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Virtual Brochure #Sendaiamericas #Resilienceforall #Beadrrchangeagent Table of Contents
Fifth Regional Platform for Disaster Risk Reduction in the Americas March 7 - 9, 2017 | Montreal, Canada | #SendaiAmericas Virtual Brochure #SendaiAmericas #ResilienceForAll #BeaDRRChangeAgent Table of Contents Welcome Messages by Dignitaries 2 Minister Ralph Goodale, Public Safety Canada 3 Mr. Robert Glasser, Special Representative of the Secretary-General (SRSG) for Disaster Risk Reduction 4 Minister Martin Coiteux, Public Safety Quebec and Responsible for Montreal Area 5 Mayor Denis Coderre, City of Montreal 6 Regional Platform Concept Note 9 Agenda/Program Sessions Concept Notes 13 Plenary 1 – Understanding the Risks in the Americas 15 Parallel 1 – Implementation and Measurement of the Sendai Framework and Linkage to Sustainable Development Goals 18 Parallel 2 – Innovations in Financial Resilience and Risk Financing 22 Parallel 3 – Building Resiliency: Indigenous Peoples and Disaster Risk Reduction 25 Plenary 2 – Disaster Risk Reduction, Climate Change and Sustainable Development 28 Parallel 4 – Empowerment of Women and Girls and Gender Equality in Disaster Risk Reduction 31 Parallel 5 – Intersections of Health Security and Disaster Risk Reduction 34 Parallel 6 – Sendai Framework Inclusion of Volunteers in Social Mobilization for Disaster Risk Reduction 37 Parallel 7 – Building Resilience in Cities 40 Parallel 8 – Engaging with the Private Sector to Understand and Reduce Risks 46 Parallel 9 – High Risk Populations as Agents of Change for Disaster Risk Reduction 48 Plenary 3 – Innovation for Disaster Risk Reduction Workshop – Sciences -
2013-2014 Annual Report
2013-2014.musicaction.ca 2013-2014 annual report CONTENTS 2 Musicaction 3 President’s Message 4 Board of Directors and Musicaction Staff 5 Financial Partners 6 Access 8 Diversity 10 Development 11 Canada’s Francophone Communities 14 Awards 16 Certifications 17 2013-2014 Financial Results 21 New Musical Works Component 32 Collective Initiatives Component 38 2013-2014 Approved Projects 63 2013-2014 Financial Statements MUSICACTION An initiative by private broadcasters and music industry professionals, Fondation Musicaction, a non-profit organization, was created in 1985. Its main objective: contributing to the development of local francophone music by offering financial support to projects by independent record labels and Canadian artists. From production, sound recording and collective initiatives on international markets, to supporting album marketing, live performances and the promotion of artists from Canada’s francophone communities, Musicaction provides the recording industry community with a wide array of tools designed to stimulate the growth and exposure of original French Canadian music. To this end, Musicaction, through contribution agreements with Canadian Heritage, manages the francophone portion of two Canada Music Fund programs, New Musical Works and Collective Initiatives. Contributions from private radio broadcasters enable Musicaction to reinforce its involvement within the two programs. Since 2002, the foundation has also been managing Fonds RadioStar, which is aimed at promoting and marketing local francophone music. Fonds RadioStar is 100% funded by private radio broadcasters. 2 | MUSICACTION 2013-2014 ANNUAL REPORT PRESIDENT’S MESSAGE Although marked by the movements that characterized the latest financial years, 2013-2014 nevertheless differed in that it was also a year of assessments. -
Border Imperialism and Exclusion in Canadian Parliamentary Talk About International Students Dale M
Document generated on 09/30/2021 3:06 a.m. Canadian Journal of Higher Education Revue canadienne d'enseignement supérieur Border Imperialism and Exclusion in Canadian Parliamentary Talk about International Students Dale M. McCartney Special Issue: Emerging Issues in the Internationalization of Cdn. Article abstract Higher Ed. Although there is a rich critical literature examining international student Volume 50, Number 4, 2020 policy in Canada, very little of it considers the views of Members of Parliament. MPs have limited direct influence over international student policy, but their URI: https://id.erudit.org/iderudit/1075830ar policy talk about international students defines the context within which such DOI: https://doi.org/10.47678/cjhe.v50i4.188831 policy is developed. For that reason Parliamentary debate deserves study. This paper examines MPs’ discussion of international students between 1984 and 2019, tracing themes in MP policy talk over the globalization era. It finds that See table of contents MPs evince remarkably consistent attitudes towards international students. Throughout the period MP policy talk shows that Parliamentarians saw international students as outsiders who were only ofvalue to the extent that Publisher(s) they could be made to serve Canada’s economic or political agenda. The uniformity of this attitude and the lack of dissenting voices suggest that MPs’ Canadian Society for the Study of Higher Education views may be a significant barrier to reforming international student policy in Canada. ISSN 2293-6602 (digital) Explore this journal Cite this article McCartney, D. (2020). Border Imperialism and Exclusion in Canadian Parliamentary Talk about International Students. Canadian Journal of Higher Education / Revue canadienne d'enseignement supérieur, 50(4), 37–51. -
PDF Version Française
Rapport annuel 2020 2021 Avec la participation du gouvernement du Canada SOMMAIRE 3 Mission 4 Message du président 6 Le conseil d’administration et l’équipe 8 Les partenaires financiers 9 Une francophonie fière et volontaire 10 Préserver ce lien de confiance 11 Résilience et créativité pour saisir de nouvelles opportunités 12 Les communautés francophones du Canada 18 Les prix 22 Les certifications 23 L’accès au financement 26 Résultats financiers 2020-2021 32 Volet Initiatives individuelles – Projets acceptés 51 Volet Initiatives collectives – Projets acceptés 62 Fonds d’urgence relatif à la COVID-19 69 Volet Vidéoclip – Projets acceptés 71 Liste complète de tous les projets acceptés en 2020-2021 100 États financiers 2020-2021 Patrice Michaud Cœur de pirate Bon Débarras Crédit : Andréanne Gauthier Crédit : Villedepluie Crédit : Vitor Munhoz 2 musicaction Rapport annuel 2020/2021 Mission À l’initiative des radiodiffuseurs privés et des professionnels de l’industrie du disque et du spectacle, la Fondation Musicaction, une organisation à but non lucratif, a vu le jour en 1985. Sa mission première : contribuer au développement de la musique francophone d’ici en offrant un soutien financier aux projets de l’industrie indépendante et des artistes canadiens. De la production d’enregistrements sonores à la réalisation d’initiatives collectives sur les marchés internationaux, tout en appuyant la commercialisation des albums, le soutien aux activités scéniques et la promotion des artistes des communautés francophones en situation minoritaire, Musicaction met à la disposition des acteurs de l’industrie une panoplie d’instruments dont l’objectif commun est de favoriser l’essor et le rayonnement de la création musicale proprement canadienne. -
De Montréal : Le Sacré Et Le Profane
JÉSUS DE MONTRÉAL : LE SACRÉ ET LE PROFANE Danielle Conway Mémoire présenté à l'École des Études Supérieures comme exigence partielle de la Maîtrise ès Arts en Études françaises Département d'Études françaises et hispaniques Université Mernorial Saint-Jean, Terre-Neuve août 1998 National Library Bibliothèque nationale 191 of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. rue Wellington OttawaON KtAW Ottawa ON KIA ON4 Canada Canada The author has granted a non- L'auteur a accorde une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distriiute or seU reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm. de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts £kom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. RÉs& Ce mémoire consiste essentiellement en une analyse intention sémiotique de Jésus de Montréal, film du cinéaste québécois Denys Arcand sorti en 1989. Ce film est basé sur la confrontation du Sacré et du Profane, comme l'indique le titre du film même (Jésus/Montréal), qui résulte en la folie et la mort du Sujet, le personnage principal, Daniel Coulombe. -
December 2 & 3 2020 Online
INTERNATIONAL SYMPOSIUM December 2 & 3 2020 Masaryk University, Faculty of Arts Brno, Czech Republic online Speakers: Amy Alexander Hans Bernhard Sarah Cook & Roddy Hunter Wendy Coones & Oliver Grau Jana Horáková Michal Klodner Barbora Kundračíková Alessandro Ludovico Alex McLean Organized by: PhD study programme Digital Culture and Creative Industries Team: Svatava Doubková, Jana Horáková, Ivan Koutný Contact: [email protected] INTERNATIONAL SYMPOSIUM DIGITAL CURATOR Wednesday, December 2 10:00–10:10 Symposium opening, day 1 10:10–10:50 Wendy Coones & Oliver Grau: Digital Curation in a Living Archive - History and Future of the Archive of Digital Art 10:50–11:30 Alessandro Ludovico: Curating Media Art in Physical Spaces, Online, and on Printed Pages 11:30–13:00 Lunch break 13:00–13:40 Alex McLean: Archiving Live Code 13:50–14:30 Hans Bernhard, UBERMORGEN: The Next Biennial Should be Curated by a Machine 14:30 Symposium closing, day 1 Thursday, December 3 09:00–09:10 Symposium opening, day 2 09:10–09:50 Amy Alexander: “Always Only Once.” The Paradox of Preservation: From Expanded Cinema to Performative Algorithms 10:00–10:40 This contribution was unfortunatelly canceled. 10:50–11:30 Sarah Cook & Roddy Hunter: Networked Art Practice after Digital Preservation 11:30 - 13:20 Lunch break 13:20–14:00 CZ archives: Jana Horáková: Do neural networks dream of videoart? Media Art Live Archive for Vašulka Kitchen Brno Barbora Kundračíková: CEAD New Media Archive state funded institutions and new media storage Michal Klodner: National Film Archive Prague 14:00–15:00 Discussion 15:00 Symposium closing, day 2 Full Program Wednesday, December 2 10:00–10:10 Symposium opening, day 1 10:10–10:50 Wendy Coones & Oliver Grau: Digital Curation in a Living Archive - History and Future of the Archive of Digital Art In the past five decades, Media Art has evolved into a critical field at the intersection of art, science and technology. -
Palliative Care Home Care Services, Montreal Region CLSC Postal Code # of MD's # of Nurses Allied Health Professionals Hospice/H
Palliative Care Home Care Services, Montreal region CLSC Postal Code # of MD's # of nurses allied health professionals Hospice/Hospital Prognosis for palliative profile Contact # Lac St Louis H9K – H9T – H9W – H9X 3 2 OT, PT, SW, PAB West Island Palliative Care flexible 514 697-4110 X 3877 H8Y – H8Z – H9A – H9B – Pierrefonds H9C – H9E –H9G –H9H –H9K 2 2 OT, SW, PAB, nutritionist West Island Palliative Care < 1 year Dorval - Lachine H8S-H8T 1 2 OT, SW, PAB Hopital Lachine flexible 514 – 639-0063 X 14254 H4Y-H9P-H9S - H8N-H8P- flexible for RN's, but some MD's only accept < 3 Lasalle Ouest de l'ile H8R 3 2 OT, PT, SW, PAB, nutritionist Champlain, Lachine, WI PCU months 514 - 364 - 2572 X 25100 Mount Sinai, St Raphael, Glen, Jewish René-Cassin H3X- H4V- H4W 4 (Mount Sinai program) 2 PT, OT, SW, psychologist, General < 6 months 514-484-7878 X 61330 OT, PT, SW, psychologist, Mount Sinai, Glen, St Raphael, Jewish NDG/Benny Farm Cavendish H4A-H4B-H4V-H4X 5 (4 from Mount Sinai) 2 spiritual care General flexible 514) 484-7878 ext 61242 Cote-des-neiges H2V-H3P-H3R-H3S-H3T-H3V-H3W-H4P3 1 PT, OT, SW, psychologist St Raphael, Mount Sinai < 6 months 514-731-1386 X 8035 Parc Extension H3N 3 1 PT, OT, SW, psychologist St Raphael, Mount Sinai < 6 months De la Montagne Metro H3A-H3G-H3H-H3Y-H3Z 3 1 PT, OT, SW, psychologist St Raphael, Mount Sinai < 6 months (514)-934-0505 X 7290 Pointe St. Charles H3K Verdun H3E-H4E-H4G-H4H 10 3 SW, OT CHSLD Champlain < 6 months (514) 766-0546 X 53503 Sud-Ouest Verdun St Henri H3C-H3J-H4C-H4Z-H5A 10 1 OT, PT, SW CHSLD Champlain flexible 514 933-7541 X 58445 St-Louis du Parc H2T-H2W Des Faubourgs H2K-H2L-H2X-H2Z-H3R-H5B 2 2 OT, PT, SW, nutritionist Notre Dame, Marie Clarac flexible 514-527-9565 X 3624 Jeanne-Mance Plateau Mont Royal H2H-H2J 2 1 SW, OT, PT, spiritual care CHUM, Hopital Notre Dame < 6 months 514-521-1320 X 6521 Bordeaux-Cartierville H3M-H4J-H4K 3 2 SW CHSLD des Batisseurs flexible (514) 331-2572 X 4169 Bordeaux-Cartierville-St Laurent St. -
Discovering Montréal's Religious Heritage 1St Edition
Discovering Discovering Montréal’s Religious Heritage Montréal’s his book is your invitation to discover all the diversity and beauty of the religious heritage of Montréal and its environs, both Heritage Religious Discovering T ancient and modern. Offering 11 inspiring tours and superb photographs, this one-of-a-kind guidebook will reveal the secrets of an exceptionally rich heritage unequalled anywhere else in North America. Montréal’s Whether your exploration is motivated by faith, or an interest in architecture, art or history, Discovering Montréal’s Religious Heritage will guide you to the city’s most remarkable places of worship and Religious Heritage their treasure trove of breathtaking works of art: cathedrals, basilicas, churches, shrines, synagogues, and temples belonging to a wide range of confessions, as well as successfully converted religious buildings that have been given a new lease on life. www.ulyssesguides.com ISBN : 978-2-76581-765-9 (Digital Version) www.ulyssesguides.com Discovering Montréal’s Religious Heritage Research and Writing: Siham Jamaa Photo Credits Cover Page Additional Writing: Pierre Daveluy Detail of a stained-glass window in Église Saint-Philippe Translation and Copy Editing: © Flickr.com/Sandra Cohen-Rose, Colin Rose. The Votive Chapel at Saint Joseph’s Oratory of Mount Royal Elke Love, Matthew McLauchlin © iStockphoto.com/benedek. Maison Saint-Gabriel Additional Translation: Tanya Solari © Maison Saint-Gabriel. Notre-Dame Basilica of Montréal © iStockphoto.com/jasoncowellphoto. Editors: Pierre Ledoux, Claude Morneau Christ Church Cathedral © iStockphoto.com/lyonulka. The Cathedral-Basilica of Mary, Queen of the World Graphic Design Layout: Pascal Biet and Saint James the Great © Dreamstime.com/ Wangkun Jia. -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights. -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
Organization and Management of Benny Fram Site Public, Private and Semi-Private Spaces September 25 , 2003
Organization and Management of Benny Fram Site Public, Private and Semi-private Spaces th September 25 , 2003 ORGANIZATION AND MANAGEMENT OF BENNY FARM SITE INTRODUCTION This report is organized into four sections as follows: 1. Public, Private and Semi-Private Spaces 2. Legal Tools 3. Examples of Residential Projects 4. Recommendations and Next Steps In the first section, we analyze the Benny Farm site in terms of the different property regimes, namely, public, private and semi-private land. We also identify the issues of overall site integration and management. In the second part, we provide two possible legal tools that may be used to ensure that the whole project is integrated in terms of overall architectural style and landscaping quality and that the different areas are properly maintained. In the third part, we provide examples of other residential projects in the Montreal area. Finally, we provide our preliminary recommendations as to which legal regime is best suited for Benny Farm and how you may proceed. 1. PUBLIC, PRIVATE AND SEMI-PRIVATE SPACES With reference to the site plan prepared by Saia et Barbarese/Claude Cormier in August 2003 (the “Site Plan”), the site may be organized into three property regimes: public, private and semi-private. 1.1 Public Spaces (a) Definition In the event that the City acquires a portion of the northeast corner of the site for a community recreation center, such area will become a public space. The Benny Farm site plan includes a new road west of Cavendish. This road is an extension of Prince of Wales Avenue, which will be transferred to the City and become public. -
Mark Laver Jazzvertising
Jazzvertising: Music, Marketing, and Meaning by Mark Laver A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy in Ethnomusicology Faculty of Music University of Toronto © Copyright by Mark Laver 2011 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-78257-6 Our file Notre référence ISBN: 978-0-494-78257-6 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. without the author's permission.