Al Morse, Rachel Tibbs, Camille White, Sasha Tropp, Zeke Yarbrough, and I all work. And Square Books is where I hope we all continue to work when we’ve found our path home-free. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Drawn & Quarterly Debuts on Comixology and Amazon's Kindle
Drawn & Quarterly debuts on comiXology and Amazon’s Kindle Store September 15th, 2015 — New York, NY— Drawn & Quarterly, comiXology and Amazon announced today a distribution agreement to sell Drawn & Quarterly’s digital comics and graphic novels across the comiXology platform as well as Amazon’s Kindle Store. Today’s debut sees such internationally renowned and bestselling Drawn & Quarterly titles as Lynda Barry’s One! Hundred! Demons; Guy Delisle’s Jerusalem: Chronicles from the Holy City; Rutu Modan’s Exit Wounds and Anders Nilsen’s Big Questions available on both comiXology and the Kindle Store “It is fitting that on our 25th anniversary, D+Q moves forward with our list digitally with comiXology and the Kindle Store,” said Drawn & Quarterly Publisher Peggy Burns, “ComiXology won us over with their understanding of not just the comics industry, but the medium itself. Their team understands just how carefully we consider the life of our books. They made us feel perfectly at ease and we look forward to a long relationship.” “Nothing gives me greater pleasure than having Drawn & Quarterly’s stellar catalog finally available digitally on both comiXology and Kindle,” said David Steinberger, comiXology’s co-founder and CEO. “D&Q celebrate their 25th birthday this year, but comiXology and Kindle fans are getting the gift by being able to read these amazing books on their devices.” Today’s digital debut of Drawn & Quarterly on comiXology and the Kindle Store sees all the following titles available: Woman Rebel: The Margaret Sanger Story by -
The British Film Catalogue: Fiction Film, 1895–1994
The British Film Catalogue Volume 1 3rd edition Denis Gifford FICTION FILM, 1895-1994 The British Film Catalogue Volume 1 3rd edition Denis Gifford FICTION FILM, 1895-1994 First published 1997 by FITZROY DEARBORN PUBLISHERS First edition 2001 Published 2017 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY 10017, USA Routledge is an imprint of the Taylor & francis Group, an informa business Copyright© Denis Gifford 1973, 1986, 2000 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing in Publication Data. A catalogue record for this book is available from the British Library A Cataloging-in-Publication record for this book is available from the Library of Congress Typeset by Tradespools Ltd, Frame, Somerset Cover designed by Sign ISBN 13: 978-1-57958-199-2 (hbk) ISBN 13: 978-1-57958-171-8 (two volume set) FOR FITZ and Pandora Jane They would have loved each other. CONTENTS page Preface ix How to Use the Catalogue xi Abbreviations and Other Indicators xvii Bibliography xx Acknowledgements xxi Denis Gifford, 1927-2000 xxii The British Film Catalogue: Fiction Film, 1895-1994 1 Index 1023 PREFACE This is the first complete catalogue of every British film ii) After the first day of December, nineteen hundred produced for public entertainment since the invention of and twenty-eight, the studio scenes must have cinematography over one hundred years ago.