Essentiel Antwerp Launches Pink Panther Collection
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CARTOON NETWORK December 2018
CARTOON NETWORK December 2018 MON. TUE. WED. THU. FRI. SAT. SUN. 4:00 The Garfield Show season 2 We Bare Bears 4:00 4:30 Regular Show Steven Universe 4:30 5:00 Clarence The Amazing World of Gumball 5:00 5:30 The Pink Panther & Pals Oggy & the Cockroaches 12/22~Oggy & the Cockroaches (season 5) 5:30 6:00 HANAKAPPA (J) 6:00 6:15 PINGU 6:15 6:30 Thomas and Friends 6:30 7:00 Uncle Grandpa Uncle Grandpa 7:00 7:30 TEEN TiTANS GO! The Amazing World of Gumball 7:30 8:00 The Amazing World of Gumball Tom & Jerry series 8:00 8:30 Oggy & the Cockroaches 12/6~Oggy & the Cockroaches (season 5) 12/20~Oggy & the Cockroaches BEN 10 9:00 9:00 Tom & Jerry series Mighty Magiswords 9:15 9:30 Grizzy and the Lemmings The Powerpuff Girls 9:30 10:00 Thomas and Friends 12/8~ 12/2~ 10:30 HANAKAPPA (J) The Tom and Jerry Show The Tom and Jerry Show OK KO: Let's Be Heroes! OK KO: Let's Be Heroes! 10:45 PINGU 10:00 We Bare Bears We Bare Bears 11:00 The Pink Panther & Pals TEEN TiTANS GO! TEEN TiTANS GO! Clarence Clarence 11:30 We Bare Bears 11:45 The Garfield Show season 4 12/2~Hilltop Hospital 11:45 12:00 Thomas and Friends 12:00 12:30 HANAKAPPA (J) 12:30 12:45 PINGU 12:45 We Bare Bears 13:00 13:00 Adventure Time TEEN TiTANS GO! 13:30 14:00 Steven Universe Tom & Jerry series 14:00 14:30 Clarence Oggy & the Cockroaches 12/30~Oggy & the Cockroaches (season 5) 14:30 15:00 The Powerpuff Girls Uncle Grandpa 15:00 15:30 Tom & Jerry series Eagle Talon NEO(J) 15:30 16:00 TEEN TiTANS GO! Tom & Jerry series 16:00 16:30 Grizzy and the Lemmings 17:00 Eagle Talon NEO(J) The Amazing -
UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
September 19, 2013
B E A BAKE SALE SUPERSTAR W ITH THESE RECIPES f o o o , b 8 W AYNE1W ^ST|4ND A GANNETT COMPANY SUBSCRIBERS, FIND YOUR COPY OF INSPIRE WITH TODAY'S NEWSPAPER THURSDAY, SEPTEMBER 19, 2013 • hojnetownlife.com Westland festival board disbands ly as well as criticism from a this year and that were posted Fourth of July tradition ends after 43 years city council m em ber th at left on the festival Facebook page B razier feeling threatened. about it looking like a prison By Sue Mason this makes it official,” com The weather and the econo this year didn’t help.” Staff Writer mittee secretary Normie Bra m y over the p ast few years Brazier was talking about zier said. “It’s a sad day, a also had a significant impact fencing put up as a security The five-member Westland very sad day.” on attendance and revenue. measure on the festival Summer Festival Committee The committee, in a press The committee raised money groimds. Concern about safety Board of Directors last week release, issued Tuesday, said it to pay for the event from do ^ te r a melee at an earlier The Rick Stel Project is among voted unanimously to dissolve faced “many new challenges nations, sponsorships, vendor carnival in Westland prompted the bands performing and end a 43-year Fourth of that significantly impacted its fees and carnival commis changes in security, including Saturday at Westland's Brews. July tradition in the city. financial ability to produce the sions. a zero-tolerance policy and $ 1 0 Blues and Barbecue. -
El Cine De Animación Estadounidense
El cine de animación estadounidense Jaume Duran Director de la colección: Lluís Pastor Diseño de la colección: Editorial UOC Diseño del libro y de la cubierta: Natàlia Serrano Primera edición en lengua castellana: marzo 2016 Primera edición en formato digital: marzo 2016 © Jaume Duran, del texto © Editorial UOC (Oberta UOC Publishing, SL) de esta edición, 2016 Rambla del Poblenou, 156, 08018 Barcelona http://www.editorialuoc.com Realización editorial: Oberta UOC Publishing, SL ISBN: 978-84-9116-131-8 Ninguna parte de esta publicación, incluido el diseño general y la cubierta, puede ser copiada, reproducida, almacenada o transmitida de ninguna forma, ni por ningún medio, sea éste eléctrico, químico, mecánico, óptico, grabación, fotocopia, o cualquier otro, sin la previa autorización escrita de los titulares del copyright. Autor Jaume Duran Profesor de Análisis y Crítica de Films y de Narrativa Audiovi- sual en la Universitat de Barcelona y profesor de Historia del cine de Animación en la Escuela Superior de Cine y Audiovi- suales de Cataluña. QUÉ QUIERO SABER Lectora, lector, este libro le interesará si usted quiere saber: • Cómo fueron los orígenes del cine de animación en los Estados Unidos. • Cuáles fueron los principales pioneros. • Cómo se desarrollaron los dibujos animados. • Cuáles han sido los principales estudios, autores y obras de este tipo de cine. • Qué otras propuestas de animación se han llevado a cabo en los Estados Unidos. • Qué relación ha habido entre el cine de animación y la tira cómica o los cuentos populares. Índice -
Oroville Union High School District Hall of Fame Class of 2020 Biographies
Oroville Union High School District Hall of Fame Class of 2020 Biographies Elizabeth Belyea Liz graduated from Oroville High School (OHS) in 1973 and was a member of the California Scholastic Federation (CSF) and National Honor Society for three years and a Top Ten student as a junior. She was a member of the Girls Athletic Association (GAA) all four years and was named Senior Female Athlete the Year. In addition to being an outstanding athlete, she was a member of the OHS marching and pep bands, playing the French Horn, and was active in the American Field Service Club. Following her graduation from OHS, Liz attended Chico State where she majored in physical education and earned her BA degree in 1977. Three years later, she was awarded her MA degree and presented her thesis on the historical documentation of: “Organization and Administration of the California Collegiate Women’s Soccer Conference”. During her four years at Chico State, Liz directed the Women’s Intramural Sports Program, played six years of soccer and was a member of the women’s track team for two years. As a student-athlete on the soccer team, she was elected the first president of the California Collegiate Women’s Soccer Conference, North Division, a position she held for five years. Following Chico State, Liz joined the staff at University of California Santa Cruz (UCSC), coaching the women’s soccer team for two years and the men’s team for one year, and was the first female in the nation to become a men’s collegiate head soccer coach. -
Think in Pink: La Genialidad En La Ilustración Y El Color
otros personajes como Bugs Bunny, Daffy Duck y Elmer Fudd. Freleng ganó varios de premios de la academia mientras trabajaba para Warner Bros en función de su creatividad, con Tweety (1947), Speedy Gonzales (1955), Birds Anonymous (1957) y Knighty Knight Bugs (1958). Fue todo un maestro de la animación: su instinto, agudeza intelectual y sentido del humor le permitieron coordinar la acción ilustrada, el diálogo y la música con una sensibilidad impecable y trascendental. Por esto su trabajo ha sido uno si no el más influyente en las generaciones posteriores de animadores y directores de animación. Think in Pink: Murió a la edad de 89 años en California, su obra siempre la genialidad en la será recordada por artistas de la ilustración, amantes de la ilustración y el color historieta y de la animación. * Contraste Figura Fondo Si alguien quiere enseñar color, las ilustraciones de Friz bien uces.dg pueden servir como vehiculo didáctico. Como todos los maestros de la animación él entendía que el conocimiento sobre la percepción es una de las herramientas ensayo imprescindibles para poder construir un relato visual. Podemos darnos cuenta de esto mismo analizando las secuencias de cualquiera de las tiras. Isador “Friz” Freleng ilustrador y creador El creador El genial ilustrador Isador “Friz” Freleng nace el 21 de agosto de 1905 en Kansas City, USA. Sesenta y tres años fueron los que consagró a la industria de Escena 1 los dibujos animados en principio como como ilustrador, y luego como creador, productor y director. El recurso del contraste entre figura y fondo es uno de los más Sus primeros trabajos fueron en 1930 creando el dibujo utilizados por el ilustrador para destacar a los personajes “Sinkin in the Bathtub” y en 1933 dirigiendo el primer dibujo por sobre el entorno. -
Hall of Fame Class of Brief Biographies (Complete Biographies Coming Soon)
Hall of Fame Class of Brief Biographies (Complete biographies coming soon) OHS class of 1973. Top Ten student in junior year, three-year member of CSF and National Honor Society. GAA Senior Female Athlete of the Year. Earned BA and MA degrees from Chico State, played soccer and ran track. Taught and coached at collegiate level for 36 years, the last nine as Dean of Kinesiology and Athletics at Cosumnes River College. Was first inductee in the Community College Soccer Coaches Hall of Fame and the first female in the nation to become a men’s collegiate head soccer coach. Elizabeth Belyea Inducted into CSU Chico Athletic Hall of Fame in 2019. OHS class of 1938, played football. Served in the United States Army during WWII, 1943-45, and honorably discharged as a Sergeant. Worked for Western Pacific Railroad, on Oroville Dam, and in power plants in Idaho, New Zealand, and Peru. Spent most of his life in service to his beloved communities of Palermo and Oroville. Was awarded honorary lifetime membership in PTA by California Congress of Parents and Teachers. Founding member of Palermo Volunteer Fire Department. Father of Nonie Buis. Charles Bidwell LPHS class of 1968. Very active in many student clubs and Jobs Daughters. Had a long and highly successful career as Instructional Assistant in Butte County working with Special Education students. Numerous community honors including 2017 YMCA Community Service Individual of the Year. Named the Annual Ross-Harmon Award and is unofficial Chairperson of the event. Spent countless hours working with OASIS to get Measure G passed to upgrade Harrison Stadium and continues to donate untold numbers of hours to OASIS projects and Nonie Bidwell Buis Oroville. -
July 26, 2013 Bugs Bunny and the NSO Come to Wolf Trap
July 26, 2013 Bugs Bunny and the NSO come to Wolf Trap By Roger Catlin For a generation of Americans, the earliest love of classical music came not through shared family symphony experiences or early childhood music appreciation classes, but through mayhem-laced TV cartoons, often involving a bunny in drag. Walt Disney may have taken the high road to classical music interpretation through some early Silly Symphony cartoons and “Fantasia” (which in its first run was a flop). But it was Warner Bros. and particularly the animators behind Bugs Bunny who may have been the most successful in drumming key classical passages into the heads of impressionable audiences when the studio’s theatrical cartoons of the 1940s and ’50s were incessantly replayed on TV in the ’60s. Warner Bros. - Still image from the 1950's Merrie Melodies short, “What's Opera, Doc?” Even today, the most serious gray-haired music lover, sitting in the world’s most august concert halls, may be listening to the timeless refrains of Rossini or Wagner only to have the phrase “Kill the Wabbit!” come to mind. Conductor George Daugherty has embraced this meld of classical knowledge and pop-culture conditioning and celebrates it in his “Bugs Bunny at the Symphony.” Its first tour, in 1990, was such a success that it spawned, as most successes in Hollywood do, a sequel. “Bugs Bunny at the Symphony II” comes to Wolf Trap on Thursday and Friday, with Daugherty conducting the National Symphony Orchestra. In its honor, we pause to hail the greatest uses of classical music by Warner Bros. -
Via`A Via`A Via`A
MA R ţ I ROMÂNIA , ANUL XXVI , NR. 7792 12 PAGINI , 1,5 LEI Independenţă faţă de CET 26 MAI 2015 Anul acesta COMBINATUL ONDAT DE CE SERVICII G R ATUITE & ş I -A F ă C U T S T A ţ I E P O ţ I BENEFICIA DE A P ă DEMINE R A L I Z A T ă LA S TOMATOLOG EVENIMENT /3 VVIAIA`A`A ME D I C I N ă /5 G A L A ţ I ® R O M Â N I A ;; LI BE R_ Î N T O T D E A U N A , P R I M I I ! © COTIDIAN INDEPENDENT Adresa redacţiei: str. Domnească nr. 68 www.viata-libera.ro TEL 460 620, FAX 471 028 Peste 300 de cupluri destrămate redactie@viata‑libera.ro COTIDIAN INDEPENDENT® 56.000 de cititori zilnic marcă înregistrată Publicaţie ce beneficiază de rezultate de audienţă auditat de Biroul Român de Audit conform Studiului Naţional de Audienţă măsurate ISSN al Tirajelor membru al Biroului în perioada august 2011 ‑ august 2012 1221‑4914 Internaţional de Audit al Tirajelor VALUTA SINAXA R ExploziE dE diVoRţuri Sf. Ap. Carp şi Alfeu, Euro 4.4496 lei Dolar 4.0547 lei din cei 70; Sf. Mc. Averchie şi Elena METEO MAXIME o o 15 27 ÎN PRIMELE TREI LUNI „Oare vitregia vieţii nu constituie tocmai piatra de încercare Galaþi] a adevăratelor caractere?” Lucian Blaga Vreme instabilă L“„Viaţa liberă”, ASTăZI în via þa la tine în cartier [ li be rã PESTE Joi, venim în ţiglina II Continuăm periplul nostru 550 prin cartierele Galaţiului, în ANUNţurI încercarea de a afla, direct de la cititori, ce anume îi nemul- DE MICă ţumeşte mai mult cu privire la calitatea vieţii în cartierul PUBLICITATE unde locuiesc. -
Ursula Mctaggart
RADICALISM IN AMERICA’S “INDUSTRIAL JUNGLE”: METAPHORS OF THE PRIMITIVE AND THE INDUSTRIAL IN ACTIVIST TEXTS Ursula McTaggart Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy In the Departments of English and American Studies Indiana University June 2008 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy Doctoral Committee ________________________________ Purnima Bose, Co-Chairperson ________________________________ Margo Crawford, Co-Chairperson ________________________________ DeWitt Kilgore ________________________________ Robert Terrill June 18, 2008 ii © 2008 Ursula McTaggart ALL RIGHTS RESERVED iii ACKNOWLEDGEMENTS A host of people have helped make this dissertation possible. My primary thanks go to Purnima Bose and Margo Crawford, who directed the project, offering constant support and invaluable advice. They have been mentors as well as friends throughout this process. Margo’s enthusiasm and brilliant ideas have buoyed my excitement and confidence about the project, while Purnima’s detailed, pragmatic advice has kept it historically grounded, well documented, and on time! Readers De Witt Kilgore and Robert Terrill also provided insight and commentary that have helped shape the final product. In addition, Purnima Bose’s dissertation group of fellow graduate students Anne Delgado, Chia-Li Kao, Laila Amine, and Karen Dillon has stimulated and refined my thinking along the way. Anne, Chia-Li, Laila, and Karen have devoted their own valuable time to reading drafts and making comments even in the midst of their own dissertation work. This dissertation has also been dependent on the activist work of the Black Panther Party, the League of Revolutionary Black Workers, the International Socialists, the Socialist Workers Party, and the diverse field of contemporary anarchists. -
The Pink Panther™ Guidelines
2 The Pink Panther™ Guidelines Owens Corning has exclusive licensing to the character MGM Approval Request Email Wearables and Promotional Items: For Contractors, Distributors and Dealers in our product categories. Each time you create a layout including The Pink Panther,™ • First, please submit a PDF mock-up or photo of the Usage and Approval Process • One of the following legal lines is required whenever please send a file of the final layout to LocalMarketing@ concept prior to production for MGM approval. The Pink • The process is to send all artwork to LocalMarketing@ The Pink Panther™ is shown, depending on the context: owenscorning.com for MGM approval. Please submit a Panther,™ Owens Corning logo and MGM legal line must owenscorning.com. The layout will be reviewed for PDF file (preferred) or JPEG of the entire piece with the be shown in position on the item. It can be an outline Preferred MGM legal line: correct Pink Panther artwork, correct position of the MGM legal line legible. When you send the request, please drawing of the item. THE PINK PANTHER™ & © 1964-[Current Year] Owens Corning logo in relation to the Pink Panther include: Metro-Goldwyn-Mayer Studios Inc. All Rights • Once the layout is approved, provide your vendor and contextual MGM legal line with the current year. Reserved. • Type of project: Ad, flyer, billboard, etc. with The Pink Panther™ color specifications and You may also receive direction to align with the Owens Corning logo guidelines along with your layout. Owens Corning brand standards and legal disclaimers. Abbreviated legal line if space is an issue and always for • Audience: Employees, homeowners, trade, etc.