Sprouse, Mario African & African American Studies Department
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Merchant, Jimmy Merchant, Jimmy
Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 4-7-2006 Merchant, Jimmy Merchant, Jimmy. Interview: Bronx African American History Project Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Merchant, Jimmy. 7 April 2006. Interview with the Bronx African American History Project. BAAHP Digital Archive at Fordham. This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Interviewee: Jimmy Merchant Interviewers: Alessandro Buffa, Loreta Dosorna, Dr. Brian Purnell, and Dr. Mark Naison Date: April 7, 2006 Transcriber: Samantha Alfrey Mark Naison (MN): This is the 154th interview of the Bronx African American History Project. We are here at Fordham University on April 7, 2006 with Jimmy Merchant, an original and founding member of Frankie Lymon and the Teenagers, who has also had a career as an artist. And with us today, doing the interviews, are Alessandro Buffa, Lorreta Dosorna, Brian Purnell, and Mark Naison. Jimmy, can you tell us a little about your family and where they came from originally? Jimmy Merchant (JM): My mom basically came from Philadelphia. My dad – his family is from the Bahamas. He – my dad – was shifted over to the south as a youngster. His mother was from the Bahamas and she moved into the South – South Carolina, something like that – and he grew up there. -
MARBLE COLLEGIATE REFORMED CHURCH, 275 Fifth Avenue at West 29Th Street, Borough of Manhattan
Landmarks Preservation Commission January 11, 1967, Number 4 LP-0234 MARBLE COLLEGIATE REFORMED CHURCH, 275 Fifth Avenue at West 29th Street, Borough of Manhattan. Begun 1851, completed 1854; architect Sa~uel A. Warner. Landmark2Site: Borough of Manhattan, Tax Map Block 831, Lot 33. On April 12, 1966, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Marble Collegiate Reformed Church and the proposed designation of the related Landmark Site. (Item No. 16). The hearing had been duly advertised in accordance with the provisions of law. Two witnesses spoke in favor of designation. There were no speakers in opposition to designation. This hearing was continued to subsequent hearings of the Commission. The public hearing on the church was closed on November 10, 1966. (Item No. 1). The governing body of the church has informed the Commission that it approves of the proposed designation. DESCRIPTION 1~ ANALYSIS As its name implies, the material used on the exterior of this Church is marble, This striking edifice, with a tower and spire which r esembles that of a New England wooden church, commands a corner site, where it can be advantageously seen from all directions. Though the architect considered it Romanesque in style, he nonetheless used Gothic forms in the dtails of the building;;. This church is an architectural creation of outstanding quality and unique in character. Symmetrical in plan, the central tower is flanked at its base by tall double windows, with octagonal turrets at t he angles, terminating in spires with carved finials. The handsome doorway, in the center of the tower, is set in a richly carved recessed arch carried on colonnettes with ornamented capitals. -
SUNDAY, NOVEMBER 8, 2020 One West 29Th Street (At Fifth Avenue), New York City Worship: Sundays at 11:00Am; Wednesdays at 6:15Pm Order of Service
WELCOME Thank You for Worshipping with Us Today! We continue to stay in community during these uncertain times. But we appeal to you, brothers and sisters, to respect those who labor among you, and have charge of you in the Lord... Be at peace among yourselves. And we urge you, beloved, to admonish the idlers, encourage the fainthearted, help the weak, be patient with all of them. See that none of you repays evil for evil, but always seek to do good to one another and to all. Rejoice always, pray without ceasing, give thanks in all circumstances... — 1 Thessalonians 5:12-18 SUNDAY, NOVEMBER 8, 2020 One West 29th Street (at Fifth Avenue), New York City Worship: Sundays at 11:00am; Wednesdays at 6:15pm Order of Service Sunday November 8, 2020 THANK YOU FOR JOINING US FOR OUR REMOTE SERVICE BROUGHT TO YOU WITH THE SAME HEART AND SPIRIT AS IF WE WERE IN THE SANCTUARY. Grace Notes: Inside the Music, 10:50am. PRELUDE Priére . Joseph Jongen Recorded May 5, 2019 WELCOME AND CALL TO WORSHIP INTROIT Plenty Good Room . African American Spiritual, arr . William Henry Smith The Marble Choir Recorded February 9, 2020 HYMN 508 When in Our Music God Is Glorified . Engelberg Recorded February 9, 2020 Please refer to on-screen lyrics or online hymnal. INVOCATION ANTHEM How Can I Keep from Singing . arr . Taylor Davis Virtual Video: Marble Festival of Voices Susan Heerema, violin; Ryan Walsh, oboe My life flows on in endless song, above earth’s lamentations . I hear the real, though far-off hymn that hails a new creation . -
A Music Critic on His First Love, Which Was Reading
them over, and get its mitts on record distribution in the bargain. Nor is it all about the Benjamins. If by popular music you mean domestic palliatives from “Home Sweet to Celine Dion, OK, that’s another realm. But most of what’s now played in concert halls and honored at the Kennedy Center has its roots in antisocial impulses—in a carpe diem hedonism that is a way of life for violent men with money to burn who know damn well they’re destined for prison or the morgue. Most music books assume or briefly acknowledge these inconvenient facts when they don’t ignore them altogether. But they’re central to two recent histories and two recent memoirs, all highly recommended. Memphis-based Preston Lauterbach’s The Chitlin’ Circuit and the Roots of Rock ’n’ Roll For anyone who cares about the history of pop—and also, in a better world, anyone relishes the criminal origins of a mostly southern black club scene from the early ’30s to who cares about the history of the avant-garde—Between Montmartre and the Mudd the late ’60s. Journalist-bizzer Dan Charnas’s history of the hip-hop industry, The Big has a big story to tell. Popular music is generally identified with the rise of Payback, steers clear of much small-timeClub thuggery and leaves brutal LA label boss Suge Knight to Ronin Ro’s Have Gun, Willsong Travel, publishing butROBERT plenty and of piano crime manufacture stories rise up inas theprofits mid-nineteenth century. But starting snowball. Ice-T’s Ice devotes twenty-fivein the 1880s, steely artists pages toand the other lucrative fringe-dwelling heisting operation weirdos have been active as pop the rapper-actor ran before he madeperformers, music his composers, job. -
MARBLE COLLEGIATE CHURCH Dr
MARBLE COLLEGIATE CHURCH Dr. Michael B. Brown, Senior Minister Sunday, December 7, 2014 Fifth Avenue at West 29th Street, New York City Order of Service Second Sunday in Advent December 7, 2014 PLEASE SILENCE ALL ELECTRONIC DEVICES. PRELUDE FOR ADVENT (10:45am) . Please listen quietly in preparation for worship. Sonata in E-flat Major, BWV 1031 . J . S . Bach Achat Sha’alti . Paul Schoenfield Based on Psalm 27:4: “I ask only one thing, Lord: let me live in Your house every day of my life to see how wonderful You are and to pray in Your temple.” Medley of French Carols . .arr . Dake Carol Wincenc, flute; Kenneth Dake, piano WELCOME AND MINISTRY SHARING CALL TO WORSHIP — LIGHTING OF ADVENT WREATH Alex Farman-Farmaian, Catherine Farman-Farmaian, Lucy Farman-Farmaian INTROIT “E’en So, Lord Jesus, Quickly Come” . Paul Manz Peace be to you and grace from Him who freed us from our sins, who loved us all and shed His blood that we might saved be . Sing holy, holy to our Lord, the Lord, Almighty God, who was and is and is to come . Rejoice in heaven, all ye that dwell therein, rejoice on earth, ye saints below . For Christ is coming soon! E’en so, Lord Jesus, quickly come, and night shall be no more; they need no light nor lamp nor sun, for Christ will be their All! HYMN 187 “On Jordan’s Bank the Baptist’s Cry” . Winchester New INVOCATION AND THE LORD’S PRAYER (use “debts”) SOLO “O Thou That Tellest Good Tidings to Zion” from Messiah . -
Understanding Evangelical Support For, and Opposition to Donald Trump in the 2016 Presidential Election
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 9-1-2020 Understanding Evangelical Support for, and Opposition to Donald Trump in the 2016 Presidential Election Joseph Thomas Zichterman Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Political Science Commons Let us know how access to this document benefits ou.y Recommended Citation Zichterman, Joseph Thomas, "Understanding Evangelical Support for, and Opposition to Donald Trump in the 2016 Presidential Election" (2020). Dissertations and Theses. Paper 5570. https://doi.org/10.15760/etd.7444 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Understanding Evangelical Support for, and Opposition to Donald Trump in the 2016 Presidential Election by Joseph Thomas Zichterman A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Political Science Thesis Committee: Richard Clucas, Chair Jack Miller Kim Williams Portland State University 2020 Abstract This thesis addressed the conundrum that 81 percent of evangelicals supported Donald Trump in the 2016 presidential election, despite the fact that his character and comportment commonly did not exemplify the values and ideals that they professed. This was particularly perplexing to many outside (and within) evangelical circles, because as leaders of America’s “Moral Majority” for almost four decades, prior to Trump’s campaign, evangelicals had insisted that only candidates who set a high standard for personal integrity and civic decency, were qualified to serve as president. -
ABBEY ROAD and in the End… the Beatles Come Together for One Last Studio Hurrah
ABBEY ROAD And in the end… The Beatles come together for one last studio hurrah. Steve Harnell wipes a tear away from his eye 106 XXXXX Dr. Ronald Kunze Ronald Dr. Hallowed ground: the junction of Abbey Road and Grove End Road in St John’s Wood in 1969, with the zebra crossing and the studio in the background or the romantics among us, absence from the charts of a year or Recording sessions were a stop-start Abbey Road is The Beatles’ more, although almost unheard-of at affair. The backing track to its darkest swansong, a concerted effort the time, may have alleviated the moment, the biting blues of I Want You by the band to return to the tension which had built up. Perhaps a (She’s So Heavy), was laid down on 22 Fcamaraderie so evident in their solo album or four could have slipped February 1969, before a lengthy gap earlier work, but it’s arguable it also out; Harrison’s backlog of songs, in while Ringo filmed The Magic represents one of the great ‘what particular, was astonishing, and would Christian, a freewheeling black comedy ifs?’ of their career. indeed result in his 1971 double LP starring Peter Sellers, various Monty Thanks to Paul McCartney’s opus All Things Must Pass. Financial Python members and Raquel Welch. workaholic obsession with keeping the disagreements and management issues After a brief session where the band band going at all costs, the quartet which had plagued the band since worked on early ideas for You Never were reconvened for a fresh set of Brian Epstein’s death and the arrival of Give Me Your Money on 6 May, it was recording work just three weeks after Allen Klein could have been smoothed eight weeks before recording began in completing the fractious, debilitating out with less time pressures. -
Dr. Michael B. Brown, Senior Minister
MARBLE COLLEGIATE CHURCH Dr. Michael B. Brown, Senior Minister Palm Sunday, March 29, 2015 Fifth Avenue at West 29th Street, New York City Order of Service Palm/Passion Sunday March 29, 2015 PLEASE SILENCE ALL ELECTRONIC DEVICES. PRELUDE Please listen quietly in preparation for worship. Sonata in C Major . Carl. Philipp Emanuel Bach WELCOME AND MINISTRY SHARING CALL TO WORSHIP INTROIT “Hosanna to the Son of David” . Thomas Weelkes Hosanna to the Son of David . Blessed be the King that cometh in the name of the Lord . Hosanna . Thou that sittest in the highest heavens . Hosanna in excelsis Deo . HYMN 279 “All Glory, Laud, and Honor” . St. Theodulph INVOCATION AND THE LORD’S PRAYER (use “debts”) ANTHEM “Hosanna in the Highest!” . Carl Tuttle, arr . Joel Raney Marble Children’s Choir, Michael Finke, director PASTORAL PRAYER AND CHORAL RESPONSE “What Wondrous Love Is This” . Southern Harmony, arr . Robert Scholz HYMN 284 “My Song Is Love Unknown” . Love Unknown Verse 1 – All; vv. 2 & 4 – Women; vv. 3 & 5 – Men; v. 6 – Choir; v. 7 – All READING OF THE SCRIPTURE . Mark 11:1-10 (Pew Bible, page 823) Following the reading, Leader: The Word of God for the people of God . All: Thanks be to God. SERMON “FAIR WEATHER FAITH” . Dr . Michael B . Brown Today’s sermon available on CD; visit MarbleVision Table at Coffee Hour. HYMN “Jesus, Keep Me Near the Cross” . Please refer to insert. CALL FOR OFFERING AND PRAYER ANTHEM “When I Survey the Wondrous Cross” . Lowell Mason, arr . Gilbert Martin The text is that of Hymn 293. HYMN 556 “Praise God” . -
Michael Herbert – the New Evangelicals: How Donald Trump Revealed the Changing Christian Conservative Base In
The New Evangelicals: How Donald Trump Revealed the Changing Christian Conservative base Michael J. Herbert Bemidji State University Political Science Senior Thesis Bemidji State University Dr. Patrick Donnay, Advisor April 2017 1 Abstract I analyze how Donald Trump, who many see as an uncertain standard bearer of Christian values, given his colored personal life and various tortured exchanges on the Bible, became the champion of Christian conservatives. Using Pew data from a January 27th, 2016 survey, I analyze how the Republican presidential candidate went from the lowest rankings of religious association just 10 months prior, to winning the highest white evangelical support since George W. Bush in 2004. More research will be conducted on how the specific group known as evangelical voters has changed, as well as what other variables such as economic, gender equality, and international policy played within the demographic that assisted in voting for president elect Donald Trump. This project will contribute to understanding the results of the 2016 presidential campaign, and specifically the behavior of the white evangelical vote. Although Donald Trump did not show significance in numerous religious variables, control variables such as Republican identity were a strong indicator for supporting Trump as a potentially great president upon his election. By analyzing changing and complex evangelical voting trends, along with the changing influence of religion on American society, I believe Donald Trump’s election win revealed a major section of the U.S. electorate’s true message: to be represented regardless of a candidate’s personal background in an increasingly secular American society. Introduction On January 27th, 2016, the Pew Research Center released a survey of 2,009 Americans concerning religion and politics. -
Drew Hartley, AIA - Associate
Drew Hartley, AIA - Associate Drew Hartley is an Architect and project manager with twelve years of professional experience. He has extensive experience with hospitality, commercial, institutional, municipal and residential clients, working on all phases of design and construction. Drew has specific expertise working with historic buildings and landmark preservation issues. Recently, Drew led the team on the detailed restoration of St. Patrick’s Old Cathedral. Drew was also the Project Manager for a private residence renovation at the penthouse of the Plaza Hotel. The project included design studies prepared for The New York Landmarks Conservancy and the Landmarks Preservation Commission. Drew was also responsible for exterior and interior building design, construction detailing, shop drawing review and construction site supervision. Drew coordinated Landmark Preservation Commission and City Planning Commission of NYC approvals for a complex restoration air rights zoning scheme for the Marble Collegiate Church. The scheme (which has been approved) will provide for a public plaza, restored church, and block-long preservation effort bookended by the Historic Gilsey House Cast Iron landmark. The centerpiece of the scheme will be a high-rise commercial building which will support the Landmark restoration efforts in perpetuity. Drew managed coordination with three design firms, Land Use Attorneys, and Preservation Consultants. He has worked on large international projects requiring extensive coordination between many interest groups, as well -
1974 Timeline
1974 (Excerpted from Solo in the 70s by Robert Rodriguez © 2014) January Topping the US singles chart: “Time In A Bottle” by Jim Croce “The Joker” by Steve Miller “Show and Tell” by Al Wilson “You’re Sixteen” by Ringo Starr On the airwaves: “One Tin Soldier” by Coven “Sister Mary Elephant” by Cheech and Chong “Smokin’ In The Boys Room” by Brownsville Station Topping the US album chart: The Singles: 1969-1973 by The Carpenters Albums released this month include: Court and Spark by Joni Mitchell Sundown by Gordon Lightfoot Hotcakes by Carly Simon The Way We Were by Barbra Streisand January – Beginning this month and running through till February, Paul and Wings work on Mike McGear’s album at 10CC’s Strawberry Studios Tuesday 8 – The Early Beatles, Capitol’s abridgment of Please Please Me, is finally certified gold nearly eleven years after its issue Monday 28 – “Jet”/“Mamunia” (Apple 1871; peaks at #7) Thursday 31 – Paul and Linda appear on the cover of Rolling Stone Thursday 31 – Film producer Samuel Goldwyn dies at 94 February 1974 Topping the US singles chart: “The Way We Were” by Barbra Streisand “Love’s Theme” by Love Unlimited Orchestra On the airwaves: “Doo Doo Doo Doo Doo (Heartbreaker)” by the Rolling Stones “Americans” by Byron MacGregor “Let Me Be There” by Olivia Newton-John Topping the US album chart: You Don’t Mess Around With Jim by Jim Croce Albums released this month include: Radio City by Big Star Can’t Get Enough by Barry White Rock ‘n’ Roll Animal by Lou Reed What Were Once Vices Are Now Habits by the Doobie Brothers -
The Inventory of the Norman Vincent Peale Collection #1282
The Inventory of the Norman Vincent Peale Collection #1282 Howard Gotlieb Archival Research Center Peale, Norman Vincent #1284 10/30/91 Preliminary Listing Section I: The Papers of Norman Vincent Peale. I. Manuscripts. A. Books by NVP, TS drafts unless noted, may include holograph notes and corrections, various drafts and unpublished materials, correspondence, printed materials, research materials, proofs., n.d. unless noted. Box 1 1. THE AMAZING RESULTS OF POSITIVE THINKING, includes various chapter drafts, galley proofs, 1959. [F. 1-13] Box 2 a. Ibid. [F. 1-10] 2. ENTHUSIASM MAKES THE DIFFERENCE, 200 p. [F. 11] Box 3 3. FAVORITE STORIES OF POSITIVE FAITH, includes approx. 3 drafts, 400 p. each. [F. 1-11] 4. HAVE A GREAT DAY, approx. 500 p. Box 4 5. THE POSTIVE POWER OF JESUS CHRIST, includes drafts from: FAITH IS THE ANSWER by NVP and Dr. Smiley Blanton; transcripts of radio addresses by NVP, 1937-1940. [F. 1-14] a. Draft with holograph corrections by Myron Boardman. b. Drafts re: YOU CAN WIN, by NVP. Box 5 c. Drafts re: chapter by Ruth Stafford Peale, Dec. 1941-1942. [F. 1] d. Various chapter drafts, excerpts from “The Art of Living,” transcripts from radio show by NVP, final drafts sent to publisher. [F. 2-8] 6. THE POSITIVE PRINCIPLE TODAY (alternate title: KEEP IT GOING), 1975. [F. 9-12] Box 6 a. Ibid. [F. 1-5] 7. POSITIVE THINKING FOR A TIME LIKE THIS; includes various proofs. [F. 6-10] 8. THE POWER OF POSTIVE THINKING, 1951; includes Boston University exhibit design. [F. 11-16] Box 7 a.