Temple Architecture of the Marathas in M Aharashtra

Total Page:16

File Type:pdf, Size:1020Kb

Temple Architecture of the Marathas in M Aharashtra Temple Architecture of the Marathas in M aharashtra Volume One: Text Ashutosh Sohoni A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy April 1998 De Montfort University Leicester Contents Volume One Maps Abstract . .page 3 Acknowledgments..................................................................................................page 5 Listof Illustrations.................................................................................................page 6 Listof Plates.........................................................................................................page 12 1 Introduction......................................................................................................page 20 2 Historical Context of the Maratha Tradition....................................................page 36 3 Architectural Sources.......................................................................................page 46 4 Basic Characteristics of Maratha Temples.......................................................page 69 5 Early Phase.......................................................................................................page 94 6 Middle Phase..................................................................................................page 107 7 Late Phase.......................................................................................................page 129 8 Temples of Nagpur.........................................................................................page 145 9 Nature of the Maratha Tradition.....................................................................page 157 Conclusion..........................................................................................................page 178 Appendix Gazetteerof Select Maratha Temples.................................................................page 181 Bibliography.......................................................................................................page 207 Glossary..............................................................................................................page 211 Volume Two: Illustrations and Plates 'Delhi Bombay dffrRA BAY OF BENGAL ARABIAN SEA Napur 'kPogiJau1atabad MAP INDIA \ •Pme MAHARASHTRA & NEGHB0URING REGIONS. Live Temple traditions in 1 7th/18 L century. C Sources of Islamic architectural r r influences. GOA NAT. PEH ARABIAN SEA MADHYA PRADESH / J--- I'.' NAGPUR RAv.. DHULE/ GUJARAT Mqpr BHANDARA x wADHA '. '•" •-ss• r '-,-J\ (•• 7'L5-.'. ( NAS,X YAVAAL CHANDPUR P4uik $ C' •Qfl.1C Dkiib.&D ® C' • AURANGABAD Thnjd MAHARASHTRA AHMEDNAG BOMBAY •Beed j a BEED - Bh ARABIAN SEA .Dtom / •Bop ni OSMABAD C' )• Sh*kh5 BDA1( • MAP2 sj SAT MAHARASHTRA SPill S (JR ANDHRA PRADESH ._. r-' a P.ATNAGIRI ' C GULBARGA C' B.h :;;; Tupon .1k. SANGLI MODERN DISTR' T BOUNDARIES & 9 ptiba •11 NEIGHBOURING\EGIONS. • Si C' BUAPUR' • • Mi • Selected KARNATAKA temple sites in the C KOHAPUR c Capitals/States in the Deccon. C*3mi Important Rivers. — — - — — — Dtct Boundaries. Abstract Temple Architecture of the Marathas in Maharashtra. Volume 1: Text Volume 2: Illustrations and Plates ASHUTOSH SOHONI The temple tradition of the Marathas flourished between the 17th and 19th century, evolving in three phases corresponding to the major political developments. Products of a disrupted tradition, the Maratha architectural vocabulary developed two temple types. The 'Indigenous' type temples are an original contribution of the Marathas to the mainstream of temple traditions in India. They developed out of an early 'hands onlunselfconscious' approach of Maratha architects, leading to a deliberate mixing of disparate vocabularies of Yadava and Indo-Islamic architectures. The 'Revivalist' type temples resulted out of the patron's desire for grand stone temples as built by their ancestors and comparable to those in other parts of India. This study is the first to treat Maratha monuments as part of a tradition. It provides a systematic record of the architectural characteristics of the temples and discusses the principles underlying their compositions and the symbolism embodied in them. 3 Developments in the architecture are illustrated through drawings and photographs, and are substantiated through a detailed historical analysis of the tradition. A summarised account of the monuments is given in the form of a Gazetteer of Select Maratha Temples. The chapter on the Nature of the Maratha Tradition discusses the significance of the two temple types and develops theories behind the creation of forms, elements and their compositions. It is shown that the morphological transformations within the Maratha temples were influenced by contemporaneous culture and political ideologies of the patrons. It is argued that the mixing of different styles led to an architectural sophistication comparable to other temple traditions in India. In conclusion, Maratha temples are another manifestation of a cultural phenomenon typical of India, where strands of survival and revival of the past traditions co-exist within the layers of India's cultural identity. 4 Acknowledgements Thanks are due to Adam Hardy for his inspiration and supervision which has made this study possible, and to professor M. A. Dhaky for his expertise and knowledge of Indian architecture. I am grateful for their kindness and warmth that has seen me through this study. The list of scholars whose views and appreciation were instrumental to the research is endless. Thanks to Sita Ramamurthy for proof reading. The early part of this study was carried out at the University of Central England in Birmingham under the supervision of Adam Hardy. PRASADA and the Charles Wallace Trust provided financial support when it was most needed. I offer deepest appreciation to my family and friends for their support and encouragement during the years of this study. Thanks to Adam Hardy for Plates Yl - Y21 and Illustrations I/l -114. Illustrations 115 -119 have been taken from Henry Cousens's Architecture in the Deccan. Illustrations 1/22 - 1/24, 1/31 - 1/37 and 11130 - 11132 have been taken from Indian Architecture by Claude Batley. Other illustrations and photographs are the author's. 5 List of Illustrations Yadava temple architecture in Maharashtra 111:Bhumija temples - typical elevation showing kuta composition and cardinal band. 112: Shekhari temples in the Yadava tradition. 113:Plan geometry of uniform stellate sanctuary. 1/4: Plan geometry of semi-stellate sanctuary. 115: Yadava temples in Maharashtra - plan. 116: Yadava temples in Maharashtra - plan. 117: Yadava temples in Maharashtra - plan. 118:Bhuinya temple elevation - Gondesvara, Sinnar. 119:Bhu,nija temple elevation - Balsane temple II. 1/10: Cardinal bands and gavaksha elements in bhumija shikhara. 1111: Cardinal bands and gavaksha elements in bhuma shikhara. 1112: Kuta elements and wall mouldings in Yadava temples. 1113: Kuta elements and wall mouldings in Yadava temples. 1/14: Plinths and wall mouldings in Yadava temples. 1/15: Typical moulded plinths of Yadava temples. 1/16: Colunm types in Yadava temples. 1/17: Column types in Yadava temples. 1118: Decoration in Yadava temples - carved stone panels in Ambernath temple. 1/19: Carved stone panels and grills in Yadava temples. 6 Islamic architecture in Maharashtra 1120: Gol Gumbad - Plan type at two levels. 1121: Gol Gumbad - section. 1/22: Plan and elevations of a Bijapur tomb. 1/23: Plan, section and patterns of decoration in Deccani Sultanate buildings. 1/24: Plan, section and elevations of a Bijapur tomb. 1/25: Charminar - view and composition of surface decorative elements. 1126: Ibrahim rauza, Bijapur - elevation. 1127: Facade of Bijapur tomb. 1128: Elevation - symmetry and intense decoration. 1/29: Mihitar Mahal - elevation. 1130: Roof plan - composition. 1131: Decoration in Deccani Islamic architecture - examples of stone panels and stucco work 1/32: Decorative schenies of walls and ceilings in Deccani Islamic buildings. 1/33: Bijapur buildings - construction details. 1/34: Details of stone eaves and brackets. 1/35: Elevation composition and eaves detail. 1/36: External decorative stone work in Deccani Islamic architecture. 1137: Islamic kuta in Sultanate buildings. Maratha temples in Maharashtra 1138: Maratha temples: Indigenous type - typical features of composition, decoration and structure. 1139: Maratha temples: Indigenous type - typical features of composition, decoration and structure. 1/40: Maratha temples: Indigenous type - typical features of composition, decoration and structure. 1/41: Maratha temples: Indigenous type - typical features of composition, decoration and structure. 7 1/42: Maratha temples: Indigenous type - typical features of composition, decoration and structure. 1/43: Maratha temples: Indigenous type - typical features of composition, decoration and structure. 1144: Maratha temples: Indigenous type - typical features of composition, decoration and structure. 1/45: Maratha temples: Indigenous type - typical features of composition, decoration and structure. 1146: Maratha temples: Indigenous type - typical features of composition, decoration and structure. 1147: Mahadev temple - Bahadurwadi. 1/48: Ramling temple - Bahe, plan. 1/49: Bahuleshvar temple - Bahule, plan. 1150: Mahadev temple - Bavdhan, plan. 1/51: Mahadev temple - Bopardi, plan. 1/52: Group of Jyotirlinga temple - Devrashtre, plan. 1153: Dhomeshvar temple - Dhom, plan. 1154: Atibaleshvar temple - Mahabaleshvar, plan. 1155: Temple
Recommended publications
  • Sr. No. College Name University Name Taluka District JD Region
    Non-Aided College List Sr. College Name University Name Taluka District JD Region Correspondence College No. Address Type 1 Shri. KGM Newaskar Sarvajanik Savitribai Phule Ahmednag Ahmednag Pune Pandit neheru Hindi Non-Aided Trust's K.G. College of Arts & Pune University, ar ar vidalaya campus,Near Commerece, Ahmednagar Pune LIC office,Kings Road Ahmednagrcampus,Near LIC office,Kings 2 Masumiya College of Education Savitribai Phule Ahmednag Ahmednag Pune wable Non-Aided Pune University, ar ar colony,Mukundnagar,Ah Pune mednagar.414001 3 Janata Arts & Science Collge Savitribai Phule Ahmednag Ahmednag Pune A/P:- Ruichhattishi ,Tal:- Non-Aided Pune University, ar ar Nagar, Dist;- Pune Ahmednagarpin;-414002 4 Gramin Vikas Shikshan Sanstha,Sant Savitribai Phule Ahmednag Ahmednag Pune At Post Akolner Tal Non-Aided Dasganu Arts, Commerce and Science Pune University, ar ar Nagar Dist Ahmednagar College,Akolenagar, Ahmednagar Pune 414005 5 Dr.N.J.Paulbudhe Arts, Commerce & Savitribai Phule Ahmednag Ahmednag Pune shaneshwar nagarvasant Non-Aided Science Women`s College, Pune University, ar ar tekadi savedi Ahmednagar Pune 6 Xavier Institute of Natural Resource Savitribai Phule Ahmednag Ahmednag Pune Behind Market Yard, Non-Aided Management, Ahmednagar Pune University, ar ar Social Centre, Pune Ahmednagar. 7 Shivajirao Kardile Arts, Commerce & Savitribai Phule Ahmednag Ahmednag Pune Jambjamb Non-Aided Science College, Jamb Kaudagav, Pune University, ar ar Ahmednagar-414002 Pune 8 A.J.M.V.P.S., Institute Of Hotel Savitribai Phule Ahmednag Ahmednag
    [Show full text]
  • YES BANK LTD.Pdf
    STATE DISTRICT BRANCH ADDRESS CENTRE IFSC CONTACT1 CONTACT2 CONTACT3 MICR_CODE ANDAMAN Ground floor & First Arpan AND floor, Survey No Basak - NICOBAR 104/1/2, Junglighat, 098301299 ISLAND ANDAMAN Port Blair Port Blair - 744103. PORT BLAIR YESB0000448 04 Ground Floor, 13-3- Ravindra 92/A1 Tilak Road Maley- ANDHRA Tirupati, Andhra 918374297 PRADESH CHITTOOR TIRUPATI, AP Pradesh 517501 TIRUPATI YESB0000485 779 Ground Floor, Satya Akarsha, T. S. No. 2/5, Door no. 5-87-32, Lakshmipuram Main Road, Guntur, Andhra ANDHRA Pradesh. PIN – 996691199 PRADESH GUNTUR Guntur 522007 GUNTUR YESB0000587 9 Ravindra 1ST FLOOR, 5 4 736, Kumar NAMPALLY STATION Makey- ANDHRA ROAD,ABIDS, HYDERABA 837429777 PRADESH HYDERABAD ABIDS HYDERABAD, D YESB0000424 9 MR. PLOT NO.18 SRI SHANKER KRUPA MARKET CHANDRA AGRASEN COOP MALAKPET REDDY - ANDHRA URBAN BANK HYDERABAD - HYDERABA 64596229/2 PRADESH HYDERABAD MALAKPET 500036 D YESB0ACUB02 4550347 21-1-761,PATEL MRS. AGRASEN COOP MARKET RENU ANDHRA URBAN BANK HYDERABAD - HYDERABA KEDIA - PRADESH HYDERABAD RIKABGUNJ 500002 D YESB0ACUB03 24563981 2-4-78/1/A GROUND FLOOR ARORA MR. AGRASEN COOP TOWERS M G ROAD GOPAL ANDHRA URBAN BANK SECUNDERABAD - HYDERABA BIRLA - PRADESH HYDERABAD SECUNDRABAD 500003 D YESB0ACUB04 64547070 MR. 15-2-391/392/1 ANAND AGRASEN COOP SIDDIAMBER AGARWAL - ANDHRA URBAN BANK BAZAR,HYDERABAD - HYDERABA 24736229/2 PRADESH HYDERABAD SIDDIAMBER 500012 D YESB0ACUB01 4650290 AP RAJA MAHESHWARI 7 1 70 DHARAM ANDHRA BANK KARAN ROAD HYDERABA 40 PRADESH HYDERABAD AMEERPET AMEERPET 500016 D YESB0APRAJ1 23742944 500144259 LADIES WELFARE AP RAJA CENTRE,BHEL ANDHRA MAHESHWARI TOWNSHIP,RC HYDERABA 40 PRADESH HYDERABAD BANK BHEL PURAM 502032 D YESB0APRAJ2 23026980 SHOP NO:G-1, DEV DHANUKA PRESTIGE, ROAD NO 12, BANJARA HILLS HYDERABAD ANDHRA ANDHRA PRADESH HYDERABA PRADESH HYDERABAD BANJARA HILLS 500034 D YESB0000250 H NO.
    [Show full text]
  • Sources of Maratha History: Indian Sources
    1 SOURCES OF MARATHA HISTORY: INDIAN SOURCES Unit Structure : 1.0 Objectives 1.1 Introduction 1.2 Maratha Sources 1.3 Sanskrit Sources 1.4 Hindi Sources 1.5 Persian Sources 1.6 Summary 1.7 Additional Readings 1.8 Questions 1.0 OBJECTIVES After the completion of study of this unit the student will be able to:- 1. Understand the Marathi sources of the history of Marathas. 2. Explain the matter written in all Bakhars ranging from Sabhasad Bakhar to Tanjore Bakhar. 3. Know Shakavalies as a source of Maratha history. 4. Comprehend official files and diaries as source of Maratha history. 5. Understand the Sanskrit sources of the Maratha history. 6. Explain the Hindi sources of Maratha history. 7. Know the Persian sources of Maratha history. 1.1 INTRODUCTION The history of Marathas can be best studied with the help of first hand source material like Bakhars, State papers, court Histories, Chronicles and accounts of contemporary travelers, who came to India and made observations of Maharashtra during the period of Marathas. The Maratha scholars and historians had worked hard to construct the history of the land and people of Maharashtra. Among such scholars people like Kashinath Sane, Rajwade, Khare and Parasnis were well known luminaries in this field of history writing of Maratha. Kashinath Sane published a mass of original material like Bakhars, Sanads, letters and other state papers in his journal Kavyetihas Samgraha for more eleven years during the nineteenth century. There is much more them contribution of the Bharat Itihas Sanshodhan Mandal, Pune to this regard.
    [Show full text]
  • MSM Monograph-8.Qxd
    Publications from Avahan in this series Avahan—The India AIDS Initiative: The Business of HIV Prevention at Scale Off the Beaten Track: Avahan’s Experience in the Business of HIV Prevention among India’s Long-Distance Truckers Use It or Lose It: How Avahan Used Data to Shape Its HIV Prevention Efforts in India Managing HIV Prevention from the Ground Up: Avahan’s Experience with Peer Led Outreach at Scale in India Peer Led Outreach at Scale: A Guide to Implementation The Power to Tackle Violence: Avahan’s Experience with Community Led Crisis Response in India Community Led Crisis Response Systems: A Guide to Implementation From Hills to Valleys: Avahan's HIV Prevention Program among Injecting Drug Users in Northeast India Treat and Prevent: Avahan’s Experience in Scaling Up STI Services to Groups at High Risk of HIV Infection in India Breaking Through Barriers: Avahan’s Scale-Up of HIV Prevention among High-Risk MSM and Transgenders in India Also available at: www.gatesfoundation.org/avahan BREAKING THROUGH BARRIERS: Avahan’s Scale-Up of HIV Prevention among High-Risk MSM and Transgenders in India This publication was commissioned by the Bill & Melinda Gates Foundation in India. We thank all who have worked tirelessly in the design and implementation of Avahan. We also thank James Baer who assisted in the writing and production of this publication. Version 1, June 2010 Citation: Breaking Through Barriers: Avahan's Scale-Up of HIV Prevention among High-Risk MSM and Transgenders in India. New Delhi: Bill & Melinda Gates Foundation, 2010.
    [Show full text]
  • Shiva's Waterfront Temples
    Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Subhashini Kaligotla All rights reserved ABSTRACT Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla This dissertation examines Deccan India’s earliest surviving stone constructions, which were founded during the 6th through the 8th centuries and are known for their unparalleled formal eclecticism. Whereas past scholarship explains their heterogeneous formal character as an organic outcome of the Deccan’s “borderland” location between north India and south India, my study challenges the very conceptualization of the Deccan temple within a binary taxonomy that recognizes only northern and southern temple types. Rejecting the passivity implied by the borderland metaphor, I emphasize the role of human agents—particularly architects and makers—in establishing a dialectic between the north Indian and the south Indian architectural systems in the Deccan’s built worlds and built spaces. Secondly, by adopting the Deccan temple cluster as an analytical category in its own right, the present work contributes to the still developing field of landscape studies of the premodern Deccan. I read traditional art-historical evidence—the built environment, sculpture, and stone and copperplate inscriptions—alongside discursive treatments of landscape cultures and phenomenological and experiential perspectives. As a result, I am able to present hitherto unexamined aspects of the cluster’s spatial arrangement: the interrelationships between structures and the ways those relationships influence ritual and processional movements, as well as the symbolic, locative, and organizing role played by water bodies.
    [Show full text]
  • CDP of Nashik Municipal Corporation Under JNNURM
    CDP of Nashik Municipal Corporation under JNNURM 3. NASHIK CITY 1. Introduction The city of Nashik is situated in the State of Maharashtra, in the northwest of Maharashtra, on 19 deg N 73 deg E coordinates. It is connected by road to Mumbai (185 kms.) and to Pune (220kms.). Rail connectivity is through the Central railway, with direct connection to Mumbai. Air link is with Mumbai, though the air service is not consistent and a proper Airport does not exist. Nashik is the administrative headquaters of Nashik District and Nashik Division. It is popularly known as the “Grape City” and for its twelve yearly ‘Sinhasta Kumbh Mela’, it is located in the Western Ghats on the banks of river Godavari, and has become a center of attraction because of its beautiful surroundings and cool and pleasant climate. Nashik has a personality of its own due to its mythological, historical, social and cultural importance. The city, vibrant and active on the industrial, political, social and cultural fronts, has influenced the lives of many a great personalities. The Godavari River flows through the city from its source in the holy place of Tribakeshwar, cutting the city into two. Geographical proximity to Mumbai (Economic capital of India) and forming the golden trangle with Mumbai & Pune has accelerated its growth. The developments of the past two decades has completely transformed this traditional pilgrimage center into a vibrant modern city, and it is poised to become a metropolis with global links. New Nashik has emerged out of the dreams, hard work and enterprising spirit of local and migrant populace.
    [Show full text]
  • Ghfbooksouthasia.Pdf
    1000 BC 500 BC AD 500 AD 1000 AD 1500 AD 2000 TAXILA Pakistan SANCHI India AJANTA CAVES India PATAN DARBAR SQUARE Nepal SIGIRIYA Sri Lanka POLONNARUWA Sri Lanka NAKO TEMPLES India JAISALMER FORT India KONARAK SUN TEMPLE India HAMPI India THATTA Pakistan UCH MONUMENT COMPLEX Pakistan AGRA FORT India SOUTH ASIA INDIA AND THE OTHER COUNTRIES OF SOUTH ASIA — PAKISTAN, SRI LANKA, BANGLADESH, NEPAL, BHUTAN —HAVE WITNESSED SOME OF THE LONGEST CONTINUOUS CIVILIZATIONS ON THE PLANET. BY THE END OF THE FOURTH CENTURY BC, THE FIRST MAJOR CONSOLIDATED CIVILIZA- TION EMERGED IN INDIA LED BY THE MAURYAN EMPIRE WHICH NEARLY ENCOMPASSED THE ENTIRE SUBCONTINENT. LATER KINGDOMS OF CHERAS, CHOLAS AND PANDYAS SAW THE RISE OF THE FIRST URBAN CENTERS. THE GUPTA KINGDOM BEGAN THE RICH DEVELOPMENT OF BUILT HERITAGE AND THE FIRST MAJOR TEMPLES INCLUDING THE SACRED STUPA AT SANCHI AND EARLY TEMPLES AT LADH KHAN. UNTIL COLONIAL TIMES, ROYAL PATRONAGE OF THE HINDU CULTURE CONSTRUCTED HUNDREDS OF MAJOR MONUMENTS INCLUDING THE IMPRESSIVE ELLORA CAVES, THE KONARAK SUN TEMPLE, AND THE MAGNIFICENT CITY AND TEMPLES OF THE GHF-SUPPORTED HAMPI WORLD HERITAGE SITE. PAKISTAN SHARES IN THE RICH HISTORY OF THE REGION WITH A WEALTH OF CULTURAL DEVELOPMENT AROUND ISLAM, INCLUDING ADVANCED MOSQUE ARCHITECTURE. GHF’S CONSER- VATION OF ASIF KHAN TOMB OF THE JAHANGIR COMPLEX IN LAHORE, PAKISTAN WILL HELP PRESERVE A STUNNING EXAMPLE OF THE GLORIOUS MOGHUL CIVILIZATION WHICH WAS ONCE CENTERED THERE. IN THE MORE REMOTE AREAS OF THE REGION, BHUTAN, SRI LANKA AND NEPAL EACH DEVELOPED A UNIQUE MONUMENTAL FORM OF WORSHIP FOR HINDUISM. THE MOST CHALLENGING ASPECT OF CONSERVATION IS THE PLETHORA OF HERITAGE SITES AND THE LACK OF RESOURCES TO COVER THE COSTS OF CONSERVATION.
    [Show full text]
  • INFORMATION to USERS the Most Advanced Technology Has Been Used to Photo­ Graph and Reproduce This Manuscript from the Microfilm Master
    INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and w h itephotographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Accessing the World'sUMI Information since 1938 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA Order Number 8824569 The architecture of Firuz Shah Tughluq McKibben, William Jeffrey, Ph.D. The Ohio State University, 1988 Copyright ©1988 by McKibben, William Jeflfrey. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy.
    [Show full text]
  • E. V. Smirnova SOME NOTES on TRADITIONAL MARATHA
    E. V. Smirnova SOME NOTES ON TRADITIONAL MARATHA JEWELLERY ABSTRACT. The history of Indian jewelry goes back to about five thousand years. During its history, India has been conquered numerous times. However, despite the foreign influence, Indian culture has not lost its identity. The Marathas are carriers of a unique subculture, located at the junction of the Aryan and Dravidian worlds. While the political and socio-economical history of Maharashtra is well studied, there is a considerable lack of research on the culture of the Marathas. Meanwhile, the material culture of the Marathas has its own characteristics, particularly Maratha jewelries arouse profound interest. Ornaments of a Maratha woman is not just a decoration but a special language speaking to others about her status and the events of her life. Jewelry is a family treasury and amulets. Some of the ornaments in modern Maharashtra are known by Persian names, which is incorrectly attributed to their non-Indian origin. Much Maratha jewelry have an ancient history, evidenced in the paintings of Ajanta, sculptural groups, etc. This study provides a brief overview of some pieces of the Maratha jewelry. They are divided into several groups: jewelry for the head, nose ornaments, ear ornaments, neck ornaments, arm ornaments, ornaments for the hand, rings, ornaments for the waist, foot ornaments. The article provides local terms, descriptions of jewelry, their mention in historical sources and cultural monuments. KEYWORDS: Deccan, Maharashtra, Maratha, jewelry, neck ornaments, ear ornaments, rings, feet ornaments, waist ornaments УДК 391.7(=214.35) DOI 10.31250/2618-8600-2019-4(6)-172-180 SMIRNOVA Ekaterina Viktorovna — Associate Professor, St Petersburg State University (Russia St Petersburg) E-mail: [email protected] INTRODUCTION The historical background of Indian jewelry takes us back to the history of the country itself as both are almost equally old.
    [Show full text]
  • Country Technical Note on Indigenous Peoples' Issues
    Country Technical Note on Indigenous Peoples’ Issues Republic of India Country Technical Notes on Indigenous Peoples’ Issues REPUBLIC OF INDIA Submitted by: C.R Bijoy and Tiplut Nongbri Last updated: January 2013 Disclaimer The opinions expressed in this publication are those of the authors and do not necessarily represent those of the International Fund for Agricultural Development (IFAD). The designations employed and the presentation of material in this publication do not imply the expression of any opinion whatsoever on the part of IFAD concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The designations ‗developed‘ and ‗developing‘ countries are intended for statistical convenience and do not necessarily express a judgment about the stage reached by a particular country or area in the development process. All rights reserved Table of Contents Country Technical Note on Indigenous Peoples‘ Issues – Republic of India ......................... 1 1.1 Definition .......................................................................................................... 1 1.2 The Scheduled Tribes ......................................................................................... 4 2. Status of scheduled tribes ...................................................................................... 9 2.1 Occupation ........................................................................................................ 9 2.2 Poverty ..........................................................................................................
    [Show full text]
  • History of Modern India (1857-1947) Semester
    F.Y.B.A. (History) History of Modern India (1857-1947) Semester - I Syllabus objectives outcome Module I: Growth of Political Awakening The course is The students will (a) Revolt of 1857 – Causes and designed to make understand Growth of Consequences the student aware Political Awakening (b) Contribution of the Provincial about the making of including Revolt of Associations modern India and 1857 and Foundation (c) Foundation of Indian National the struggle for of Indian National Congress. independence. Congress. Module II: Trends in Indian Nationalism To impart (a) Moderates information about They will know (b) Extremists Trends in Indian Trends in Indian (c) Revolutionary Nationalists Nationalism and Nationalism. Module III: Gandhian Movements Gandhian (a) Non Co-operation Movement Movements The students will (b) Civil Disobedience Movement To inform students know the Non Co- (c) Quit India Movement abou constitutional operation Movement Module IV: Towards Independence and developments and and Civil Partition Independence Disobedience (a) The Indian Act of 1935 Movement (b) Attempts to Resolve the Constitutional Deadlock -The Cripps Mission, The Cabinet Mission and the Mountbatten Plan F.Y.B.A. (History) History of Modern India: Society and Economy Semester – II Syllabus objectives outcome Module I: Socio Religious Reform The course is The students will Movements: Reforms and Revival designed to make understand Socio (a) Brahmo Samaj, Arya Samaj and the student aware Religious Reform Ramakrishna Mission about Socio Movements: Reforms
    [Show full text]
  • HINDU GODS and GODDESSES 1. BRAHMA the First Deity of The
    HINDU GODS AND GODDESSES 1. BRAHMA The first deity of the Hindu trinity, Lord Brahma is considered to be the god of Creation, including the cosmos and all of its beings. Brahma also symbolizes the mind and intellect since he is the source of all knowledge necessary for the universe. Typically you’ll find Brahma depicted with four faces, which symbolize the completeness of his knowledge, as well as four hands that each represent an aspect of the human personality (mind, intellect, ego and consciousness). 2. VISHNU The second deity of the Hindu trinity, Vishnu is the Preserver (of life). He is believed to sustain life through his adherence to principle, order, righteousness and truth. He also encourages his devotees to show kindness and compassion to all creatures. Vishnu is typically depicted with four arms to represent his omnipotence and omnipresence. It is also common to see Vishnu seated upon a coiled snake, symbolizing the ability to remain at peace in the face of fear or worry. 3. SHIVA The final deity of the Hindu trinity is Shiva, also known as the Destroyer. He is said to protect his followers from greed, lust and anger, as well as the illusion and ignorance that stand in the way of divine enlightenment. However, he is also considered to be responsible for death, destroying in order to bring rebirth and new life. Shiva is often depicted with a serpent around his neck, which represents Kundalini, or life energy. 4. GANESHA One of the most prevalent and best-known deities is Ganesha, easily recognized by his elephant head.
    [Show full text]