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UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
September 19, 2013
B E A BAKE SALE SUPERSTAR W ITH THESE RECIPES f o o o , b 8 W AYNE1W ^ST|4ND A GANNETT COMPANY SUBSCRIBERS, FIND YOUR COPY OF INSPIRE WITH TODAY'S NEWSPAPER THURSDAY, SEPTEMBER 19, 2013 • hojnetownlife.com Westland festival board disbands ly as well as criticism from a this year and that were posted Fourth of July tradition ends after 43 years city council m em ber th at left on the festival Facebook page B razier feeling threatened. about it looking like a prison By Sue Mason this makes it official,” com The weather and the econo this year didn’t help.” Staff Writer mittee secretary Normie Bra m y over the p ast few years Brazier was talking about zier said. “It’s a sad day, a also had a significant impact fencing put up as a security The five-member Westland very sad day.” on attendance and revenue. measure on the festival Summer Festival Committee The committee, in a press The committee raised money groimds. Concern about safety Board of Directors last week release, issued Tuesday, said it to pay for the event from do ^ te r a melee at an earlier The Rick Stel Project is among voted unanimously to dissolve faced “many new challenges nations, sponsorships, vendor carnival in Westland prompted the bands performing and end a 43-year Fourth of that significantly impacted its fees and carnival commis changes in security, including Saturday at Westland's Brews. July tradition in the city. financial ability to produce the sions. a zero-tolerance policy and $ 1 0 Blues and Barbecue. -
El Cine De Animación Estadounidense
El cine de animación estadounidense Jaume Duran Director de la colección: Lluís Pastor Diseño de la colección: Editorial UOC Diseño del libro y de la cubierta: Natàlia Serrano Primera edición en lengua castellana: marzo 2016 Primera edición en formato digital: marzo 2016 © Jaume Duran, del texto © Editorial UOC (Oberta UOC Publishing, SL) de esta edición, 2016 Rambla del Poblenou, 156, 08018 Barcelona http://www.editorialuoc.com Realización editorial: Oberta UOC Publishing, SL ISBN: 978-84-9116-131-8 Ninguna parte de esta publicación, incluido el diseño general y la cubierta, puede ser copiada, reproducida, almacenada o transmitida de ninguna forma, ni por ningún medio, sea éste eléctrico, químico, mecánico, óptico, grabación, fotocopia, o cualquier otro, sin la previa autorización escrita de los titulares del copyright. Autor Jaume Duran Profesor de Análisis y Crítica de Films y de Narrativa Audiovi- sual en la Universitat de Barcelona y profesor de Historia del cine de Animación en la Escuela Superior de Cine y Audiovi- suales de Cataluña. QUÉ QUIERO SABER Lectora, lector, este libro le interesará si usted quiere saber: • Cómo fueron los orígenes del cine de animación en los Estados Unidos. • Cuáles fueron los principales pioneros. • Cómo se desarrollaron los dibujos animados. • Cuáles han sido los principales estudios, autores y obras de este tipo de cine. • Qué otras propuestas de animación se han llevado a cabo en los Estados Unidos. • Qué relación ha habido entre el cine de animación y la tira cómica o los cuentos populares. Índice -
Oroville Union High School District Hall of Fame Class of 2020 Biographies
Oroville Union High School District Hall of Fame Class of 2020 Biographies Elizabeth Belyea Liz graduated from Oroville High School (OHS) in 1973 and was a member of the California Scholastic Federation (CSF) and National Honor Society for three years and a Top Ten student as a junior. She was a member of the Girls Athletic Association (GAA) all four years and was named Senior Female Athlete the Year. In addition to being an outstanding athlete, she was a member of the OHS marching and pep bands, playing the French Horn, and was active in the American Field Service Club. Following her graduation from OHS, Liz attended Chico State where she majored in physical education and earned her BA degree in 1977. Three years later, she was awarded her MA degree and presented her thesis on the historical documentation of: “Organization and Administration of the California Collegiate Women’s Soccer Conference”. During her four years at Chico State, Liz directed the Women’s Intramural Sports Program, played six years of soccer and was a member of the women’s track team for two years. As a student-athlete on the soccer team, she was elected the first president of the California Collegiate Women’s Soccer Conference, North Division, a position she held for five years. Following Chico State, Liz joined the staff at University of California Santa Cruz (UCSC), coaching the women’s soccer team for two years and the men’s team for one year, and was the first female in the nation to become a men’s collegiate head soccer coach. -
Hall of Fame Class of Brief Biographies (Complete Biographies Coming Soon)
Hall of Fame Class of Brief Biographies (Complete biographies coming soon) OHS class of 1973. Top Ten student in junior year, three-year member of CSF and National Honor Society. GAA Senior Female Athlete of the Year. Earned BA and MA degrees from Chico State, played soccer and ran track. Taught and coached at collegiate level for 36 years, the last nine as Dean of Kinesiology and Athletics at Cosumnes River College. Was first inductee in the Community College Soccer Coaches Hall of Fame and the first female in the nation to become a men’s collegiate head soccer coach. Elizabeth Belyea Inducted into CSU Chico Athletic Hall of Fame in 2019. OHS class of 1938, played football. Served in the United States Army during WWII, 1943-45, and honorably discharged as a Sergeant. Worked for Western Pacific Railroad, on Oroville Dam, and in power plants in Idaho, New Zealand, and Peru. Spent most of his life in service to his beloved communities of Palermo and Oroville. Was awarded honorary lifetime membership in PTA by California Congress of Parents and Teachers. Founding member of Palermo Volunteer Fire Department. Father of Nonie Buis. Charles Bidwell LPHS class of 1968. Very active in many student clubs and Jobs Daughters. Had a long and highly successful career as Instructional Assistant in Butte County working with Special Education students. Numerous community honors including 2017 YMCA Community Service Individual of the Year. Named the Annual Ross-Harmon Award and is unofficial Chairperson of the event. Spent countless hours working with OASIS to get Measure G passed to upgrade Harrison Stadium and continues to donate untold numbers of hours to OASIS projects and Nonie Bidwell Buis Oroville. -
Ursula Mctaggart
RADICALISM IN AMERICA’S “INDUSTRIAL JUNGLE”: METAPHORS OF THE PRIMITIVE AND THE INDUSTRIAL IN ACTIVIST TEXTS Ursula McTaggart Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy In the Departments of English and American Studies Indiana University June 2008 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy Doctoral Committee ________________________________ Purnima Bose, Co-Chairperson ________________________________ Margo Crawford, Co-Chairperson ________________________________ DeWitt Kilgore ________________________________ Robert Terrill June 18, 2008 ii © 2008 Ursula McTaggart ALL RIGHTS RESERVED iii ACKNOWLEDGEMENTS A host of people have helped make this dissertation possible. My primary thanks go to Purnima Bose and Margo Crawford, who directed the project, offering constant support and invaluable advice. They have been mentors as well as friends throughout this process. Margo’s enthusiasm and brilliant ideas have buoyed my excitement and confidence about the project, while Purnima’s detailed, pragmatic advice has kept it historically grounded, well documented, and on time! Readers De Witt Kilgore and Robert Terrill also provided insight and commentary that have helped shape the final product. In addition, Purnima Bose’s dissertation group of fellow graduate students Anne Delgado, Chia-Li Kao, Laila Amine, and Karen Dillon has stimulated and refined my thinking along the way. Anne, Chia-Li, Laila, and Karen have devoted their own valuable time to reading drafts and making comments even in the midst of their own dissertation work. This dissertation has also been dependent on the activist work of the Black Panther Party, the League of Revolutionary Black Workers, the International Socialists, the Socialist Workers Party, and the diverse field of contemporary anarchists. -
Five Sax Booklet-Bl1457de 136X122mm 28-Seit Layout 1 24.02.15 13:48 Seite 1
RZ_or 0016-Five Sax_Booklet-BL1457de_136x122mm_28-seit_Layout 1 24.02.15 13:48 Seite 1 FIVE SAX at the Movies RZ_or 0016-Five Sax_Booklet-BL1457de_136x122mm_28-seit_Layout 1 24.02.15 13:48 Seite 2 FIVE SAX at the Movies Erich Wolfgang Korngold (1897–1957) Ennio Morricone (*1928) John Williams (*1932) arr. Jacek Obstarczyk Klaus Badelt (*1967) from “The Mission” John Debney (*1956) arr. Jacek Obstarczyk 08 Gabriel’s Oboe 03:04 01 Pirates Medley 10:05 from “The Legend of 1900” 09 Playing Love 04:30 Leroy Shield (1893–1962) arr. Alberto di Priolo Incidental Music from “Laurel & Hardy” Michael Giacchino (*1967) 02 Cuckoo 00:34 arr. Alberto di Priolo 03 Colonial Gayeties 01:45 from “Up” 04 Cops 00:42 05 Little Dancing Girl 01:13 10 Married Life 04:13 06 We Are Out for Fun 00:59 Bernard Herrmann (1911–1975) Nino Rota (1911–1979) arr. Jacek Obstarczyk arr. Joel Diegert 11 Psycho Suite 05:59 07 8 Theme 04:29 ½ 2 RZ_or 0016-Five Sax_Booklet-BL1457de_136x122mm_28-seit_Layout 1 24.02.15 13:49 Seite 3 John Williams (*1932) Henry Mancini (1924–1994) arr. Jacek Obstarczyk arr. Joel Diegert & Alvaro Collao from “Harry Potter” from “The Pink Panther” 12 Hedwig’s Theme 04:06 15 The Pink Panther Theme 02:02 16 The Village Inn 01:24 17 Royal Blue 03:41 18 It Had Better Be Tonight 03:34 Howard Leslie Shore (*1946) arr. Joel Diegert & Jacek Obstarczyk TT 65:38 13 Lord of the Rings 08:58 Bono (*1960) & The Edge (*1961) arr. Alvaro Collao & Joel Diegert FIVE SAX JOEL DIEGERT – soprano, alto, baritone, bass saxophones 14 Golden Eye 04:18 MICHAL KNOT – alto, soprano, -
Summer Brings Classic Walt Disney and Warner Bros. Films, a Calder-Inspired Performance, and More Family-Friendly Offerings to the National Gallery of Art
Office of Press and Public Information Fourth Street and Constitution Av enue NW Washington, DC Phone: 202-842-6353 Fax: 202-789-3044 www.nga.gov/press Release Date: May 31, 2012 Summer Brings Classic Walt Disney and Warner Bros. Films, a Calder-Inspired Performance, and More Family-Friendly Offerings to the National Gallery of Art Film still f rom The Tortoise and the Hare (1935, Walt Disney ), to be shown as part of the program Selections from the Silly Symphonies at National Gallery of Art on Saturday , July 7, Sunday , July 8, and Wednesday , July 11. Washington, DC—The National Gallery of Art welcomes summer with several free family-friendly activities, including an art-inspired performance in June and the popular Film Program for Children and Teens in July and August. On June 29, actor and visual artist Kevin Reese presents a one-man play inspired by the colorful, playful mobiles of Alexander Calder. In July, the Gallery presents Selections from the Silly Symphonies, a program of animated shorts produced by Walt Disney from 1929 to 1939. In August, Classic Looney Tunes features favorite cartoons from the Looney Tunes and Merrie Melodies series. The film program presents a broad range of recently produced films selected for their appeal to youth and adult audiences, and helps foster an understanding of film as an art form. Age recommendations are intended to guide parents in selecting emotionally and intellectually stimulating films for their children. For a closer look at the Gallery's own works of art, families may explore the collection using the children's audio and video tour. -
Wessin Seen Winning Dominican Power Test
f ■‘4 d* ^ > Tk* Weethor A v e n g * D g ily Net Pres* R o n Tu e s d a y , A p r i l , i 9 e r 27 Vbr the Veek Ended PA6B TWENTY ly 1968 iianrlf^Btfr lEtt^ning .............................. ....... ■' 'L* Fair, assi tatoghl, tog isealsf 1 4 ,1 3 8 lug, isw 4*-l8j partlF MMqr aa« Education In . Hartford and mild tsmorroar, kigk 88-ee. EUght area men will attend ing of Uw Connecticut Rheu Mmuber a< toe A o6h iianrIjF0tFr lEumtttg HFralu Hobby Show Set Doctors Holding matism Association of which must be submitted one week In B o n a n e f OkroOlathm the 20th reunion of the Hart advance of the examinations. Manehe$ter— A City of Village Charm About Town ford Institute of AccounUng on Dr. Harold J. Lehmus ef Man In Luther Hall The Salvation Army Thursday at the Sutler Hilton State Assembly chester is president, and Dr. To qualify for the tests, ap Harold S. Barrett, also of Man PRICX SEVEN CENTS Court Orel*. Manchester Hotel, Hartford. They are Rob plicants must be at least 19 PRESENTS (ClaM ifM Advertlstaig m Pi« « M ) chester, Is secretary. years old, must have been out Mrs. Albert Robinson and V O L. L X X IO V . NO. 177 (TWENTY-EIGHT PAGES—TWO SEC?nONS) MANCHESTER, CONN., WEDNESDAY, APRIL 28, 1965 branch of the Transathuitic ert J. Bombardier, Roger A. The Connecticut State Medi Brtdee and ParenU Association, Dion, Hugh F. Hennessey, Rob Hundreds of practicing physi of high school at least one year, Mrs. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
And Typology Without Telling You She Knows the Difference. Keep Nodding
INBETWEENNESS: A CONVERSA- INTENTIONALLY PAST-ish licity stills. Ironically, viewers miss out on the material tactility and typology without telling you she knows TION WITH Mari Kroin of these spaces, perhaps that was never actually important. Each the difference. Keep nodding like you didn’t SHANE REINER-ROTH room’s kit of parts defines a commercial image deeply rooted in notice her hint of a fake British accent on It is hard not to think of the carefully tailored online ads past visions of the future, playing into tropes of consumer de- “sup-po-se” or she may start frantically refer- Shane Reiner-Roth is the curator of the I get, showing boots on a ’90s-ish backdrop that have sire. How could you not want that red coat when it looks so per- encing Quatremère de Quincy. Instagram account @everyverything, soft-ish edges and a brown-ish tint, like an old pair I fect against that ’70s-ish green Mies van der Rohe stone floor featuring images that express humor threw out; the eerie sense of an external presence in my and lush Prince purple walls? There is a deliberate sense of fa- “Quote unquote”: Are air quotes an invisibil- and an ‘economy of expression’. He is subconscious that feeds on nostalgic impulse. Our miliarity framing the product, thus transporting consumers to a ity cloak we can’t see jargon through? No, no a PhD student at UCLA and a contrib- “-ish[es]” reside in a ghostly region of the mind; they false past life in which they owned that red coat. -
Animation Magazine Trade Show Calendar 2012
Brave (Disney-Pixar) Madagascar 3: Europe’s Most Wanted (DreamWorks) The Rabbi’s Cat (Autochenille/TF1/France 3) The Pirates! Band of Misfits( Aardman/Sony) The Secret World of Arrietty (Disney/Studio Ghibli) Rise of the Guardians (DreamWorks) ParaNorman (Focus/Laika) Hotel Transylvania (Sony) Dorothy of Oz (Summertime Ent.) Dr. Seuss’ The Lorax (Universal/Illumination) A SUPPLEMENT TO ANIMATION MAGAZINE Ice Age: Continental Drift (Fox/Blue Sky) Beauty and the Beast 3D (Disney) Sunday Monday Tuesday Wednesday Thursday Friday Saturday Tatsunoko’s Yatterman 1 Stop-motion animator Adam 2 3 French animator Émile Cohl 4 5 Beany and Cecil begins 6 7 launches in 1977. Elliot is born in 1972. is born in Paris in 1857. airing in 1962. Flickerfest Jan. 6-15 Palm Springs Int’l Film Festival Bondi Beach, Australia Jan. 5-16 New Year’s Day Palm Springs, CA Epiphany Full Metal Panic! begins 8 9 10 The Crab with the 11 Disney-Pixar head John 12 13 14 broadcast in Japan in 2002. Golden Claws opens in Lasseter is born in 1957. Belgium in 1947. It is the first Mike Judge’s King of the Hill Tintin story to be made into a premieres on Fox in 1997. feature film. Digital Hollywood at CES Wild & Scenic Environmental Jan. 9-11, Las Vegas, NV Int’l CES Forum Blanc Film Festival Hong Kong Licensing Show Jan. 10-13 Jan. 11-13 Jan. 13-15 Jan. 9-11, Hong Kong Las Vegas, NV Grand Bornard, France Nevada City, CA 15 16 17 18 Motion Picture Screen Cartoonists 19 20 21 Guild—Local 839 forms in 1952.