Guide to Scotland's London 2012 Cultural Programme
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Managing the BBC's Estate
Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 BRITISH BROADCASTING CORPORATION Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 Presented to Parliament by the Secretary of State for Culture, Media & Sport by Command of Her Majesty January 2015 © BBC 2015 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. BBC Trust response to the National Audit Office value for money study: Managing the BBC’s estate This year the Executive has developed a BBC Trust response new strategy which has been reviewed by As governing body of the BBC, the Trust is the Trust. In the short term, the Executive responsible for ensuring that the licence fee is focused on delivering the disposal of is spent efficiently and effectively. One of the Media Village in west London and associated ways we do this is by receiving and acting staff moves including plans to relocate staff upon value for money reports from the NAO. to surplus space in Birmingham, Salford, This report, which has focused on the BBC’s Bristol and Caversham. This disposal will management of its estate, has found that the reduce vacant space to just 2.6 per cent and BBC has made good progress in rationalising significantly reduce costs. -
Night Walking: Darkness and the Sensory Perception of Landscape
Edinburgh Research Explorer Night walking: darkness and sensory perception in a night-time landscape installation Citation for published version: Morris, NJ 2011, 'Night walking: darkness and sensory perception in a night-time landscape installation', Cultural Geographies, vol. 18, no. 3, pp. 315-342. https://doi.org/10.1177/1474474011410277 Digital Object Identifier (DOI): 10.1177/1474474011410277 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Cultural Geographies Publisher Rights Statement: Published in Cultural Geographies by SAGE Publications. Author retains copyright (2011) General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. Sep. 2021 Night Walking: darkness and sensory perception in a night-time landscape installation Dr Nina J Morris School of GeoSciences University of Edinburgh Drummond Street Edinburgh, UK EH8 9XP [email protected] This is the author’s final draft as submitted for publication. The final version was published in Cultural Geographies by SAGE Publications, UK. Author retains copyright (2011) Cite As: Morris, NJ 2011, 'Night walking: darkness and sensory perception in a night- time landscape installation' Cultural Geographies, vol 18, no. -
1 Update Report on the Winning Years Prepared for the Scottish
Update Report on The Winning Years Prepared for the Scottish Parliament’s Economy, Energy and Tourism Committee 9 September 2013 INTRODUCTION This report updates the Scottish Parliament’s Economy, Energy and Tourism Committee on the activity and results from The Winning Years; eight milestones over three years which VisitScotland and partners have been promoting to, and working with, the tourism industry on. The overall ambition behind the development of the Winning Years concept is to ensure that the tourism industry and wider visitor economy is set to take full advantage of the long-term gains over the course of the next few years. The paper is divided into sections covering each of the milestones: Year of Creative Scotland The 2012 London Olympics The Diamond Jubilee Disney.Pixar’s Brave Year of Natural Scotland The Commonwealth Games The 2014 Ryder Cup Homecoming Scotland 2014 (incl. up to date list of events) From this report Committee members will see that excellent progress has been made, with strong interest in Scotland’s tourism product from around the world as the country builds to welcome the world in 2014. All of this despite the continuing global economic difficulties. Evidence of bucking the global trend and the success of the 2012 Winning Years milestones can be seen in VisitScotland’s announcement at the end of August that its two main marketing campaigns brought nearly £310m additional economic benefit for Scotland since January 2012. This is a rise of 14% on the same period the year before. VisitScotland’s international campaigns target Scotland’s main markets across the globe including North America, Germany and France as well as emerging markets, such as India and China. -
Dalziel + Scullion – CV
Curriculum Vitae Dalziel + Scullion Studio Dundee, Scotland + 44 (0) 1382 774630 www.dalzielscullion.com Matthew Dalziel [email protected] 1957 Born in Irvine, Scotland Education 1981-85 BA(HONS) Fine Art Duncan of Jordanstone College of Art and Design, Dundee 1985-87 HND in Documentary Photography, Gwent College of Higher Education, Newport, Wales 1987-88 Postgraduate Diploma in Sculpture and Fine Art Photography, Glasgow School of Art Louise Scullion [email protected] 1966 Born in Helensburgh, Scotland Education 1984-88 BA (1st CLASS HONS) Environmental Art, Glasgow School of Art Solo Exhibitions + Projects 2016 TUMADH is TURAS, for Scot:Lands, part of Edinburgh’s Hogmanay Festival, Venue St Pauls Church Edinburgh. A live performance of Dalziel + Scullion’s multi-media art installation, Tumadh is Turas: Immersion & Journey, in a "hauntingly atmospheric" venue with a live soundtrack from Aidan O’Rourke, Graeme Stephen and John Blease. 2015 Rain, Permanent building / pavilion with sound installation. Kaust, Thuwai Saudia Arabia. Nomadic Boulders, Permanent large scale sculptural work. John O’Groats Scotland, UK. The Voice of Nature,Video / film works. Robert Burns Birthplace Museum. Alloway, Ayr, Scotland, UK. 2014 Immersion, Solo Festival exhibition, Dovecot Studios, Edinburgh as part of Generation, 25 Years of Scottish Art Tumadh, Solo exhibition, An Lanntair Gallery, Stornoway, Outer Hebrides, as part of Generation, 25 Years of Scottish Art Rosnes Bench, permanent artwork for Dumfries & Galloway Forest 2013 Imprint, permanent artwork for Warwick University Allotments, permanent works commissioned by Vale Of Leven Health Centre 2012 Wolf, solo exhibition at Timespan Helmsdale 2011 Gold Leaf, permanent large-scale sculpture. Pooley Country Park, Warwickshire. -
CWG White Paper AJR 230215A X Compressed
Research & Development White Paper WHP 289 March 2015 Covering the Glasgow 2014 Commonwealth Games using IP Studio Alexander Rawcliffe BRITISH BROADCASTING CORPORATION White Paper WHP 289 Covering the Glasgow 2014 Commonwealth Games using IP Studio Alexander Rawcliffe Abstract BBC Research & Development’s IP Studio project is investigating the use of an IP-based infrastructure for live broadcasting, using a combination of theoretical design and experimental prototyping. During the Glasgow 2014 Commonwealth Games, IP Studio technology was used to produce a live ‘IP-end-to-end’ outside broadcast. Using network connectivity provided by Virgin Media, JANET and the BBC, live ultra-high definition video was captured from cameras in several competition venues, and delivered into a software-defined production system. Ancillary production facilities such as talkback and camera tally indicators were also implemented using the same IP network. This facilitated a highly distributed production workflow, with operational tasks being undertaken at several sites throughout the UK. Final programme output was delivered over IP using MPEG-DASH, and also broadcast from selected existing digital terrestrial television (DTT) transmitter locations using HEVC compression over DVB-T2. This paper describes the components and configuration of the IP Studio system used during the games, and explores the geographically distributed, collaborative workflows it enabled. Additional key words: Internet Protocol, Stagebox, RTP, Future Broadcast System, IP-end-to-end White Papers are distributed freely on request. Authorisation of the Chief Scientist or General Manager is required for publication. © BBC 2015. All rights reserved. Except as provided below, no part of this document may be reproduced in any material form (including photocopying or storing it in any medium by electronic means) without the prior written permission of BBC except in accordance with the provisions of the (UK) Copyright, Designs and Patents Act 1988. -
No Longer and Not Yet
1 Title: No Longer and Not Yet Author: Edward Hollis Architecture_media_politics_society. vol. 3, no.2. September 2013 Photograph: Edward Hollis The forest of Kilmahew, around twenty miles west of Glasgow, conceals an architectural cautionary tale. In the 1960’s, the landscape was radically transformed by a building. St Peter’s seminary was built to house around a hundred catholic novices. Its plan and section, the work of the architects Gillespie Kidd and Coia, were a rigorous statement of the modernist maxim that form follows function. But within a ARCHITECTURE_MEDIA_POLITICS_SOCIETY Vol. 3, no.2. July 2013 1 2 decade, there were not enough priests to fill it; and St Peter’s became a form without a function. That was 1987, and since then it has resisted numerous attempts to provide it with a new one: designed as closely as it was to a specific programme, the building remains empty, and derelict. It is no longer what it used to be, and not yet what it can be. The caution is simple: design a building programmatically, and you’ll end up with a ruin. This author has been involved since the Venice Biennale of 2010 with a new proposal for St Peter’s led by the Glasgow arts collective NVA (Nacionale Vitae Activa). We have no images of what it will look like, or when it will be ready. St Peter’s isn’t going to be restored any time soon. Instead, we propose to leave the building perpetually incomplete – both ruin and building site. It’s a model of what all buildings should be: they are, in environmental terms, expensive. -
Hello, I Hope You Had a Lovely Summer
Hello, I hope you had a lovely summer - and welcome back to School Report 2014/2015. We’re looking forward to another great year - News Day is going to be on March 19 2015 and we are already thinking about how we can make it better than ever. We’ve got lots of special things planned, including a special School Report Computing challenge! Below you’ll find some useful information about the project, key dates for your diary and details about our exciting new teaching resources! 1) ESSENTIAL PAPERWORK Every school taking part in the project must complete and return the School Report paperwork every year - that’s the Agreement (Form 1) and Consent (Form 2). You can scan or photograph them and e- mail them to [email protected], or post them to: BBC News School Report Zone C, 2nd Floor BBC Broadcasting House London W1A 1AA Please send back the forms ASAP, so you can make the most of the project. You can download the forms here - http://www.bbc.co.uk/schoolreport/18722237. 2) SCOTTISH INDEPENDENCE REFERENDUM On September 18, people living in Scotland will vote to decide if Scotland should be an independent country. Are your School Reporters interested in the story? We are keen to hear what young people around the UK think. If you’re interested in contributing to our referendum coverage, please e-mail [email protected]. 3) NEW LESSON PLANS We’ve given our lesson plans a makeover, adding some new activities and video masterclasses - you can check out what’s new here: http://www.bbc.co.uk/schoolreport/teacher_resources/. -
Confidential Minutes of the Audience Council
CONFIDENTIAL MINUTES OF THE AUDIENCE COUNCIL SCOTLAND MEETING Held on Friday, 6 June 2014 at Pacific Quay, BBC Scotland Present: Trust member for Scotland/Chair, Bill Matthews Audience Council Scotland Amanda Bryan Jane Ferguson Margaret Hughes Munwar Hussain Andrew Jones Matthew MacIver Lisa Peebles David Tierney Apologies: Neelam Bakshi David Garrick Jennifer Harrower In attendance from the Trust Unit: Allan Jack Chief Adviser, Scotland Governance Co-ordinator & Secretary to Michelle Dunlop the Council Katey Thurlow Assistant to the Council From the Executive: Ken MacQuarrie Director, BBC Scotland Alan Dickson Chief Operating Officer, BBC Scotland Geraldine Reilly Business Manager, BBC Scotland Sharon Mair Project Executive, Commonwealth Games CONFIDENTIAL Minutes and matters arising The Council approved the minutes of its meeting on Friday, 9th May 2014 as an accurate record of proceedings. The National Trustee updated members on the May Trust meeting. He informed members that Nations versions of BBC Two SD on satellite would be retained beyond 2015, as this remained the best way of delivering BBC Two Scotland content to audiences and that the BBC Executive planned to launch BBC Two Nations HD in 2018. Other issues discussed included BBC Scotland’s new current affairs programme Scotland 2014, recent and future audience engagement events and Charter renewal. Network Music Radio review – update and early insights Chief Adviser, Scotland updated members on the most recent audience engagement event to discuss the BBC’s music radio stations. A further sub-group meeting would be arranged before the joint Council’s event in July 2014. Progress against King Report Members considered the progress the BBC Executive has made in reporting the devolved public policy issues on network news and current affairs. -
UPDATE Contents
2013 UPDATE CONTENTS Acknowlegements ................................................................................... 2 Introduction ............................................................................................... 3 Austria ......................................................................................................... 4 Belgium ....................................................................................................... 8 Cyprus ......................................................................................................... 18 Czech Republic ........................................................................................ 23 Denmark .................................................................................................... 28 Finland ........................................................................................................ 34 France ......................................................................................................... 39 Germany .................................................................................................... 57 Iceland ........................................................................................................ 78 Ireland ........................................................................................................ 83 Italy .............................................................................................................. 88 Netherlands ............................................................................................. -
Drama Directory 2014
2014 UPDATE CONTENTS Acknowlegements ..................................................... 2 Latvia .......................................................................... 122 Introduction ................................................................. 3 Lithuania ................................................................... 125 Luxembourg ............................................................ 131 Austria .......................................................................... 4 Malta .......................................................................... 133 Belgium ...................................................................... 10 Netherlands ............................................................. 135 Bulgaria ....................................................................... 21 Norway ..................................................................... 145 Cyprus ......................................................................... 26 Poland ........................................................................ 151 Czech Republic ......................................................... 31 Portugal .................................................................... 157 Denmark .................................................................... 36 Romania ................................................................... 160 Estonia ........................................................................ 42 Slovakia ................................................................... -
Scotland's Film and Television Studio and Buildspace
SCOTLAND’S FILM AND TELEVISION STUDIO AND BUILDSPACE OVER 10K SQ FT JULY 2020 Welcome In addition to the free locations finding and research service provided to those wanting to film in Scotland, the Screen Commission Team at Screen Scotland recognise that filmmakers need good quality studio and set building spaces, and have compiled this list of studios, empty warehouses and potential buildspace. The list will provide a full and detailed record of industrial space available in Scotland, and will also show which productions have used the space previously. As this is a working document, the list is subject to change and inclusion in this list does not guarantee that a space will be available. The Screen Commission Team at Screen Scotland has compiled the list: it is up to the production to deal with owners directly, arrange for the use of the space and complete all the necessary paperwork. Creative Scotland cannot be held responsible for the state of the buildings. Please be aware that some spaces may require cleaning or additional blackout/soundproofing. We are happy to amend any details if they are incorrect. www.screen.scot | @screenscots [email protected] July 2020 Contents BBC Studios – Dumbarton 4 BBC Studios – Pacific Quay 6 Buchanan Business Park – Glasgow 8 First Stage Studios – Edinburgh 10 Parkhouse Business Park – Glasgow 12 Pyramids Business Park – Bathgate 14 The Shed – Glasgow 16 Wardpark Studios – Cumbernauld 18 Westway – Renfrew Glasgow 20 3 BBC Scotland Dumbarton Studios Name of site BBC Scotland – Dumbarton -
ECC Report 306.Pdf
ECC Report 306 CEPT investigations on possible usage of low power audio PMSE in the band 960-1164 MHz approved 6 March 2020 ECC REPORT 306 - Page 2 EXECUTIVE SUMMARY Introduction: For many years, CEPT has worked on identifying suitable long-term solutions for wireless microphones to compensate for the reduced spectrum availability within the “UHF TV broadcast band", as a result of the introduction of IMT systems in the 800 MHz band, following decision at WRC-07, and planned complete reallocation of the 700 MHz band to the mobile service following decisions at WRC-12 and WRC-15. CEPT discussions on the possible introduction of PMSE within the band 960-1164 MHz were triggered by the decision by Ofcom in the United Kingdom to make the band available in the UK to low power (<17 dBm) audio PMSE in March 2016. Ofcom (UK), was invited ECC #42, Stockholm, June 2016 to present the work undertaken. Investigations on regulatory and legal issues on the feasibility of introducing low power audio PMSE in the band 960-1164 MHz: Appendix 1 addresses various regulatory and legal issues with regard to the feasibility of introducing audio PMSE in the frequency band 960-1164 MHz. Within the International Telecommunication Union (ITU) Radio Regulations (RRs) the frequency band 960- 1164 MHz is allocated to the Aeronautical Radionavigation Service (ARNS), Aeronautical Mobile (Route) Service AM(R)S and in part to the Aeronautical Mobile-Satellite (Route) Service (AMS(R)S) (Earth-to-space). In addition, the frequency band is shared with Link 16, a military datalink and communications system and Radiolocation Systems for Short Range Navigation (RSBN), a military short-range navigation system.