Annual Report 2005 Bertelsmann Financial Highlights
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Der Spiegel-Confirmation from the East by Brian Crozier 1993
"Der Spiegel: Confirmation from the East" Counter Culture Contribution by Brian Crozier I WELCOME Sir James Goldsmith's offer of hospitality in the pages of COUNTER CULTURE to bring fresh news on a struggle in which we were both involved. On the attacking side was Herr Rudolf Augstein, publisher of the German news magazine, Der Spiegel; on the defending side was Jimmy. My own involvement was twofold: I provided him with the explosive information that drew fire from Augstein, and I co-ordinated a truly massive international research campaign that caused Augstein, nearly four years later, to call off his libel suit against Jimmy.1 History moves fast these days. The collapse of communism in the ex-Soviet Union and eastern Europe has loosened tongues and opened archives. The struggle I mentioned took place between January 1981 and October 1984. The past two years have brought revelations and confessions that further vindicate the line we took a decade ago. What did Jimmy Goldsmith say, in 1981, that roused Augstein to take legal action? The Media Committee of the House of Commons had invited Sir James to deliver an address on 'Subversion in the Media'. Having read a reference to the 'Spiegel affair' of 1962 in an interview with the late Franz Josef Strauss in his own news magazine of that period, NOW!, he wanted to know more. I was the interviewer. Today's readers, even in Germany, may not automatically react to the sight or sound of the' Spiegel affair', but in its day, this was a major political scandal, which seriously damaged the political career of Franz Josef Strauss, the then West German Defence Minister. -
A Changing of the Guards Or a Change of Systems?
BTI 2020 A Changing of the Guards or A Change of Systems? Regional Report Sub-Saharan Africa Nic Cheeseman BTI 2020 | A Changing of the Guards or A Change of Systems? Regional Report Sub-Saharan Africa By Nic Cheeseman Overview of transition processes in Angola, Benin, Botswana, Burkina Faso, Burundi, Cameroon, Central African Republic, Chad, Democratic Republic of the Congo, Republic of the Congo, Côte d'Ivoire, Djibouti, Equatorial Guinea, Eritrea, Eswatini, Ethiopia, Gabon, The Gambia, Ghana, Guinea, Guinea-Bissau, Kenya, Lesotho, Liberia, Madagascar, Malawi, Mali, Mauritania, Mauritius, Mozambique, Namibia, Niger, Nigeria, Rwanda, Senegal, Sierra Leone, Somalia, South Africa, South Sudan, Tanzania, Togo, Uganda, Zambia and Zimbabwe This regional report was produced in October 2019. It analyzes the results of the Bertelsmann Transformation Index (BTI) 2020 in the review period from 1 February 2017 to 31 January 2019. Author Nic Cheeseman Professor of Democracy and International Development University of Birmingham Responsible Robert Schwarz Senior Project Manager Program Shaping Sustainable Economies Bertelsmann Stiftung Phone 05241 81-81402 [email protected] www.bti-project.org | www.bertelsmann-stiftung.de/en Please quote as follows: Nic Cheeseman, A Changing of the Guards or A Change of Systems? — BTI Regional Report Sub-Saharan Africa, Gütersloh: Bertelsmann Stiftung 2020. https://dx.doi.org/10.11586/2020048 This work is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0). Cover: © Freepick.com / https://www.freepik.com/free-vector/close-up-of-magnifying-glass-on- map_2518218.htm A Changing of the Guards or A Change of Systems? — BTI 2020 Report Sub-Saharan Africa | Page 3 Contents Executive Summary ....................................................................................... -
AP1 Companies Affiliates
AP1 COMPANIES & AFFILIATES 100% RECORDS BIG MUSIC CONNOISSEUR 130701 LTD INTERNATIONAL COLLECTIONS 3 BEAT LABEL BLAIRHILL MEDIA LTD (FIRST NIGHT RECORDS) MANAGEMENT LTD BLIX STREET RECORDS COOKING VINYL LTD A&G PRODUCTIONS LTD (TOON COOL RECORDS) LTD BLUEPRINT RECORDING CR2 RECORDS ABSOLUTE MARKETING CORP CREATION RECORDS INTERNATIONAL LTD BOROUGH MUSIC LTD CREOLE RECORDS ABSOLUTE MARKETING BRAVOUR LTD CUMBANCHA LTD & DISTRIBUTION LTD BREAKBEAT KAOS CURB RECORDS LTD ACE RECORDS LTD BROWNSWOOD D RECORDS LTD (BEAT GOES PUBLIC, BIG RECORDINGS DE ANGELIS RECORDS BEAT, BLUE HORIZON, BUZZIN FLY RECORDS LTD BLUESVILLE, BOPLICITY, CARLTON VIDEO DEAGOSTINI CHISWICK, CONTEMPARY, DEATH IN VEGAS FANTASY, GALAXY, CEEDEE MAIL T/A GLOBESTYLE, JAZZLAND, ANGEL AIR RECS DECLAN COLGAN KENT, MILESTONE, NEW JAZZ, CENTURY MEDIA MUSIC ORIGINAL BLUES, BLUES (PONEGYRIC, DGM) CLASSICS, PABLO, PRESTIGE, CHAMPION RECORDS DEEPER SUBSTANCE (CHEEKY MUSIC, BADBOY, RIVERSIDE, SOUTHBOUND, RECORDS LTD SPECIALTY, STAX) MADHOUSE ) ADA GLOBAL LTD CHANDOS RECORDS DEFECTED RECORDS LTD ADVENTURE RECORDS LTD (2 FOR 1 BEAR ESSENTIALS, (ITH, FLUENTIAL) AIM LTD T/A INDEPENDENTS BRASS, CHACONNE, DELPHIAN RECORDS LTD DAY RECORDINGS COLLECT, FLYBACK, DELTA LEISURE GROPU PLC AIR MUSIC AND MEDIA HISTORIC, SACD) DEMON MUSIC GROUP AIR RECORDINGS LTD CHANNEL FOUR LTD ALBERT PRODUCTIONS TELEVISON (IMP RECORDS) ALL AROUND THE CHAPTER ONE DEUX-ELLES WORLD PRODUCTIONS RECORDS LTD DHARMA RECORDS LTD LTD CHEMIKAL- DISTINCTIVE RECORDS AMG LTD UNDERGROUND LTD (BETTER THE DEVIL) RECORDS DISKY COMMUNICATIONS -
The Dave Brubeck Quartet Featuring Paul Desmond – Brubeck Time
The Dave Brubeck Quartet Featuring Paul Desmond - Brubeck Time - Columbia Records/Speakers Corner - Audiophile Audition 27.08.18, 0937 HOME ∠ JAZZ CD REVIEWS ∠ SITE SEARCH " Search the site The Dave Brubeck Quartet Click on the category Featuring Paul Desmond – below to see that genre of Brubeck Time – Columbia reviews. Records/Speakers Corner SACD & Other Hi- Res Reviews by Audiophile Audition / August 18, 2018 / Jazz CD Reviews,, Audio News SACD & Other Hi-Res Reviews Classical CD Reviews The Dave Brubeck Quartet Classical Reissue Reviews Featuring Paul Desmond – DVD & Blu-ray Brubeck Time – Columbia Video Reviews JazzJazz CDCD ReviewsReviews Records CL622 Pop/Rock/World (1954)/Speakers Corner (2018) 180-gram CD Reviews Special Features mono vinyl, 40:00 ****1/2: Component Reviews (Dave Brubeck – piano; Paul Desmond – alto saxophone; Bob Bates – double bass; Joe Dodge (drums) Editorial Reader Feedback Dave Brubeck’s legacy as a pianist and composer is unique. Having Best of the Year studied classical and jazz composition at the University Of The Pacific https://www.audaud.com/brubeck-time-paul-desmond-columbia-records-speakers-corner/ Seite 1 von 6 The Dave Brubeck Quartet Featuring Paul Desmond - Brubeck Time - Columbia Records/Speakers Corner - Audiophile Audition 27.08.18, 0937 and Mills College, he approached his vision as a musician with complexity. In 1959, he integrated asymmetric meter into the album Take Five. With a unique time signature (5/4), the title song became a standard bearer for jazz crossover. Other compositions like “Blue Rondo A La Turk” (written in 9/8) are further examples of the unconventional use of time signatures. -
The Polish Phenomenon What’S Next for Europe’S New Powerhouse?
Report on the Kosciuszko Foundation Economic Conference 2013 The Polish Phenomenon What’s Next for Europe’s New Powerhouse? PRODUCED BY CONTENTS FOREWORD: Shedding Light on the Polish Phenomenon ........................... 1 PANEL ONE: Riding Out the Storm—How the Finance and Banking Sector in Poland Navigated the Recession and the Path Ahead ........................................................................................ 2 KEYNOTE SPEAKER: Marek Belka, President of the National Bank of Poland .................................................... 12 KEYNOTE PRESENTATION: The Polish Economy and the Global Financial Crisis—Strengths and Challenges ..................................... 13 PANEL TWO: The Land of Opportunity—an Investor Perspective .............. 20 THE KOSCIUSZKO FOUNDATION: The American Center of Polish Culture ........................................................ 30 FOREWORD Shedding Light on the Polish Phenomenon THERE’S AN OLD JOKE ABOUT HOW MANY POLES IT TOOK TO SCREW IN A LIGHT BULB. BUT AFTER A POLISH ELECTRICIAN NAMED LECH WALESA PULLED THE PLUG ON COMMUNISM AND HELPED BRING DOWN THE SOVIET UNION, THAT JOKE LOST ITS LUSTER. THESE DAYS THE LIGHT BULBS ARE MADE IN POLAND, AND OVER THE PAST TWO DECADES, THE COUNTRY’S ECONOMY HAS GROWN AT A RECORD PACE COMPARED TO ITS NEIGHBORS. September 2013 marked the 20th anniversary of Russia’s withdrawal of the Soviet army from Poland. Since then, Poland has gone from Communist basket case to what German magazine Der Spiegel dubbed last year as: “The Miracle Next Door: Poland Emerges as a Central European Powerhouse.” Poland is the only European Union economy to avoid recession since the global nancial crisis hit in 2008. Polish workers used to travel abroad to where the factories were. These days, factories move ALEX STOROZYNSKI to where the Polish workers are. -
GM Is Playing a Proactive and Expansive Role in Reducing the Impact of the Automobile on Our Environment
GM is playing a proactive and expansive role in reducing the impact of the automobile on our environment Our Products General Motors 2004/05 Corporate Responsibility Report Our Products Overview General Motors is committed to providing its customers with compelling products – products that reflect strong design themes, emphasize safety and quality, offer Key Issues fuel efficiency and low emissions, and meet customers' demands for performance Highlights and utility. Every day, GM employees strive for new and innovative ways to • Leading quality improve the vehicles the company builds and sells. performance >> • 350 Hybrid buses now in use >> What’s in the Chapter? • Continuous safety - GM's Vehicle Strategy Responsible Vehicle Use before, during and after GM's "gotta have" product strategy involves GM encourages drivers to use a crash >> delivering continuous improvement in Design, their vehicles responsibly, • GM's Fuel Economy/GHG Quality, Safety, Emissions, Fuel Economy, and both to reduce environmental emissions calculator >> Vehicle Recycling. impact and to increase the safety of vehicle occupants, Challenges Advanced Engines pedestrians and other road • Reducing vehicle New technologies such as Displacement on users. emissions >> Demand and Twin Port are the latest steps to • Expanding the range of enhancing engine efficiency. GM's latest Vehicle Design Hybrid vehicles we sell >> generation of cleaner diesel engines includes the GM's life-cycle thinking world's first diesel to meet the latest Euro 4 approach and initiatives such emission standards. GM also is introducing more as the Oil-Life System or lifecycle analysis (LCA) vehicles that can run on alternative fuels such as studies have helped GM make informed ethanol, LPG and CNG. -
Das Ende Der Anarchie Die Allianz Zwischen Bertelsmann Und Der Internet-Tauschbörse Napster Könnte Den Elektronischen Handel Revolutionieren
Wirtschaft MUSIKINDUSTRIE Das Ende der Anarchie Die Allianz zwischen Bertelsmann und der Internet-Tauschbörse Napster könnte den elektronischen Handel revolutionieren. Künftig wollen die Anbieter für Musik – und später auch für Texte, Bilder und Filme – Geld verlangen. Aber werden die Nutzer auch zahlen? n den Bars seiner Heimatstadt Brock- Die Dynamik, mit der sich Napster ver- Dazu wird es wohl nicht kommen. Am ton bekommt Shawn Fanning noch nicht breitet hat, ist beispiellos, die Probleme Dienstag vergangener Woche gab der Ber- Ieinmal ein Budweiser. Mit seinen 19 Jah- sind es allerdings auch: Die großen Musik- telsmann-Konzern in New York überra- ren ist der Studienabbrecher nach den Ge- konzerne fühlen sich durch Fannings Ak- schend eine Allianz mit Napster bekannt. setzen des US-Bundesstaates Massachusetts tivitäten in ihrer Existenz bedroht – und Der Medienriese will sich an dem Tausch- zu jung, um ein Bier bestellen zu dürfen. überzogen ihn mit Urheberrechtsklagen. ring beteiligen und bekommt so auf einen Doch er ist alt genug, um weltweit die Für kurze Zeit musste der Dienst sogar Schlag Zugriff auf Millionen potenzieller Musikindustrie zu erschüttern. eingestellt werden, denn was Napster Kunden. Bertelsmann will den Charakter Vor anderthalb Jahren hat Fanning harmlos „file sharing“ (Daten miteinander von Napster als Tauschbörse bewahren, Napster erfunden, einen Musikbasar, auf teilen) nennt, ist für die meisten Enter- mit dem kleinen, aber feinen Unterschied, dem Internet-Nutzer kostenlos Songs ih- tainment-Konzerne nichts anderes als kri- dass künftig für den Erhalt von Musik ge- rer Lieblingsbands tauschen können. Mit minelles Raubkopieren. zahlt werden soll. seinem Projekt hat der junge Hobby- Dabei hat Napster bisher keinen Weg Das aber kann nur funktionieren, wenn Programmierer eine Entwicklung in Gang gefunden, mit dem eigenen Angebot Geld neben der Bertelsmann-Musiktochter gesetzt, die selbst nach den Maßstäben des zu verdienen. -
Annual Report 2009
Annual Report 2009 Digitization INNOVATION CultureFREEDOM CommitmentChange Bertelsmann Annual Report 2009 CreativityEntertainment High-quality journalism Performance Services Independence ResponsibilityFlexibility BESTSELLERS ENTREPRENEURSHIP InternationalityValues Inspiration Sales expertise Continuity Media PartnershipQUALITY PublishingCitizenship companies Tradition Future Strong roots are essential for a company to prosper and grow. Bertelsmann’s roots go back to 1835, when Carl Bertelsmann, a printer and bookbinder, founded C. Bertelsmann Verlag. Over the past 175 years, what began as a small Protestant Christian publishing house has grown into a leading global media and services group. As media and communication channels, technology and customer needs have changed over the years, Bertelsmann has modifi ed its products, brands and services, without losing its corporate identity. In 2010, Bertelsmann is celebrating its 175-year history of entrepreneurship, creativity, corporate responsibility and partnership, values that shape our identity and equip us well to meet the challenges of the future. This anniver- sary, accordingly, is being celebrated under the heading “175 Years of Bertelsmann – The Legacy for Our Future.” Bertelsmann at a Glance Key Figures (IFRS) in € millions 2009 2008 2007 2006 2005 Business Development Consolidated revenues 15,364 16,249 16,191 19,297 17,890 Operating EBIT 1,424 1,575 1,717 1,867 1,610 Operating EBITDA 2,003 2,138 2,292 2,548 2,274 Return on sales in percent1) 9.3 9.7 10.6 9.7 9.0 Bertelsmann Value -
DISTRIBUTING PRODUCTIVE PLAY: a MATERIALIST ANALYSIS of STEAM Daniel Joseph Doctor of Philosophy Ryerson University, 2017
DISTRIBUTING PRODUCTIVE PLAY: A MATERIALIST ANALYSIS OF STEAM by Daniel Joseph Master of Arts, Ryerson University and York University, Toronto, Ontario 2011 Bachelor of Arts, Wilfrid Laurier University, Waterloo, Ontario, 2009 A dissertation presented to Ryerson University and York University in partial fulfillment for the degree of Doctor of Philosophy in the program of Communication and Culture Toronto, Ontario, Canada, 2017 © Daniel Joseph, 2017 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Abstract DISTRIBUTING PRODUCTIVE PLAY: A MATERIALIST ANALYSIS OF STEAM Daniel Joseph Doctor of Philosophy Ryerson University, 2017 Valve Corporation’s digital game distribution platform, Steam, is the largest distributor of games on personal computers, analyzed here as a site where control over the production, design and use of digital games is established. Steam creates and exercises processes and techniques such as monopolization and enclosure over creative products, online labour, and exchange among game designers. Stuart Hall’s encoding/decoding framework places communication at the centre of the political economy, here of digital commodities distributed and produced by online platforms like Steam. -
Piatkus Non-Fiction Backlist Translation Rights
PIATKUS NON-FICTION BACKLIST TRANSLATION RIGHTS Contents: Non-fiction p.2 Mind, Body & Spirit p.11 Health p.30 Patrick Holford p.42 Self-help/Popular Psychology p.54 Sex p.76 Memoir p.78 Humour p.87 Business p.89 ANDY HINE Rights Director (for Brazil, Germany, Italy, Poland, Scandinavia, Latin America) [email protected] KATE HIBBERT Rights Director (for the USA, Spain, Portugal, Far East and the Netherlands) [email protected] HELENA DOREE Senior Rights Manager (for France, Turkey, Arab States, Israel, Greece, Bulgaria, Czech Republic, Slovak Republic, Hungary, Romania, Russia, Serbia, Macedonia and the Baltic States) [email protected] JONATHAN HAINES Rights Assistant [email protected] Carmelite House 50 Victoria Embankment London EC4Y 0DZ Tel: +44 (0) 20 3122 6209 1 NON-FICTION CONNED by James Morton A racy, highly entertaining history of cons and conmen. To the many people who've been the subject of a con, this book will be of personal interest: even if you haven't, there's still a fascination in how it has happened to other. The great, the god and the bad, from Oscar Wilde to Al Capone, have fallen victim to the wiles of the trickster. In Capone's case, he purchased a machine from 'Count' Victor Lustig, guaranteed to produce dollar bills. Other great cons described in this alarming yet funny book are: Royal Cons, Psychic Swindlers, Fairground Cons, Sexual Swindles, and Gambling Swindles. James Morton’s previous books include the bestselling GANGLAND and EAST END GANGLAND. THE BEASTLY BATTLES OF OLD ENGLAND by Nigel Cawthorne Throughout history the English have been a warlike lot. -
DENNIS KOOKER President, Global Digital Business and U.S
Before the UNITED STATES COPYRIGHT ROYALTY JUDGES Library of Congress Washington, D.C. ) In re ) ) DETERMINATION OF ROYALTY ) DOCKET NO. 14-CRB-0001-WR RATES AND TERMS FOR ) (2016-2020) EPHEMERAL RECORDING AND ) DIGITAL PERFORMANCE OF SOUND ) RECORDINGS (WEB IV) ) ) TESTIMONY OF DENNIS KOOKER President, Global Digital Business and U.S. Sales, Sony Music Entertainment PUBLIC VERSION Witness for SoundExchange, Inc. PUBLIC VERSION TESTIMONY OF DENNIS KOOKER BACKGROUND My name is Dennis Kooker. I have been employed in the recorded music business for approximately 20 years. Since 2012, I have served as President, Global Digital Business and U.S. Sales, for Sony Music Entertainment (“Sony Music”), a wholly owned subsidiary of Sony Corporation, and currently the second largest record company in the United States. In this capacity, I am responsible for overseeing all aspects of the Global Digital Business Group and the U.S. Sales Group. The Global Digital Business Group handles business and partner development and strategy for the digital business around the world. The U.S. Sales Group oversees sales initiatives on behalf of each of Sony Music’s various label groups in the United States. The areas within the organization that report to me include Business Development & Strategy, Partner Development, Digital Finance, Digital Business & Legal Affairs, U.S. Sales, and Sony Music’s distribution service company, RED Distribution. From 2007-2012, I held two different positions at Sony Music. First, I was Executive Vice President, Operations, for the Global Digital Business and U.S. Sales, and oversaw physical sales, aspects of marketing and finance for the division, new product development, and customer relationship management activities in relation to Sony Music’s artist websites. -
JULIA D. GREER (State Bar No
Case 3:16-cv-00951-RS Document 39 Filed 05/20/16 Page 1 of 4 1 JEFFREY G. KNOWLES (State Bar No. 129754) JULIA D. GREER (State Bar No. 200479) 2 SCOTT C. HALL (State Bar No. 232492) COBLENTZ PATCH DUFFY & BASS LLP 3 One Montgomery Street, Suite 3000 San Francisco, California 94104-5500 4 Telephone: 415.391.4800 Facsimile: 415.989.1663 5 Email: [email protected], [email protected], 6 [email protected] 7 Attorneys for Plaintiffs ARISTA MUSIC, ARISTA RECORDS, LLC, 8 LAFACE RECORDS LLC, SONY MUSIC ENTERTAINMENT, SONY MUSIC 9 ENTERTAINMENT US LATIN LLC, AND ZOMBA RECORDING, LLC 10 LLP [Additional Counsel Listed On Signature Pages] 11 ASS B 12 UNITED STATES DISTRICT COURT & 13 NORTHERN DISTRICT OF CALIFORNIA, SAN FRANCISCO DIVISION UFFY D 14 15 ARISTA MUSIC, ARISTA RECORDS, LLC, Case No. 3:16-cv-00951 RS ATCH ATCH LAFACE RECORDS LLC, SONY MUSIC P 16 ENTERTAINMENT, SONY MUSIC JOINT STIPULATION AND [PROPOSED] ENTERTAINMENT US LATIN LLC, AND ORDER REGARDING CONSOLIDATED 17 ZOMBA RECORDING LLC, OPPOSITION BRIEF OF PLAINTIFFS ARISTA MUSIC, ARISTA RECORDS, 415.391.4800 • Fax 415.989.1663 18 Plaintiffs, LLC, LAFACE RECORDS LLC, SONY OBLENTZ C MUSIC ENTERTAINMENT, SONY 19 v. MUSIC ENTERTAINMENT US LATIN LLC, AND ZOMBA RECORDING LLC IN 20 RADIONOMY, INC., RADIONOMY SA, RESPONSE TO DEFENDANTS' RADIONOMY GROUP, B.V., and MOTIONS TO DISMISS 21 ALEXANDRE SABOUNDJIAN, an individual, Judge: Hon. Honorable Richard Seeborg 22 Dept.: Courtroom 3, 17th Floor One MontgomeryOne Street,3000, Suite Francisco, San California 94104-5500 Defendants. 23 Trial Date: None Set