Sale 485 Thursday, August 2, 2012 11:00 AM

Fine Press - Illustrated Books - Miscellanea The Library of Byron L. Nishkian (with additions)

Auction Preview Tuesday July 31, 9:00 am to 5:00 pm Wednesday, August 1, 9:00 am to 5:00 pm Thursday, August 2, 9:00 am to 11:00 am

Other showings by appointment

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NOTE: MOST LOTS OFFERED IN THIS SALE HAVE A MINIMUM RESERVE OF ONE HALF OF THE PRESALE LOW ESTIMATE. SOME LOTS HAVE HIGHER RESERVES, BUT ALWAYS BELOW THE LOW ESTIMATE. Administration Roger Wagner, Chairman Scott Evans, President Shannon Kennedy, Vice President, Client Services Angela Jarosz, Administrative Assistant Megan Hipsley, Shipping Clerk

Consignments, Appraisals & Cataloguing Bruce E. MacMakin, Senior Vice President George K. Fox, Vice President, Market Development & Senior Auctioneer Gregory Jung, Senior Specialist Erin Escobar, Specialist

Marketing Maureen Gross, Vice President of Marketing

Photography & Design Chad Mueller, Photographer

Summer-Fall Auctions, 2012

August 2, 2012 – Fine Press – Illustrated Books – Miscellanea

August 16, 2012 – Fine Golf Books & Memorabilia

August 30, 2012 – Fine Literature with Books in All Fields

September 13, 2012 – Rare Books & Manuscripts

September 27, 2012 – Americana - African-American History - Travel & Exploration

Schedule is subject to change. Please contact PBA or pbagalleries.com for further information. Consignments are being accepted for the 2012 Auction season. Please contact Bruce MacMakin at [email protected].

Front Cover: Lot 289 Back Cover clockwise from upper left: Lots 255, 290, 86, 153 Bond # 14425383

Section I: Fine Press Books, Lots 1-129

Section II: Illustrated Books & Miscellanea, Lots 130-309

Section 1: Fine Press Books

THE MASTERWORK OF THE ALLEN PRESS 1. (Allen Press) Allen, Lewis M. Printing with the Handpress: Herewith a Definitive Manual...to Encourage Fine Printing through Hand-craftsmanship. Illustrated by Victor A. Seward. Decorations engraved on wood by Mallette Dean. Printed in Romanée type designed by Jan Van Krimpen for Joh. Enschedé en Zonen, on hand-made paper from Wookey Hole Mill in England with the watermark of the Allen Press. 12x8, decorative full linen with “hand” design based on a 15th century woodcut, acetate cover. One of 140 copies, handset and printed by Lewis & Dorothy Allen. Kentfield, CA: Allen Press, 1969 One of the most beautiful and sought-after productions from the Allens, considered by many their masterwork. Allen Press 34. Fine. (1000/1500)

2. (Allen Press) “An Englishman”. On the Ambitious Projects of Russia in Regard to North West America.... Introduction by George P. Hammond. Illustrated with a facsimile of the 1840 map. 9¾x6½, parchment-backed blue-gray boards printed with orange lettering, acetate dust wrapper. One of 350 copies printed by the Allen Press. [San Francisco]: Book Club of California, 1955 First published in 1830 and here reprinted for the first time. BCC 90; Allen Press 17. Acetate wrapper with 1x3” piece missing from upper front panel; volume spine Lot 1 darkened; very good. (100/150)

3. (Allen Press) Atherton, Gertrude. The Splendid Idle Forties: Six stories of Spanish California. Illustrated with title page, initials and divisional ornaments engraved by Mallette Dean and hand- illuminated by Dorothy Allen. 13¼x9, gold and white stylized floral cloth boards, red-lettered paper label on spine, acetate jacket. One of 150 copies. Kentfield, CA: Allen Press, 1960 Allen Press 24. Spine a bit faded, near fine. (300/500)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 1 4. (Allen Press) Balzac, Honore de. The Hidden Treasures or, The Adventures of Matre Cornelius. Hand-colored illustrations engraved on wood by Mallette Dean & illuminated by Dorothy Allen. 8¾x5¾, half blue paper-backed marbled boards, acetate. One of 160 copies. Kentfield, CA: L-D Allen Press, 1953 Allen Press 13. Spine sunned, near fine. (250/350)

5. (Allen Press) Byron, Lord [George Gordon]. A Venetian Story. Introduction by Eleanor M. Garvey and Philip Hofer of Harvard. With 35 large full-page illustrations from rare 18th century copperplate engravings. (Oblong folio) 12¾x19, original unsewn leaves inside patterned cloth portfolio in a 18th-century Fortuny print design, housed in a drop-back brown cloth box. 1 of 150 copies printed on hand-made paper by the Allen Press. Kentfield, CA: Allen Pres, [1968] Originally published in 1818 as Beppo – A Venetian Story, which was immediately popular, providing a lively and witty account of Venetians in their “Golden Age.” Prospectus, laid in. Allen Press Biblio. 32 A few slight stains to the box; internally fine. (300/500)

6. (Allen Press) Carmody, Francis, editor. The Private Journals of Stendhal 1811-1817. Woodcuts by Mallette Dean. 10x7, decorative red and gold cloth, black paper jacket with spine lettered in gilt. One of 175 copies. Kentfield, CA: Allen Press, 1954 Allen Press 15. Light rubbing to jacket, several short edge tears to rear panel; volume fine. (200/300)

7. (Allen Press) Caxton, William. The Mirrour of the World, Translated and Printed by William Caxton in MCCCCLXXXI now Printed by Hand by the Allen Press. 3 volumes. Illustrated from woodcuts in the Caxton edition; woodcut decorations & hand-colored initials by Mallette Dean based in Caxton designs. 15x10, signatures loose in wrappers, as issued, set in folding green cloth drop-back box with wood-like pattern interiors. One of 130 copies printed with a hand-press on French hand-made paper, at the Allen Press. Kentfield, CA: Allen Press, 1964 Lovely modern printing capturing elements of Caxton’s genius, the Mirrour of the World was the first scientific book printed in English. Allen Press Biblio. 28. Drop-back box with 1¼” diameter stain on front, else box very good, contents fine. (400/600)

8. (Allen Press) Caxton, William, trans. The Noble Knight Paris & The Fair Vienne. Illustrated with hand-colored woodcuts on every leaf. 27x19 cm. (10½x8”), boards, slipcase. One of 130 copies. Kentfield, CA: Allen Press, 1956 Beautifully printed with woodcuts by Mallette Dean hand colored by Dorothy Allen. The text is modernized from the Caxton edition. Allen Press 18. Slight soiling to slipcase, volumes spine darkened a bit, near fine. (300/500)

9. (Allen Press) Conrad, Joseph. Youth. With color wood engravings by Blair Hughes-Stanton. (Folio) 15½x10¼, decorative white boards. 1 of 140 copies, printed in red, black and blue on hand- made paper by the Allen Press. Kentfield, CA: Allen Press, [1959] With color wood engravings by Blair Hughes-Stanton. (Folio) 15½x10¼, decorative white boards, slipcase. 1 of 140 copies, printed in red, black and blue on hand-made paper by the Allen Press. Some fading and extremity wear to slipcase; volume spine a bit darkened, a small darkened spot to front board; near fine. (400/600)

Page 2 10. (Allen Press) Fourgeaud, Victor John. The First Californiac, Being a Reprint of Prospects of California Written by Dr. Victor H. Fourgeaud for the April 1, 1848 Issue of The California Star, San Francisco’s First Newspaper, of which Samuel Brannan was the Publisher. Prolegomenon by Carroll D. Hall. Illustrated by Lawrence E. Walker. Frontispiece from discovered lone surviving photo of Dr. Fourgeaud and his family. 7x6, ¼ calf & pictorial light blue-green cloth, raised bands, spine lettered in blind. 1 of 225 copies printed by the Allen Press. San Francisco: Lewis & Dorothy Allen, 1942 Allen Press Biblio. 2. Spine a bit faded and rubbed, a few small darkened/stained patches to leather; darkening to endpaper gutters; very good. (100/150)

11. (Allen Press) Hall, Carroll D., editor. Donner Miscellany: 41 Diaries and Documents. Illustrated from photographs. 10x6½ green cloth-backed patterned cloth-covered boards. One of 350 copies printed by the Allen Press. San Francisco: Book Club of California, 1947 Allen Press 6; BCC 67. Offset to endpapers, damage to rear pastedown; very good. (100/150)

12. (Allen Press) Harte, Bret. A Millionaire of Rough-and-Ready. Two tone brown boards, spine lettered in gilt. One of 220 copies. Kentfield, CA: L-D Allen Press, 1955 Allen Press 16. Spine a bit sunned; near fine. (100/150)

WITH COLOR ENGRAVINGS BY BLAIR HUGHES-STANTON 13. (Allen Press) James, Henry. The Beast in the Jungle. A Psychological Novel. Preface by Clifton Fadiman. With 16 duo-tone color engravings by Blair Hughes-Stanton. (Folio) 15x10, decorative gray boards, acetate cover. 1 of 130 copies on hand-made paper, text printed in seven colors, by the Allen Press. Kentfield, CA: Allen Press, 1963 Allen Press Biblio. 26. Fine condition. (600/900)

14. (Allen Press) King James Bible. Jonah, Judith, Ruth: Three Stories form the Old Testament King James Authorized Version. Illustrated by Michele Forgeois. Printed in colors. 11x7, unbound (as issued) in handmade paper brown folder, cover lettered in gilt; gilt-lettered orange cloth drop-back box with purple cloth interior. 1 of 140 copies. Greenbrae, CA: Allen Press, 1984 Printed on handmade paper by the Twinrocker Mill. Allen Press 50. A touch of soiling to box, near fine to fine. (200/300)

15. (Allen Press) Poe, Edgar Allan. The Murders in the Rue Morgue. Illustrated with title-page decoration & 6 multicolored chapter headings by Dorothy Allen. 9½x6, tri-color printed boards, black spine, gray covers, front with lettered red colored strip, acetate. 1 of 150 copies printed on Richard de Bas hand-made paper on an Albion hand press. Antibes, France: Allen Press, 1958 Allen Press 22. Spine and top of front cover faintly sunned; near fine or better. (300/500)

The auction will be begin at 11:00 a.m.

Page 3 16. (Allen Press) Stevenson, Robert Louis. La Porte de Maletroit. 60 pp. Illustrations and decorations by Ray Bethers. 8x5¼, original wrappers and glassine; board chemise and slipcase. One of 300 copies printed in Cagnes-sur-Mer, France by Lewis and Dorothy Allen. Cagnes-sur-Mer: L.D. Allen Press for the Book Club of California, 1952 Handsomely printed with page heads in silver ink, illustrations in red, blue, and gilt. Text in English. One seam of slipcase just starting to split; volume fine. (150/250)

17. (Allen Press) Twain, Mark. Mark Twain: San Francisco Correspondent. Selections from his letters to the Territorial Enterprise: 1865-1866. Edited by Henry Nash Smith and Frederick Anderson. Illustrations from photograph, old prints. Cloth-backed boards. One of 400 copies. San Francisco: Book Club of California, 1957 Printed at the Allen Press. Mark Twain’s exuberant reporting for the famous Virginia City, Nevada, newspaper on a score of subjects, most relating to San Francisco. These articles were discovered in a scrapbook compiled by the author’s brother, Orion Clemens, the original newspaper files having been destroyed. Allen Press 20. Spine and top left corner of front cover sunned; very good. (100/150)

18. (Angelo, Valenti) Browning, Elizabeth Barrett. Sonnets from the Portuguese. Introduction by Louis Untermeyer. Decorations in gilt & colors by Valenti Angelo. 15x10¼, gilt-stamped blue cloth, slipcase. No. 34 of 1500 copies. New York: Limited Editions Club, 1948 Signed by Valenti Angelo in colophon. Minor fading to slipcase and volume spine; very good or better. (100/150)

19. (Angelo, Valenti) Rubaiyat and Vathek from Limited Editions Club illustrated by Valenti Angelo. Includes: The Rubaiyat of Omar Khayyam of Naishapur. Translated by Edward Fitzgerald. 6x4, blind- stamped mustard morocco, spine lettered in gilt, acetate, chemise, slipcase. No. 11225 of 1500 copies. 1935. * Beckford, William. Vathek: An Arabian Tale. Translated by Herbert Grimsditch. 6¼x4, gilt- decorated orange morocco, chemise, slipcase. No. 689 of 1500 copies. 1945. Together, 2 volumes. Designed, illustrated & hand-illuminated by Valenti Angelo. [New York]: Limited Editions Club, 1935 & 1945 Each signed by Valenti Angelo in the colophon. First slipcase starting to split at one seam, rubbing to spine of chemise; 2nd with just a little shelf wear to chemise; volumes both fine. (250/350)

20. (Angelo, Valenti) Valenti Angelo: Author, Illustrator, Printer. Introduction by Oscar Lewis. Illustrated with 43 facsimiles (35 in color) & illumination in gold & colors by Angelo. (Folio), red cloth-backed boards, paper spine label. 1 of 400 copies printed by Andrew Hoyem. San Francisco: Book Club of California, 1976 Signed by Angelo at the colophon. BCC 154. Fine. (200/300)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 4 FOUR FROM THE ARION PRESS 21. (Arion Press) Dixon, Maynard. Rim-Rock and Sage: The Collected Poems of Maynard Dixon. Introduction by Kevin Starr. Illustrated from drawings by Dixon. 25x16 cm. (10x6¼, quarter niger & cloth, spine lettered in gilt, slipcase. No. 92 of 100 copies specially bound for Harrison Eiteljorg, from a run of 1300 copies printed by Andrew Hoyem. San Francisco: California Historical Society, [1977] The book was sponsored by Harrison Eiteljorg, who wrote the dedication. Spine faded, otherwise fine. (200/300)

22. (Arion Press) Duston, Hannah. Captivity Narrative of Hannah Duston, related by Cotton Mather, John Greenleaf Whittier, Nathaniel Hawthorne and Henry David Thoreau, four versions of events in 1697. Illustrated with 35 woodblock prints by Richard Bosman. 17x12¾, quarter cloth and boards, paper spine label. From an edition of 425 copies printed on Rives Heavyweight paper, signed by Bosman. San Francisco: Arion Press, 1987 Indian captivity narratives were popular reading in the United States before the vanishing of the frontier, and they are one of the earliest forms of American literature. The brief and bloody chronicle of Hannah Duston may be the most enduring, as it was told and retold for over a hundred and fifty years by authors of literary distinction. With prospectus laid in. Fine. (400/700)

23. (Arion Press) Rilke, Rainer Maria. The Lay of the Love and Death of Cornet Christoph Rilke. Translated by Stephen Mitchell. Illustrated by Warren Chappell. Printed in parallel German and English, the German in black letter, both with red initials. (4to), brown cloth with printed paper labels. One of 315 copies. San Francisco: Arion Press, 1983 Warren Chappell’s vignettes appear on each page of the translation. Spine sunned, small spot on rear cover; near fine. (150/250)

24. (Arion Press) Van Nostrand, Jeanne. Edward Vischer’s Drawings of the California Missions, 1861- 1878. With a Biography of the Artist by Jeanne Van Nostrand. Introduction by Thomas Albright. With 44 color plates (including frontispiece) from Vischer’s drawings. (Oblong 4to) golden-brown linen lettered in gilt. One of 600 copies printed by the Arion Press under the direction of Andrew Hoyem. San Francisco: Book Club of California, 1982 Vischer is credited with capturing in his drawings the look and feel of the colonial past with far more freedom and vividness than his several competitors. Some of his drawings “reconstruct” derelict mission buildings. BCC 172. Fine. (150/250)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 5 25. (Bibliophile Society) Stevenson, Robert Louis. Two Robert Louis Stevenson volumes privately printed for Francis Peabody by the Bibliophile Society. Includes: Poems by Robert Louis Stevenson (Hitherto Unpublished). With Introduction and Notes by George S. Hellman and William P. Trent. 142 pp. * Hitherto Unpublished Prose Writings. With Introduction and Notes. Edited by Henry H. Harper. 195 pp. Together, 2 volumes. Frontispieces; facsimile plates. 22.5x18 cm. (9x7”), quarter vellum & boards, spines lettered in gilt, top edges gilt, slipcases. Chicago: Privately Printed for Mr. Francis S. Peabody, 1921 Francis Peabody supplied the manuscripts from which the Bibliophile Society produced the two volumes in a limited edition of 450 copies each, and, in gratitude, the Society “has issued this small complementary edition from the same type forms from which the Bibliophile Edition was printed.” A little shelf wear to slipcases; some sunning to volume spines; near fine to fine. (300/500)

26. (Book Club of California) Franklin, Colin. Themes in Aquatint. Illustrated with 16 plates from aquatints. (Folio), cloth-backed marbled boards. One of 500 copies printed by the Cambridge University Press. San Francisco: Book Club of California, 1978 Examination of the use of aquatint in the illustrations of British books in the late 18th and early 19th centuries. Fine. (100/150)

27. Book Club of California. Quarterly News-Letter. Broken run, Vol. XI, No. 3 (December 1945) to Vol. LVI, No. 1 (Winter 1990). Wrappers. In half leather or half leatherette slipcases and chemises. San Francisco: Book Club of California, 1945-1990 Run of the significant newspapers, with articles of literary, historical, and bibliographical import. Lacks the following within the run: Vol. 19, No. 1; Vol. 30, No. 3; Vol. 31, No. 3; Vol. 37, No. 2; Vol. 45, No. 4; Vol. 46, Nos. 2-3; Vol. 47, Nos. 2-4; Vol. 50, Nos. 2 & 4; Vol. 51, Nos. 1-2; Vol. 52, Nos. 2-4; Vol. 53, Nos. 1-3; Vol. 54, Nos. 3-4; all of Vol. 55. Some wear and fading to earlier slipcases; very good. (200/300)

28. (Book Club of California) Collection of Book Club of California Keepsake. Approx. 44 yearly sets, in original half leather or half leatherette slipcases. San Francisco: Various dates A significant collection representing some of the most important writings, publications, art work and other areas of fine printing in California and the West. Not collated, and some of the sets are known to be incomplete. Sold as is. Some scuffing and wear to earlier slipcases, very good (250/350)

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Page 6 29. (Book Club of California) Eleven volumes from the Book Club of California. Includes: Morison, Stanley. Typographic Design in Relation to Photographic Composition. 1959. * Letters to Elizabeth: A Selection of Letters from John Steinbeck to Elizabeth Otis. With plain paper dj. 1978. * Teiser, Ruth, ed. Printing as a Performing Art. 1970. * The Engraved Bookplates of Eric Gill, 1908-1940. With dj. 1986. * Dreyfus, John. William Caxton and his Quincentenary. 1976. * Kainene, Jacob. George Clymer and the Columbian Press. 1950. * Mr Eric Gill: Recollections of David Kindersley. 1967. * Ritchie, Ward. Paul Landacre. 1982. * Harlan, Robert D. Chapter Nine: The Vulgate Bible & Other Unfinished Projects of John Henry Nash. 1982. * Ritchie, Ward. Frederic Goudy, Joseph Foster and the Press at Scripps College. 1978. * Fond of Printing. Gordon Craig as Typographer... With glassine dj. 1980. Together 11 volumes. San Francisco: Book Club of California, Various dates Most are fine. (200/300)

30. (Book Club of California) Nine volumes from the Book Club of California. Includes: BR: A Panel Discussion at the Bruce Rogers Centenary. 1981. * Genini, Ronald. Romualdo Pacheco: A Californio in Two Eras. 1985. * Unna, Warren. The Coppa Murals. 1952. * Kelmscott Doves and Ashendene. 1952. * Splatt, Cynthia. Isadora Duncan & Gordon Craig. 1988. * Browne, Lewis. The Final Stanza. Signed by the author. 1929. * Walker, Franklin. Mary Austin Mother of Felipe. 1950. * Reedy, William Marion. The City That Has Fallen. 1933. * The Log of Apollo: Joseph Perkins Beach’s Journal. 1986. Together 9 volumes. San Francisco: Book Club of California, Various dates Most are near fine or fine. (200/300)

31. (Book Club of California) Ten volumes from the Book Club of California. Includes: The Kasidah (Couplets) of Haji Abdu El-Yezdi: A Lay of the Higher Law. Signed by John Henry Nash on the front pastedown. 1919. * Burgess, Gelett. Bayside Bohemia. With prospectus. 1954. * R.L.S. to J.M. Barrie. 1962. * Jeffers, Robinson. Themes in My Poems. 1956. * Wentz, Roby. The Grabhorn Press: A Biography. 1981. * Muir, P.H. Catnachery. With prospectus. 1955. * A Matter of Taste: Willis Polk’s Writings on Architecture in the Wave. 1979. * Burgess, Gelett. Behind the Scenes. 1968. * Lewis, Oscar. The First 75 Years: The Story of the Book Club of California. 1987. * Haraszthy, Arpad. Wine- Making in California. With dj (spine sunned). 1978. Together 10 volumes. San Francisco: Book Club of California, Various dates Very faint shelf wear to only a few; most are fine. (200/300)

ARTIST’S BOOK FROM THE BRIGHTON PRESS 32. (Brighton Press) Hanzlicek, C.G. (poems) & Olda Prochazka (etchings). Mahler: Poems and Etchings. 8 original etchings by Olda Prochazka. (Folio) original leather backed and edged boards. No. 5 of 55 copies. [San Diego]: Brighton Press, [1994] Signed in pencil by the author and illustrator at the colophon. “The music of Gustav Mahler serves as a touchstone for poet C. G. Hanzlicek, who asks that the composer “listen to him for a change.” Hanzlicek reflects on the nine symphonies in a parallel series of intimate poems, addressing the composer directly. Prochazka’s eight moody images resonate between the poems, revealing the artist’s restless exploration of a tactile landscape of etched and engraved line.” (from the Brighton Press website). Slight extremity wear; near fine. (700/1000)

Page 7 33. (Colt Press) Twain, Mark. Concerning Cats. xvi, 29, [2] pp. Introduction by Frederick Anderson. 4to, black cloth-backed patterned boards, spine label. One of 450 copies printed for the Colt Press at the Grabhorn Press. San Francisco: Book Club of California, 1959 BCC 102; GB 610. A hint of soiling to boards; offset to endpapers, near fine. (100/150)

34. (Colt Press) Wilson, Edmund. The Boys in the Back Room: Notes on California Novelists. 72 pp. 9½x6¼, linen, paper cover & spine labels, page edges untrimmed. No. 89 of 100 copies printed on special paper. First Edition. San Francisco: The Colt Press, 1941 Signed by the author in the colophon. Inscribed and signed by printer/publisher Jane Grabhorn on the front free endpaper. Wilson’s important evaluation of Steinbeck on pages 41-53, along with five other West Coast authors: James M. Cain, William Saroyan, John O’Hara, Hans Otto Storm, and, briefly, F. Scott Fitzgerald (who had later moved to Hollywood). Goldstone & Payne F10. Mild soiling to covers, slight offset to endpapers, very good or better. (300/500)

35. (Colt Press) Colt Press Series of California Classics. Includes: Stevenson, Robert Louis. The Old Pacific Capital: Story of Monterey. Dust jacket. [1944] * Browne, J. Ross. The Indians of California. Dust jacket. [1944] * De Quincey, Thomas. California and the Gold Mania. [1945] * Hale, Edward Everett. The Queen of California. [1945] * Trollope, Anthony. A Letter from Anthony Trollope Describing a Visit to California in 1875. [1946]. Together 5 volumes, each in cloth backed boards (2 with original dust jackets). Each one of 500 copies. San Francisco: Colt Press, Various dates The complete Colt Press Series of California Classics. Some light wear; overall very good. (250/350)

36. (Colt Press) Six volumes from the Colt Press. Includes: Hall, Carroll Douglas. The Terry-Broderick Duel. Woodcuts by Mallette Dean. [1939]. * Stewart, George R. Take Your Bible in Old Hand: The Life of William Henry Thomes... 1 of 750 copies. 1939. * Burke, Mary Louise. Kamehameha: King of the Hawaiian Islands. The Story of His Live and of Captain Cook’s Visits to These Islands in the Years 1778-1779. Illus. by Mallette Dean. 1 of 486 copies. 1939. * Omai: First Polynesian Ambassador to England. 1941. * De Quincey, Thomas. California and the Gold Mania. Illustrations from “Punch”. 1 of 500 copies. [1945]. * Poe, Edgar A. The Journal of Julius Rodman. Wood engravings by Mallette Dean. 1 of 500 copies. 1947. Together, 6 volumes. Quarter cloth &/or boards. San Francisco: Colt Press, Various dates Some sunning and other wear, generally very good. (200/300)

37. (Dawson’s Book Shop) Seven volumes published by Dawson’s Book Shop. Includes: Ritchie, Ward. Of Bookmen & Printers: A Gathering of Memories. 1 of 500 copies. [1989]. * Clarke, Charles G. Early Film Making in Los Angeles. Los Angeles Miscellany: 5. A few scuff marks to boards. 1 of 300 copies. 1976. * Johnson, Kenneth M. Stephen Mallory White. Los Angeles Miscellany: 11. 1 of 250 copies. 1980. * Rogers, Warren S. My Own Los Angeles. Los Angeles Miscellany: 13. 1 of 250 copies. 1982. * Neal, Thomas A. Farewell My Book. Los Angeles Miscellany: 14. 1 of 250 copies. 1983. * Hager, Anna Marie. Winged Mail: From Avalon to Bunker Hill. Los Angeles Miscellany: 16. 1 of 300 copies. 1985. * McGinty, Brian. Haraszthy at the Mint. 1 of 300 copies. 1975. Los Angeles: Dawson’s Book Shop, Various dates Together seven large octavos in cloth-backed boards with gilt-lettered spines. Lovely collection from Dawson’s. Near fine or better. (150/250)

Page 8 38. (Dean, Mallette) Carmody, Francis J., translator. Physiologus: The Very Ancient Book of Beasts, Plants and Stones. Translated by Francis J. Carmody. Illustrated with hand-colored lino-cuts by Mallette Dean. 28x19 cm. (11x7¾”), decorated vellum, spine lettered in orange. One of 325 copies printed by Vivien & Mallette Dean. San Francisco: Book Club of California, 1953 Spine a little sunned, normal discoloration to vellum; very good, internally fine. (100/150)

39. (Dropmore Press) De Quincey, Thomas. Revolt of the Tartars or Flight of the Kalmuck Khan & his People from the Russian Territories to the Frontiers of China. Introduction by Edward Shanks. Illustrated by Stuart Boyle. 26x20 cm. (10¼x8”), full maroon niger morocco, gilt-pictorial front cover, spine lettered in gilt, pictorial endpapers, top edge gilt, others untrimmed. No. 26 of 50 specially bound copies signed by the artist, from a run of 450 copies. London: Dropmore Press, [1948] Signed by illustrator Stuart Boyle on the limitation-page. Spine and top 1” of covers sunned; very good. (200/300)

THE EASTON PRESS LIBRARY OF THE PRESIDENTS 40. (Easton Press) Seventy-five volumes from the Easton Press, most from the Library of the Presidents series. 75 volumes, all decoratively bound in full gilt-stamped leather. Norfolk, CT: Easton Press, Various dates Mostly titles on, or by, the Presidents of the United States of America, from the Library of the Presidents series. Also a few other titles, also Presidential and political history, several signed. A complete list is available on request. A few with minor wear; overall fine. (1000/1500)

FINE PRINTING BY ROBERT GRABHORN AND ANDREW HOYEM 41. (Grabhorn-Hoyem) Baird, Joseph Armstrong, Jr. California’s Pictorial Letter Sheets, 1849-1869. 171, [2] pp. Illustrated throughout with facsimile pictorial letter sheets, folding facsimile sheet in the rear pocket, as issued. 13¾x10, crushed orange morocco-backed decorative boards, spine lettered in gilt. One of 475 copies printed by Robert Grabhorn and Andrew Hoyem. First Edition. San Francisco: David Magee, 1967 A catalogue of over 300 California pictorial letter sheets. Spine slightly faded, near fine. (100/150)

42. (Grabhorn-Hoyem) Becker, Robert H. Designs on the Land: Diseños of California Ranchos and their Makers. 64 California maps, two folding. (Oblong folio) 14x18, brown suede-backed cloth; spine stamped in black. One of 500 copies printed by Robert Grabhorn and Andrew Hoyem. San Francisco: Book Club of California, 1969 GHB 29; BCC 133. Slight rubbing to coves, near fine. (300/500)

43. (Grabhorn-Hoyem) Leighly, John. California as an Island. Illustrated with 25 map plates, some folding; hand-colored title page vignette. 13¾x8¼, brown morocco-backed pictorial boards. One of 450 copies printed by Robert Grabhorn and Andrew Hoyem. San Francisco: Book Club of California, 1972 Thorough examination of this fascinating period of California cartography. BCC 141; GHB 60. A touch rubbed at spine; else fine. (700/1000)

Page 9 LARGE COLLECTION OF GRABHORN PRESS 44. (Grabhorn Press) A Grab[horn] Bag: Original Pages Found by Excavators at 642 Commercial Street, San Francisco. 16 original printed leaves, signatures, illustrations, etc., from various works printed by the Grabhorn Press. Set loose in marbled boards folder, 12¼x8½. [San Francisco]: Grabhorn Press, 1941 GB 350. Corners of portfolio a bit rubbed; near fine. (150/250)

45. (Grabhorn Press) De Soto, Don Hernando. The Discovery of Florida: Being a True Relation of the Vicissitudes that Attended the Governor Don Hernando De Soto and Some Nobles of Portugal in the Discovery of Florida. Now Just Given by a Fidalgo of Elvas. Translated by Buckingham Smith with a new introduction by George P. Hammond. Color woodcut decorations and initials by Mallette Dean. 13¼x9, cloth-backed decorative boards, paper spine label. One of 280 copies printed by the Grabhorn Press. San Francisco: Book Club of California, [1946] GB 432; BCC 65. Fine or nearly so. (150/250)

46. (Grabhorn Press) Defoe, Daniel. The Life and Strange Surprising Adventures of Robinson Crusoe of York, Mariner. Introduction by Ford Madox Ford. Color illustrations by Edward A. Wilson. (Large 8vo) 26.5x18 cm. (10½x7”), blue morocco backed cloth. From an edition of 1500 copies printed by the Grabhorn Press. San Francisco: Limited Editions Club, 1930 Specially bound and with a printed presentation leaf inserted at front stating that this copy is a Printers’ Proof, presented to Herbert E. Clayburgh by Herbert Lionel Rothchild, Christmas, 1932. GB 135 (not mentioning these special copies). Bookplate of Babette & Herbert Clayburgh. Spine darkened, minor wear; internally fine; very good. (200/300)

47. (Grabhorn Press) Dentzel, Carl Schaefer. The Drawings of John Woodhouse Audubon: Illustrating his Adventures Through Mexico and California. Illustrated throughout with full-page photogravures and color frontispiece. (Folio) 13¼x10¼, cloth-backed decorative boards with affixed gilt-lettered leather spine label. One of 400 copies printed by Grabhorn Press. First Edition. San Francisco: Book Club of California, 1957 GB 592; BCC 97. Faint offset to endpapers, front free endpaper corner creased; near fine to fine. (150/250)

48. (Grabhorn Press) Dickens, Charles. A Christmas Carol. Being a Ghost Story of Christmas. Color initials by Mallette Dean. 14x9¾, cloth-backed decorative boards, paper spine label. One of 250 copies printed by the Grabhorn Press. San Francisco: Ransohoffs, 1950 Fading to spine, offset to free endpapers; very good. (100/150)

49. (Grabhorn Press) Du Bois, John Van Deusen. Campaigns in the West 1856-1861: The Journal and Letters of Colonel John Van Deusen Du Bois. Edited by George P. Hammond. Illustrated with 16 photogravure plates after drawings by Joseph Heger; folding map. 15x10¾, quarter red leather & decorated boards, gilt-lettered black leather spine label. No. 128 of 300 copies printed at the Grabhorn Press. Tucson, AZ: Arizona Pioneers Historical Society, 1949 Signed at colophon by George P. Hammond. GB 481; Howes D521. Some fairly minor scuffing to spine; hinge cracking before title-page but still strong; very good. (200/300)

Page 10 50. (Grabhorn Press) Elkus, Richard J. Alamos: A Philosophy in Living. Photographs & The Written Word. [64] pp. With 24 photographs printed on glossy stock, tipped-in. (folio) 16¼x12½, original orange, tan and yellow linen hand-loomed and dyed in Mexico, backed with suede, title blind- stamped on front. One of 487 copies designed by the Grabhorn Press. First Edition. San Francisco: Grabhorn Press, 1965 Signed by Richard Elkus and Edwin and Robert Grabhorn at the colophon. A sumptuous monograph and “the last major book of the press”. GB 653. Fine. (200/300)

51. (Grabhorn Press) E[vans], T[homas]. Oedipus: Three Cantoes, Wherein is Contained: 1 His Unfortunate Infancy, 2 His Execrable Actions, 3 His Lamentable End... Illustrated by Mary Grabhorn. (Folio) 14½x9¼, black and white boards, paper spine label, acetate jacket. One of 115 copies printed by the Grabhorn Press. [San Francisco]: Grabhorn Press, 1962 GB 636. Small chips to spine of acetate jacket; volume lower corners a bit bumped, near fine. (200/300)

52. (Grabhorn Press) Fahey, Herbert. Early Printing in California: From Its Beginning in the Mexican Territory to Statehood, September 9, 1850. Illustrated with 16 plates after title-pages, newspapers, portraits, etc. (Small folio), black and green cloth, gilt-lettered red morocco spine label. One of 400 copies printed by the Grabhorn Press. San Francisco: Book Club of California, 1956 An essential reference on the subject. GB 582; BCC 94. A touch of fading to spine, near fine. (200/300)

FIRST IN THE GRABHORNS’ JAPANESE PRINT SERIES 53. (Grabhorn Press) (Grabhorn, Edwin & Marjorie). Figure Prints of Old Japan: A Pictorial Pageant of Actors & Courtesans of the Eighteenth Century reproduced from the Prints in the Collection of Marjorie & Edwin Grabhorn. Introduction by Harold Stern. Illustrated with 56 collotype plates (52 in color) after Japanese wood-block prints. 15x10, quarter cloth & decorative boards, gilt-lettered spine label. One of 400 copies printed by the Grabhorn Press. San Francisco: Book Club of California, 1959 First of the Grabhorn’s Japanese print series. Magnificent reproductions of ukiyo-e prints, colored with blocks made by the Grabhorns & Mallette Dean. GB 611; BCC 103. Spine faded; near fine. (300/500)

54. (Grabhorn Press) (Grabhorn, Edwin and Marjorie). Ukiyo-e: “The Floating World”. Illustrated with 28 collotype plates after Japanese woodblock prints, colored with blocks made by the Grabhorns. 15x10, quarter black cloth & decorative boards, paper spine label. One of 400 copies printed by the Grabhorn Press. San Francisco: Book Club of California, 1962 GB 638; BCC 112. Spine well sunned, else very good, internally fine. (200/300)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 11 ONE OF 25 SPECIAL COPIES 55. (Grabhorn Press) Gutch, John Mathew, editor. A Lytell Geste of Robyn Hode and His Meiny - 1 of 25 Special copies. Color woodcut illustrations by Valenti Angelo. Dedication to Herbert E. Clayburgh by Rothchild. (8vo) 19x13 cm. (7½x5”), original full green morocco spine lettered in gilt. One of 25 special copies. San Francisco: Edwin and Robert Grabhorn for Herbert L. Rothchild, 1931 One of 25 special copies with a different title page, illuminations heightened in gilt, and other variations from the edition of 255 copies. GB 157. Bookplate of Babbette and Herbert Clayburgh. Spine and board edges heavily sunned, front joint rubbed, rear hinge very tight; internally fine. (800/1200)

56. (Grabhorn Press) Harlan, Robert D., editor. Bibliography of the Grabhorn Press 1957-1966 & Grabhorn-Hoyem 1966-1973. 14x10, quarter green morocco and decorative cloth, gilt-lettered spine. One of 225 copies printed by Andrew Hoyem. San Francisco: John Howell Books, 1977 The third and final volume of the Grabhorn bibliography. Includes a checklist of Grabhorn publication from 1916 to 1956, type specimen, printer’s devices, several tipped-in original leaves. Some fading/discoloration to leather; internally fine. (300/500)

57. (Grabhorn Press) Harlow, Neal. The Maps of San Francisco Bay From the Spanish Discovery... Illustrated with collotype facsimiles of 21 maps on 19 plates, some fold-out. (Folio), red morocco- backed decorative boards, gilt lettered spine. One of 375 copies printed by the Grabhorn Press. San Francisco: The Book Club of California, 1950 Superbly printed compendium of cartographic representations of the Bay of San Francisco, with excellent facsimile reproductions and scholarly descriptive text. One of the three great cartographic works issued by the Book Club of California. BCC 77; GB 501; Graff 1784; Howes H202; Rocq 9699. Spine slightly sunned with small faded patch; darkened along endpaper gutters; near fine. (400/600)

58. (Grabhorn Press) Hillier, Jack. Landscape Prints of Old Japan from the Beginning of the Eighteenth Century to the Middle of the Nineteenth Century. Illustrated in color facsimiles from original prints in the collection of Edwin & Marjorie Grabhorn. 15¼x10, quarter cloth and pictorial boards, paper spine label. One of 450 copies printed by the Grabhorn Press. San Francisco: Book Club of California, 1960 Second of the Grabhorn’s Japanese print series. GB 619; BCC 106. Spine faded; very good. (300/500)

59. (Grabhorn Press) Kabotie, Fred. Designs from the Ancient Mimbrenos with a Hopi Interpretation. [83] pp. Forty designs reproduced in brown black and two-color. (Folio), tan cloth backed pictorial boards, paper spine label. One of 250 copies. San Francisco: Grabhorn Press, 1949 GB 484. Spine a bit darkened, a touch of rubbing to corners, near fine. (200/300)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 12 60. (Grabhorn Press) M’Ilvaine, William, Jr. Sketches of Scenery and Notes of Personal Adventure in California & Mexico. Foreword by Robert G. Cleland. Illustrated with reproductions of 16 lithographs. 13½x9, linen-backed marbled boards, gilt-lettered paper spine label. One of 400 copies by the Grabhorn Press. [San Francisco]: Book Club of California, 1951 Pictorial narrative by a gold seeker who traveled to California by the sea route, noteworthy for the views of San Francisco, Sacramento, Stockton, Sutter’s Fort, mining scenes, etc. First published in 1850. Howes M112. Faint offsetting to pastedowns; still fine. (100/150)

61. (Grabhorn Press) Magee, David. The Hundredth Book: A Bibliography of the Publications of the Book Club of California & A History of the Club. With a few facsimile woodcuts and title pages. 14x9¾, half cloth and decorative boards, gilt-lettered spine label. One of 400 copies printed by the Grabhorn Press. San Francisco: Book Club of California, 1958 A bibliography of major importance as a source for much California fine printing. Prospectus laid in. BCC 100; GB 603. Some sunning to spine, a few rubmarks to cloth, slight darkening to top edges of covers; offset to endpapers; very good or better. (100/150)

62. (Grabhorn Press) Magee, David and Dorothy. Bibliography of the Grabhorn Press, 1940-1956 [With a Check-List 1916-1940]. Illustrated throughout with facsimiles and inserted sample leaves from Grabhorn publications. 14x10, quarter red levant morocco and decorated boards, spine lettered in gilt. One of 225 copies printed by the Grabhorn Press. San Francisco: [Grabhorn Press], 1957 Second volume of the Grabhorn Press Bibliography series. GB 586. Mild fading to spine, near fine. (400/600)

63. (Grabhorn Press) Meyers, William H. Journal of a Cruise to California and the Sandwich Islands in the United States Sloop-of-War Cyane. Edited by John Haskell Kemble. Illustrated with 10 plates after sketches by Meyers, colored with linoleum blocks; frontispiece map. 15x10, quarter red morocco and tan linen, gilt-lettered spine. One of 400 copies printed by the Grabhorn Press. San Francisco: Book Club of California, 1955 GB 568; BCC 91. A bit of fading to spine and top edge of rear cover; near fine. (250/350)

64. (Grabhorn Press) Meyers, William H. Naval Sketches of the War in California reproducing twenty-eight Drawings made in 1846-47 by William H. Meyers, Gunner on the U.S. Sloop-of-War Dale. Descriptive text by Capt. Dudley Knox. Introduction by Franklin D. Roosevelt. Illustrated with 28 plates after the original drawings, colored with linoleum blocks. (Folio), white leather-backed marbled boards, slipcase. One of 1000 copies printed by the Grabhorn Press. New York: Random House, 1939 Meyers served aboard the U.S.S. Dale during the conquest of California by U.S. forces. The plates were reproduced from the original drawings in the collection of Franklin D. Roosevelt. GB 317 Spine leather a bit browned and scuffed (as usually occurs); very good. (250/350)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 13 65. (Grabhorn Press) Miller, Henry. Account of a Tour of the California Missions, 1856, The Journal & Drawings of Henry Miller. Introduction by Edith M. Coulter & Eleanor A. Bancroft. Illustrated with 19 reproductions of pencil drawings. 11½x8¾, vellum-backed patterned boards, slipcase. One of 375 copies printed by the Grabhorn Press. [San Francisco]: Book Club of California, 1952 GB 528; BCC 83. Slight fading to slipcase and to volume spine, near fine. (100/150)

66. (Grabhorn Press) Minasian, Khatchik. The Simple Songs of Khatchik Minasian. Introduction by William Saroyan. Decorations by Valenti Angelo. 11.5x16.5 cm. (4½x6½”), quarter red cloth & decorated boards, paper spine label. No. 73 of 300 copies printed on all-rag paper by the Grabhorn Press. San Francisco: Colt Press, 1950 Signed by Saroyan and Minasian in the colophon. A hint of fading to spine, near fine. (200/300)

67. (Grabhorn Press) Nineteenth Century Type Displayed in 18 Fonts Cast by United States Founders, Now in the Cases of the Grabhorn Press. Printed in colors. Oblong, 22x26.5 cm. (8¾x10½”), cloth- backed patterned boards. One of 300 copies printed by the Grabhorn Press. San Francisco: David Magee, 1959 Signed at printer’s statement by Ed and Robert Grabhorn. GB 607. Spine label a bit rubbed; near fine. (150/250)

THE GRABHORN SERIES OF SHAKESPEARE’S PLAYS 68. (Grabhorn Press) Shakespeare, William. The Tempest. Illustrated by Mary Grabhorn. (Folio) 15½x10, quarter linen and decorative boards, gilt-lettered morocco spine label. One of 160 copies printed by the Grabhorn Press. San Francisco: [Grabhorn Press], 1951 The first in the Grabhorn Press’ series of Shakespeare’s plays. GB 506. Slight discoloration to pastedowns, fine or nearly so. (250/350)

69. (Grabhorn Press) Shakespeare, William. The Tragedie of Macbeth. Illustrated with color woodcut plates by Mary Grabhorn. 14½x9½, half morocco & decorated boards. 1 of 180 copies printed on hand-made paper by the Tuckenay Mills & designed by Rudolph Koch. [San Francisco]: [Grabhorn Press], [1952] The second in the Grabhorns’ series of Shakespeare’s plays. GB 525. Rubbing to spine and rear joint, wear to spine head, corners rubbed; very good. (200/300)

70. (Grabhorn Press) Shakespeare, William. The Tragedy of Richard the Third: with the Landing of Earle Richmond, and the Battell at Bosworth Field. Illustrated with color woodcuts by Mary Grabhorn. 10½x7½, full vellum, gilt-lettered spine, string ties. One of 180 copies printed on handmade paper from the Tuckenay Mill in French Lettre Battarde type. [San Francisco]: Grabhorn Press, 1953 The third in the Grabhorn Press series of Shakespeare plays. Slipcase not present. GB 537. Corners slightly bumped, 3” split to vellum at spine, near fine. (250/350)

Page 14 71. (Grabhorn Press) Shakespeare, William. The Tragedie of Julius Caesar. Illustrated with woodcuts by Mary Grabhorn. (Folio), quarter red morocco & decorative black boards, gilt-lettered spine. One of 180 copies printed on handmade paper from the Tuckenhay Mills by the Grabhorn Press. San Francisco: Grabhorn Press, 1954 The fourth title in the Grabhorn’s series of Shakespeare’s plays. GB 550. Slight fading to spine, foot darkened, a tiny scuff to rear joint; slight darkening to pastedowns, near fine. (200/300)

72. (Grabhorn Press) Shakespeare, William. A Midsommer Nights Dreame. Illustrated by Mary Grabhorn. 29.5x23 cm. (11½x9”), white boards, cover label with design by Mary Grabhorn, gilt- lettered spine, slipcase. One of 180 copies. San Francisco: Grabhorn Press, 1955 The fifth in the Grabhorn Press’ series of Shakespeare’s plays. GB 567. Spine a bit darkened and discolored, with faint discoloration to boards; near fine. (250/350)

73. (Grabhorn Press) Shakespeare, William. The Tragedie of Othello, The Moore of Venice. Illustrated with drawings by Mary Grabhorn. (Folio) 15x10¼, quarter levant red morocco & decorative boards, gilt-lettered spine. One of 185 copies printed on handmade paper by the Grabhorn Press. San Francisco: Grabhorn Press, 1956 The sixth in the Grabhorns’ series of Shakespeare’s plays. GB 577. Spine a bit faded, darkened patch at foot, very good or better. (250/350)

74. (Grabhorn Press) Shakespeare, William. The Tragedie of Anthonie, and Cleopatra. Illustrated with lino-cuts by Mary Grabhorn. (Folio) 37.5x25 cm. (14¾x9¾”), white boards, gilt-lettered paper spine label, blue plain paper dust wrapper. One of 185 copies printed on handmade English paper printed by the Grabhorn Press San Francisco: Grabhorn Press, 1960 The eighth in the Grabhorn Press’ series of Shakespeare’s plays. GB 613. Dust wrapper creased, spine a bit stained; volume near fine, corners of rear cover slightly bumped. (250/350)

75. (Grabhorn Press) Shakespeare, William. The First Part of Henry the Fourth. Illustrated by Mary Grabhorn. (Folio) 14½x10¼, quarter linen and decorative boards, gilt-lettered paper spine label. One of 180 copies on handmade Millbourn paper from England and printed by the Grabhorn Press. San Francisco: The Grabhorn Press, 1961 The ninth in the Grabhorn Press’ series of Shakespeare’s plays. GB 629. Fine. (250/350)

76. (Grabhorn Press) Stevenson, Robert Louis. To His Good Friend M. Donat. Unpaginated. Two facsimile letters tipped in. 25x17.5 cm. (9¾x7”), vellum-backed boards. One of 50 copies. San Francisco: [Edwin and Robert Grabhorn for Herbert Lionel Rothchild], 1925 GB 78. Bookplate of Babette & Herbert Clayburgh. Some light spotting to vellum, light wear; very good. (200/300)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 15 77. (Grabhorn Press) Sutter, Johann Augustus, et al. Pioneers of the Sacramento: A Group of Letters by & about Johann Augustus Sutter, James W. Marshall, & John Bidwell. Folding facsimile map in color as frontispiece; reproduction of a pictorial lettersheet. 12¼x8¾, cloth-backed marbled boards, paper spine label. One of 400 copies printed by Edwin & Robert Grabhorn for the Colt Press. San Francisco: Book Club of California, 1953 Fine. (100/150)

78. (Grabhorn Press) Toke, Monroe Tsa. The Peyote Ritual: Visions and Descriptions. Foreword by A.L. Kroeber. Illustrated with 14 color plates from paintings (after visions) by Toke. 15x10, cloth backed decorated boards, plain dust jacket. One of 325 copies. First Edition. San Francisco: Grabhorn Press, [1957] GB 589. Light offset to endpapers, else fine. (500/800)

79. (Grabhorn Press) Utamaro, Kitagawa. Twelve Wood-Block Prints of Kitagawa Utamaro illustrating the Process of Silk Culture. Introduction by Jack Hillier. Illustrated with 12 collotype plates after Utamaro (colored with blocks engraved by Irma Grabhorn) from originals in the collection of Edwin & Irma Grabhorn. (Folio) parchment-backed patterned boards, gilt-lettered spine, plain paper dust jacket. One of 450 copies printed by the Grabhorn Press. San Francisco: Book Club of California, 1965 Fourth and last of the Japanese print series from the Grabhorn Collection. GB 652. Fine. (150/250)

80. (Grabhorn Press) Waseurtz af Sandels, G. M. A Sojourn in California by the King’s Orphan: The Travels and Sketches of G.M. Waseurtz af Sandels, a Swedish gentleman who visited California in 1842- 1843. Edited with an Introduction by Helen Putnam Van Sicklen. Illustrated with plates reproducing drawings and sketches by the author, some folding, a few in color. 12¾x9, linen-backed patterned boards, paper spine label. One of 300 copies printed by the Grabhorn Press. First Edition. San Francisco: Book Club of California, 1945 BCC 63; GB 417. Spine label sunned, endpapers a bit browned; near fine. (100/150)

81. (Grabhorn Press) Nine volumes from the Grabhorn Press. Includes: Mliss, A Story by Bret Harte. 1 of 300 copies. 1948. * Harte, Bret. The Luck of Roaring Camp. 1 of 300 copies. 1948. * Catalogue of Some Five Hundred Examples of the Printing of Edwin and Robert Grabhorn, 1917-1960. Offered for sale at the book shop of David Magee. Wrappers. 1960. * Montale, Eugenio. Mottetti. 1 of 300 copies signed by the author and translator, Lawrence Kart. Grabhorn-Hoyem, [1973]. * Stronger than Death: Short Stories of the Russians at War. 1 of 1500 copies. American Russian Institute, [1944]. * Stevenson, Robert Louis. The Silverado Squatters. 1952. * The Tame Trout: A Tale of the Maine Woods. Wrappers. 1939. * 2 copies of: The History of Susanna. 1 of 400 copies. N.d. * Hart, James D. A Tribute to Edwin Grabhorn: The Grabhorn Press. With plain paper dj. 1 of 1000 copies. Friends of the San Francisco Library, 1969. San Francisco: Grabhorn Press, Various dates Many illustrated by Mallette Dean. Some mild general wear to some; mostly very good. (200/300)

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Page 16 82. (Gregynog Press) Davies, W.H. Selected Poems of W.H. Davies. [viii], 91, [1] pp. Wood-engraved portrait frontispiece after Augustus E. John. (8vo) 23x15.5 cm. (9x6”) original black cloth-backed marbled boards. No. 254 of 310 copies. [Newtown, Montgomeryshire]: The Gregynog Press, 1928 Printed on Japanese vellum. Harrop 11. Small chip to paper of front cover, light wear; very good. (200/300)

83. (Gregynog Press) Haberly, Loyd. Anne Boleyn and Other Poems. [iv], 77, [2] pp. Printed in red and black, initial letters in red and green. 21x16.7 cm. (8¼x6½”), full brown morocco with gilt device on front cover, spine lettered in gilt, top edge gilt. No. 58 of 300 copies. Newtown, Montgomeryshire: The Gregynog Press, 1934 Bind designed by Loyd Haberly. Harrop 31. Spine faded, light wear to extremities; very good. (300/500)

84. (Grove Plays) Fourteen volumes of Bohemian Club Grove Plays, etc. Includes: Pichel, Irving. Saint Francis of Assisi. 1982. * Magee, David. The Buccaneers. 1964. * Totheroh, Dan. Johnny Appleseed. 1946. * Benington, James. Ciao Venezia. 1983. * Myrick, David F. Rails Around the Bohemian Grove. 1973. * Hook, Kenneth G. Lif Kro Nan. 1937. * Ferguson, Kenneth. Maternus. 1948. * 1872: A Chronicle of our Years. 1947. * Nichols, Alan H. Siddhartha. 1978. * Marshall, Francis N. Taj Mahal. 1981. * Winks, Donald L. Maximilian. 1984. *Prugh, George S. Solferino. 1985 * Case, Alexander T. The Flying Spear. 1979. * Arnott, Peter R. Olympus. 1980. Together 14 volumes. San Francisco: Various dates Plus 2 memorial books issued by the Bohemian Club: Jules Pages. Signed by Haig Patigan. 1947. * Henry Hadley. Signed by Haig Patigan. 1937. Most are fine. (200/300)

85. (Hoffman, Richard J. - Printer) Twenty volumes - most from the press of Richard J. Hoffman. Includes: Don’t Nobody Care About Zeds. 1 of 200 copies. [1987]. * 2 copies of: Harrison, Olive. Recipe Book. 1 of 500 copies. [1984]. * 2 copies of: Jones, Mary Lutz. A Los Angeles Typesticker: William N. Cheney. 1 of 350 copies. [1981]. * 2 copies of: Ray Allen Billington: Memorial Tribute. One in wrappers, one in cloth-backed boards. 1 of 500 copies. 1981. * Longo, Lawrence D. A Short History of the Society for Gynecologic Investigation. Wrappers. 1 of 450 copies. 1983. * Powell, Lawrence Clark. My Mozart Commonplace Book. 1 of 300 copies. 1980. * Powell, Lawrence Clark. The Poet and the Professor. Privately printed, 1981. * Hoffman, Richard J. Some Observations on Book Design. 1986. * Lence, Karen V. A History of the Western Books Exhibition. 1 of 250 copies. The Rounce & Coffin Club, 1978. * A Decorative Divertissement. 1 of 150 copies. 1980. * Todd, Edwin M. Through a Tiny Aperture. 1 of 500 copies. 1987. * Percy, Walker. Diagnosing the Modern Malaise. Morocco-backed boards. 1 of 250 copies. Faust Publishing, 1985. * 2 copies of: Salmans, D.L. Personal Thoughts: A Small Collection of Poems. Cloth. N.p., N.d. * Barth, John. Don’t Count on It: A Note on the Number of The 1001 Nights. Cloth. 1 of 150 copies. Lord John Press, 1984. * Hall, Frances. A Winter Traveler. Cloth. 1984. * Powell, Lawrence Clark. My Haydn Commonplace Book. 1983. * Cunningham, J.V. Dickinson: Lyric and Legend. Cloth. 1 of 330 copies printed at the Castle Press. Signed by the author. Sylvester & Orphanos, 1980. Together 20 volumes. Van Nuys, CA: Richard J. Hoffman, Various dates Fine. (200/300)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 17 EARLY EFFORT OF DARD HUNTER 86. (Hunter, Dard) Weitenkampf, Frank. The Etching of Contemporary Life...With an Original Etching by Ernest D. Roth. [13] pp. Original signed etching by Ernest P. Roth laid in. (4to) 29x20.5 cm. (11½x8”) original parchment-backed boards, paper label on front. Pages unopened and untrimmed. One of 270 copies. Marlborough-on-Hudson: Dard Hunter, 1916 The fifth publication issued by the Chicago Society of Etchers. A list of the Socities active members (1916) laid in along with a small advertisement from The Oakwood Binders of Pittsfield, Mass., offering a full pigskin binding, designed for this volume by Hunter, for $10. “The paper for this edition was hand-made my Dard Hunter and has both his watermark and the watermark for the Chicago Society of Etchers. The steel punches for the type, of his own design, were cut by him, the matrices were struck and the type cast by hand, all done in the manner of the sixteenth century and printed by him at the Mill Marlborough-on-the- Hudson” (from colophon). Bookplate of bibliophile Norman J. Sondheim. Some browning to binding; else fine. (1000/1500)

87. (John Henry Nash) Five volumes from John Henry Nash. Includes: Browne, Thomas. Religio Medici. With slipcase (heavily worn). 1 of 1500 copies. Signed by Nash. 1939. Lot 86 * Stevenson, Robert Louis. The Silverado Squatters. With slipcase. 1 of 380 copies printed by Nash. Scribner’s, 1923. * Southworth, May E. A Certain Young Man of Assisi. 1 of 650 copies. 1934. * Prieto, Guillermo. San Francisco in the Seventies. 1 of 650 copies. 1938. * Priestley, Herbert I. Exposition: Addressed to the Chamber of Deputies... With plain paper dj. 1 of 650 copies. 1938. * Together 5 volumes. San Francisco: John Henry Nash, Various dates Plus: Harlan, Robert D. John Henry Nash: The Biography of a Career. Glassine dj. University of California Press, 1970. A touch of wear to few; mostly fine. (200/300)

COLLECTION OF BOOKS WITH EARLY PRINTED LEAVES 88. (Leaf Book) Booth, Stephen. The Book Called Holinshed’s Chronicles: An account of its inception, purpose, contributors, contents, publication, revision and influence on William Shakespeare. Illustrated in photoengraved facsimile; with an original leaf from the 1587 edition tipped in. (Folio) linen-backed pictorial boards, paper spine label. One of 500 copies designed and printed by Adrian Wilson. San Francisco: Book Club of California, 1968 The original leaf is A2, the dedication, with a large woodcut historiated initial showing a man and an armillary sphere, plus woodcut head and tailpieces. Top edge of front cover and top ¾” of rear cover sunned, very good, internally fine, with a superior leaf. (200/300)

Page 18 89. (Leaf Book) Borden, John and Janet Kreuger. Thomas Bewick & the Fables of Aesop. With an original leaf from the first edition (1818) of The Fables of Aesop, and a new impression from Bewick’s wood engraving for The Boys and the Frogs. (4to), boards, paper printed spine label. One of 518 copies. San Francisco: Book Club of California, 1983 The original leaf in this copy comprises the fable of “The Fox and the Lion”, with woodcut illustration and tailpiece. BCC 175. Fine. (100/150)

90. (Leaf Book) Cato, [Marcus Porcius]. Cato’s Moral Distichs, Reproduced from the edition printed in Philadelphia in 1735 by Benjamin Franklin. Foreword by Carl Van Doren. An original leaf from Benjamin Franklin’s Church of Scotland Prayer Book, Philadelphia, 1745 is tipped in. 9x6½, gilt- stamped green cloth, gilt-lettered spine. Limited Edition, one of 250 copies printed at the Ward Ritchie Press. [San Francisco]: Book Club of California, 1939 BCC 57. Very faint stain to rear cover; near fine. (100/150)

91. (Leaf Book) Dearden, Robert R. & Douglas S. Watson. An Original Leaf from the Bible of the Revolution. With an essay concerning the Aitken Bible by Robert R. Dearden, Jr. and Douglas S. Watson. Tipped-in original leaf from the Aitken Bible; 10 facsimiles. 26.5x17 cm. (10¼x7”), original morocco-backed blue paper boards, spine lettered in gilt, slipcase. No. 226 of 580 total copies, of which 515 were produced for this, the Colonial Edition. Printed by Edwin and Robert Grabhorn. San Francisco: John Howell, 1930 The original leaf from the important early American Bible within this copy is from John. Sunning to slipcase, missing 4” from spine panel; volume fine or nearly so with a touch of sunning to spine. (250/350)

92. (Leaf Book) Hall, Basil. The Great Polyglot Bibles, Including a Leaf from the Complutensian of Acala, 1514-17. Illustrated including an original leaf tipped in. 38x27.3 cm. (15x10¾”), unsewn sheets in wrapper, purple cloth drop-back box. One of 400 copies printed by the Allen Press. San Francisco: Book Club of California, 1966 A handsome production in the French style, with the leaf printed in Greek, Latin and Hebrew. Allen Press 24; BCC 124. Some sunning to volume spine and top 1” of front of box; near fine. (300/500)

93. (Leaf Book) Littlejohn, David. Dr Johnson and Noah Webster. Two men & their Dictionaries. Illustrated with two matched leaves from Johnson’s (1755) and Webster’s (1828) dictionaries; other illustrations. 12½x10, cloth-backed boards, gilt decoration, leather spine label. One of 500 copies printed by Grabhorn-Hoyem. San Francisco: Book Club of California, 1971 The leaves here from the letter “D”. Spine slightly faded, near fine. (200/300)

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Page 19 94. (Leaf Book) Muscatine, Charles. The Book of Geoffrey Chaucer: An Account of the Publication of Geoffrey Chaucer’s Works from the Fifteenth Century to Modern Times. (Folio) 35x25 cm. (13¾x10”), red cloth. One of 450 copies designed and printed by Lawton Kennedy. First Edition. [San Francisco]: Book Club of California, 1963 With original leaf from the 1651 edition of Chaucer’s Works. Top corners a little bumped, near fine. (200/300)

95. (Leaf Book) Partridge, Eric. An Original Issue of “The Spectator” together with the Story of the Famous English Periodical and of its Founders, Joseph Addison & Richard Steele. (4to) 33.6x20.6 cm. (13¼x8”), quarter cloth and marbled boards, printed paper spine label. One of 450 copies printed by the Grabhorn Press. [San Francisco]: The Book Club of California, 1939 The original issue of the Spectator (one leaf) is tipped in. In this copy, it is for Tuesday, January 19, 1712. GB 312. Spine a bit sunned, bookplate of Gertrude Stubblefield; near fine. (100/150)

96. (Leaf Book) Pattison, Mark. The Estiennes: A Biographical Essay...Illustrated With Original Leaves From Books Printed By The Three Greatest Members Of That Distinguished Family. Illustrated with 3 original leaves printed by the Estiennes. Estienne family tree on title page and reproductions of their printer’s marks in text. 13x8½, linen and cloth-backed boards, gilded vignette on cover, paper spine label. One of 390 copies printed by the Grabhorn Press. San Francisco: Book Club of California, 1949 BCC 73; GB 489. Top margin of rear cover sunned; light offset to endpapers, near fine. (200/300)

97. (Leaf Book) Shaffer, Ellen. The Garden of Health. Includes an original leaf from the Hortus Santatis (1499) tipped in; plus many illustrations after medieval manuscripts throughout. 13x8¾, cloth-backed pictorial boards. One of 300 copies designed and printed by Lawton Kennedy. [San Francisco]: Book Club of California, 1957 The inserted leaf in this copy contains two wood cut illustrations. Fine. (200/300)

98. (Leaf Book) Wikgren, Allen P. A Leaf from the First Edition of the First Complete Bible in English, The Coverdale Bible 1535. Includes the original leaf from the Coverdale Bible, many other leaves in facsimile, including a fold-out. (Folio) 13¾x9¾, pictorial red and black cloth. One of 425 copies printed by Lawton and Alfred Kennedy. San Francisco: Book Club of California, 1974 The leaf is from “The Prophet Esau”, chapters 59-63 (folio xxi). A few early manuscript notes on the leaf. BCC 145. Fine condition. (400/600)

99. (Leaf Book) [Wynkyn de Worde]. A Short Account of the Life and Work of Wynkyn de Worde with a Leaf from the Golden Legend... Printed in red and black. Illustrated. 13¼x9¼, cloth-backed boards, printed paper spine and cover labels. One of 375 copies printed by the Grabhorn Press. San Francisco: Book Club of California, 1949 With an original leaf from Wynkyn de Worde’s Golden Legend tipped in. Printed by him in London, 1527. GB 486; BCC 71. Spine a bit faded, label slightly chipped; very good or better. (300/500)

Page 20 100. Leighton, Clare. Growing New Roots: An Essay with Fourteen Wood Engravings. Illustrated by Leighton. (8vo), tan cloth. No. 347of 500 copies printed by Lawton & Alfred Kennedy. San Francisco: Book Club of California, 1976 Signed by the illustrator at the colophon. Some sunning to spine and cover margins; internally fine. (100/150)

101. (Limited Editions Club) Quarto-Millenary: The First 250 Publications and the First 25 Years, 1929-1954, of the Limited Editions Club. Introduction by Robert L. Dothard. Illustrated with plates from title pages, text pages, illustrations and bindings, many color, some tipped-in, from the works included in the bibliography. 12¼x9¼, quarter black morocco & red cloth, embossed black morocco medallion on front cover, slipcase. No. 1826 of 2250 copies printed by Clarke & Way and the press of A. Colish. New York: Limited Editions Club, 1959 Includes a critique, conspectus, bibliography, and indexes with information on the authors, translators, illustrators, designers, printers, binders, etc. Some minor rubbing and soiling to slipcase; volume spine fading a bit; very good or better. (200/300)

102. (Limited Editions Club) Nine titles from the Limited Editions Club. Includes: The Essays of Michel de Montaigne. 4 volumes. Translated by George B. Ives. Half calf and boards, slipcase. 1 of 1500 copies. Signed by decorator T.M. Cleland. 1946. * Manzoni, Alessandro. I promessi Sposi (The Bethrothed). With plain paper dj, slipcase. 1 of 1500 copies. Signed by the engraver and the printer. 1951. * Kingsley, Charles. Westward Ho! 2 volumes. In slipcase. 1 of 1500 copies. Signed by illustrator Edward A. Wilson. 1947. * Clemens, Samuel. A Connecticut Yankee in King Arthur’s Court. With slipcase. 1 of 1500 copies. Signed by illustrator Honore Guilbeau. 1948. * The Book of Ruth. With slipcase. 1 of 1950 copies. Signed by illustrator Arthur Szyk. 1947. * Browning, Robert. The Ring and the Book. 2 volumes. With slipcase. 1 of 1500 copies printed at the Plantin Press. Signed by the illustrator Carl Schultheiss. 1949. * Saavedre, Miguel de Cervantes. Don Quixote. 2 volumes. With slipcase. 1 of 1500 copies. 1950. * Dostoevsky, Fyodor. The Brothers Karamazon. 2 volumes. With slipcase. 1 of 1500 copies. Signed by illustrator Fritz Eichenberg. 1949. * Pater, Walter. The Marriage of Cupid and Psyche. With slipcase. 1 of 1500 copies. Signed by illustrator Edmund Dulac. 1951. Together 9 titles in 16 volumes. New York: Limited Editions Club, Various dates Mostly light general wear; very good or near fine. (200/300)

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Page 21 103. (Limited Editions Club) Nine titles from the Limited Editions Club. Includes: All Men are Brothers. Translated by Pearl S. Buck. 2 volumes in slipcase. 1 of 1500 copies. Signed by illustrator Miguel Covarrubias. 1948. * Hudson, W.H. Far Away and Long Ago: A History of my Early Life. Bound in horse hair. With original 2 part box. 1 of 1500 copies printed by Guillermo Kraft. Signed by illustrator Raul Rosarivo and by Kraft. 1943. * Schiller, Johann Christoph Friedrich von. William Tell. With slipcase. 1 of 1500 copies. Signed by illustrator Charles Hug. 1951. * Shakespeare, William. The Life of King Henry V. With slipcase. 1 of 1500 copies. 1951. * Stendhal. The Red and the Black. With slipcase. 1 of 1500 copies. Signed by illustrator Rafaello Busoni. 1947. * France, Anatole. L’Affaire Crainquebille. With slipcase. 1 of 1500 copies. Signed by illustrator Bernard Lamotte. 1949. * Dostoevsky, Fyodor. Crime & Punishment. 2 volumes. With slipcase. 1 of 1500 copies. Signed by illustrator Fritz Eichenberg. 1948. * Nordhoff, Charles & James Norman Hall. Mutiny on the Bounty. With slipcase. 1 of 1500 copies. Signed by illustrator Fletcher Martin. 1947. * [Gulliver’s Travels], i.e.: A Voyage to Brobdingnag made by Lemuel Gulliver in the Year mdccii [&] A Voyage to Lilliput by Dr. Lemuel Gulliver mdcic. 2 volumes in slipcase. 1 of 1500 copies printed by Aldus Printers, designed by Bruce Rogers. Initialed by Bruce Rogers. 1950. Together 9 titles in 11 volumes. New York: Limited Editions Club, Various dates Plus: Boccaccio, John. The Decameron. No slipcase. Illustrated by Fritz Kredel. The Heritage Press, 1940. Light general wear; very good. (200/300)

104. (Limited Editions Club) Ten titles from the Limited Editions Club. Includes: Zola, Emile. Nana. With slipcase. 1 of 1500 copies. Signed by illustrator Bernard Lamotte. 1948. * Stevenson, Robert Louis. Strange Case of Dr. Jekyll and Mr. Hyde. With slipcase. 1 of 1500 copies. Signed by illustrator Edward A. Wilson. 1952. * Wister, Owen. The Virginian: A Horseman of the Plains. With slipcase. 1 of 1500 copies. Signed by illustrator William Moyers. 1951. * Brillat-Savarin, Jean Anthelme. The Physiology of Taste. With slipcase. 1 of 1500 copies. 1949. * Flaubert, Gustave. Madame Bovary. With slipcase. 1 of 1500 copies. Signed by illustrator Pierre Brissaud. 1950. * France, Anatole. Penguine Island. With slipcase. 1 of 1500 copies. Signed by illustrator Malcolm Cameron. 1947. * Turgenev, Ivan. Fathers and Sons. With slipcase. 1 of 1500 copies. Signed by illustrator Fritz Eichenberg. 1951. * Chaucer, Geoffrey. The Canterbury Tales. With slipcase. 1 of 1500 copies. Signed by illustrator Arthur Szyk. [1946]. * Scott, Walter. Ivanhoe. 2 volumes. With slipcase. 1 of 1500 copies. Signed by illustrator Edward A. Wilson. 1951. * O’Day, Edward F. The Autobiography of Benjamin Franklin. 1 of 1500 copies printed by John Henry Nash and signed by him. 1931. Together 10 titles in 11 volumes. New York: Limited Editions Club, Various dates Light general wear; very good. (200/300)

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Page 22 105. (Limited Editions Club) Ten titles from the Limited Editions Club. Includes: Irving, Washington. Rip Van Winkle. With slipcase. 1 of 1500 copies. Signed by F.W. Goudy. 1930. * Epicurus: The Extant Remains of the Greek Text. With slipcase. 1 of 1500 copies. Signed by Bruce Rogers. 1947. * Fielding, Henry. The History of Tom Jones. 2 volumes. No slipcase. 1 of 1500 copies. Signed by illustrator T.M. Cleland. 1952. * Morier, J.J. The Adventures of Hajji Baba. 2 volumes. With slipcase. 1 of 1500 copies. Signed by illustrator Honore Guilbeau. 1947. * Benet, Stephen Vincent. John Brown’s Body: a poem. With slipcase. 1 of 1500 copies. 1948. * Balzac, Honore de. Old Goriot. With slipcase. 1 of 1500 copies. Signed by illustrator Rene Ben Sussan. 1948. * The Complete Andersen: All of the 168 Stories by Hans Christian Andersen. 6 volumes. With slipcase. 1 of 1500 copies. Signed by illustrator Fritz Kredel and editor Jean Hersholt. [1949]. * James, Henry. The Turn of the Screw. With slipcase. 1 of 1500 copies printed at the Plantin Press. 1949. * The Poems of William Cullen Bryant. With slipcase. 1 of 1500 copies. Signed by illustrator Thomas W. Nason. 1947. * Dana, Richard Henry, Jr. Two Years Before the Mast. With slipcase. 1 of 1500 copies. Signed by illustrator Hans Alexander Mueller. 1947. Together 10 titles in 17 volumes. New York: Limited Editions Club, Various dates Light general wear; very good. (200/300)

106. (Nonesuch Press) Anacreon. Anacreon Done into English out of the original Greek by Abraham Cowley and S.B. 1683. [20], 52 pp. Newly embellished with copperplate engravings by Stephen Gooden, including title-page, headpiece, tailpiece & 4 full-page illustrations. 23.5x13.5 cm. (9¼x5¼”), parchment-backed gold boards, spine lettered in gilt. No. 666 of 725 copies. London: Nonesuch Press, 1923 Light rubbing and edge wear to boards, spine head slightly bumped; internally fine. (200/300)

107. (Nonesuch Press) Dreyfus, John. A History of the Nonesuch Press. With an Introduction by Geoffrey Keynes & a Descriptive Catalogue by David McKitterick, Simon Rendall & John Dreyfus. Illus. with facsimiles. 12x7½, jacket. No. 554 of 950 copies printed at the University Press, Cambridge. London: Nonesuch Press, 1981 Finely printed history of the press which was no press. Sticker affixed to rear jacket flap indicates book distributed in the U.S. by John Howell-Books. Some sunning to jacket, volume fine. (150/250)

108. (Nonesuch Press) Plutarch. The Lives of the Noble Grecians and Romanes Compared Together by that Grave Learned Philosopher and Historiographer Plutarke of Chæronea. Translated out of the Greeke into French by James Amyot: and out of French into Englishe by Thomas North. 5 volumes. Illustrated by T.L. Poulton. (4to) 12x7¾”, tan buckram, beveled edges, paper spine labels, top edges gilt, others untrimmed. No. 951 of 1550 copies. London: Nonesuch Press, 1929 Large, handsomely printed edition of North’s Plutarch. Some fading to spines and the margins of front cover of Vol. V, darkening to free endpapers; very good or better. (300/500)

NONESUCH SHAKESPEARE 109. (Nonesuch Press) Shakespeare, William. The Works of Shakespeare. The text of the First Folio with Quarto variants and a selection of modern readings. 7 volumes. Edited by Herbert Farjeon. (8vo) full brown morocco gilt-ruled, spine with raised bands, top edges gilt. No. 556 of 1600 sets printed at the Cambridge University Press. New York: Nonesuch Press / Random House, 1929-1933 Very handsomely printed and bound Nonesuch Press edition of Shakespeare’s works. Some fading and scuffing to spines, top 1” of front cover of Vol. I sunned, a very good set. (700/1000)

Page 23 110. (Peregrine Press) Peninou, Ernest & Sidney Greenleaf. Winemaking in California: I. How Wine is Made. II. From the Missions to 1894. With linoleum block illustrations and decorations designed and cut by Patricia Evans. 10x6½, cloth-backed decorated boards. One of 150 copies designed, handset and hand printed by Henry Evans at the Peregrine Press. San Francisco: The Peregrine Press, 1954 Slight soiling to boards, some sunning to spine and top of front board; internally fine. (200/300)

111. (Plantin Press) Dreyfus, John, editor. Four Lectures by T.J. Cobden-Sanderson. Edited and with an essay by John Dreyfus. Illustrated from photographs. 10¾x7¾, cloth-backed decorated boards, printed paper spine label. One of 450 copies printed by Saul and Lillian Marks at the Plantin Press. San Francisco: Book Club of California, 1974 Fine. (100/150)

112. (Plantin Press) Johnson, Kenneth M., editor. The Sting of the Wasp: Political & Satirical Cartoons from the Truculent Early San Francisco Weekly. Illustrated in color from cartoons. (Folio) 14¼x10¼, original gilt-lettered gray cloth. One of 450 copies printed by the Plantin Press. San Francisco: Book Club of California, 1967 The Wasp was for several years under the editorship of Ambrose Bierce and the cartoons reflect his satirical attacks. BCC 127. Slight discoloration to cover edges; near fine. (100/150)

113. (Taylor & Taylor) Hussey, John A., ed. The Voyage of the Racoon: A “Secret” Journal of a Visit to Oregon, California and Hawaii, 1813-1814. Illustrated from drawings by Henry Rusk. 31x19 cm. (12¼x7¼”), black morocco-backed marbled boards, gilt-lettered spine. Printed by Taylor & Taylor. San Francisco: Book Club of California, 1958 Written by an unknown officer aboard the sloop-of-war HMS Racoon sent by Great Britain to take possession of the trading post at Astoria. BCC 99. Fine. (100/150)

WILLIAM BLAKE FROM THE TRIANON PRESS 114. (Trianon Press) Blake, William. Europe: A Prophecy. 17 facsimile color plates reproduced in Paris by the collotype and stencil process in the workshops of Trianon Press (France) and M. Crampe; editorial matter printed by the Imprimerie Darantiere, Dijon. 34.7x26.4 cm. (13¾x10¼”), original half morocco & marbled boards, spine lettered in gilt, slipcase; bound by Engel, Malakoff. No. 222 of 480 copies, from a run of 526 copies. [London]: [Trianon Press for William Blake Trust], [1969] Superb facsimile of William Blake’s Europe, part of his series of illuminated books composed and printed in Lambeth before and during 1795. Scholarly “Description and Bibliographical Statement” by Geoffrey Keynes. Slipcase with slight rubbing to tips; volume spine faded a bit; near fine. (500/800)

115. (Trianon Press) Blake, William. Europe: A Prophecy. 18 facsimile color plates reproduced in Paris by Trianon Press (France) in the workshops of MM. Hourdebaigt and Crampe by the collotype and stencil process ; editorial matter printed by the Imprimerie Darantiere, Dijon.36.3x27 cm. (14¼x10¾”), original half morocco & marbled boards, spine lettered in gilt, slipcase; bound by Engel. No. 316 of 480 copies, from a run of 526 copies. [London]: [Trianon Press for William Blake Trust], [1963] Superb facsimile of William Blake’s America, part of his series of illuminated books composed and printed in Lambeth before and during 1795. Scholarly “Description and Bibliographical Statement” by Geoffrey Keynes. fine (500/800) Page 24 116. (Trianon Press) Shahn, Ben. Ecclesiastes, or, the Preacher. Copied & Illustrated by Ben Shahn. Original lithograph loose in packet at rear. 33x25 cm. (13x10”), full green morocco, spine lettered in gilt, slipcase. No. 11 of 200 copies printed on Arches Verges pure rag paper, from a run of 240 copies. [Paris]: [Trianon Press], [1967] The original lithograph is signed and numbered in pencil by Shahn. Prospectus laid in. Slipcase with slight rubbing to tips; volume spine faded; near fine. (400/600)

BEN SHAHN’S HAGGADAH, 1 OF 20 COPIES, WITH EXTRA SUITE OF PLATES 117. (Trianon Press) Shahn, Ben. Haggadah for Passover Copied and Illustrated by Ben Shahn. xxiv, 135 pp. With a Translation, Introduction and Notes by Cecil Roth. Text in Hebrew and English, handset in England, printed letterpress in Paris by Imprimerie La Ruche. With drawings and color plates by Ben Shahn, reproduced by collotype and hand-stencil under the artist’s supervision in the workshops of MM. Hourdebaigt and Campe under the direction of Trianon Press (France); collotype was used to reproduce “An Only Kid”; frontispiece and title-page drawn by the artist and reproduced in original lithograph from stones by the Imprimerie Mourlot, with additional colors applied by hand through stencils. Two extra suite of plates, in both colored and uncolored states, on Arches verge, and a proof of the frontispiece, in separate cloth folder. 41x30 cm. (16¼x12”), contents loose in wrappers with glassine, set along with the folder of extra plates in folding parchment-covered box with clasps. No. XVIII of 20 copies printed on Arches Grand Velin pure rag paper, with the extra suites of plates, from a total run of 292 copies. Paris & London: Trianon Press, [1966] One of the most important works from the Trianon Press, and the signature creation of Ben Shahn, who designed the book along with Arnold Fawcus. Signed by Shahn on the frontispiece, both in the main book, and in the extra suite of plates. Slight discoloration to parchment box; fine condition overall. (3000/5000)

Lot 117

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Page 25 ONE OF FIVE COPIES, PRESENTED TO BELA BLAU 118. (Urabec, John H.) Churchyard, Thomas. A Discription and playne discourse of paper. From a Sparke of Friendship and Warme Goodwill written by Thomas Churchyard, Gent. London, 1588. [10] pp. 20x13, quarter brown morocco & marbled boards, bound by Bela Blau. One of five copies, printed on Urabec-Hoffman all-rag hand-made paper by members of Columbian 415 Chapter in April, 1982. Los Angeles: 1982 Inscribed in the colophon, “For Bela - a real craftsman. Richard Hoffman, 1982.” Printed to celebrate the 75th birthday anniversary of John H. Urabec. A bit of rubbing to spine ends and corners; near fine. (700/1000)

119. (Various) Ten volumes - mostly from various California fine presses. Includes: Juniper, William. The Law of Drinking. Herbert and Peter Fahey, 1935. * Loomis, Frederic. In a Chinese Garden. 1 of 2000 copies, signed by the author. [Gillick Press, 1942]. * Wheat, Carl I. The Pioneer Press of California. Signed by Joseph A. Sullivan. Biobooks, 1948. * Franklin, Benjamin. Satires & Bagatelles. 1 of 1000 copies. Fine Book Circle, 1937. * Laughlin, James. This is My Blood. With slipcase. 1 of 50 copies bound in boards, signed by author. Yolla Bolly Press, [1989]. * Peace, David. Addendum and Corrigenda to The Inscriptional Work of Eric Gill. 1 of 275 copies printed at Grabhorn-Hoyem. Brick Row Book Shop, 1972. * The Philobiblon of Richard de Bury. With slipcase. 1 of 600 copies. Philip C. Duschnes, 1945. * Johnson, Samuel. Prayers Composed by... Archetype Deluxe Edition. With slipcase. 1 of 418 copies. Golden Eagle Press, 1937. * The Four Gospels of Matthew Mark Luke and John. 1 of 985 copies. Signed by illustrator H.A. Mueller. Peter Pauper Press, [1947]. * The Allen Press Bibliography. 1 of 750 copies. Facsimile Edition. Book Club of California, [1981]. Together 10 volumes. Various dates Some light general wear to few; mostly fine. (200/300)

120. (Various) Ten volumes - mostly from various California fine presses. Includes: The Allen Press Bibliography. 1 of 750 copies. Facsimile Edition. Book Club of California, [1981]. * Dedication of the Palomar Observatory and the Hale Telescope. Wrappers. California Institute of Technology. Grabhorn, 1948. * Smart, Adam. Prehistoric Beasts Discovered for his Grandchildren. [Printed at the Grabhorn Press, 1937]. * The Song of Songs Which is Solomon’s. Illustrated by Valenti Angelo. Bound in tooled calf, with slipcase. Heritage Press, 1935. * Wilde, Oscar. Salome: A Tragedy in One Act. Illustrated by Valenti Angelo. With slipcase. Heritage Press, 1945. * Voluspa: The Song of the Sybil. 1 of 450 copies. Windhover Press, 1968. * Hawthorne, Nathaniel. The Golden Touch. Illustrated by Valenti Angelo. With slipcase. 1 of 385 copies. Peter Pauper Press, [1935]. * Wagner, Henry R. Juan Rodriguez Cabrillo: Discoverer of the Coast of California. 1 of 750 copies by Lawton Kennedy. California Historical Society, 1941. * Spiegelberg, Frederic. The Religion of No-Religion. 1 of 600 copies. James Ladd Delkin, 1948. * Piratical Barbarity or, The Female Captive. 1 of 525 copies. Peter Pauper Press, 1930. Together 10 volumes. Various dates Only light general wear to many; mostly near fine. (200/300)

121. (Wind River Press) Dillon, Richard H. Texas Argonauts: Isaac H. Duval and the California Gold Rush. Illustrated with 13 color plates, some double-page, from paintings by Charles Shaw; endpaper maps showing Duval’s route. (4to) 13½x9¾, linen-backed pictorial boards, paper spine label. One of 450 copies printed by the Wind River Press. San Francisco: The Book Club of California, 1987 BCC 186. Fine. (100/150)

Page 26 122. (Windsor Press) Johnson, James Sydney. The Press of the Renaissance in Italy. Each page with decorative border. (Small 4to) vellum-backed boards. No. 33 of 200 copies. [San Francisco]: [The Brothers Johnson at the Windsor Press], 1927 Prospectus laid in. The page border is after the Aldine Hypnerotomachia poliphili. Binding rubbed; very good. (100/150)

THE YOLLA BOLLY PRESS OF JAMES AND CAROLYN ROBERTSON 123. (Yolla Bolly Press) Jeffers, Robinson. Cawdor. Afterword by James D. Houston. Illustrated with woodblocks by Mark Livingston. 12¾x9¾, quarter morocco and blind-lettered cloth, spine lettered in gilt, slipcase. No. 82 of 240 copies. Covelo: Yolla Bolly Press, [1983] Signed in the colophon by James D. Houston and Mark Livingston. Slipcase irregularly sunned; volume fine. (200/300)

124. (Yolla Bolly Press) Kroeber, Thodora. The Inland Whale. [5], 2-94, [3] pp. Foreword by Ursula Le Guin. Illustrated with 9 full-page hand-colored woodblocks by Karin Wikström, woodblock designs on title page; plus other smaller black and white woodcuts within the text. 12x13¾, string- bound flexible cloth over boards, woodcut paper cover label, hand-made paper pastedowns, brown paper free endpapers, slipcase with paper spine label. No. 89 of 135 hand-numbered copies printed on Rives BFK Cream paper made by Arjomari. First Edition. [Covelo, CA]: The Yolla Bolly Press, [1987] Signed by the illustrator, Karin Wikström in the colophon. Fine condition. (400/600)

125. (Yolla Bolly Press) Miller, Joaquin. True Bear Stories. Edited by James Robertson. Foreword by William Everson. Illustrated with woodcuts by Vincent Perez. 9¾x6½, full California Latigo cowhide, stamped bear decoration to front cover, slipcase. No. 82 of 230 numbered copies. [Covelo, CA]: Yolla Bolly Press, [1985] Signed by William Everson and the artist, Vincent Perez, at the colophon. With prospectus laid in. Irregular sunning to slipcase; volume spine a bit faded, near fine. (200/300)

126. (Yolla Bolly Press) Muir, John. My First Summer in the Sierra. Foreword and a Note on the Text by Frederick Turner. Illustrated with 12 wood engravings by Michael McCurdy. 14x10, full coarse linen over boards, slipcase. No. No. 38 of 155 copies designed & printed by James & Carolyn Robertson (of which 125 copies were so bound, 110 of those available for sale). Covelo, CA: Yolla Bolly Press, [1988] Signed by McCurdy in the colophon. Prospectus laid in, including an extra print by McCurdy. Handsome printing of Muir’s description of his first experiences among the mountains of California. Kimes & Kimes, describing the 1911 first edition, states, “With the skillful editing of his mature years, he retains the refreshing spontaneity and enthusiasm of his youthful experiences and observations, interspersed as they are with his lyrical and oft-times mystical reflections. Thus, this book, published near the apex of his career, reaps the competence of age while capturing the essence of youth, and becomes, we believe, his finest book.” Fine condition. (600/900)

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Page 27 127. (Yolla Bolly Press) Saroyan, William. The Daring Young Man on the Flying Trapeze and Other Stories. Afterword by Herbert Gold. Illustrated with woodblocks by Bill Prochnow. 10x7½, gilt- stamped cloth, publisher’s slipcase. One of 200 copies designed by James and Carolyn Robertson. [Covelo, CA]: Yolla Bolly Press, [1984] Signed by the artist and Herbert Gold at the colophon. Publisher’s printed thank you slip, laid in. Fine. (150/250)

128. (Yolla Bolly Press) Stegner, Wallace. Two Rivers. 10x7½, green cloth, slipcase. No. VII of 55 copies, 50 of which are Roman-numeraled. First Edition. [Covelo]: Yolla Bolly Press, [1989] Signed by Stegner in the colophon. Fine condition. (400/600)

129. (Yolla Bolly Press) Two volumes relating to Robinson Jeffers from the Yolla Bolly Press. Includes: RJ: Robinson Jeffers, a Portrait. Foreword by Garth Sherwood Jeffers. 17 illustrations from photographs of Jeffers & his family. Glassine dust wrapper. No. 182 of 265 copies, signed by Garth Jeffers in the colophon. [1983]. * Kafka, Robert, ed. Where Shall I Take You To: The Love Letters of Una and Robinson Jeffers. Foreword by Garth Jeffers. 6 tipped-in plates from photographs. Slipcase. No. 85 of 245 copies. [1987]. Together, 2 volumes. Cloth with paper spine labels. Printed by Carolyn & James Robertson at the Yolla Bolly Press. Covelo, CA: Yolla Bolly Press, [1983 & 1987] Glassine spine a little sunned, nick at head; else all fine. (200/300)

Section II: Illustrated Books & Miscellanea 130. (Architecture) D’Espouy, H. Fragments D’Architecture Moyen Age et de la Renaissance D’Apres les Releves & Restaurations des Anciens Pensionnaires de L’Academie de France a Rome. [8] pp. Illustrated with 100 full-page heliogravure plates from architectural drawings, etc. giving details of various cathedrals and churches (interior and exterior), fountains, and other buildings and structures; some with smaller plans in the margins. (Folio) 45.2x31.5 cm. (17¾x12½”), original red cloth portfolio, modern leather rebacking, ribbon ties. Paris: Librairie Generale de L’Architecture et des Arts Decoratifs, [c.1900] A fine series of heliogravure plates of architectural drawings, including many restorations. An excellent synopsis of the aims and ideals of the French Academy. Some fading and light wear to portfolio; light foxing to plates, heavier foxing to text leaves; very good. (250/350)

131. (Ardizzone, Edward) Fox, Paula. A Likely Place - with an original drawing from the book, by Edward Ardizzone. [4], 57, [1] pp. Illustrations by Edward Ardizzone. (8vo) yellow cloth, dust jacket. First Edition. New York: Macmillan, [1967] Accompanied by an original pen and ink drawing for the book by Edward Ardizzone. 10.7x16.7 cm. (visible), matted and framed, 23.5x28 cm. overall. The illustration, a young man gazing at an empty park bench, appears on page 49 of the printed book as the head-piece to Chapter Four. Jacket worn and chipped; volume with some light soiling, notes and address label on front endpaper; matting browned, illustration appears fine but not examined out of frame (400/600)

Page 28 132. (Art Nouveau) Ausgefuhrte Bauornamente von Prager Bildhauern, Volumes 1 through 4. Four volumes. 114 (of 220) plates from photographs, loose in portfolios, as issued. (Folio) 41x31 cm. (16x12¼”), original cloth backed board portfolios. First Edition. Vienna: Schroll & Co., [c.1910] Fabulous series of photographs of art nouveau elements of contemporary European architecture. Portfolios worn, Volumes 1 & 4 lacking title leaf, lacking a total of 6 plates, some soiling, most marginal but one plate with a shoe print; overall good or better. Offered as is, not subject to return. (300/500)

VICTORIAN ORNAMENT AND DESIGN 133. Audsley, George Ashdown & Maurice Ashdown Audsley. The Practical Decorator and Ornamentist for the use of Architects, Practical Painters, Decorators, and Designers. 36, [4] pp. 100 chromolithograph plates, each with a leaf of explanatory letterpress, 2 additional plates, loose in portfolio, as issued. (Folio) 40.8x28.5 cm. (16x11¼”) original blue cloth portfolio, lettered in gilt on front cover. First Edition. Glasgow: Blackie & Son, [1892] A superb and significant work on Victorian ornament and design. The plates are of the highest quality, many heightened with gold. Portfolio worn, lacking cloth ties; plates with some light marginal soiling, a few plates with small chips. 2 plates with ink sketches on the rear; very good. (800/1200)

ORIGINAL AUDUBON PRINT FROM THE DOUBLE ELEPHANT FOLIO 134. Audubon, John James. Raven, Corvus Corax, Male. Hand-colored aquatint, etching and line engraving. Drawn from Nature by J.J. Audubon, Engraved, printed & Coloured by R. Havell, Junr. 94.5x63.5 cm. (37¼x25”). London: [1827-8] Striking depiction of a Raven, an original hand-colored aquatint from the double- elephant folio edition of John James Audubon’s The Birds of America, being Plate 50. Glued to backing board around the margins, with about 1” affected around the plate, but the interior portion not glued down; some darkening and light foxing, small chip at lower right edge just below and slightly affecting the Havell imprint, else very good, worthy of restoration. (4000/6000)

Lot 134

Page 29 TWO WITH AUBREY BEARDSLEY ILLUSTRATIONS 135. (Beardsley, Aubrey) Malory, Sir Thomas. The Birth, Life and Acts of King Arthur, of His Nobel Knight of the Round Table, Their Marvellous Enquests and Adventures, the Achieving of the San Greal and in the End Le Morte Darthur with the Dolourous Death and Departing Out of this World of Them All. lv, [1], 538 pp. Illustrated with 20 full page plates, including 2 from etchings and 18 from woodcuts (five are double-page) by Aubrey Beardsley with tissue-guards, plus approx. 280 woodcut chapter headers, initials, borders and ornaments throughout the text. Introduction by John Rhys. Note on Aubrey Beardsley by Aymer Vallance. Note on the designs omitted from the first edition by R. A. Walker. Caxton’s Preface from the 1485 edition. Glossary. 11½x8¾, original gilt decorated and stamped black cloth, beveled edges, untrimmed, top edge gilt. One of 1600 copies. Third Beardsley Edition. [New York]: E. P. Dutton, 1927 Beardsley’s first major work. An elaborately illustrated third edition of Sir Thomas Malory’s masterpiece in facsimile format from Caxton’s 1485 typographic classic. Beardsley’s illustrations to Le Morte d’Arthur are a mix of knights and fauns, swans, fantasy figures, all in his “fin de siecle” style. This edition is the first to include all of the eleven designs that were omitted from the first edition. Spine ends pulled and chipped, front joint cloth split; paper a bit browned; very good. (800/1200)

136. (Beardsley, Aubrey, et al) The Yellow Book: An Illustrated Quarterly. 13 vols. (Vols. I-XIII, all published). (8vo) 20x16 cm. (8x6½”), original pictorial yellow cloth. First Editions. London: John Lane, 1894-1897 Writings & illustrations by eminent artists & authors of the day, incl. Aubrey Beardsley, Max Beerbohm, Kenneth Grahame, Baron Corvo, D.Y. Cameron, W.B. Yeats, Muirhead Bone, H.G. Wells, Evelyn Sharp, Richard Le Galliene, John Lavery, Henry James, Walter Crane, John Sargent, Anatole France, Joseph Pennell, Frederic Leighton, Laurence Housman, Ernest Dowson, Lionel Johnson, et al. Spines sunned, some light wear and soiling to cloth; very good. (1000/1500)

ENGLISH CHRISTIANITY FROM THE VENERABLE BEDE 137. (Bede, The Venerable) Bedae, Venerabilis. Opera Quotquot Reperiri Potuerunt Omnia. Eight volumes in four. [10] pp., columns 1-168, pages 169-322, columns 323-452, [1] pp.; [2], 238 pp.; [4] pp., columns 1-500; [4] pp., columns 1-916; [2] pp., columns 1-816; [2] pp., columns 1-852 pp.; [4] pp., columns 1-485; [4] pp., columns 1-968, [106] pp. Lacking leaf i3 from the index at the rear of the final volume (and presumably its conjugate, likely a blank or the printer’s colophon). Engraved title page in Volume 1, woodcut diagrams, musical notes, maps, initials, etc. (Folio) 38.5x24.5 cm. (15¼x9¾”) early full vellum over boards, spines gilt with morocco labels, all edges stained blue. Second folio edition. Cologne: A. Hieratius & J. Gymnicius, 1612 The second of only 3 folio editions of Bede’s collected works prior to the 1843-44 edition edited by Dr. Giles, the first in 1563 and the third in 1688 (itself being a second edition of the present work). “According to Dr. Henry, the only complete edition.” (Lowndes). Includes works now not thought to be by Bede, especially the scientific treatises in the first 2 volumes. Lowndes I:143, Brunet 1:731. Vellum worn, edges showing, spines chipped; several early ownership names, paper heavily browned; good. (1000/1500)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 30 138. Berthelon, Eugène. Nouveaux Modeles de Bois et Marbres. [12] pp. 32 chromolithograph plates, loose in portfolio, as issued. (Folio) 47x33.5cm. (18½x13¼”), cloth-backed board portfolio. First Edition. Dourdan (Seine-et-Oise): E. Thezard Fils, [c.1900] Fine color plates of designs for marble and wood faux-finishes. Portfolio worn; plates chipped in margins; good. (300/500)

THREE LOTS WITH BEWICK ILLUSTRATIONS 139. Bewick, T[homas]. History of British Birds, the Figures Engraved on Wood by T. Bewick. 2 volumes. xxx, [2], 335, [1] ad; xx, 400 pp. Profusely illustrated throughout with wood engravings by Thomas Bewick. (8vo) 8x5, period full mottled calf, spines gilt, morocco lettering pieces, rebacked, all edges marbled. First Edition. Newcastle: 1797 & 1804 Following on his General History of Quadrupeds, Bewick continued his examination of natural history subjects, limiting him in this instance to British birds he could observe. Ray calls this work “his masterpiece with respect both to craftsmanship and creative imagination.” The first volume “Printed by Sol. Hodgson for Beilby & Bewick...1797,” the second “Printed by Edwin Walker for T. Bewick...1804.” First state of volume I without ‘Wyclife 1791’ in the woodcut at page 11; woodcut at page 285 in the uncensored state. Ray, England, 51 Spines faded, some edge wear; some light foxing; very good. (400/600)

140. (Bewick, Thomas & John) Goldsmith, [Oliver] & [Thomas] Parnell. Poems by Goldsmith and Parnell. xx, 76 pp. With 5 wood-engraved plates by Thomas or John Bewick; wood-engraved vignettes. (4to) 30.5x23.7 cm. (12x9¼”), modern full brown morocco, gilt ruled borders and corner devices, spine lettered in gilt. First Bulmer Edition. London: W. Bulmer And Co., 1795 Including Goldsmith’s The Traveller and The Deserted Village along with Parnell’s The Hermit, and brief biographical sketches of the two poets. Light foxing and browning, pages untrimmed; near fine in a fine modern binding. (200/300)

141. (Bewick, Thomas & John) Two works with woodcut illustrations by Thomas and John Bewick. Includes: Goldsmith, [Oliver] & [Thomas] Parnell. Poems by Goldsmith and Parnell. xx, 76 pp. With 5 wood-engraved plates by Thomas or John Bewick; wood-engraved vignettes. 1795. * Somerville, William. The Chase. A Poem. xvi, viii, 126 pp. Woodcut vignette on title page and twelve woodcut head- and tail-pieces by John Bewick (but engraved by Thomas Bewick due to the premature death of the former). Two quarto volumes, both in the original blue paper-covered boards, paper spine labels, housed in a custom cloth box. First Editions. London: W. Bulmer And Co., 1795 & 1796 Two finely printed works with woodcuts by the Bewicks. Quite scarce in the original boards. Bookplate of Norman J. Sondheim. Light wear and rubbing to boards; first title with long tear to front free endpaper, occasional light foxing; near fine. (1000/1500)

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Page 31 142. Birch, Thomas. The Heads of Illustrious Persons of Great Britain, engraved by Mr. Houbraken and Mr. Vertue. With their Lives and Characters. iv, 216 pp. With 105 (of 108) copper-engraved portrait plates. (folio) 42.5x26 cm. (16¾x10¼”), period straight-grain morocco. London: William Baynes, 1813 Engraved portraits of leading Britons from the 16thg, 17th and 18th centuries, including Thomas More, Ann Boleyn, Sir Francis Drake, Sir Walter Raleigh, Ben Jonson, Francis Bacon, Oliver Cromwell, John Milton, John Locke, Sir Isaac Newton, Henry VIII, William Shakespeare, John Dryden, Alexander Pope, and others, each with two pages (on 1 leaf) of descriptive letterpress. Lacking the portraits of Mary Queen of Scots, Queen Elizabeth, and Queen Jane Seymour. Binding well worn, broken, spine perished; sold as is, as a series of plates. (300/500)

143. (Book of Common Prayer) The Book of Common Prayer, and Administration of the Sacraments and Other Rites and Ceremonies of the Church, According to the Use of the Church of Ireland; Together with the Psalter or Psalms of David, Pointed at they are to be Sung or Said in Churches. Unpaginated. (8vo) 19.6x12 cm. (7¾x4¾”), 19th century half calf & marbled boards, spine tooled in blind; binder’s ticket of R. Carswell, Belfast. Dublin: Printed by A. Rhames, for J. Hyde, et al., 1722 Uncommon Book of Common Prayer for the Church of Ireland. Hand-drawn borders in red throughout, multiple times on the title-page in geometric fashion. At the end is “A New Version of the Psalms of David...” with separate title-page, same publisher and date. Some rubbing to spine, joints and extremities; else very good. (300/500)

144. (Bookplates) Original drawings for erotic bookplates. Five original pen and ink designs for bookplates. Various sizes 13x14 cm. to 25x16 cm. Tipped to paper folders, 45x31 cm. The five drawings housed together in a custom portfolio. 1927 Varied designs for the erotica collection (Ex Libris Eroticis) of Viktor Roubal, full of phallic and yonic imagery. The designers monogram, CHR, on each drawing; some penciled notations in margins. Fine. (300/500)

145. Boswell, James. The Journal of a Tour to the Hebrides with Samuel Johnson. (viii), 524, [1] errata pp. Half title present. (8vo) 20.4x12.5 cm. (8x5”) later full calf, spine lettered in gilt. First Edition Second State. London: Henry Baldwin for Charles Dilly, 1785 Second state with p. 121 corrected; page 237 with “Kings and subjects”; page 299 with “Mrs. Thrale” added. Leaves E3, E4 and M4 are cancels. Boswell’s classic account of his journey to the Hebrides with Samuel Johnson. The text of this book was largely completed in 1773, from the journal which Boswell kept while travelling in Scotland. The publication was held back until Johnson’s death. Many have considered this Boswell’s masterpiece, and at the very least it reveals that his unique gift for biography had fully flowered by the time he was in his early thirties. Armorial bookplate (Buchanan) on front pastedown, bookplate of author and collector Edward Bellamy on front free endpaper. Spine sunned, some rubbing; small strip torn front head of title page (no loss of printed text); light foxing; very good. (500/800)

146. Buckingham, Nash. Game Bag: Tales of Shooting and Fishing. xv, [1], 185, [1] pp. Foreword by Paul Flowers. Illustrated with drawings by H.P.A.M. Hoecker, plus plates from photographs. (8vo), two-tone cloth, spine lettered in gilt. No. 465 of 1250 hand-numbered copies. First Edition. New York: G.P. Putnam’s Sons, [1945] Signed by the author on the limitation page. Light wear, previous owner’s name on front endpaper; very good. (200/300)

Page 32 147. [Budge, E.A. Wallis]. The Book of the Dead: Facsimile of the Papyrus of Ani in the British Museum. Facsimile volume only. Title leaf, plate list, and table of chapters, plus 37 chromolithograph plates. 52.5x76.5 cm. (20¾x30¼”) loose in portfolio, as issued. Second Edition. London: British Museum, 1894 Rare portfolio issue with the plates unfolded and unbound, typically encountered bound with the plates creased at center. Superb facsimile of the scroll, purchased by Budge for the British Museum in 1888. Sir Ernest Alfred Thompson Wallis Budge (1857-1934) was an Egyptologist who worked for many years for the British Museum and published numerous works on the ancient Near East. An ex-library copy from the Cleveland Museum of Art, with perforated mark on title page and small ink stamps on the reverse of each plate. Portfolio worn with the original backstrip detached, old cloth tape repairs to spine, now failing; some wear to the preliminary leaves; a few plates with light edge wear but the plates overall very good. (600/900)

148. Bülow, Joseph von. Memorabilien aus der europäischen Geschichte für anziehende Weltbegebenheiten, ausgezeichnete Grossthaten, Würdigung der Verdienste von berühmten Männern, etc. Aus mehreren Jahrhunderten gesammelt und mit Original-Federzeichnungen von Professor Nep. Geiger entworfen. 2 volumes. Illustrated throughout with duotone engraved plates from drawings by Peter Johann Nepomuk Geiger. 29x22 cm. (11½x8¾”), original cloth. New York: [L. Hauser, printer], 1860 The history of Europe captured in a series of drawings, each of the plates is captioned in both English and German. Some chipping and wear to bindings, very good. (200/300)

149. Burbank, Luther. The Training of the Human Plant. [viii], 99 pp. Portrait frontispiece. (12mo) original green cloth, paper spine label. Early printing. New York: The Century Co., 1908 Inscribed by Burbank on front free endpaper to Oscar Binner. Binner attempted to publish Burbank’s writings but the effort ended in bankruptcy court. Ex-library from Ohio State University with bookplate and other library markings. Some light wear and soiling to cloth; very good. (300/500)

IN FULL MOROCCO WITH ARMS OF LOUIS XIV 150. Callimachus. Hymni, Epigrammata et Fragmenta - finely bound, with the arms of Louis XIV. [20], 262, [58] pp. (4to) 22.8x16.5 cm. (9x6½”) period full red morocco, central gilt arms of Louis XIV and fleur-de-lys devices at corners, spine in six compartments with gilt title and fleur-de-lys devices, gilt-topped raised bands, gilt-rolled board edges, gilt turn-ins, marbled endpapers, all edges gilt. Paris: Sebastianus Mabre-Cramoisy, 1675 Scarce edition of the Greek poet and scholar Callimachus. A gorgeous binding with the arms of the Sun King, Louis XIV. With the bookplate of Lord Rosebery on front free endpaper, another armorial bookplate, with the initials D.C.M. and legend “Advance With Courage”, on front pastedown. Only the third copy to appear at auction in at least the last 30 years. This copy last offered at Sotheby’s in 1957, sale of The Property of the Bishop’s Court Estate The Property of Capt. the Rt. Hon. the Earl of Roden, R.N. Light wear to extremities, beginnings of crack to rear joint at head, some foxing and browning; very good. (2500/3500)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 33 PETER NEWELL ILLUSTRATES LEWIS CARROLL, IN THE ORIGINAL BOXES 151. Carroll, Lewis. Three titles by Lewis Carroll with illustrations by Peter Newell, each in the original dust jacket and box. Includes: Alice’s Adventures in Wonderland. 1901. * Through the Looking-Glass and What Alice Found There. 1902. * The Hunting of the Snark and Other Poems and Verses. 1903. Three octavo volumes, all with numerous illustrations by Peter Newell, bound in matching white parchment boards, top edges gilt, other edges untrimmed; heavy green paper dust jackets will illustrations in gilt on front panels; original two-part publisher’s boxes. First Editions Thus. New York: Harper & Brothers, 1901, 02, 03 An apparently unread set, preserved for over a century safely in their boxes. Boxes worn and with foxing; jackets with some fading; parchment boards with some foxing; near fine but for the effects of time and climate. (1000/1500)

152. Cervantes Saavedra, Miguel de. The Life and Exploits of the Ingenious Gentleman Don Quixote de la Mancha. 2 volumes. xxiv, 572; viii, 623 pp. With 2 added engraved title-pages, frontispiece portrait of Quixote in Vol. I, portrait of Cervantes in Vol.I, & 16 copper-engraved plates, including 1 duplicate; folding engraved map. (8vo) 20.3x1.5 cm. (8x5”), period tree calf, rebacked with modern calf, spine tooled in gilt, raised bands. London: Printed by W. Lewis for S.A. and H. Oddy, 1809 Translated from the original Spanish by Charles Jarvis, Esq. Now carefully revised and corrected, to which is prefixed a life of the author. The plate “Attacking the Wine Bags” appears twice. Occasional foxing in Vol. I, short repaired tear to map; a very good set. (300/500)

CHAGALL’S JERUSALEM WINDOWS 153. Chagall, Marc. The Jerusalem Windows. 210, [1] pp. With two original color lithographs by Marc Chagall created especially for the book; illustrations in color throughout reproducing preliminary and finished drawings by Chagall, and the finished windows. (4to) 32.6x24.5 cm. (12¾x9½”), original red cloth; illustrated paper jacket, clear acetate jacket. First American Edition. [New York]: George Braziller, [1962] Chagall designed the stained glass windows of the synagogue at Hadassah-Hebrew University Medical Center in Jerusalem. Especially noteworthy for the two original color lithographs. Very light wear to jacket edges; about fine. (1000/1500)

Lot 153

Page 34 154. Charlet, Gaston. La Decoration Moderne dans le Textile. [4] pp., plus 20 pochoir plates. (Folio) 45x32.5 cm. (17¾x12¾”) cloth-backed boards with later cloth tape reinforcement. First Edition. Paris: Ch. Massin & Cie, [c.1920] Colorful designs for textiles from the early Art Deco period. Ex-library from the Anne Bremer Memorial Library, San Francisco Art Institute, all plates with ink stamps on front and rear and embossed stamp in corners, extending into images edges on several plates; portfolio worn. Offered as is, not subject to return. (200/300)

155. (Children’s Poster Art) Warren, Fanny L. Five “Children of the World” color posters for the National Child Welfare Association. Five color printed posters, each approximately 14x11”. [New York]: National Child Welfare Association, [1923] Five color posters portraying children from France, Spain, (Soviet) Russia, Japan and China, from the “Children From Many Lands” portfolio. Delightful stylized pictures with verse- captions by Mary S. Haviland and Mitchell Wolfson Jr., Conveying “a message of ‘Peace on Earth, Good Will to Men’ for the children of America”, to “create in our children a sympathy and love for the children of other nations”. – reportedly issued jointly with the pacifist National Council for Prevention of War. Mary Haviland was Research Secretary of the Child Welfare Association which intended to teach health, hygiene and “character training” to the young through pictures. Lightly worn, pin holes at corners; near fine. (400/700)

156. Cleiss, G[ustave]. Fantaisies Decoratives. Essais. 40 plates including illustrated title leaf, loose in portfolio, as issued. (Folio) 48.5x32 cm. (18¾x12½”) red cloth-backed boards. First Edition. Paris: A Guerinet, [c.1900] Fantastical drawings including dragons, fairies, etc. Portfolio worn; some soiling, dampstaining, and edge wear to plates; good. (300/500)

157. [Cooper, James Fenimore]. The Last of the Mohicans; a Narrative of 1757. 3 volumes. xi, [1], 287; [2], 276; [2], 295 pp. 7x4, period half calf and marbled boards, spines ruled in gilt, morocco labels. Second British Edition. London: W. Simpkin & R. Marshall, 1828 British edition of Cooper’s masterpiece. “The second and most famous of the Leatherstocking Tales, and the first in which the scout Natty Bumpo was made the symbol of all that was wise, heroic and romantic” - Grolier’s One Hundred Influential American Books, 34 (citing American edition); BAL 3833 (note). Bound without the half-titles. Rubbing to spines and extremities; foxing to title-pages with a bit of staining, early small bookplates, pp. 1-2 of Vol. III torn in gutter, else very good, in custom-made folding half morocco case. (500/800)

HAND-COLORED ENGRAVINGS OF DUTCH COSTUME 158. (Costume) Semple. Miss. The Costume of the Netherlands, Displayed in Thirty Coloured Engravings After Drawings from Nature...With Description in English and French. 30 hand-colored plates plus hand-colored vignette title page. 36x26.5 cm. (14x10½”) original boards, paper label on front, modern cloth rebacking. Early printing. London: Ackermann’s Repository of Arts, 1817 [but 1819] A beautiful series of engravings with brief descriptive text in English and French. Title page dated 1817 but plates watermarked 1818 and label on front cover dated 1819. Boards worn; one plate with a small hole, another with penciled lines; still very good. (800/1200)

Page 35 159. Covarrubias, Miguel. Mexico South: The Isthmus of Tehuantepec. Illustrations from paintings and drawings by the author and photographs by Rose Covarrubias. Black and pink cloth, spine lettered in gilt. First Edition. New York: Alfred A. Knopf, 1946 Inscription from Rose & Miguel (in Rose’s hand): “Remember N_ all the happy times we had in Mexico? You must come back again. - Love from Rose & Miguel”. Cloth faded, a few small spots; very good. (200/300)

160. Cruikshank, George. George Cruikshank’s Omnibus [&] George Cruikshank’s Table-Book. 2 volumes. Omnibus. (3)-(vi), 300 pp. * Table-Book. viii, 284 pp. Each with numerous steel and wood engravings by George Cruikshank. Both in the original blindstamped green cloth bindings, pictorially stamped in gilt on front covers and spines. Housed together in compartments of a full green morocco solander case, custom green cloth chemises and First Editions. London: Tilt and Bogue / At the Punch Office, 1842 & 1845 Wonderful copies of two of Cruikshank’s classic humorous illustrated works. Bookplate of Marie L. Herrman in one chemise; bookplate of Norman J. Sondheim in each volume. Case faded and with some wear; light wear and fading to cloth, hinges cracked; near fine copies. (400/700)

161. Cumberland, George. Outlines From the Antients, Exhibiting Their Principles of Composition in Figures and Basso-Relievos Taken Chiefly From Inedited Monuments of Greek and Roman Sculpture. [4], xxiv, 44, [1] pp. 81 engraved outline plates. (8vo) 26x18 cm. (10¼x7”) period marbled boards with modern green leather rebacking. First Edition. London: Septimus Prowett, 1829 The author examines the sculpture of ancient Greece and Rome. Scarce. Boards well worn; light foxing; good. (250/350)

162. (Darley, Felix O.C.) Irving, Washington. Illustrations of Rip Van Winkle [&] Illustrations of The Legend of Sleepy Hollow. 2 volumes. Each with 6 full-page illustrations by F.O.C. Darley. (Oblong folio) 32x39 cm. (12½x15¼”), original wrappers. [New York]: The American Art-Union, 1848 & 1849 Felix Octavius Carr Darley (1822–1888) was an American painter and illustrator, known for his illustrations in works by authors including: James Fenimore Cooper, Charles Dickens, Mary Maples Dodge, Nathaniel Hawthorne, Washington Irving, George Lippard, Henry Wadsworth Longfellow, Donald Grant Mitchell, Clement Clarke Moore, Frances Parkman, Harriet Beecher Stowe and Nathaniel Parker Willis. Well worn, wrappers with old repairs, some old dampstaining; fair only, offered as is. (200/300)

163. (Design) Van de Velde, Henry, introduction. Le Style Moderne; Contribution de la France. [xvi] pp. 64 plates from photographs and drawings, including in 7 color (one being a double-page counting as two plate numbers). Loose in portfolio, as issued. 24.5x19 cm. (9½x7½”) silver cloth- backed blue boards. First Edition. Paris: Librairie des Arts Decoratifs, [1925] A scarce portfolio, containing a cross-section of French art-deco design including subjects as diverse as hairstyles, architecture, rail-car interiors, sculpture, automobiles, furniture, bridges, cutlery, dirigible hangars, etc. Artists represented include: Jean Burckhalter, Robert Delaunay, Freyssinet, Marcel Guillemard, Le Corbusier, Andre Lurcat, Henri Sauvage, Tony Garnier, and many others. Portfolio worn and with some soiling; foxing throughout; good. (400/600)

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Page 36 164. Detmold, Edward Julius & Detmold, [Charles] Maurice. Three Original Etching by the Detmold Brothers. Includes: “Eagle”. 11x11 cm. (4¼x4¼”) on a 28x21.5 cm (11x8½”) sheet. An eagle, on a rock seen from the front and turned partially to the left, one wing raised the other lowered. A shield containing the word ‘Amitie’ hangs by a strap from the bough of a flowering bush. The monograms of the Detmold brothers appear in the plate in the upper corners. Signed by E.J. Detmold and initialed in pencil in the lower margin. 1902. * “Peacocks” (oblong plate). 8x16.5 cm. (3¼x6½”) on a 22x29 cm (8½x11½”) sheet. On the left are a peacock and peahen, standing; the foliage of creeping plants trails across the plates from the right. The distance is filled with the rays of the sun, just set. Signed by E.J. Detmold and initialed in pencil in the lower margin. * “Peacocks” (upright plate). 18.5x11.5 cm. (7¼x4½”) on a 30x21 cm (11¾x8¼”) sheet. A peacock stands on a slope with his tail spread and raised high behind him. On a lower level are two peahens. Signed by E.J. Detmold and initialed in pencil in the lower margin. Together three original etchings. 1902-1905 he Detmold twins collaborated on a number of animal etchings at the close of the 19th century and the first years of the 20th century. Maurice Detmold committed suicide in 1908, Edward would go on to success as an illustrator of numerous works including The Fables of Aesop, Maurice Maeterlinck’s Life of the Bee and Fabre’s Book of Insects. Fine. (200/300)

DICK & JANE INSTRUCTIONAL AID 165. (Dick & Jane) Our Big Book - Dick and Jane Portfolio. 3-10, 3-30 pp. + 14 Number Readiness Charts on 7 leaves. Illustrated in color throughout. 24¾x18¾, in large 3-ring black cloth binder with folding flaps to form a stand, paper cover label. Chicago: Scott, Foresman & Company., [c.1940] Large Dick and Jane book for use in schoolrooms as instructional aids, containing seven stories from Look and See, first Pre-Primer of the Basic Readers. Introduced are Dick, Jane, the cat Puff, and of course Spot. This copy contains at the end the rare 14 Number Readiness Chartes, a series of graphic images featuring Native Americans, Clowns, airplanes, grocery stores, taxis, etc., with various items to count. A number of crude tape repairs and some other wear to covers, label missing portion; some minor soiling and wear, else very good internally. (600/900)

166. (Dickens, Charles) Three volumes on Charles Dickens and his works. Includes: Forster, John. The Life of Charles Dickens. (8vo) full green leather. No date. * Johannsen, Albert. Phiz: Illustrations from the Novels of Charles Dickens. (Oblong 4to) cloth, dust jacket. [1956]. * Hatton, Thomas & Arthur H. Cleaver. A Bibliography of the Periodical Works of Charles Dickens. (4to) cloth, dust jacket, slipcase. One of 50 large papers copies. 1933. Together 3 volumes. Various places: Various dates All with some wear; penciled notes internally; overall very good. (150/250)

167. (Dionne Quintuplets) Three books on the Dionne Quintuplets. Includes: The Pictorial Story of the Dionne Quintuplets, the Five Little Dionnes and how they grew. * The Dionne Quintuplets: We’re Two Years Old. * Here We Are - The Dionne Quins Three Years Old. Together, 3 volumes. Illustrated from photographs. 25x24.5 cm. (10x9½”), color pictorial wrappers. Racine, WI: Whitman Publishing, 1935-1937 Pictorial chronicles of the first three years of perhaps the most celebrated set of quintuplets ever, famously exploited by the Canadian government for publicity and monetary gain. Some wear and creasing to wrappers, very good. (150/250)

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Page 37 168. (Dulac, Edmund) Pushkin, Alexander. The Golden Cockerel. Illustrated by Edmund Dulac. Reddish cloth with golden metal rooster emblem inlay on cover, spine lettered in gilt, chemise, slipcase. New York: Limited Editions Club, [1949] No. 34 of 1500 copies printed by the Fanfare Press. Signed by Dulac in the colophon. Fading to slipcase and to the spine of the chemise; volume fine. (150/250)

169. [Egan, Pierce] “An Amateur Sportsman”. Sporting Anecdotes, Original and Selected; Including Characteristic Sketches of Persons Who Have Appeared on the Turf. With an Interesting Selection of the Most Extraordinary Events Which Have Transpired in the Sporting World; A Correct Description of the Animals of Chase, and of Every Other Subject Connected with the Various Diversions of the Field. [xvi], 542, +[2] ad pp. 16 engraved plates. (8vo) 20.5x13 cm. (8x5¼”) Bound by Riviere & Son in full polished tan calf, spine gilt, red morocco label, all edges gilt. First Edition. [London]: Albion Press, 1804 Scarce first edition of Egan’s oft-reprinted anecdotes. Schwerdt II, 173. Spine sunned, extremities rubbed, hinges cracked; some foxing and offsetting; very good. (300/500)

170. (English Literature) Group of English prose and poetry. Includes: The Works of the Most Celebrated Minor Poets. 2 volumes. Full calf. London: F. Cogan, 1749. * Ritson, Joseph. Ancient Songs and Ballads, from the Reign of King Henry the Second to the Revolution. 2 volumes. Original cloth. London: Payne and Foss, 1829. * Burnett, George. Specimens of English Prose Writers. 3 volumes. Half calf and marbled boards. London: Bumpus, 1813. * Horace. Works. One volume only, of 2. Half calf and marbled boards. London: J. Davidson, 1753. Together 4 works in 8 volumes. Various places: Various dates All with some wear; overall very good. (250/350)

171. Ewald, Ernst. Farbige Decorationen vom XV - XIX Jahrhundert. [18] pp. 70 (of 80) color lithograph plates; one uncolored supplementary plate. (Folio) 48x32 cm. (18¾x12½”) loose in original cloth backed portfolio. First Edition. Berlin: Ernst Wasmuth, 1889 Fine color plates showing decorations of ceilings, walls, windows, doors, & other details, as well as of cabinets & other furnishings. Includes 12 double page illustrations, each counting as 2 plates. Portfolio well worn, lacking 10 plates (1, 11, 26, 37, 38, 59, 71, 78, 79-80); some foxing and dampstaining, mostly marginal but extending into image on a few plates, a few plates with lightly chipped; offered as a collection of plates, not subject to return. (200/300)

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Page 38 ART NOUVEAU ARCHITECTURAL DESIGNS 172. Fellinger, Em[erich]. Der Moderne Zimmermann. Farbige Original-Entwürfe in Neuer Richtung für den Praktischen Gebrauch. Serie I. Title leaf and 60 colored plates, loose in portfolio, as issued. (Folio) 44x32.5cm. (17¼x13”) original cloth-backed board portfolio. First Edition. Vienna & Leipzig: Friedr. Wolfrum, [c.1900] Rare and extraordinary portfolio of art nouveau architectural designs for fences, gates, lamp posts, building exteriors, stairways, widows, steeples, clock towers, etc. Quite rare with no copies appearing in auction records for at least 30 years and only 2 copies located by OCLC/WorldCat, both at European institutions. Light wear to portfolio; an occasional spot of foxing to plates; near fine. (1500/2000)

Lot 172

173. (Fine Bindings) Burroughs, John. The Writings of John Burroughs - Riverby Edition. 15 (of eventually 23) volumes. Illustrated with monochrome and color plates. (Small 8vo), period black half morocco and marbled boards, spines gilt, top edges gilt. Boston and New York: Houghton Mifflin Company, [1913] An ongoing publication, the Riverby Edition of Burroughs’ writings was completed in 1923 with a total of 23 volumes. Some light extremity wear; very good. (500/800)

174. (Fine Bindings) Emerson, Ralph Waldo. The Complete Works of Ralph Waldo Emerson. 12 volumes. Illustrated with gravure plates. Half burgundy morocco and marbled boards, gilt-lettered and decorated spines, top edges gilt. The Concord Edition. Boston: Houghton Mifflin, [1903-1904] An attractively bound set of Ralph Waldo Emerson’s (1803-1882) complete works. A few spine ends chipped, some wear to corners; very good overall. (300/500)

Page 39 175. (Fine Bindings) Serre, Abbe de la. Le Livre de L’Eucharistie. [vi], 187, [1], [3] pp. Plates, illustrations and decorative borders engraved on wood by Jacques Beltrand after Maurice Denis and printed in colors. (8vo) contemporary brown morocco by George Mercier (signed “G.Mercier...1927” on front doublure) cream morocco doublures inlaid with elaborate border of brown, beige, green and lilac, panels tooled in gilt, brown silk free endpapers, all edges gilt, original marbled wrappers bound in morocco-edged marbled board slip-case. One of 130 copies, this copy prepared for the Bibliotheque Nationale. Paris: Jacques Beltrand, 1920 Note from the publisher laid in reading: “Ce livre ‘imprime pour La Bibliotheque Nationale’ vient de chez moi. Mais La Bibliotheque Nationale aura tout de meme un exemplaire du Livre de l’Eucharistie.” A bit of minor wear to slip case; volume fine. (500/800)

COOKE’S EDITIONS OF VARIOUS AUTHORS, UNIFORMLY BOUND 176. (Fine Bindings) Set of Cooke’s Editions featuring works by various authors - 21 titles in 37 volumes. Includes: Defoe, Daniel. The Live and Adventures of Robinson Crusoe. 3 volumes. * Fielding, Henry. The History of Tom Jones, a Foundling. 4 volumes. * Morell, Charles. The Tales if the Genii. 2 volumes. * Smollett, Tobias. The Adventures of Peregrine Pickle. 4 volumes. * Marmontel, M. Moral Tales. 2 volumes. * Fenelon, Francois. The Adventures of Telemachus. 2 volumes. * Fielding, Henry. The Adventures of Joseph Andrews. 2 volumes. * Smollett, Tobias. The Adventures of Roderick Random. 2 volumes. * [Sterne, Laurence]. The Life and Opinions of Tristram Shandy, Gentleman. Volumes 2 & 3 only. * [Smollett, Tobias]. The Expedition of Humphrey Clinker. 2 volumes. * Smollett, Tobias. The Adventures of Ferdinand Count Fathom. 2 volumes. * Swift, [Jonathan]. Travels into Several Remote Nations of the World. By Lemuel Gulliver. 2 volumes in 1. * Johnson, Samuel. The History of Rasselas, Prince of Amissina. * Smollett, Tobias.The History and Adventures of an Atom. 2 volumes in 1. * Coventry, Francis. The History of Pompey the Little; or, the Adventures of a Lap-Dog. * Gueulett, M. Chinese Tales... 2 volumes in 1. * LeSage, Alain Rene. The Devil Upon Two Sticks. * Hawkesworth, Dr. Almoran and Hamet, an Oriental Tale. 2 volumes in 1. * De Grafigny, Madame. Letters of a Peruvian Princess: with the Sequel. 2 volumes in 1. * [Sterne, Laurence] Sentimental Journey through France and Italy, by Mr. Yorick. 2 volumes in 1. * Smollett, Tobias. The Adventures of Sir Launcelot Greaves. 2 volumes in 1. Together, 21 titles in 37 volumes. Illustrated with copper- engraved plates. 13.2x8 cm. (5½x3¼”), uniform half gilt-ruled red morocco & boards, spines tooled in gilt, morocco labels. London: Printed for C. Cooke, c.1795 Attractive little collection of Cooke’s Pocket Editions. Occasional scuffing to spines, a few spine heads chipped, boards rubbed, Tom Jones and Tales of the Genii each have the spine no. 1 missing; very good condition. (600/900)

177. (Fine Bindings) Á Kempis, Thomas. The Imitation of Christ. xl, 271, [1] pp. (12mo) 16.2x10.5 cm. (6¼x4¼”) finely bound by Sangorski & Sutcliffe in full red levant morocco, spine gilt, gilt-ruled dentelles, patterned endpapers, all edges gilt. London: Methuen & Co., 1926 A touch of wear to joints; near fine. (300/500)

178. Florenz, Karl. Poetical Greetings from the Far East. Japanese Poems. 98 pp. plus wrappers., printed on crepe paper. Nearly every page with a color illustration. 19.5x14.8 cm. (7¾x5¾”), original pictorial wrapper. Tokyo: T. Hasegawa, [c.1896] A beautiful example of the publisher’s illustrated crepe-paper books. Translated from the German by A. Lloyd. Creasing to wrappers, a few corners folded; very good. (200/300)

Page 40 179. (Fore-Edge Painting) Gilpin, William. Observations on Several Parts of the Counties of Cambridge, Norfolk, Suffolk, and Essex. Also on Several Parts of North Wales; Relative Chiefly to Picturesque Beauty, in Two Tours, The Former Made in the Year 1769. The Latter in the Year 1773 - with fore edge painting. xii, 208 pp. 19 oval tinted aquatint views, one untinted aquatint of ruins. (8vo) 22.3x13.5 cm. (8¾x5¼”) later full red morocco, gilt rule border, spine lettered and ruled in gilt, all edges gilt. First Edition. London: T. Cadell, 1809 With a charming fore-edge painting of Caernarfon (Carnarvon) Castle. One of Gilpin’s most interesting volumes of tours with remarks on several great houses. Armorial bookplate of Rev. C.B. Pearson. Abbey, Scenery 15. Light wear to binding, spine sunned; some foxing and offsetting; very good. (400/600)

180. George, Ernest. Etchings in Belgium. 30 original etched plates, interleaved with descriptive letterpress. (Folio) 36.5x26.5 cm. (14¼x10½”), original green cloth stamped in black and gilt, all edges gilt. London: Seeley, Jackson, and Halliday, 1878 Etched views of Belgian sights, architecture, etc. Some wear to cloth, pages disbound; plates clean. (300/500)

181. Goethe, [Johann Wolfgang von]. Reineke Fuchs. [4], 257 pp. Illustrated by Wilhelm von Raulbach with engraved frontispiece, added engraved title and 36 plates. (Folio)35.5x28 cm. (14x11”), original full red publishers morocco pictorially stamped in gilt and blind, spine gilt, all edges gilt. Stuttgart: J.G. Cotta, 1867 Fine steel-engraved plates of anthropomorphic animals by Raulbach illustrating Goethe’s version of the famous allegory which first appeared in the 13th century and is known in English literature as “Reynard the Fox.” Binding a bit rubbed; page edges uneven, some marginal soiling; still very good. (300/500)

182. Gorey, Edward. The Dripping Faucet: Fourteen Hundred & Fifty Eight Tiny, Tedious, & Terrible tales. Composed of illustrations on small flaps, which can be viewed in various combinations for different stories. 18.6x5.6 cm. (11¼x2¼”), wrappers. [Worcester, MA]: [Metacom Press], [1989] No. 29 of 526 copies, signed by Edward Gorey at the limitation. Toledano A94b. Light wear to wrappers, horizontal crease at bottom; very good. (300/500)

183. (Grandville, J.J.) La Fontaine, [Jean de]. Fables de La Fontaine. 2 volumes. [4], xxx, 312; [4], 296 pp. Wood engraved frontispiece, vignettes and 132 woodengraved plates J.J. Grandville, including divisional titles. Plus a third volume containing and additional 132 engraved plates. (8vo) 22x15 cm. (8¾x6”) period calf-backed marbled boards, spines gilt, all edges marbled. Binding of third volume with similar but not identical gilt designs. First edition with Grandville’s illustrations. Paris: H. Fournier Aine, 1838-40 Wonderful, humorous and often snide illustrations by Grandville. Bookplate of bibliophile Norman J. Sondheim. Spines faded and with some chipping; foxing; very good (500/800)

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Page 41 184. Hamilton, A[nthony]. Memoirs of Count Grammont. iv, 362, [lxxxiv], [5] pp. 76 copper- engraved portraits; engraved title-page. (4to) 26x20.5 cm. (10¼x8”) early full calf, covers bordered in blind and gilt, spine gilt, later rebacking with original spine leather laid down, all edges gilt. London: S. and E. Harding, [1793] Europe of the late 17th and early 18th centuries, revealing the intrigues and amours of both the continent and the English court. The many engraved portraits are of the leading gentlemen and ladies of the era. Binding well worn and detached at both hinges; some foxing, penciled notes; fair. (250/350)

TALES IN DIALECT TOLD BY “UNCLE REMUS” 185. Harris, Joel Chandler. Daddy Jake, The Runaway and Short Stories Told After Dark by “Uncle Remus”. [ix], 146 pp. Many illustrations after drawings by Edward A. Kemble. (4to) 10¼x8¼, original brick-red cloth pictorially lettered and decorated in gilt, blue, and black, bevelled edges, all edges gilt. First English Edition. London: T. Fisher Unwin, 1890 Issued in the fall of 1889, shortly after the first American edition. One long story and thirteen short animal tales told in dialect. Except for his signature or monogram on several illustrations, Kemble receives no credit in this edition. In either the American or English edition, this is a notoriously difficult book to locate in acceptable condition. BAL 7117. Some rubbing to cover edges and extremities, a corner bumped, short split to cloth at rear joint. offset to endpapers, ink name to front free endpaper, ownership page filled out; very good. (300/500)

186. Harris, Joel Chandler. Nights With Uncle Remus. xxxvi, [2], 416 pp. Illustrations by Frederick Church. (8vo) 7½x4¾, original mustard cloth pictorially stamped in gilt and black. First Edition. Boston: James R. Osgood, 1883 The second Uncle Remus book. BAL 7109. A little wear and fraying to spine ends and corners; hinges cracking at endpapers, title-page and frontispiece darkened, bookplate of William M. Fitzhugh, Jr., very good. (300/500)

187. Harris, Joel Chandler. The Tar-Baby and Other Rhymes of Uncle Remus. xiv, 190 pp. Illustrated with 9 plates from paintings by A. B. Frost and E. W. Kemble, including a color frontispiece by Kemble, with printed tissue-guard; wood-engraved decorations on margins throughout; decorative endpapers. 8½x5½, gilt-decorated cream-orange cloth, lettered in gilt, top edge gilt. First Edition. New York: D. Appleton, 1904 An American classic of colloquial tales, which frequently verge on the surreal and the grotesque. Some soiling and rubbing to cloth, a few stains, extremity ear, spine dull; hinges cracked after page xiv and at rear, tissue guard of frontispiece torn; good condition. (250/350)

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Page 42 188. Harris, Joel Chandler. Uncle Remus, His Songs and His Sayings. The Folk-Lore of the Old Plantation. 231, [1], [8] pp. Illustrations by Frederick S. Church and James H. Moser. (8vo) original brown cloth stamped in gilt and black. First Edition. New York: D. Appleton and Company, 1881 BAL’s first state with ‘presumptive’ reading in last line of page 9. BAL 7100; Peter Parley to Penrod, p. 56. Pencil ownership signature of Mary H. Davis, Christmas 1881, to front endpaper verso. Some rubbing to covers, worn at spine ends and corners; front hinge cracked, damage to endpaper gutter, title-page and frontispiece detached together, several signatures sprung, pp. 99-118 detached as a unit, good to very good, worthy of restoration. (800/1200)

189. Harris, Joel Chandler. Uncle Remus, His Songs and His Sayings. The Folk-Lore of the Old Plantation. 231, [1], [4] pp. Illustrations by Frederick S. Church and James H. Moser. (8vo) original blue cloth stamped in gilt and black. Lot 188 New York: D. Appleton and Company, 1890 Same imprint and collation as the 1881 first edition, except for the advertisement pages at end. Some rubbing to extremities, front cover creased; very good. (200/300)

190. Hawthorne, Nathaniel. The Complete Works of Nathaniel Hawthorne, With Introductory Notes by George Parsons Lathrop. 13 volumes. Etchings by Blum, Church, Dielman, Gifford, Shirlaw, and Turner. 19.5x12 cm. (7¾x4¾”), half brown morocco & marbled boards, spines tooled in gilt, raised bands, marbled endpapers, top edges gilt. Riverside Edition. Boston: Houghton Miffling and Company, 1891-1895 Bound by Estes & Lauriat. Discoloration to spines, some chipping to ends, a few joints tender, others neatly repaired; about very good. (300/500)

191. Herger, J[ohann] Ernst. Die Systeme der Magnetischen Curven, Isogonen und Isodynamen Nebst Anderweiligen Empirischen Forschungen Uber die Magnetisch Polaren Kräfte Ausgeführt in 37 Grossen Graphischen Darstellungen auf 31 Tafeln und Erläutert Unter den Auspicien des Herrn Hofrath Dr. Schottin. viii, 59 pp. 33 plates including several double page. (Folio) 46.7x30 cm. (18¼x11¾”), modern half cloth and boards. First Edition. Leipzig: Bei E. Ponicke & Sohn, [1845] Scarce work on polar magnetic forces, plates illustrating the curvature of magnetic waves. Foxing throughout, heavier to text leaves, dampstaining to lower corner; good. (400/600)

192. Hey, Mrs. [Rebecca]. Sylvan Musings; or the Spirit of the Woods. [iii]-xvi, 284 pp. With 23 hand-colored lithographed plates. 19.7x13.2 cm. (7¾x5¾”), period gilt-ruled calf, rebacked with modern calf, raised bands, old morocco lettering piece, new marbled endpapers. First Edition. London: Longman, Brown, et al., 1849 Prose and poetry appreciative of trees, with lovely hand-colored lithographs of leaves and branches. Some scuffing and foxing to covers, near fine. (300/500)

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Page 43 193. (Hogarth, William) Ireland, John. Hogarth Illustrated. 3 volumes. [8], cxxii, 311; [4], (311)- 607; xxiii, [1], 380 pp. Three page price list for prints by Hogarth for sale by J. and J. Boydell at rear of Volume 2. Illustrated with copper-engraved plates after Hogarth. (8vo) 23.5x14.2 cm. (9¼x5½”), old green half morocco and marbled boards, spines gilt. First Edition. London: J. and J. Boydell, 1791, 92, 98 Ireland’s descriptive analysis of the works of the visionary artist and satirist William Hogarth, with reduced engravings of his inimitable prints. Some rubbing to extremities and boards; foxing; very good. (300/500)

FLORIST & POMOLOGIST WITH 103 HAND-COLORED PLATES 194. Hogg, Robert & John Spencer. The Florist and Pomologist: A Pictorial Monthly Magazine of Flowers, Fruits, and General Horticulture. 9 volumes from 1862 through 1871 (lacking volume for 1866). With 103 (of 131 hand-colored plates of flowers and fruits, three folding. (8vo) 24x15 cm. (9½x6¾”) period polished green calf, spines gilt. London: Journal of Horticulture, 1862-71 Hogg was instrumental in preserving most of the apple varieties in Great Britain, and in reviving the cider industry. Each illustration is accompanied by a lengthy description of the plant and its cultivation. Several volumes with covers detached, a few spine labels lacking, one volume with a portion of the backstrip lacking; lacking 28 plates, some light foxing, plates brightly colored. Offered as a collection of plates, not subject to return. (1500/2000)

195. (Hollywood) The Palatists Book of Cookery - Signed by several movie stars. Yellow cloth. First Edition. Hollywood, CA: The Assistanc League, 1933 Signed on the front free endpaper by John Boles (1930s matinee idol), Fay Wray (best remembered for her role in the classic film “King Kong), John Lodge (actor), Nigel Bruce (best known for his portrayal of Dr. Watson), Louis King (director of 1920s & 30s western and adventure movies, Ruth Roland (silent film star), Gloria Stuart (actor). Light wear, rear cover soiled, front hinge starting; very good. (200/300)

FIRST EDITION OF CHAPMAN’S ILIAD 1611 196. Homer. The Iliads of Homer, Prince of Poets. [22], 341, [9] pp. *2-6, A-Z6, Aa-Ff6, Gg7. Title leaf not included in pagination or collation. Lacking leaves *1 and Gg*, both blanks. Leaves Bb3 & Bb4 slightly smaller and presumably supplied from another copy. This copy without the errata on A6r. Engraved title page, rear blank. (Folio) 27.7x19 cm. (11x7½”), old full calf with 20th century rebacking. First Edition. London: Printed for Nathaniell Butter, [1611?] First edition in English of Homer’s Iliad, translated by George Chapman. There are the sixteen sonnets by Chapman on leaves Gg4-7 following page [342], as called for. This is apparently the later printing of the first edition, with less elaborate chapter headpieces than in the first printing. This work was followed by Chapman’s translation of the Odyssey was published circa 1615 and a combined edition with a new title page was issued shortly thereafter. STC 13634. Extremities rubbed, rear hinge cracked; title page trimmed and remargined at right edge with loss of ruled border, one leaf (G3) with a thin strip torn from right margin, no loss of text; some foxing and browning; very good. (2500/3500)

Page 44 197. Homer. The Iliad [&] The Odyssey of Homer. 8 volumes. Translated by William Cullen Bryant. With engraved plates from drawings by Flaxman; printed tissue-guards. 27x18.5 cm. (10¾x7¼”), original buckram, paper spine labels. No. 375 of 600 copies. Large Paper Edition. Boston: Houghton Mifflin, 1905 Spines a bit sunned with some rubbing to labels, very good. (300/500)

198. Horn, Walter & Ernest Born. The Plan of St. Gall: A Study of the Architecture & Economy of, & Life in a Paradigmatic Carolingian Monastery. 3 volumes. Foreword by Wolfgang Braunfels. Translated by Charles W. Jones. Note by A. Hunter Dupree. Illustrated with architectural plans and views, some folding, facsimiles. 14x11, natural canvas, leather spine labels. Berkeley: University of California Press, 1979 Important study of the architecture and social life of a medieval monastery, and an attractive and well printed book. A touch of wear to spines, and very faint yellow spots at a few cover edges; else fine. (200/300)

199. (Japanese Art) Three volumes on Japanese Art, mostly the art of flower arrangement. Includes: Kidder, J. Edward, Jr. Japanese Temples: Sculpture, Paintings, Gardens, and Architecture. 554 pp. Bronze- colored cloth, acetate jacket, slipcase. Bijutsu Shuppan-Sha / Harry Abrams, [1964]. * Richie, Donald & Meredith Weatherby, eds. The Masters’ Book of Ikebana: Background and Principles of Japanese Flower Arrangement. Green embroidered cloth, paper wraparound typed book description, acetate jacket. Bijutsu Shuppan-Sha, [1966]. * Sato, Shozo. The Art of Arranging Flowers: A Complete Guide to Japanese Ikebana. Green cloth, acetate jacket. Harry N. Abrams, [1965]. Together 3 large volumes, profusely illustrated. Various places: Various dates Mostly fine; only very faint spots of wear. (200/300)

200. (Japanese) Bowes, James Lord. Japanese Marks and Seals. ix, [5], 379 pp. Illustrated with examples throughout; color frontispiece. 27.5x18 cm. (10¾x7¼”), red cloth blocked in gilt, rebacked with original spine strip laid on, new endpapers, top edge gilt. London: Henry Sotheran & Co., 1882 The author co-wrote Keramic Art of Japan with George Ashdown Audsley. Some staining to covers, spine rubbed and faded; paper darkening and brittle, some pages chipped at edges, good to very good. (200/300)

HAND-COLORED ENGRAVINGS OF BRITISH SHELLS 201. Jeffreys, John Gwyn. British Conchology, or an Account of the Mollusca Which now Inhabit the British Isles and the Surrounding Seas. 5 volumes. Each with a hand-colored engraved frontispiece and 8 un-colored plates, 102 “supplementary” hand-colored engraved plates at the rear of Volume 5. (8vo) 19x12.5 cm. (7½x5”), original cloth with gilt-lettered spines. First Edition. London: John Van Voorst, 1862-1869 The author was a leading authority on eastern Atlantic and Mediterranean mollusks, and is known to have had a remarkably complete collection of shells from British and adjacent seas Spine ends frayed, most hinges cracked; previous owner has drawn on the verso of the frontispiece in 3 volumes, frontispiece and endpaper detached in one volume, previous owner’s label in first volume; cracking at gutters between signatures; still about very good. (500/800)

Page 45 202. Jones, Owen. The Grammar of Ornament. Illustrated with 112 plates, including chromolithograph title; mostly chromolithographs, many heightened in gold or silver. (Folio) 33x24 cm. (13x9”), original cloth gilt-stamped, top edge gilt. London: Bernard Quaritch, 1910 Reprint of Jones’ 1865 chromolithographic masterpiece. Light wear, front hinge a bit shaken; very good. (250/350)

203. (Kellogg’s Corn Flakes) Three Kellogg’s Corn Flakes promotional children’s books. Includes: Funny Jungleland Moving-Pictures. 12x8.5 cm. * Funny Jungleland Moving-Pictures. 20.5x15 cm. * Kellogg’s Story Book of Games. Book Number One. Together 3 volumes. Battle Creek, Michigan: Kellogg Company, Early 20th century The final title includes a Little Black Sambo game. All with wear; overall very good. (200/300)

204. (King, Jessie M.) Three volumes with illustrations by Jessie M. King. Includes: Keats, John. Isabella, Or the Pot of Basil. Grey cloth stamped in gilt blue and green. Tipped-in illustrations. [c.1900]. * Shelley, Percy B. Poems of Shelley. original brown cloth stamped in gilt and orange, dust jacket (scarce). [c.1900]. * Wilde, Oscar. A House of Pomegranates. 16 color plates. Red cloth stamped in gilt. Joints splitting. [c.1910]. Together 3 volumes. Various places: Various dates All with charming illustrations by Jessie M. King. Some wear; still very good. (250/350)

205. (Liebermann, Max) Hancke, Erich. Max Liebermann. Sein Leben und seine Werke. 547 pp. Illustrated throughout. Includes original etching with captioned tissue guard. (4to) 11½x8½, original half morocco & boards, gilt-lettered, top edge gilt. Berlin: Bruno Cassirer, 1914 The original etching is a self-portrait by Liebermann, done in 1913. It measures 9x7” and is printed on laid paper. Boards rubbed with some darkening and discoloration, some scuffing to morocco; slight foxing to etching; very good. (400/600)

206. (Little Black Sambo) Little Black Sambo and 2 other children’s books. Includes: Little Black Sambo. 29x21.5 cm. Covers detached. Akron: Saalfield, c.1910. * Blue Beard. 26x22.5 cm. Cincinnati: Peter G. Thompson, no date. * Fun in the Country. 28.5x24 cm. NY: Graham & Matlack, 1913. Together 3 volumes, the last two on linen. Various places: Early 20th century Good to very good. (100/150)

207. (Little Tot’s Library) Little Tot’s Library. Four Volumes. Fairy Tales - Animal Stories - Mother Goose Rhymes. With 125 Illustrations and Over 100 Rhymes & Stories (title from box). Includes: Little Tots Farm Story Book. * Mother Goose Nursery Rhymes. * Three Bears and Other Stories. * Little Red Riding Hood. Illustrated in black & white. 25.3x19 cm. (10x7½”), color pictorial wrappers; set in original two-part color pictorial cardboard box. No place: Platt & Munk Co. Inc., 1927 Box top with a little creasing and wear, neat glue repair along a seam, bottom lacking some of the plain paper covering; else near fine in very good or better box. (200/300)

Page 46 JOHN LOCKE’S ESSAY ON HUMAN UNDERSTANDING 208. Locke, John. An Essay Concerning Humane Understanding. [40], 407, [12], [1] ad pp. Frontispiece engraved portrait by P. Vanderbanck after Sylvester Brounower. (Folio) 30.7x19.3 cm. (12x7½”), modern paneled calf in period style, all edges speckled red, pages washed. Third Edition. London: Awnsham and John Churchil, and Samuel Manship, 1695 Fine copy of Locke’s Essay on Human Understanding - the third edition, reprinting the substantially revised second edition of the prior year. It is in this work that Locke (1632-1704) lays the foundations of British empiricism and the concept of the mind as a tabula rasa. “Locke summed up the Enlightenment in his belief in the middle class and its right to freedom of conscience and right to property, in his faith in science, and in his confidence in the goodness of humanity. His influence upon philosophy and political theory has been incalculable” (Columbia Encyclopedia). Wing L2741; PMM 164 (for first edition); Yolton 63. Early ownership signatures on front free endpaper retained from earlier binding; professionally washed, in a fine modern binding by Clive Jones. (1500/2500)

209. Loudon, J[ohn] C[laudius]. An Encyclopædia of Plants; comprising the description, specific character, culture, history, application in the arts, and every other desirable particular respecting all the plants indigenous, cultivated in, or introduced to Britain... xx, 2, 1159, [1] pp. Illustrated with wood engravings. 21.5x13 cm. (8½x5”), period full gilt-ruled morocco, spine lettered in gilt, marbled endpapers & edges. First Edition. London: Printed for Longman, Rees, Orme, Brown and Green, 1829 Spine and edges scuffed, joints tender; front endpaper and title-page nearly detached; prelims. bound out of order but all present; very good. (200/300)

210. Marryat, Frederick,. Poor Jack. vii, [1], 384 pp. With 35 engraved plates from drawings by Clarkson Stanfield; vignettes in the text. 22.5x14 cm. (8¾x5½”), period half vellum & marbled boards, spine gilt, morocco lettering piece, marbled endpapers and edges. First Edition. London: Longman, Orme, Brown, et al., 1840 The story of Thomas Saunders, a sailor’s son and neglected street urchin struggling to survive in Greenwich, London in the early 19th century. In a rags-to-riches story Saunders eventually rises by his own efforts to become a pilot on the Thames, makes his fortune and retires to the life of a wealthy squire. Minor wear to covers, occasional foxing within, very good. (250/350)

211. McIntosh, Charles. The Practical Gardener, and Modern Horticulturist. 2 volumes. xxviii, 554; [2], 555-1120, 142 pp. With engraved frontispiece, added engraved title, 13 engraved plans, & 16 hand-colored lithographed plates of plants & flowers. 21.2x13 cm. (8½x5”), period calf. Sixth Edition (so stated). London: Thomas Kelley, 1836 Charles MacIntosh (1794-1864 ) was Curator of the Gardens of the King of the Belgians. Spines and cover edges scuffed, rubbing to covers; hinge of Vol. II split through at front endpapers, in names to front free endpapers, some foxing and marginal staining within, overall very good. (300/500)

212. (McLoughlin Bros.) Ten children’s books published by McLoughlin Bros. Includes: Ding-Dong Bell. * The Death and Burial of Cock Robin. * The Story of the Three Little Pigs * Robinson Crusoe. New Wonder Story Series. * Robinson Crusoe. Kriss Cringle Series. * Robinson Crusoe. * Charmed Fawn. * World-Wide Fables. * Apple Pie ABC. * Small Birds. Together 10 volumes, the first three titles printed on linen. New York: McLoughlin Bros, Late 19th century or early 20th century Classic turn of the century illustrated children’s books, chromolithograph illustrations. All with some wear; overall very good. (500/800)

Page 47 213. Milton, [John]. The Paradise Lost of Milton, with Illustrations by John Martin. [viii], 373. [2] pp. Illustrated with 24 mezzotint engravings by John Martin. (8vo) 26.5x17.8 cm. (10½x7”), period full straight-grain brown morocco, decorative borders in gilt and blind, all edges gilt. First Tilt printing of the John Martin edition. London: Charles Tilt, 1833 Milton’s classic poem was first published with the striking illustrations by John Martin by Septimus Prowett in 1827 but was not a commercial success. Tilt enjoyed more success with his edition going through several printings. Extremities rubbed; some foxing, dampstain to plates at lower corner; very good. (400/600)

214. Mortimer, W. Golden. Peru: History of Coca “The Divine Plant” of the Incas with an Introductory Account of the Incas. and of the Andean Indians of To-Day. xxxi, 576 pp. Illustrations from photographs, drawings, etc. (8vo), original cloth, gilt cover vignette, spine lettered in gilt, top edge gilt. First Edition. New York: J.H. Vail & Company, 1901 “[T]he greatest work ever published on the coca plant and the history of its use by the Incas and their descendants. Research on the active principle, cocaine, is documented from its isolation in 1859 to the end of the 19th century”--Dailey, Phantastica 194. Minor wear to extremities; near fine. (250/350)

215. Mourlot, Fernand. Art in Posters: The Complete Original Posters of Braque, Chagall, Dufy, Leger, Matisse, Miro, & Picasso. 16 pp. text + 102 color plates reproducing posters + descriptive catalogue. 32x24 cm. (12½x9½”), yellow cloth, color jacket reproducing a design by Matisse. First American Edition. New York: George Braziller, [1959] The reproduction of the posters is by Mourlot Freres. Jacket with some wear and darkening to spine ends, stain to lower right corner of front panel; contents loose from binding, a commonly occurring defect, else good, worthy of repair. (250/350)

ART NOUVEAU PORTFOLIOS 216. Mulier, E. Peinture d’Art Nouveau. (2e Serie) Decoration Murales et Plafonds. 14 pp. 40 colored plates, loose in portfolio, as issued. 43.5x32.5 cm. (17¼x12¾”), original cloth backed boards portfolio. First Edition. Paris: Ch. Juliot, [c.1900] A beautiful and important portfolio featuring art nouveau designs for wall treatments and murals. Scarce. Portfolio worn and soiled; plates with some edge wear, soiling and foxing; good. (600/900)

217. Mulier, E. Peinture d’Art Nouveau. (1st Serie) Decoration Interieures & Exterieures. 10 pp. 32 color plates. Loose in portfolio, as issued. 42.5x32.5 cm. (16¾x12¾”), original boards portfolio with later paper rebacking. First Edition. Paris: Ch. Juliot, [c.1900] A beautiful and important portfolio featuring art nouveau designs for furniture, retail establishments, doorways, wall treatments, etc. Scarce. Portfolio worn and soiled, text leaves with some chipping to edges; plates clean and brightly colored; internally very good. (700/1000)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 48 218. Nepos, Cornelius. Vulgo Aemilii Probi de Vita. [xxiv], 471, [1], 222, 23, [5] pp. (Folio) 31.8x20 cm. (12½x8”) later leather-backed boards. Frankfurt: Claud Marnium & Jo. Aubrii, 1608 Scarce edition of the writings of this first century B.C.E. biographer. Boards worn, spine chipped; foxing and browning to paper; good. (250/350)

219. Newton, Isaac. The Chronology of Ancient Kingdoms Amended. To Which is Prefix’d, A Short Chronicle from the First Memory of Things in Europe, to the Conquest of Persia by Alexander the Great. xiv, [2], 376 pp. Three engraved folding plates. (4to) 23x18 cm. (9x7”), period full calf. First Edition. London: J. Tonson, et al, 1728 “Newton attempts to determine the dates of ancient events from astronomical considerations and indicates the manner in which astronomy might be used to verify the views on the chronological points derived in the main from Ptolemy, which were held in his time” - Babson 214. Covers worn front cover detached; preliminary leaves and pages 1-16 detached. folding plates and two following leaves detached, some foxing; worthy of restoration. (800/1200)

A SHELF OR TWO OF OZ 220. (Oz) Baum, L. Frank. The Emerald City of Oz. 296 pp. 12 color plates, other illustrations in black & white by John R. Neill. Green cloth, pictorial label. Reprint. Chicago: Reilly & Lee, [c.1929] An early copy of this later re-issue with new cover design (sometimes called the Sexy Ozma cover) retaining all 12 color plates. Later copies have fewer or no color plates as the supply was depleted and plates not reprinted. Light wear to cloth; very good. (100/150)

221. (Oz) Baum, L. Frank. The Magic of Oz. 265, [1] pp. Illustrated with 12 full-color plates and numerous black & white drawings by John R. Neill. (8vo), green cloth, pictorial cover label; black & white pictorial endpapers. Chicago: Reilly & Lee, [c.1923] Later printing with no list of titles on verso of ownership leaf, plates relocated. Bienvenue & Schmidt, p.79. Light wear, spine leaning; very good. (100/150)

222. (Oz) Baum, L. Frank. The New Wizard of Oz. [viii], 209 pp. 8 color plates by Evelyn Copelman. (8vo) blue cloth, dust jacket. First Edition, Second Printing with these illustrations. Indianapolis: The Bobbs-Merrill Company, [1944] Second printing, in blue cloth (first printing was green cloth) and with ‘trmendous’ on page 193, fourth line up (corrected in third printing). Dust jacket with the two illustrations printed again on the verso in a single color ink (blue). Bienvenue & Schmidt, p.15. Jacket faded, soiled, lightly worn and foxed; erasures on endpapers, glue residue on rear endpapers; very good in a good jacket. (80/120)

223. (Oz) Baum, L. Frank. Ozma of Oz. 270, [1] + [1] ad pp. Illustrated throughout with color & black & white drawings by John R. Neill. (8vo), pictorial tan cloth stamped in red, blue, yellow & black, plain endpapers. First Edition, Third Printing. Chicago: Reilly & Britton, [1913] Third printing with advertisement on last page listing titles through The Patchwork Girl of Oz; lacking the “O” in “Ozma” on p.11; illus. on p.[221] in black & white; & blank endpapers. Bienvenue & Schmidt, p.29. Spine worn, hinges cracked and shaken; good. (200/300)

Page 49 224. (Oz) Baum, L. Frank. The Patchwork Girl of Oz. 340, [2] + [6] ad pp. Illustrated throughout with color & black & white drawings by John R. Neill. (8vo), blue cloth stamped in black, red, and yellow; color pictorial endpapers. Chicago: Reilly & Lee, [1923] Later printing with titles through The Cowardly Lion in Oz on verso of half title. Bienvenue & Schmidt, p.52. Light wear to cloth, penciled notes on list of other Oz titles; very good or better. (100/150)

225. (Oz) Baum, L. Frank. Rinkitink in Oz. 314 pp. 12 color plates by John R. Neill. (8vo) blue cloth, pictorial label on front. Early Reprint. Chicago: Reilly & Lee, [c.1920] Reprint, with list of titles through Glinda of Oz on verso of ownership leaf, Variant B, with captioned plates. Bienvenue & Schmidt, p. 68. Light wear; very good. (100/150)

226. (Oz) Baum, L. Frank. The Surprising Adventures of the Magical Monarch of Mo and His People. Illustrated with 12 color plates and numerous black & white drawings in the text by Frank Verbeck. (8vo), light blue cloth with lettering stamped in navy blue & white, pictorial cover label; pictorial endpapers. First Edition under this title, Fourth Printing. Indianapolis: The Bobbs-Merrill Company, [1903] Fourth printing, with “Yew” endpapers; Braunworth imprint on copyright page in unserifed upper case (variant “D”); and the caption on p. [121] in damaged type. This book is essentially a second edition of A New Wonderland, with some minor textual changes. Bienvenue & Schmidt, p.210. Extremities worn, front hinge cracked; some crayon coloring; good. (80/120)

227. (Oz) Baum, L. Frank. Tik-Tok of Oz. Illustrated with color plates and black & white drawings by John R. Neill. (8vo), blue cloth, pictorial cover label. Chicago: The Reilly & Lee Co., [1920] Early Reilly & Lee printing, list of titles through Glinda of Oz on verso of half title, but with the uncaptioned color plates in their original positions, repositioned at some point of this printing. Bienvenue & Schmidt, p.58. Some light wear and soiling to cloth, child’s name on front free endpaper and ownership leaf; very good. (100/150)

228. (Oz) Baum, L. Frank. The Tin Woodman of Oz. 287, [1] pp. Illus. with 12 color plates & numerous black & white drawings by John R. Neill. (8vo), blue cloth, pictorial cover label; black & white pictorial endpapers. Chicago: Reilly & Lee, [c.1923] Early Reilly & Lee reprint with list of titles through The Cowardly Lion of Oz on verso of ownership page; plates captioned. Bienvenue & Schmidt, p.75. Light wear; near fine. (100/150)

229. (Oz) Neill, John R. The Wonder City of Oz. Illustrated by Neill. (8vo), blue cloth, pictorial cover label; black & white pictorial endpapers, dust jacket. First Edition. Chicago: Reilly & Lee, [c.1951] Reprint, with 32-page gatherings. Illustrations on pages 292-293 correctly oriented. Rear flap of jacket with titles through Magical Mimics in Oz (1946). Bienvenue & Schmidt, p.126. Jacket price-clipped and lightly chipped, tear on spine; light wear to volume; book and jacket very good. (150/200)

Page 50 230. (Oz) Neill, John R. The Wonder City of Oz. Illustrated by Neill. (8vo), red cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1940] First edition, with 16-page gatherings. Bienvenue & Schmidt, p. 126. Light wear, hinges cracked; very good. (100/150)

231. (Oz) Snow, Jack. The Magical Mimics in Oz. Illustrated with black & white drawings by Frank Kramer. (8vo), light gray cloth, pictorial cover label; pictorial endpapers in green. First Edition, first state. Chicago: The Reilly & Lee Co., [1946] First state with thickness of volume measuring over 1”. Bienvenue & Schmidt, p.133. Fine. (100/150)

232. (Oz) Snow, Jack. The Magical Mimics in Oz. Illustrated with black & white drawings by Frank Kramer. (8vo), textured brown cloth. Chicago: The Reilly & Lee Co., [1950] The “Popular Edition” issued without illustrated cover label. Bienvenue & Schmidt, p.133. Light wear; very good. (80/120)

233. (Oz) Snow, Jack. Who’s Who in Oz....in Collaboration with Professor H.M. Wogglebug, T.E., Dean of the Royal College of Oz. Illustrated by John R. Neill, Frank Kramer and “Dirk.” (8vo), tan cloth. First Edition. Chicago: Reilly & Lee, [1954] Bienvenue & Schmidt, p. 134. Mild soiling to cloth; gift inscription on ownership leaf; near fine. (100/150)

234. (Oz) Thompson, Ruth Plumly. Handy Mandy in Oz. 246, [1] tailpiece illustration, [6] blank pp. Illustrated by John R. Neill. (8vo), blue cloth, pictorial cover label, black & white pictorial endpapers. First Edition, Later Printing. Chicago: Reilly & Lee Co., [1937] Later printing with image of fish on spine in place of the image of Handy Mandy. Bienvenue & Schmidt, p. 119. Spine sunned, light wear and soiling to cloth; very good. (100/150)

235. (Oz) Thompson, Ruth Plumly. Kabumpo in Oz. Illustrated with 12 color plates by John R. Neill. (8vo), light blue cloth, pictorial cover label, black & white pictorial endpapers. Chicago: The Reilly & Lee Co., [c.1923] Early reprint with ampersand in publisher’s imprint in the “standard” form and with illustration of Kabumpo on p.299. Bienvenue & Schmidt, p.103. Light wear, rear hinge cracking; very good. (100/150)

236. (Oz) Three Oz titles, all reprints. Includes: Neill, John R. The Scalawagons of Oz. Title not hyphenated on spine, 32-page gatherings. [c.1947-49]. * Neill, John R. The Wonder City of Oz. 32-page gatherings, illustrations on 292-293 correctly oriented. [c.1951]. * Thompson, Ruth Plumly. Speedy in Oz. No color plates. [after 1935]. Together 3 volumes, all reprints. Chicago: Reilly & Lee, Various dates All with light wear; very good. (100/150)

Page 51 237. Palgrave, Francis. The Rise and Progress of the English Commonwealth. Anglo-Saxon Period. Containing the Anglo-Saxon Policy, and the Institutions Arising Out of Laws and Usages Which Prevailed Before the Conquest. 2 volumes. xlii, 658; xx, ccccclvi pp. (4to) 28x22 cm. (11x8¾”), original green cloth, paper spine labels, first volume rebacked with original spine cloth laid down. First Edition. London: John Murray, 1832 Scarce historical work by the father of Francis Turner Palgrave, poet, anthologist, educationist and bureaucrat, editor of Golden Treasury of English Songs and Lyrics. Labels chipped and lacking some text, hinge reinforced in Volume 1, joints splitting and front hinge cracked on Volume 2; light foxing; very good. (150/250)

FOLIO SOCIETY PEPYS WITH CUSTOM-MADE OAK SHELF 238. Pepys, Samuel. The Diary of Samuel Pepys. 11 volumes including Index. A new and complete transcription edited by Robert Latham and William Matthews. Color frontispieces from paintings, etc.; a few maps & facsimiles. 22x14 cm. (8¾x5½”), quarter Nigerian goatskin & marbled boards, spines lettered in gilt, all edges gilt, shelf made of oak housing the entire set. No. 253 of 1000 copies printed on Caxton wove paper by Cambridge University Press. London: The Folio Society, 2003 Handsome set of the important diaries giving a behind the scenes look at 17th century English life and politics, first published in 1825. The little shelf is custom-made for the set, available from the Folio Society at additional cost. Fine condition. (700/1000)

239. (Peter Rabbit) Six volumes in Altemus’ Peter Rabbit Series. Includes: Graham, Duff. Peter Rabbit at the Farm. [1917]. * Almond, Linda Stevens. Peter Rabbit Goes A-Visiting. [1921]. * Almond, Linda Stevens. Peter Rabbit and Little White Rabbit. [1923]. * Almond, Linda Stevens. Peter Rabbit and the Old Witch Woman. [1923]. * Wynne, May. Peter Rabbit’s Wedding Day. [1927]. * Almond, Linda Stevens. Peter Rabbit’s Holiday. [1927]. Together, 6 volumes. Illustrated in color. 14x10.5 cm. (5½x4”), cloth backed boards, color pictorial cover labels. Philadelphia: Henry Altemus Company, [1917-1927] Knock-offs of the original Peter Rabbit stories created by Beatrix Potter. Some rubbing and extremity wear to covers, occasional children’s pencil scrawls within; good to very good. (200/300)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 52 PHOTOGRAPH OF EVERSON/ANTONINUS BY JARRY UELSMANN 240. (Photograph) Uelsmann, Jerry N. Brother Antoninus / Bill Everson - signed photograph. Black and white photograph, mounted to matting (as issued). Titled, signed and dated in pencil by the photographer. Photograph is 18x20 cm. (7x8”), matting is 50.6x40.6 cm. (20x16”). 1968-72 Black and white photograph with two versions of Bill Everson’s persona pictured. One, a close up of the author Bill Everson, the other a man in a cloak standing among the trees - Brother Antoninus. Fine. (1000/1500)

Lot 240

241. (Photographically Illustrated Book) Eliot, George. Romola - with original albumen photographs. v, 504 pp. With 24 mounted original albumen photographs.19x12 cm. (7½x4¾”), period full sheep tooled in blind, leather clasps. Edinburgh: William Blackwood and Sons, c.1879 Volume VI of set of Eliot’s works, enhanced by the addition of 24 original photographs of scenes in Florence; sticker of Giulio Giannini Parchment Works, Florence, to verso of front free endpaper. Bookplate of Hilda Van Sicklen. Some minor scuffs to binding; very good. (200/300)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 53 242. (Photography) Apraxine, Pierre. Photographs from the Collection of the Gilman Paper Company. 480 pp. Frontispiece and 199 tipped-in plates reproducing photographs in the Gilman Paper Company collection. (Folio) 45.8x38.7 cm. (18x15¼), maroon calf-backed grey cloth, spine lettered in gilt, slipcase. No. 427 of 1200 copies. [Meriden, CT]: White Oak Press, [1985] A beautifully printed assemblage of photographs from the superb collection assembled by the Gilman Paper Company; a cross section of images from the 1840s through the 1960s including many of the greatest names in photography. Binding detached, first half of volume disbound; one plate (#100) detached with resulting holes in the mounting sheet; would benefit from binding repair. (1000/1500)

243. (Photography) Avedon, Richard & Doon Arbus. The Sixties. Text from interviews by Doon Arbus. Illustrated throughout from photographs by Richard Avedon, some color. 32.5x25 cm. (12¾x10”), pictorial boards, jacket. First Edition. New York: Random House, [1999] Inscribed and signed by Dick [Avedon] and Doon [Arbus] on presentation label taped to front endpaper. The sixties come alive though the camera of Richard Avedon and the words of important figures of the day, from leaders of the counterculture to well-fed politicians. Jacket with minor rubbing, top edge of front panel creased with a few short tears; near fine in very good jacket. (200/300)

244. (Photography) Frank, Robert. The Americans. Introduction by Jack Kerouac. Plates throughout from photographs by Waldo Frank. 23x28 cm. (9x11”), black cloth, spine lettered in silver, jacket. [New York]: Aperture, [1978] Presentation copy inscribed and signed by Frank on the half-title. The format is enlarged from the first American edition of 1959. Some yellowing and rubbing to dust jacket; volume near fine. (200/300)

245. (Photography) Goldsmith, Oliver. The Vicar of Wakefield - illustrated with Woodburytype photographs. Illustrated with 12 Woodburytype photographs of pictures by eminent British artists. (8vo) original brown cloth decorated in gilt and black, all edges gilt. London: Bickers & Son, 1880 Spine leaning, some wear to cloth, rear hinge cracked; some penciled notes, a few pages loose; good. (100/150)

246. (Photography) Koudelka, Josef. Gypsies. Plates throughout from photographs by Koudelka. 27x29.5 cm. (10¾x11½”), cloth, jacket. First Edition. [New York]: Aperture, [1975] The photographs published in the book were taken mostly in the separate Gypsey settlements in East Slovakia during the period 1972-1968. Some wear and a few short tears to jacket, else very good. (200/300)

247. Phædrus. The Fables of Phædrus, Translated into English Prose. [2], vi, 180 pp. Engraved frontispiece (dated 1747). (8vo) period full calf, red leather spine label. London: Joseph Davidson, 1745 Parallel Latin and English texts. Bookplate of “Auchincruive” (now the West of Scotland College of Agriculture). Leather dry and cracking, joints splitting, spine ends chipped; light foxing; very good. (120/180)

Page 54 248. (Printing) Flader, Louis, editor. Achievement in Photo-Engraving and Letter-Press Printing, 1927. 488 numbered pages plus an approximately equal number of inserted illustrated pages. (4to) 30.5x23 cm. (12x9”), original padded leatherette binding. First edition. Chicago: American Photo-Engravers Association, 1927 The often lacking illustration of the Broadmoor Hotel by Maxfield Parrish is present. A splendid slice of period design and illustration is contained in these pages. Binding rubbed; very good. (300/500)

249. (Rackham, Arthur) Lamb, Charles and Mary. Tales From Shakespeare. Illustrated by Arthur Rackham, including 12 color plates. (8vo), rebound in green morocco-backed cloth, gilt-lettered and decorated spine. Second Rackham Edition, First Trade Printing. London / New York: Dent / Dutton, 1909 The second edition with illustrations by Rackham, the first in 1899 had only one color plate. Latimore & Haskell pp. 33 (calling only for dark blue, light blue, and purple cloth bindings). Spine sunned, a few light spots of soiling, lightly rubbed extremities; rubberstamp on front pastedown, lightly foxed early and late leaves; very good. (200/300)

250. (Raphael Tuck) Three children’s books published by Raphael Tuck & Sons. Includes: In the Fields ABC. * Robinson Crusoe. Play & Pleasure Series. Printed on linen. * Robinson Crusoe. Nursery Tale Series. Together 3 volumes. New York & London: Raphael Tuck & Sons, Late 19th century or early 20th century Chromolithograph illustrations. Some wear and soiling; overall very good. (100/150)

251. Ratta, Cesare. L’Arte Del Libro E Della Rivista Nei Paesi D’Europe E D’America. (The Art of the Book and of the Review in Europe and America). 2 volumes. Profusely illustrated, including numerous facsimiles. (Folio) 34.5x25 cm. (13½x9¾”) original boards. Each volume one of 750. First Edition. Bologna: Cesare Ratta, 1927 A study of the book arts of Europe and America as exhibited at the 1925 International Book Fair in Florence. Over 1000 illustrations. Some wear and soiling and foxing to boards, penciled notes on rear board of Volume 1, rear joint splitting on Volume 2; light foxing internally; very good. (500/800)

252. (Robinson, Charles) Setovn, Gabriel. The Child World. [xvi], 155, [3] pp. 14 page publisher’s catalog at rear. Illustrations by Charles Robinson. (8vo) original red cloth, pictorially stamped in gilt, top edge gilt. First Edition. New York and London: John Lane, 1896 Light wear and soiling to cloth; endpapers foxed; very good. (100/150)

NORMAN ROCKWELL’S FIRST APPEARANCE IN A BOOK 253. (Rockwell, Norman) Claudy, C.H. “Tell Me Why” Stories. [14], 154 pp. With 8 color plates illustrated by Norman Rockwell, including frontispiece. (8vo), orange illustrated cloth, lettered in white. First Edition. New York: McBride, Nast & Company, 1912 A rare copy of this work, with the first appearance of Norman Rockwell illustrations in a book. Only 8 copies of this book located by OCLC / Worldcat. Lettering and cover illustration rubbed, light edge wear and light soiling; remnants of bookplate on front pastedown; very good. (300/500)

Page 55 HAND-COLORED PLATES BY THOMAS ROWLANDSON 254. (Rowlandson, Thomas) [Combe, William]. The English Dance of Death [&] The Dance of Life. The English Dance of Death. 2 volumes. 74 hand-colored plates by Thomas Rowlandson. * The Dance of Life. 26 hand-colored plates by Thomas Rowlandson. (8vo) 23x14.5 cm. (9x5¾”). The three volumes uniformly bound in full polished tan calf, spines gilt, red and green morocco labels, all edges gilt. First Editions. London: Ackermann, 1815-1817 Of the Dance of Death Tooley states: “Indispensable to any Rowlandson collection, one of the essential pivots of any colour plate library, being one of the main works of Rowlandson.” Tooley 411 & 410. Bookplates of bibliophile Norman J. Sondheim. Spines sunned, joints rubbed and starting; some foxing and offsetting; very good. (1500/2000)

Lot 254

255. (Rowlandson, Thomas) [Combe, William]. The Tour of Doctor Syntax in Search of the Picturesque: A Poem (&) The Second Tour of Doctor Syntax in Search of Consolation: A Poem (&) The Third Tour of Doctor Syntax in Search of a Wife: A Poem. 3 volumes. [6], 275 pp., 30 colored plates; [6], 277 pp., 24 colored plates; [6], 279 pp., 24 colored plates. First and third volumes with engraved and colored title pages. (8vo) 23x14 cm. (9x5½”), uniform full red morocco by Riviere & Son, gilt spines and dentelles, all edges gilt. First Editions in book form. London: R. Ackermann, 1812, 1820, 1821 First issue of Vol. 1 text with “Chapter I” instead of “Canto I”, plate 5 in second state with girls arm raised and bent; Vol. II, plate 15 in second state (as usual) with caption reading “Skim- mington” instead of “Skimmerton.” 80 handcolored illustrations in all (including engraved title pages). A comic masterpiece and one of Rowlandson’s greatest successes as an illustrator. Bookplates of Mary Bryant Sprague. Tooley 427, 428, 429. Bookplate of Norman J. Sondheim in first volume. Old repairs to preliminary leaves in Volume 1; some offsetting of plates to text; near fine. (1500/2000)

Lot 255

Page 56 256. (Rowlandson, Thomas) [Combe, William, imitation]. The Adventures of Doctor Comicus or The Frolicks of Fortune. [ii], 269 pp. 15 hand-colored aquatint plates. (8vo) 22.5x13.5 cm. (9x5¼”) full brown morocco, elaborate gilt borders, inlaid design of Dr. Comicus, spine gilt, wide gilt dentelles, silk doublures and endleaves, top edge gilt. Binding by Riviere & Son. First Edition. London: B. Blake, [1815] “This is the first of many imitations of Dr. Syntax.” Tooley 431. Bookplates of Henry S. Van Duzer, M.C.D. Borden, and Norman J. Sondheim. Spine darkened, joints a bit rubbed; plates a bit foxed; near fine. (300/500)

EDWARD RUSCHA RARITIES 257. Ruscha, Edward. Crackers. Illustrated throughout from photographs by Ken Price, Joe Goode and Edward Ruscha. 8¾x6, plain thin cardboard wrappers, jacket. First Edition. [Hollywood]: [Heavy Industry Publications], [1969] Interpretation in photography of the brief story “How to Derive the Maximum Enjoyment from Crackers,” by Mason Williams, which is printed at least in part on the rear flap of the jacket. The four subjects of the photographs are Larry Bell as the Man, Léon Bing as the Woman, Rudi Gernreich as the Bellhop, and Tommy Smothers as the Chauffer. Jacket lightly worn and soiled; very good. (400/600)

FOLDING PANORAMA OF THE SUNSET STRIP 258. Ruscha, Edward. Every Building on the Sunset Strip. Foldout panorama featuring two strips of photographs of both sides of the street of the Sunset Strip in Los Angeles. 7x5½, white wrappers, silver foil-covered slipcase. First Edition. [Los Angeles]: 1966 Rare first printing, identifiable only by an extra 2-inch flap at the end of the last folded page, the result of the printer’s miscalculation. Mentioned in Andrew Roth’s Book of 101 Books: Seminal Photographic Books of the Twentieth Century. Ink stamp of New York distributor, Wittenborn and Company, on title page. Slipcase lightly worn; light creasing to spine, small pull at head; near fine. (3000/5000)

Lot 258

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Page 57 259. Ruscha, Edward. Nine Swimming Pools and a Broken Glass. Color photographs of swimming pools in Southern California, and of one broken glass. 7x5½, white wrappers lettered in black, glassine jacket. One of 2400 copies. First Edition. No place: 1968 The artist’s eighth book and the first to use color photographs. Ink stamp of New York distributor, Wittenborn and Company, on title page. Minor wear to glassine edges, phone numbers on rear of glassine in pencil and ink; volume fine. (1200/1800)

260. Ruscha, Edward. Real Estate Opportunities. Photographs of buildings and property for sale in Southern California. 7x5½, white wrappers lettered in black, original glassine wrapper. [Los Angeles]: 1970 Undeveloped property in the Southland begging for improvements. Ruscha’s twelfth book. Wittenborn and Company label inside rear cover. Minor wear to glassine edges; fine. (600/900)

261. Ruscha, Edward. Some Los Angeles Apartments. Plates throughout from photographs of apartment buildings in Los Angeles. 7x5½, wrappers, glassine dust wrapper. One of 700 copies. First Edition. [Los Angeles]: [Anderson, Ritchie & Simon], 1965 Ruscha’s third book. Ink stamp of New York distributor, Wittenborn and Company, on copyright page. One of the artist’s scarcer works. Minor wear to glassine; fine. (2000/3000)

262. Ruscha, Edward. Thirtyfour Parking Lots in Los Angeles. Aerial photographs of various empty parking lots in the greater Los Angeles area, with one fold-out. 10¼x8, wrappers, glassine. One of 2413 copies. First Edition. [Los Angeles]: 1967 The largest format of Ruscha’s self- published works produced in the 1960’s and ‘70’s. The aerial photographs were actually taken by Art Alanis. Wittenborn label affixed to title page. Light wear and creasing to glassine jacket; light wrinkle throughout; very good. Lot 261 (600/900)

263. Ruscha, Edward. Twentysix Gasoline Stations. Illustrated with plates from photographs of gas stations encountered on his drive from Oklahoma City to Los Angeles. 7¼x5½, stiff wrappers, glassine dust wrapper. One of 500 copies. Second Edition. [Alhambra, California]: [Cunningham Press], [1967] Second edition of the artist’s first book. First published in 1962 in an edition of 400 numbered copies. Minor wear to glassine jacket; fine. (1500/2500)

Page 58 264. Ruscha, Edward. Various Small Fires and Milk. Photographs of burning matches, candles, cigarettes, pipes, lighters, acetylene torches, and a glass of milk. 7¼x5½, white wrappers lettered in black. One of 3000 copies. Second Edition. [Los Angeles]: [Anderson, Ritchie & Simon], [1970] The only reprinting of Ruscha’s second book, first published in 1964. Wittenborn and Company label inside rear cover. Lacks glassine jacket; light soiling to wrappers; Near fine. (250/350)

265. Ruscha, Edward, with Mason Williams & Patrick Blackwell. Royal Road Test. [54] pp. Illustrated throughout from photographs by Patrick Blackwell. 9½x6½, spiral-bound wrappers. First Edition. [Los Angeles]: [1967] Photographic chronicle of the destruction wrought when a Royal manual typewriter was thrown from the window of a 1963 Buick Le Sabre traveling through the Nevada desert at 90 miles per hour. Ruscha was the driver, Williams threw the typewriter, and Blackwell took the photographs. Ink stamp of New York distributor, Wittenborn and Company, on copyright page. Light wear and soiling to wrappers; very good. (1000/1500)

BENGSTON & RUSCHA’S BUSINESS CARDS SIGNED ON THE COVER 266. (Ruscha, Edward) Bengston, Billy Al and Edward Ruscha. Business Cards. Unpaginated (32pp). Illustrated with photographs. Faux wood-grain cardstock wrappers, bound with a leather thong knotted in front, with a black-and-white snapshot of the artists tipped-in with photo corners on the front cover (stamped “JAN 3 1968” on lower margin), with both artists’ business cards stapled to last page, as issued (Bengston’s business card is crumpled in each copy of the book as a nod to the “Dento” series of paintings he did in the 1960s). This first, and only, edition was limited to 1000 copies. [Hollywood, California]: [Heavy Industry Publications], 1968 Collaboration between Ruscha and Billy Al Bengston, photographed by Larry Bell. Front cover signed by Ruscha and initialed “B.A.B.” by Bengston. Small nick to edge of photograph on front cover, light edge wear; near fine. (4000/6000)

Lot 266

Page 59 267. (Russian) [Gift to Young Housewives - in Russian]. [4], 324, [4] pp. 22.2x15 cm. (8¾x5¾”), modern half cloth & boards - amateur binding. St. Petersburg: 1894 Recipes and hints for the young Russian housewife. Title-page soiled, creased, it and other prelims. on stubs; overall very good. (400/600)

268. (Russian) Pushkin, Alexander. [The Golden Cockerel - in Russian]. [12] pp. Color lithographed illustrations with gilt highlights. 27.5x21.5 cm. (10¾x8½”), color lithographed pictorial wrappers. Moscow: 1913 Attractive pre-Revolution illustrated edition of Pushkin’s classic poem penned in 1834. A little edge wear to wrappers, very good. (200/300)

269. (Russian) Pushkin, Alexander. [Works in Russian]. xxxii, 804, vii, viii pp. Text in Russian. Illustrated. 25.5x18 cm. (10x7”), cloth. St. Petersburg & Moscow: c.1910 Complete works of Pushkin in Russian. Some soiling and aging to contents, overall very good. (200/300)

270. Saint Francis. Les Petites Fleurs de Saint Francois. 424 pp. Illustrations from wood engravings by Emile Bernard. (4to) 33x25.5 cm. (13x10”) original paper wrappers, glassine. No. 208 of 350 copies on Vertge d’Arches. Paris: Ambrose Vollard, 1928 A beautifully printed and illustrated edition, as typical for Vollard’s publications. Glassine spine lacking, some wear to wrappers, front joint splitting; very good. (300/500)

271. (Sangorski & Sutcliffe) Omar Khayyam. Rubaiyat of Omar Khayyam. Translated by Edward Fitzgerald. Introduction by A.C. Benson. Reproduced in colors from a manuscript written and illuminated by Francis Sangorski & George Sutcliffe. 30.6x22 cm. (12x8¾”), later half gilt-ruled morocco & marbled boards, spine tooled in gilt, raised bands, decorated endpapers, top edge gilt; bound by W.H. French. London: Siegle, Hill & Co., c. 1911 Sangorski and Sutcliffe’s interpretations of the Rubaiyat are justly famous and among their most important work. Some fairly minor foxing and discoloration to contents, very good in fine binding. (400/600)

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Page 60 GERMAN GRAPHIC ART & ADVERTISING IN 1920s 272. Schubert, Walter F. Die Deutsche Werbe Graphik. 252 pp. Tipped-in illustrations throughout, many full-page and in color. (Folio) 36x26 cm. (14¼x10¼”) tan linen, stamped in brown and black, yapp edges. First Edition. Berlin: Francken & Lang, 1927 An important work on German graphic art and advertising with examples by artists including Bernhard, Hohlwein, Klinger, Praetorius, Gipkens, Klaukens, Cissarz, Pechstein, an numerous others. Circular label of publisher Julian Hoffmann, Stuttgart, inside front cover. Minor wear; near fine. (700/1000)

273. (Sendak, Maurice) Aulnoy, [Marie Catherine de la Mothe, Comtesse d’]. Fortunia. Illustrated by Maurice Sendak. Translated by Richard Schaubeck. (8vo), printed wrappers. No. 202 of 326 copies. New York: Frank Hallman, [1974] Signed by the illustrator and the translator at the colophon. Light wear and sunning to the wrappers; near fine. Lot 272 (300/500)

SENDAK’S MOTHER GOOSE 1/300 COPIES 274. (Sendak, Maurice) The Mother Goose Collection of Six Limited Edition Prints. 6 serigraph prints, each in the original glassine folder with printed label; single sheet of letterpress descriptive text. (Folio) 27x20¾, loose, as issued, in the original cloth backed box. Number 70 of 300 copies. New York: Serigrafia, Limited, [1990] A striking portfolio of prints by 6 leading illustrators: Maurice Sendak, Chris Van Allsburg, Barry Moser, Seymour Chwast, Daniel Palavin and Guy Billout. Each print signed by the artist in pencil at lower right. The most ambitious project from fine art publishers Serigrafia, 100 copies were retained for the use of the illustrators, 100 for Serigrafia, and 100 were donated to raise funds for The Children’s Health Fund at an initial offering price of $5000. Some light wear to box; prints overall fine. (1500/2500)

Lot 274

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Page 61 FIRST AMERICAN EDITION OF FRANKENSTEIN, VOLUME II, IN ORIGINAL BOARDS 275. Shell[e]y, Mary W[ollstonecraft]. Frankenstein; or, the Modern Prometheus. Vol. II (of 2) only. 197 + [23] ad pp. 20.2x12 cm. (8x4¾”), original half muslin & boards, paper spine label. First American Edition. Philadelphia: Carey, Lea & Blanchard, Second volume of the rare first American edition of Mary Shelley’s classic tale of sympathetic terror, originally published in London in 1818, in three volumes. The Frankenstein story evolved during the wet Swiss summer of 1816, where the Shelleys and Lord Byron passed the time reading and writing ghost stories for their amusement. “Frankenstein” developed into a long yarn, and at her husband’s urging, Mrs. Shelley refined it into a book to be published. Binding well rubbed and worn, spine label mostly perished; front hinge cracked through, rear nearly so, first signature loose, contents rippled from dampness, some foxing and soiling, ownership signatures to front free endpaper; just fair to good, but a rare example in the original boards. Sold as is. (1000/1500)

276. (Sibley, Lindsay & Curr Co.) The Juvenile Magazine. 24 issues. Monthly, broken run, June 1929 to April 1932. Illustrated. 18.4x20.3 cm. (7¼x8”), color pictorial wrappers. [Rochester, NY]: Sibley, Lindsay & Curr Co., 1929-32 Entertaining little magazine for young people put out by the Rochester-based department store chain known informally as Sibley’s, with stores located exclusively in the state of New York. Included are stories, games, craft projects, and more, as well as, of course, ads for clothing and other items, with prices. The illustrators of the color pictorial wrappers include Willy Pogany, Helen Smith, Dorothy Gregory, Erick Berry and others. Added to the lot is “Terry and Ted on the trail of the Secret Formula, by Uncle Don” and “What Happened to - Tommy” by Frances Brundage (poor cat had a can tied to his tail - kids can be so cruel). Both of the latter items are in wrappers. Some wear to spines - very good or better. (200/300)

277. (Sign Painting) Brodersen, H.H., et al. Neue Shilder-Malereien, Vorlagen für Zeitgemässe Firmenschilder Laden und Wand Aufschriften. 2 preliminary leaves and 23 (of 24) color plates, loose in portfolio, as issued. (Folio) 40x26 cm. (15¾x10¼”), original cloth-backed board portfolio. Leipzig: Justel & Gottel, [c.1910] Early 20th century design book for sign painters and commercial muralists. Portfolio worn, some soiling to plates, lacking 1 plate (#3); very good. (200/300)

278. (Steel Engravings) The New Gallery of British Art, Containing One Hundred and Twenty-One Engravings on Steel, from the Works of Distinguished British Painters. 2 volumes. With 121 steel-engraved plates; interleaved with letterpress descriptions and plain guards. 36.1x26.4 cm. 14¼x10¼, original full gilt-tooled brown morocco, spines lettered in gilt, raised bands, gilt inner dentelles, marbled endpapers, all edges gilt. New York: D. Appleton, [c.1880] A broad range of British artists are represented, including Joshua Reynolds, Daniel Maclise, Frederick Leighton, Thomas Gainsborough, Edwin Landseer, W.H. Bartlett, Birket Foster, J.E. Millais, and many, many others. Some scuffing to bindings, mostly joints and extremities; occasional minor foxing, very good. (300/500)

Page 62 ENGLISH SPORT FROM R.S. SURTEES 279. [Surtees, Robert Smith]. Jorrocks’s Jaunts and Jollities; Being the Hunting, Shooting, Racing, Driving, Sailing, Eating, Eccentric and Extravagant Exploits of that Renowned Sporting Citizen Mr. John Jorrocks of St Botolph Lane & Great Coram St. [viii], 358, [1] pp. Advertisements not retained when rebound. Fifteen hand-colored illustrations by Henry Alken including frontispiece and additional illustrated title page. (8vo) 20.5x13 cm. (8x5¼”)full red morocco, gilt borders with various sporting devices, spine gilt, raised bands, wide gilt dentelles with gilt sporting devices in covers, silk doublures and endleaves, all edges gilt. Original cloth bound in at rear. Custom slipcase. Second Edition, but first with Alken illustrations. London: R. Ackermann, Eclipse Sporting Gallery, 1843 First appeared in book form, with illustrations by Phiz, in 1838. Tooley 471. Bookplates of Sir Humphrey de Trafford and Norman J. Sondheim. Extremities lightly rubbed, small crack to front hinge; paper a touch browned; very good. (500/800)

280. [Surtees, Robert Smith]. Five sporting novels by Robert Smith Surtees. Includes: Mr Sponge’s Sporting Tour. 13 hand-colored plates by John Leech. 1853. * Handley Cross. 17 hand-colored plates by John Leech. 1854 * Ask Mama. 13 hand-colored plates by John Leech. 1858. * Plain or Ringlets? 13 hand-colored plates by John Leech (including pictorial title). 1860. * Mr Facey Romford’s Hounds. 24 hand-colored plates by John Leech & Hablot K. Browne. 1865. Together 5 octavo volumes, uniformly bound by Bumpus in full polished tan calf, spines gilt, red and green morocco labels, all edges gilt. First Editions. London: Bradbury and Evans, 1853-1865 Surtees’s famous sporting novels of the mid-19th century. Tooley 476, 473, 472, 477, & 475. First two titles with front covers detached, some light wear; very good. (1000/1500)

Lot 280

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Page 63 ARTHUR SZYK CARICATURES THE FASCIST WORLD 281. Szyk, Arthur. Ink & Blood. A Book of Drawings. [14], 18, [3] pp. + 4 color plates and 70 monochrome plates. Also with a color frontispiece depicting Szyk at work. With a prefatory text by Struthers Burt. 12¼x9, original morocco, top edge gilt, spine gilt-lettered; original batik-printed board slipcase. One of 1000 inscribed and signed copies. New York: Heritage Press, 1946 This copy inscribed for Byron Nishkian. Important post-Holocaust drawings by Szyk. As Burt wrote in the introduction: “This book...these cartoons, the words that accompany them...have a much deeper purpose than to deride and reveal our recent enemies”...”this is NOT A WAR- BOOK, although most of the cartoons were drawn in the time of war. This is a PEACE-BOOK; a book for the parlous years that follow upon war...” Some fading to slipcase; discoloration to morocco, some rubbing to spine; very good. (800/1200)

282. [Thackeray, William Makepeace] Pendennis, Arthur, ed., pseud. The Newcomes. Memoirs of a Most Respectable Family. 2 volumes. viii, 380; viii, 375 pp. Illustrated with 46 engraved plates and 2 added engraved titles by Richard Doyle; numerous wood engravings throughout the text. (8vo) 22x14 cm. (8¾x5½”), later full polished tan calf, gilt borders and decorative corner-pieces, spines gilt, morocco labels, top edges gilt, original front and rear wrappers bound in at rear of each volume. First Edition in book form. London: Bradbury and Evans, 1854-55 Thackeray’s pseudonymously-written classic, which was serialized in twenty-three monthly installments in London from October 1853 through August 1855. The Newcomes is an unusual, early example of a novel sensitive to the position of women in Victorian society. Van Duzer 147. Joints and hinges cracked in Volume 1, Volume 2 with hinges cracked and some wear to joints, spines a bit rubbed; some browning to plates; light foxing; very good. (200/300)

283. Thackeray, William Makepeace. Vanity Fair. A Novel without a Hero. xiv, 624 pp. Illustrated with 40 steel-etched plates, including frontispiece and additional pictorial title page; plus numerous wood engravings within the text. (8vo) 22.2x14 cm. (8¾x5½”), original blindstamped blue cloth, spine lettered in gilt. First Edition in Book Form, mixed issue, bound from the original parts. London: Bradbury and Evans, 1848 An important landmark in Victorian literature, Vanity Fair epitomized the turn towards realism and psychological truth. Contains the following first issue points: no street address imprint on the title page verso, dedication leaf in small type with last line measuring 2-1/8 inches; the heading on page [1] is in rustic type; “Mr. Pitt” rather than “Sir Pitt” on page 453. However, second state of the pictorial title dated 1848 instead of 1849 and without the suppressed woodcut of the Marquis of Steyne on page 336. No ads present in this copy. The first issue is especially valuable for the preservation of Thackeray’s illustrations in their original state, as the plates were altered for later editions. Van Duzer 231; Wolff 6699. Bookplate of Lionel Lancelot Shadwell. Spine ends chipped, a few short splits along front joint, corners rubbed; very good. (300/500)

284. Thomas à Kempis, Saint. The Imitation of Christ. 310 pp. 4 facsimile leaves, reproducing illuminated manuscript pages. (8vo) period full vellum with mounted illustrations on front and spine, top edge gilt. London: Seeley & Co., 1908 Covers bowed, bookplate; very good. (200/300)

Page 64 285. (Toulouse-Lautrec, Henri de) Joyant, Maurice. Henri de Toulouse-Lautrec 1864-1901. Dessins, Estampes, Affiches. [4], 281, [3] pp. Illustrated throughout with color plates, plates printed green, red or black, black and white illustrations and one original dry-point etching “Portrait de Monsieur X”. 26.2x19.8 cm. (10¼x7¾”), modern half morocco & marbled boards, spine tooled in gilt, morocco labels; original front wrapper bound in. Paris: H. Floury, 1927 Beautifully illustrated catalogue of the works of Henri Toulouse-Lautrec, including many color reproductions of original lithographs on fine paper; and the original dry-point. Original front wrapper with a few small edge chips, lower corners of pages slightly bumped; very good or better. (800/1200)

Lot 285

286. (Toys) Claretie, Leo. Les Jouets: Histoire - Fabrication. [4], iv, 324, [3] pp. Profusely illustrated, including 6 inserted color plates. (4to) 25.5x19.5 cm. (10x7¾”) modern blue cloth, black leather spine label. Paris: [Ancienne Maison Quantin / Librairies-Imprimeries Reunies], [1893] An important work on the history and fabrication of toys. Spine leaning; paper a bit browned at edges; very good. (150/250)

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Page 65 TWO RARE 19TH CENTURY GERMAN TRADE CATALOGUES 287. (Trade Catalog - Paper Lanterns) Reithmüller Kgl. Württemb Hoflieferant. Papierlaternen- Fabrik. 61 chromolithograph plates (Nos. 1-59 plus Nos. 1a & 6a). (Small folio) 35x26 cm. (13¾x10¼”), original cloth-backed boards. First Edition. Kirchheim-Teck, Germany: late 19th century A very rare trade catalog for Chinese-style paper lanterns, from the plain to the ornate. Includes floral designs, designs for various trades, nations, holidays, etc. Also includes figural lanterns, character lanterns, etc. A remarkable catalog! OCLC WorldCat locates no copies though the Metropolitan Museum of Art has a copy in their collection. Boards edge worn, hinges cracked; internally fine. (2000/3000)

Lot 287

288. (Trade Catalog - Villeroy & Boch) Villeroy und Boch. Mosaik-Platten. 82 chromolithograph sheets, including one double-page, loose in portfolio, as issued. 16x10.5 cm. (6¼x4¼”) original cloth portfolio, cloth ties. Mettlach: late 19th century Very rare sample sheets with designs for mosaic tile flooring by the prestigious manufacturer of fine ceramics. Also includes four similar sheets from an unidentified manufacturer, the top margins torn away. Light wear to portfolio; paper a bit browned; very good or better. (1500/2000)

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Page 66 VALENTINI’S MUSEUM MUSEORUM WITH 70 COPPERPLATE ENGRAVINGS 289. Valentini, Michael Bernhard. Museum Museorum, oder vollständige Schau-Bühne aller Materialien und Specereyen, nebst deren natürlichen Beschreibung... Aus andern Material-Kunst- und Naturalien-Kammern, Oost- und West-Indischen Reiss-Beschreibungen... Volumes II & III (of 3), bound together. [16] (of 24); 196; 116; [8], 228, [11] pp. With 70 (of 80) copper-engraved plates, 20 of them folding. 38x24 cm. (14¾x9½”), period vellum. Second Edition. Franckfurt am Mayn: J.D. Zunner’s sel. erben und J.A. Jungen, 1714 The second and third volumes of Valentini’s marvelous and important compendium of art, commerce, science and nature. The fantastic plates include depictions of shells, fossils, religious symbols occurring in nature, plants (including a banana), native fishermen, snakes, hippos, lions, boars, bears, a unicorn, birds, insects, a library, a zoo, mechanical devices, hydraulics, vacuum bottles, firearms, an airship, fountains, slide projectors, divining rods and more. The title given above is that in the first volume - the titles on the second and third volumes present here vary: II - Musei Museorum, Oder Der Vollständigen Schau Bühne frembder Naturalien Zweyter Theil...; III - Neu-auffgerichtetes Rüst- und Zeughauß Der Natur... Binding badly worn, vellum discolored and lacking portions, split along front joint with old attempt at stitched repair; Vol. II lacking 4 preliminary leaves, the engraved title, and 9 engraved plates (nos. 21-26, 29-30, and 332-33); Vol. II printed title creased and edgeworn, some soiling and aging to contents, good overall, sold with all faults. (2000/3000) Lot 289

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Page 67 OFFICIAL MAGAZINE OF THE VIENNA SECESSION 290. (Ver Sacrum) Ver Sacrum: Organ der Vereinigung Bildender Kuenstler Österreichs. 12 issues (including one double-issue and supplement), bound in a single volume, original wrappers bound in. Illustrations throughout by artists including Gustav Klimt, Koloman Moser, Josef Hoffmann, Max Liebermann, Alfred Roller, Alphons Mucha, and numerous other artists. (4to) 29x28.5 cm. (11½x11¼”), original blue cloth, later rebacking and re-cornering, top edge gilt. First Edition. Vienna: Gerlach & Schenk, 1898 Ver Sacrum (“Sacred Spring” in Latin) was the official magazine of the Vienna Secession. Published from 1898 to 1903, it featured drawings and designs in the Jugendstil style along with literary contributions from distinguished writers from across Europe. These included Rainer Maria Rilke, Hugo von Hofmannsthal, Maurice Maeterlinck, Knut Hamsun, Otto Julius Bierbaum, Richard Dehmel, Ricarda Huch, Conrad Ferdinand Meyer, and Arno Holz. “Ver Sacrum remains a document of the first importance for any student of the period, and one without which it would be impossible to obtain a complete picture of the activity of the Secession during the early years of its development” (Vergo, Art in Vienna, p.44). The May- June double issue celebrates the first Secessionist Exhibition. Some light wear to cloth, hinges reinforced; lower corner of the rear wrapper of the third issue chipped, paper a bit browned; very good. (2000/3000)

Lot 290

291. Vergilius Maro, Publius. Opera. [58], 349, [333] pp. Engraved frontispiece. Title page in black and red. (12mo) full calf, red leather spine label. London: Jacob Tonson and John Watts, 1715 Scarce English printing of Virgil’s works, in Latin. ESTC T139212. Extremities rubbed, hinges cracked; very good. (150/250)

Page 68 292. (Vertès) Flanner, Janet. The Stronger Sex as Seen by Vertès. Text by Jannet Flanner. Illustrated throughout with tipped-in colored and tinted plates from paintings by Vertès. 18x14, pictorial cloth, slipcase. No. 73 of 1750 copies. First Edition. New York: Hyperion Press, [1941] Box rubbed and darkened, starting to split; soiling to cloth, spine darkened, bump to lower edge of front cover; very good. (200/300)

ALBUMS OF WALLPAPER DESIGNS 293. (Wallpaper) Album of mid-century European wallpaper samples. Approximately 45 wallpaper sample sheets. 45x45 cm. (17¾x17¾”) original stiff binder. c.1957 Mid-century European designs including some with a decidedly modern art look and a selection of “velour” designs. Binding worn, several sheets with short tears, a few with pieces trimmed away, some wear to “velour” texturing; good. (300/500)

294. (Wallpaper) Album of 42 turn of the century wallpaper samples. 42 wallpaper samples (including duplicate designs in various colors). Printed on linen. 59.7x50.2 cm. (23½x19¾”) loose in cloth binder. Hole punched at left edge. Late 19th century or early 20th century A fabulous selection of wallpaper designs from the turn of the 20th century, the manufacturer unfortunately unidentified. Primarily floral designs. Covers worn, previously string-bound, each sheet with 3 pairs of punch holes along left edge, samples near fine. (1500/2500)

295. (Wallpaper) Bauer Wallpapers. 1939 Wallpaper, Book 1 & 2. Approximately 130 wallpaper samples, many with complementing trim samples. 37x45.5 cm. (14½x18”) original wrappers. 1939 Wonderful pre-war wallpaper designs. Distributed by the Bauer Hardware Co., Lewiston Main. Some staining to covers; a few samples with short tears, long tear to final sample leaf; very good. (200/300)

296. (Wallpaper) Imperial Washable Wallpapers. Sample book for Imperial Washable Wallpapers. Approximately 150 samples of various wallpaper designs. 45.5x45 cm. (18x17¾”), original boards. A few sheets trimmed. c. 1956 Classic mid-century American wallpaper designs. Retailers name, M.A. Baskind Company, Pittsburgh, PA, on front. Some light wear to binding; a few sheets with short tears; very good. (250/350)

297. (Wallpaper) Imperial Washable Wallpapers. Wallpaper sample book. Approximately 50 sample sheets, each with border sample attached. 46x71 cm. (18x28”) original stiff wrappers. Glens Falls, NY: Imperial Paper and Color Corporation, [Mid 20th century] Mid-century wallpaper design. Some wear at edges, a few short tears; very good. (250/350)

298. (Wallpaper) Nancy Warren Wallpapers. Sample book for Nancy Warren Wallpapers. Approximately 175 sample sheets. 46x45.5 cm. (18x17¾”), original leatherette covers. [Mid 20th century] Charming mid-century wallpaper designs. Wear and soiling to binding, a few leaves with short tears, newspaper clippings pasted to preliminary sheets (not to samples), some worming at edges; good. (200/300) Page 69 299. (Wallpaper) Staunton Wallpaper. Designs for Better Living - Wallpaper sample book. Approximately 175 sample sheets, plus several leaves with assorted trim samples. 61x50.5 cm. (24x20”) original cloth and boards. [mid 20th century?] Fabulous mid-century wallpaper samples by this Canadian manufacturer. Distributed by Gray Brothers of Pittsburgh, PA. Some light wear to binding; a few leaves with short tears or creases; very good. (400/600)

300. (Wallpaper) Weiskopf Wallpaper Co. Book A - Wallpaper sample book, 1917. Approximately 150 sheets, many with additional border designs. 45x45 cm. (17¾x17¾”), original cloth-backed boards. St. Paul: 1917 Beautiful World War I era wallpaper designs, from the plain to the ornate, though with a somewhat limited color palette. Covers worn and soiled; damp stain at top edge, several samples roughly removed; very good. (500/800)

301. (Wallpaper) Three wallpaper sample books. Three wallpaper sample books, approximately 500 samples in total. One from the Omaha Wall Paper Co., early 20th century; one with initial ISGO on front, mid-century; and a third without covers, also mid century. Early to mid 20th century All with wear, soiling, staining etc. Offered as is, not subject to return. (200/300)

302. [Warren, Samuel]. Passages from the Diary of a Late Physician. 3 volumes. [iii]-xii, 338; [4], 354; [4], 509 pp. 16x10 cm. (6¼x3¾”), 19th century half calf & marbled boards. Third Edition. Edinburgh: William Blackwood and Sons, 1834 The author was a barrister who studied medicine at Edinburgh, concentrating on insanity. These early novelettes show his lifelong interest in psychology. Bindings rubbed, spines faded, some staining; overall very good. (200/300)

303. (Whistler, James McNeill) Kennedy, Edward G. The Etched Work of Whistler, Illustrated by Reproductions in Collotype of the Different States of the Plates. Volumes 2 & 3. Volumes 2 & 3 only (of 5). Contains plates 96 through 197. (Folio) 37.2x31.5 cm. (14¾x12½”) original three-quarter tan morocco and cloth, spines gilt. First Edition. New York: Grolier Club, 1910 Two volumes from the definitive catalogue raisonne of Whistler’s etchings describing the different states of all of the artist’s etchings . Extremities rubbed; very good. (500/800)

304. Wilde, Oscar. Complete Works of Oscar Wilde. 10 volumes. (8vo) green cloth, paper spine labels. New York: Bigelow, Brown & Co., [1909] Chips to some spine labels, volumes leaning bit, some discoloration to endpapers, very good. (250/350)

305. Wilde, Oscar. The Happy Prince and Other Stories. [viii], 204 pp. 8 full page color illustrations by Spencer Baird Nichols, including illustrated title page. (8vo) original blue cloth, lettered in gilt on spine and front, illustrated label on front, dust jacket with mounted illustration. First Edition Thus. New York: Stokes, [1913] A handsome edition of Wilde’s classic, quite scarce in the original dust jacket. Large chip to head of jacket spine; drip marks on endpapers; near fine. (250/350)

Page 70 IMPORTANT EARLY TREATISE ON ORNITHOLOGY 306. Willughby, Francis. The Ornithology...Wherein All the Birds Hitherto Known, Being Reduced into a Method Suitable to Their Natures, are Accurately Described...To Which are Added, Three Considerable Discourses...by John Ray. [xii], 441, [7] pp. 77 (of 80) engraved plates, two inserted tables. (Folio) 31.7x21.2 cm. (12½x8½”) later half calf and marbled boards with more recent rebacking. First English Edition. London: Printed by A.C. for John Martyn, 1678 One of the most important early treatises on ornithology; first printed in Latin in 1676. Contains the first systematic classification of birds of the world. For this English edition Ray corrected the text and augmented it with three new treatises on falconry, songbirds, and the art of fowling. Nissen 991; Wing W2879 Binding rubbed; lacking 3 plates (XVI or XVII and the two rare falconry plates), perhaps a dozen plates with old repairs, most small but a few sizable, closely trimmed; some foxing, a few ink notes in an early hand; still very good. (1000/1500)

WILHELM ZAHN ON

HISTORY OF DESIGN 307. Zahn, Wilhelm. Ornamente Aller Klassischen Kunstepochen nac den Originalen in Ihren Eigenthumlichen Farben. Illustrated title leaf and 97 (of 100) color lithograph plates. Original front wrapper bound in. (Oblong folio) 28.5x42 cm. (11¼x16½”) original blindstamped green cloth lettered in gilt on Lot 306 front cover. Berlin: Dietrich Reimer, [1849] An influential work in the history of design. “Traveling in Italy in the 1820s, Zahn recorded ornamental patterns at Pompeii and Herculaneum, as well as the interiors of the 16th-century Palazzo Del Te in Mantua designed by Giuliano Romano. He published Ornamente, with its copious examples of classical, medieval, and Renaissance ornament, to educate designers in the neoclassical and Renaissance styles” (Exhibition catalogue for Journeys of the Mind: Architecture and Design. Smithsonian Libraries, 2001). Spine worn, splitting at joints, corners worn; moderate to heavy foxing to plates, lacking 3 plates (31, 57, 58) and one other detached (32); good. (800/1200)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 71 308. Zahn, Wilhelm. Ornamente aller klassischen Kunstepochen. [22] leaves, plus 100 color lithograph plates. (Folio) 44x31 cm. (17¼x12¼”) period red half morocco and cloth. Third Edition. Berlin: Dietrich Reimer, 1870 Very nice copy of a beautiful book; and an influential work in the history of design. “Traveling in Italy in the 1820s, Zahn recorded ornamental patterns at Pompeii and Herculaneum, as well as the interiors of the 16th-century Palazzo Del Te in Mantua designed by Giuliano Romano. He published Ornamente, with its copious examples of classical, medieval, and Renaissance ornament, to educate designers in the neoclassical and Renaissance styles” (Exhibition catalogue for Journeys of the Mind: Architecture and Design. Smithsonian Libraries, 2001). Binding well rubbed; foxing to plates, heavier at front and rear of volume; about very good. (700/1000)

COMPENDIUM OF FRENCH ART DECO DESIGN 309. Zervos, Christian, editor. Les Arts de la Maison. Choix des Oeuvres les plus Expressives de la Decoration Contemporaine. Autumn & Winter 1923, 1924, 1925; Spring & Summer 1925 & 1926. Together 5 (of 7) semi-annual editions. A total of approximately 250 text pages with numerous illustrations, some full-page; 176 plates after photographs, sketches, etc., including 28 colored or tinted plates. (4to) 27x22.5 cm. (10½x9”) original orange cloth-backed board portfolios. Paris: Albert Morance, 1923-1926 A marvelous compendium of French Art Deco design edited by the eminent art critic Christian Zervos (best known for his catalogue raisonne of the works of Pablo Picasso). These portfolios contain a panoply of interior designs, furniture, fabric, book-bindings, porcelain, glassware, etc. The artist’s represented include: Raoul Dufy, Pierre Legrain, Jean Lurcat, Jacques Lipchitz, Frans Masereel, Le Corbusier, and many others. An incomplete run, but all issues are rare. Some fading and light wear; near fine. (2000/3000)

Lot 309

The auction will be begin at 11:00 a.m.

Page 72 Page 73 Page 74 CONDITIONS OF SALE The property listed in this catalogue will be sold by PBA Galleries, Inc. (hereinafter Galleries) as agent for others upon the following terms and conditions as may be amended by notice or oral announcement at the sale:

1. All bids are to be per lot as numbered in the catalogue.

2. As used herein the term “bid price” means the price at which a lot is knocked down to the purchaser and the term “purchase price” means the aggregate of (a) the bid price (b) a premium of twenty percent (20%) of the bid price payable by the purchaser, and (c) unless the purchaser is exempt by law from the payment thereof, any California state or local sales tax except where sold to a purchaser outside of California and shipped to the purchaser.The Galleries have been authorized by the consignor to retain, as part of remuneration, the 20% premium payable by the purchaser.

3. Property auctioned by the Galleries is often of some age.Prospective bidders should personally inspect such property to determine its condition and whether it has been repaired or restored.Any information provided by the Galleries or its employees is for the convenience of bidders only and should not be relied upon. ALL PROPERTY IS SOLD “AS IS” AND NEITHER THE GALLERIES NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS.IN NO EVENT SHALL THE GALLERIES OR THE CONSIGNOR BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE.NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.HOWEVER, notwithstanding this condition and subject to the further provisions of this paragraph as set forth below, property may be returned by the purchaser, the sale rescinded and the purchase price refunded under the following conditions: (1) printed books which prove upon collation to be defective in text or illustration (provided such defects are not indicated within the catalogue or at the sale), and (2) autographs which prove not to be genuine (if this can be demonstrated and if not indicated in the catalogue or at the sale). Printed books are not returnable for defects not affecting text and illustration, including, but not limited to, lack of half-titles, lists of plates, binder’s instructions, errata, blanks, or advertisements. No returns will be accepted unless written notice, by registered mail or receipted courier, is received by the Galleries within fourteen (14) days of the sale of the property and the property is returned in the same condition as it was at the time of sale.NO LOT IS RETURNABLE ON ACCOUNT OF PROPERTY INCLUDED BUT NOT SPECIFICALLY NAMED AND DESCRIBED IN SUCH LOT.LOTS CONTAINING THREE OR MORE TITLES, WHETHER NAMED OR UNNAMED, AND SELLING FOR ONE HUNDRED FIFTY ($150) OR LESS, EXCLUSIVE OF BUYER’S PREMIUM, ARE SOLD NOT SUBJECT TO RETURN FOR ANY REASON.

4.Photographs, prints and other fine art multiples are sold in compliance with California law, and the Galleries’ catalogue descriptions of such multiples conform to the applicable provisions of that law.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, recision of the sale and refund of the purchase price; and, without limitation, no purchaser shall be entitled to damages of any kind.

Page 75 6. If we are prevented by fire, theft or any other reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid by the purchaser.

7. Books and other property purchased are to be removed at the close of each Sale unless shipping instructions are received by the Galleries before such sale.If not removed, property will be held at the sole risk of the purchaser and no responsibility is assumed if such goods are lost, stolen, damaged, or destroyed.The Galleries will facilitate shipment of property to out-of-town purchasers at an additional packing charge plus carriage and insurance, but will not be responsible for any loss or damage resulting from the shipping thereof in excess of the amount of the insurance.

8. Payment terms:All items are to be paid for by (a) cash, (b) cashier’s check, (c)credit card, or (d) personal check with approved credit, and all accounts are due when bills are rendered. MERCHANDISE WILL BE SHIPPED AFTER PAYMENT HAS BEEN RECEIVED.

9. We reserve the right to reject a bid from any bidder.The highest bidder acknowledged by the auctioneer shall be the purchaser.In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in every respect.

10. Unless the Sale is advertised as a sale without reserve, each lot is offered subject to a reserve.MOST LOTS OFFERED BY THE GALLERIES HAVE A MINIMUM RESERVE OF ONE-HALF THE PRESALE LOW ESTIMATE .The Galleries do not accept reserves of more than the low estimate nor allow consignors to bid on their own items.

11. To prevent inaccuracy in delivery or inconvenience in the settlement of a purchase, no lot can be transferred.Each buyer must pay for the whole of his purchases before any lot can be removed.

12. As a service to clients unable to attend the Sale, we will accept absentee bids without charge in advance of the sale by telephone, mail, fax, email or in person.All bids must state the highest bid price the bidder is willing to pay.“Buy” bids are not accepted.Please check bid sheets carefully to make sure you have the correct lot numbers and that the sheet is legible.The Galleries reserve the right to refuse to undertake absentee bids, and shall in no event be responsible for failure to execute such bids or for any error that may occur when executing them.Unsuccessful absentee bids will not be acknowledged.

ALL SALES HELD BY PBA GALLERIES ARE CONDUCTED PURSUANT TO SECTION 2328 OF THE COMMERCIAL CODE AND SECTION 535 OF THE PENAL CODE OF THE STATE OF CALIFORNIA CONSIGNING BOOKS TO PBA GALLERIES The first step in consigning to PBA is to contact the Galleries, either by phone, fax, email or letter. It can then be determined whether the item or items under consideration would do well at auction. Following this, arrangements can be made for the delivery of the material to PBA. In the case of large consignments or libraries, a member of the staff may be able to view the books on location, and make arrangements for its transportation to PBA Galleries. Because of the costs involved, PBA discourages consignments with a total value of less than $1500. The frequency of auctions, and variety of subject matter, allows PBA Galleries to ensure quick turn-around time for items consigned. Books can appear at auction as quickly as 30 days and generally not more than 90 days following consignment. Commissions vary between 10% and 15%, depending on the selling price of an item.These commissions encompass all related costs including insurance, storage, cataloguing, illustrations, etc., except shipping. Payment is sent within 20 banking days of an auction.

Page 76 Page 77 Offer Your Books at Auction through PBA Galleries

The Polycronicon of Ranulf Higden, the second History of the Expedition under the Command of Eadweard Muybridge's stunning Panorama of edition, printed in 1495 by Wynkyn de Worde, Captains Lewis and Clark to the Sources of the San Francisco, from California Street Hill, 1877, containing the first example of printed musical Missouri, 1814, the first edition of the official the 11 albumen photograph panels framed notation in an English book. account of the most famous and most important consecutively to stretch over seven feet wide. Sold for $33,000 expedition of exploration in U.S. history. Sold for $51,000 Sold for $212,000

Original manuscript diary kept by William Willson, Jonathan Swift’s Gulliver’s Travels, Set of John Ogilby’s translations of Nieuhoff’s recording a journey on the Oregon Trail from Iowa first issue, large paper copy. Embassy to China (1669) and Montanus’ Atlas to the Columbia River in the summer of 1852. Sold for $192,000 Chinensis (1671), handsomely printed with Sold for $30,000 numerous fine engraved plates. Sold for $42,000

F. Scott Fitzgerald's All the Sad Young Men, an First edition of Charles Darwin's On the Origin of Fine example of William Eddy’s important Official inscribed presentation copy with original sketch by Species by Means of Natural Selection. Map of the State of California, 1854, folding into Fitzgerald, in the first issue dust jacket. Sold for $51,000 the original red leather covers, very rare. Sold for $37,375 Sold for $39,000

SPECIALISTS IN EXCEPTIONAL BOOKS & PRIVATE LIBRARIES AT AUCTION 133 Kearny Street : San Francisco, CA 94108 : www.pbagalleries.com : 415.989.2665

Page 78 BId Sheet 133 Kearny Street, 4th Floor Sale #:______San Francisco, CA 94108 Sale Date:______Phone: (415) 989-2665 Fax: (415) 989-1664 www.pbagalleries.com

Name:______Bidder#:______Cust Id#______Company:______Shipping address (if different from mailing address) Address:______Address:______City:______State:______Zip:______City:______State:______Zip:_____

Is either a new address? Yes No

Day Phone:______Home Phone:______Cell:______

Email:______Fax:______

Are you a dealer purchasing for resale? Yes No (if yes) I hereby certify that all tangible personal property purchased by me will be for resale and is not subject to California Sales Tax, and that I hold Sellers Permit #______

1. PBA Galleries is hereby authorized to bid on the following lots up to the price stated. 2. All bids shall be treated as offers made subject to the Conditions of Sale. 3. These bids will not be executed unless this form is signed. 4. A 20% Buyer’s Premium will be charged on all lots sold.

PLEASE EXECUTE THESE BIDS ON MY BEHALF. ______SIGNATURE

CHECK HERE TO INCREASE BIDS BY ONE INCREMENT IN CASE OF TIE______

Please charge my credit card for my purchase: Visa Mastercard Discover Credit Card #:______Exp. Date:______Signature______Please use this card for all future purchases

LOT NUMBER LOT NUMBER LOT NUMBER In numerical order BID AMOUNT In numerical order BID AMOUNT In numerical order BID AMOUNT

Bid Increments $00 to $200...... $10 $2000 to $5000...... $250 $200 to $500...... $25 $5000 to $10,000. . . . . $500 $500 to $1000...... $50 $10,000 to $20,000. . . $1000 $1000 to $2000. . . . $100 $20,000 to $50,000. . . $2500 Note: Bids not matching the above increments will be rounded down to the nearest increment.

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