The List of Designer Bruce Kirby's Sailboats Is Formidable, Headlined
Total Page：16
File Type：pdf, Size：1020Kb
Y E N NER AN D IOT HER E ROS Kirby The list of designer Bruce Kirby’s sailboats is formidable, headlined by the enormously successful Laser. by Rob Mazza ithout even doing the arithmetic, Foot (4.3m) dinghies to America’s W it’s safe to say that Bruce Kirby Cup 12-Meters, with dalliances into has more boats built to his designs traditional cruising sharpies. Then than any designer in sailing history. considering Kirby’s career in sailing Top—Bruce Kirby designed Canada’s The 13' (4m) Laser alone accounts for journalism, as well as being one only modern challenger for the well over 220,000 boats in three dif- of North America’s most talented America’s Cup. As Canada I, she ferent rig configurations sailing in 140 helmsmen—representing his native competed in the 1983 eliminations, countries. Add the more than 1,200 Canada in three Olympics, and being and sailed again as Canada II in 1987 San Juan 24s (7.3m) that have been an early inductee in the Canadian following extensive modification. built, not to mention the 800 Sonars International 14 Foot Dinghy Hall Above—Kirby began his sailing career (23'/7m). However, Kirby’s design of Fame, the National Sailing Hall of as a magazine editor, learning yacht career and body of work are much Fame, the Sailing World Hall of Fame, design on his own as a sideline. The more eclectic than these three boats and an honoree at New York Yacht success of the Laser enabled him to suggest, running the gamut from Club dinners—one quickly realizes pursue designing full time. high-performance International 14 that his standing in the sport of 2 PROFESSIONAL BOATBUILDER Kirby’s original design sketch for the Laser on a yellow legal pad. The 13'7" (4.1m) sailing dinghy, introduced in 1971, wasn’t conceived on the prover- bial napkin, but close. international sailing is matched by very few. Even more amazing is that as a yacht designer he was entirely self- taught, without the usual apprentice- ship program of first working for other designers, or graduating from a known school of naval architecture or any correspondence program in yacht design. Bruce Kirby, by his own admis sion, was “never any good at math.” High-Performance Dinghy Sailing Kirby grew up sailing at the Brit- annia Yacht Club on Lac Deschênes, a widening of the Ottawa River in Ottawa, Canada. It was not long before he graduated to the International 14 Foot Dinghy, (14), then and now the premier high-performance develop- ment class in the world, with strong fleets in England, Canada, Australia, New Zealand, and the United States. Kirby was a member of the victorious three-boat Canadian team racing in Cowes, England, in 1958. He returned from that series to design a boat of his own. The International 14 is known as a restricted class. That is, overall dimen- Y sions of the design envelope are B E KIR established—along with minimum C weight and maximum sail area—and anything within those limits is allowed. This amount of design freedom in a rapidly expanding post-war economy COURTESY BRU attracted the best small-boat sailors and designers in the English-speaking designs by helping fellow 14 sailor world, and the performance develop- Roger Hewson (soon to establish Sabre ment in the class was remarkable. Yachts) take the lines off a number of Stuart Walker’s 1969 book, Performance existing 14s by other designers of the Advances in Small Boat Racing, con- time, such as Charlie Bourke and Uffa tained many contributions from top- Fox, to establish the envelope in which flight sailors, with Kirby writing a to work. Kirby’s first design, which chapter on hull design, focusing on would become known as the Kirby I the development and evolution of his —he always referred to it as Torch, first three 14 designs, the Kirby I, II, the first of a series of “hot” names he and III. Ian Bruce, a name soon to applied to his first three 14 designs— become inextricably linked with borrowed the rig, mast, sails, and foils Kirby’s through the Kirby III and V from an existing Bourke design, so and the Laser, wrote a chapter titled only the hull was different. This made “Developments in the International 14 it much easier to isolate the perfor- Foot Dinghy Class.” Prior to 1958, mance of the hull alone, a lesson Kirby Kirby had already played with 14 would apply to many later designs. APRIL/MAY 2013 3 ) BOTH ( OWN E BR AV D Left—Kirby’s first designs were for the International 14 Foot class, a high-performance dinghy. He gave each a “hot” name, the first, shown here, being Torch. Right—Kirby grew up sailing on a widening of the Ottawa River west of Ottawa, Ontario, and competed in the Olympics three times, representing his native Canada in the Finn and the Star. Although not initially designed for 14 sailor Jeremy Pudney ordering a with who chose to sail them as with production, two hulls were soon sold, new Kirby design almost like clock- the design itself, and Kirby was fortu- with 28 ultimately produced in fiber- work every few years. Built in cold- nate that some very good sailors rec- glass by Montreal catamaran builder molded mahogany by builders such ognized early that they could do well Bob Harris. As a multihull builder, as Souter and McCutcheon, the British with a Kirby design. Even after Kirby Harris was conscious of weight, and the boats were bright finished, and repre- departed the class, other 14 sailors of Kirby I was under the then-minimum sented a level of wooden small-boat exceptional ability continued to do design weight of 225 lbs (102 kg). construction seldom seen today. The well with his designs. Kirby was a newspaper reporter British 14 legend Stewart Morris won The Kirby IV, originally commis- with little practical knowledge of the last of his 10 Prince of Wales sioned by Jeremy Pudney and built in yacht design or engineering; Torch trophies in a Mk II. Kirby and fellow England by McCutcheon in a cold- was almost entirely an intuitive Canadian Harry Jemmett, both sailing molded mahogany variation, was then approach to dinghy design, based on Kirby IIs, were first and second in the put into fiberglass production in what he had seen of the New Zealand 1963 and ’64 Canadian championship Seattle, Washington, by the Clark boats in England, and on what he had regattas. However, as successful as Boat Company. Garden Tools, Dennis learned with Roger Hewson about the II was, it was the Kirby III, or Clark’s own Kirby IV, made an earlier successful 14s. However, with Inferno, design that proved the ulti- impressive debut, winning the his second design, logically referred mate breakthrough boat for Kirby, International 14 division at CORK to as the Kirby II by the 14 world but with fellow Canadian 14 sailor Ian that year in Kingston, Ontario. Like as Flame by Kirby, he had started to Bruce winning the coveted Prince of partnering the Kirby III with Bruce, master the basics of elemental yacht Wales Cup in England two years in a partnering the Kirby IV with the Clark design, working with a very early row. This led Bruce to put the Kirby brothers would have significant bene- copy of Skene’s Elements of Yacht III into production in his Montreal fits for Kirby in the near future. Design that predated the Francis shop, with an interior he designed. With the success of the IV on the Kinney edition. The Kirby II intro- The Kirby III, in Bruce’s hands, intro- race course, Pudney commissioned duced improvements to the Torch duced the super-bendy rig and Kirby to further improve the breed; model, including less wetted surface, shroud levers to the 14 Class, as well the result was the V, built in molded that gave up a little upwind speed to as introducing North Sails to Canada. wood by McCutcheon. Bruce then put achieve better planing and reaching Kirby never got a chance to sail the III, the V into production in fiberglass in performance. This boat, like the Kirby because by this time he had relocated Montreal with a new completely I, also started life in fiberglass, and to Chicago to take over the editorship molded interior. The V was also the soon was challenging the Toronto- of One-Design Yachtsman, which first production 14 to be designed with based Buller designs for 14 supremacy eventually evolved into One-Design & the newly approved trapeze in mind. in Canada. Offshore Yachtsman, Yacht Racing, From my perspective as a young 14 By this time Kirby’s 14s had also and then Sailing World magazines. sailor in the 1960s and ’70s, the V was taken hold in England, the heart of Kirby is the first one to say the suc- the first of the modern 14s—with a the International 14 world, with noted cess of his boats has as much to do straight line shear, a double bottom 4 PROFESSIONAL BOATBUILDER configuration introduced by Ian Bruce, and benefiting from rule changes such as the higher I measure- ment, long spinnaker pole, much larger spinnaker, and the trapeze. The V set a new standard in small-boat design and performance. In Canada it almost converted the 14 Class to a one-design fleet with all the top 14 sailors quickly trading up to the V. Building on the success of the V, Pudney commissioned a VI and ulti- mately a VII, but the high-water mark of Kirby’s 14 design career was undoubtedly the V.