Grindhouse Planet Terror
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Quentin Tarantino's KILL BILL: VOL
Presents QUENTIN TARANTINO’S DEATH PROOF Only at the Grindhouse Final Production Notes as of 5/15/07 International Press Contacts: PREMIER PR (CANNES FILM FESTIVAL) THE WEINSTEIN COMPANY Matthew Sanders / Emma Robinson Jill DiRaffaele Villa Ste Hélène 5700 Wilshire Blvd., Suite 600 45, Bd d’Alsace Los Angeles, CA 90036 06400 Cannes Tel: 323 207 3092 Tel: +33 493 99 03 02 [email protected] [email protected] [email protected] From the longtime collaborators (FROM DUSK TILL DAWN, FOUR ROOMS, SIN CITY), two of the most renowned filmmakers this summer present two original, complete grindhouse films packed to the gills with guns and guts. Quentin Tarantino’s DEATH PROOF is a white knuckle ride behind the wheel of a psycho serial killer’s roving, revving, racing death machine. Robert Rodriguez’s PLANET TERROR is a heart-pounding trip to a town ravaged by a mysterious plague. Inspired by the unique distribution of independent horror classics of the sixties and seventies, these are two shockingly bold features replete with missing reels and plenty of exploitative mayhem. The impetus for grindhouse films began in the US during a time before the multiplex and state-of- the-art home theaters ruled the movie-going experience. The origins of the term “Grindhouse” are fuzzy: some cite the types of films shown (as in “Bump-and-Grind”) in run down former movie palaces; others point to a method of presentation -- movies were “grinded out” in ancient projectors one after another. Frequently, the movies were grouped by exploitation subgenre. Splatter, slasher, sexploitation, blaxploitation, cannibal and mondo movies would be grouped together and shown with graphic trailers. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
I've Seen Films
I’ve Seen Films International Short Film Festival I’VE SEEN FILMS 2008 International Short Film Festival International Jury 7 I’VE SEEN FILMS 2008 International Short Film Festival INTERNATIONAL JURY Bill Bristow (UK) producer, director and writer ‘’Who Are They?’’, ‘’Prosit Ermanno!’’ (documentary); ‘’The Swan’’ (theater production); ‘’Fleas’’(theater direction); ‘’A Game of Moles’’ (writer); ‘’The Whaler’’ (screenwriter); ‘’Granny’s Wish’’ (theater production). Ludovico Einaudi (ITA) classical music composer and pianist ‘’Eden Roc’’, ‘’Time Out’’, ‘’Le Onde’’, ‘’Una Mattina’’, ‘’La Scala Concert’’, ‘’Diario Mali’’, ‘’Divenire’’ (composer); ‘’Da qualche parte in città’’, ‘’Acquario’’, ‘’Giorni Dispari’’, ‘’Aprile’’, ‘’Un delitto impossibile’’, ‘’Fuori del mondo’’, ‘’Zhivago’’, ‘’Sotto falso nome’’ (soundtracks). Richard Gere (USA) actor, producer, composer and performer ‘’American Gigolo’’, ‘’Breathless’’, ‘’The Honorary Consul’’, ‘’Sommersby’’, ‘’Autumn in New York’’, ‘’The Mothman Prophecies’’, ‘’Shall We Dance?’’, ‘’The Hoax’’, ‘’I’m Not There’’ (actor); ‘’Hachiko: A Dog’s Story’’ (actor and producer); ‘’Unfaithful’’, ‘’Chicago’’, ‘’Pretty Woman’’, ‘’The Cotton Club’’ (actor, composer and performer). Rutger Hauer (NL) actor, director and writer ‘’Turkish Delight’’, ‘’Soldier of Orange’’, ‘’Nighthawks’’, ‘’Blade Runner’’, ‘’Ladyhawke’’, ‘’The Hitcher’’, ‘’The Legend of the Holy Drinker’’, ‘’Confessions of a Dangerous Mind’’, “Escape from Sobibor”; ‘’Batman Begins’’, ‘’Sin City’’ (actor); ‘’The Room’’, ‘’Starfi sh Tango’’ (director); -
Source Guides
source guides National Library quentin tarantino 16 + Source Guide contents IMPORTANT NOTE . .i GENERAL INFORMATION . .ii APPROACHES TO RESEARCH, by Samantha Bakhurst . .iii INTRODUCTION . .1 BOOKS . .2 JOURNAL ARTICLES . .5 PRESS ARTICLES . .8 WEBSITES . .9 FILMOGRAPHY . .10 Compiled by: Victoria Crabbe Nicola Clarke Design/Layout: Ian O’Sullivan Project Manager: David Sharp © BFI NATIONAL LIBRARY 21 Stephen Street London W1P 2LN 2004 16+ MEDIA STUDIES INFORMATION GUIDE STATEMENT “Candidates should note that examiners have copies of this guide and will not give credit for mere reproduction of the information it contains. Candidates are reminded that all research sources must be credited”. BFI National Library i accessing research materials BFI NATIONAL copies of articles Local bookshops LIBRARY Some of the books mentioned in If you are unable to visit the the bibliography will be in print library or would like materials All the materials referred to in this and your bookshop should be able referred to in this guide sent to to order items for you. guide are available for consulta- you, the BFI Information Service tion at the BFI National Library. If can supply copies of articles via its you wish to visit the reading room The British Library Newspaper Research Services. Research is Library of the library and do not already charged at a range of hourly rates, hold membership, you will need to with a minimum charge for half The Newspaper Library will have take out a one-day, five-day or an hour’s research – full details of annual pass. Full details of access all the newspaper items referred services and charges can be found to in this guide. -
Neo-Exploitation
Neo-exploitation Nostalgia for horrific wonders Martijn van Hoek 0304964 Blok 4 2011/2012 22-06-2012 Thema: Genre Begeleider: J.S. Hurley Contents Introduction .......................................................................................................... 3 Exploring exploitation and nostalgia ......................................................................... 4 Exploring horror fan culture .................................................................................... 6 Exploring neo-exploitation .....................................................................................13 Redefining a genre................................................................................................13 GRINDHOUSE ..........................................................................................................14 CABIN FEVER ..........................................................................................................15 IRRÉVERSIBLE .........................................................................................................17 Conclusion ...........................................................................................................18 Literature ............................................................................................................19 2 Introduction In the first decade of the new millennium, a section of the horror genre was not looking to the future, but instead drew inspiration from the past. A number of filmmakers looked to the exploitation films of the -
Planet Terror Vehicles
JEFF POSS: Every day on my way to work, for a year and truck, find the missing parts, make everything sound, a half, I would drive by a shop called Browning’s Auto so everything could travel and work. These guys Repair in Houston. Inside this fenced-in, overgrown really cared, and they definitely made it look cool. yard there was this truck that was rusting away. You’d drive by this truck, and you couldn’t help but look Next, we have JT’s convertible, which first appeared at it. It was calling out, like Christine or something. in Roadracers, a little movie Robert shot for Showtime One day I saw a for sale sign on the window and I in thirteen days. David Arquette’s character, Dude, freaked out. ends up driving straight to hell at the end of that movie in his cool Chevy, which we then matched for STEVE JOYNER: I was sitting at my desk and Jeff Planet Terror. dropped a couple of polaroids in front of me and I said, “I want to get this truck.” We were actually STEVE JOYNER: [Transportation Coordinator] Cecil working on another movie called The Return that had Evans went out and found the matching car, it’s a an evil tow truck driver, so I went ahead and ponied ’56, but the original ’56 never came as a convertible, up for the truck out of my own pocket, knowing that and so Cecil Evans, [Mechanic] Bobby Sconci and his there would be a place for it somewhere. fabrication team took the car and chopped the top off and turned it into a permanent convertible ’56, JEFF POSS: We called this guy, Mr. -
Conversations on Cognitive Cultural Studies
CONVERSATIONS ON COGNITIVE CULTURAL STUDIES “In Conversations on Cognitive Cultural Studies: Literature, Language, and Aesthetics, Frederick Luis Aldama and Patrick Colm Hogan illu- minate the myriad implications of cognitive studies for the study of literature. Scrutinizing issues ranging from subjectivity to aesthetics to history and politics, they seek ever greater precision in our methods and assumptions. This lively critical dialogue is sure to spark much- needed thought and discussion.” —Sue J. Kim, author of On Anger: Race, Cognition, Narrative “Conversations on Cognitive Cultural Studies gives a strong sense of cognitive studies in their present state of organization, as represented by two of its most respected and best informed spokesmen, who are seen grappling with basic and, in some cases, still unresolved prob- lems in aesthetics.” — Irving Massey, professor emeritus of English and comparative literature, University at Buffalo CONVERSATIONS ON COGNITIVE CULTURAL STUDIES LITERATURE, LANGUAGE, AND AESTHETICS Frederick Luis Aldama AND Patrick Colm Hogan THE OHIO STATE UNIVERSITY PRESS • COLUMBUS Copyright © 2014 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Aldama, Frederick Luis, author. Conversations on cognitive cultural studies : literature, language, and aesthetics / Frederick Luis Aldama and Patrick Colm Hogan. pages cm Includes bibliographical references and index. ISBN-13: 978-0-8142-1243-1 (cloth : alk. paper) ISBN-10: 0-8142-1243-3 (cloth : alk. paper) ISBN-13: 978-0-8142-9346-1 (cd-rom) ISBN-10: 0-8142-9346-8 (cd-rom) 1. Psychology and literature. 2. Cognitive science—Philosophy. 3. Narration (Rhetoric) I. Hogan, Patrick Colm, author. II. Title. PN56.P93A43 2014 801'.92—dc23 2013028050 Cover design by Laurence J. -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of July 11 - 17, 2021 Alien (1979) Syfy Tues. 6:30 p.m. Syfy Wed. Noon Aliens (1986) Syfy Tues. 3:30 p.m. Syfy Wed. 2:30 a.m. The Conversation (1974) EPIX Sun. 3:35 a.m. Dances With Wolves (1990) Ovation Sun. 7:30 p.m. Ovation Wed. 9 p.m. Dead Man Walking (1995) Cinemax Mon. 3 a.m. Far From the Madding Crowd (1967) TCM Sun. 11:45 a.m. Finding Nemo (2003) Freeform Sat. 6:55 p.m. The Godfather, Part II (1974) AMC Tues. 7 p.m. AMC Wed. Noon The Godfather (1972) AMC Mon. 11:03 p.m. AMC Tues. 3 p.m. Gone With the Wind (1939) TCM Mon. 8:15 p.m. Goodfellas (1990) BBC America Thur. 8 p.m. BBC America Thur. 11 p.m. Grand Hotel (1932) TCM Tues. 7:30 p.m. Green for Danger (1946) TCM Sat. 9 a.m. His Girl Friday (1940) TCM Tues. 7:15 a.m. Indiana Jones and the Raiders of the Lost Ark (1981) Showtime Wed. 6 p.m. Showtime Thur. 4:50 a.m. King Kong (1933) TCM Mon. 6:15 p.m. The Miracle of Morgan's Creek (1944) TCM Wed. 5 p.m. Mr. Deeds Goes to Town (1936) TCM Wed. 6:45 p.m. Of Human Bondage (1934) TCM Tues. 12:15 p.m. Ordinary People (1980) EPIX Sun. -
Machete (2010) Il Machete Di Rodriguez È Perfettamente Affilato
Machete (2010) Il Machete di Rodriguez è perfettamente affilato. Un film di Robert Rodriguez, Ethan Maniquis con Danny Trejo, Robert De Niro, Jessica Alba, Steven Seagal, Michelle Rodriguez, Jeff Fahey, Cheech Marin, Don Johnson, Shea Whigham, Lindsay Lohan. Genere Azione durata 105 minuti. Produzione USA 2010. Uscita nelle sale: venerdì 6 maggio 2011 Danny Trejo è Machete, ex agente federale dei servizi segreti messicani. Giancarlo Zappoli - www.mymovies.it Machete è un agente federale che si pensa sia morto in uno scontro con la banda del pericolosissimo boss Torrez. Ma non è così. Machete ha cercato rifugio in Texas dove viene coinvolto nell'attentato a senatore iperrazzista. Scoprirà di essersi infilato in un machiavellico complotto che vede lui come capro espiatorio. Ha contro il capo dei vigilantes Von, il perfido uomo di affari Booth e, ancora una volta, Torrez. Al suo fianco c'è solo Sartana Rivera, giovane e seducente ufficiale della squadra anti-immigrazione che ha compreso che non tutto è come sembra. Robert Rodriguez è un sognatore che sfata la massima che vuole che sia bene non riuscire a realizzare i propri sogni perché si rischia di rimanere delusi. Il personaggio di Machete era nei suoi progetti da tempo e il finto trailer in 'Planet Terror' non era altro che la manifestazione del bisogno del personaggio di diventare film. Ora il giustiziere butterato ha iniziato il suo percorso nei proiettori di tutto il mondo e si può affermare che l'operazione è perfettamente riuscita e che il machete/lama di luce è perfettamente affilato. Perché Rodriguez è abilissimo nel realizzare una sorta di work in progress in cui si mantiene un'unità di stile ma al contempo non smette mai di sorprendere il pubblico non per lo sterile e un po' onanistico piacere che divora altri suoi colleghi ma per il piacere di fare cinema allo stato puro. -
Mediennostalgie Und Cinephilie Im Grindhouse-Doublefeature
Mediennostalgie und Cinephilie im Grindhouse-Doublefeature Dominik Schrey „A certain nostalgia for cinema precedes its ‚death‘. One doesn’t – and can’t – love the televisual or the digital in quite the same way.“ (Doane 2002, S. 228) 1 Kinokrisen Wiederholt wurde in den letzten Jahren aus verschiedensten Gründen der ‚Tod des Kinos’ proklamiert: etwa weil die in den Filmarchiven gelagerten Rollen sich langsam zersetzen und dem Medium so die Vergangenheit verloren geht (Usai 2001) oder weil die Filmindustrie nicht mehr wie früher zu begeistern weiß (Sontag 1996). Mehr als alles andere jedoch wird seit Mitte der 1990er Jahre die Konkurrenz zu interaktiven Medien wie dem Computerspiel, das neue Formen der Publikumsadressierung ermög- licht, als Todesstoß für das Kino wahrgenommen. Die Debatte ist indes keineswegs neu: Bekanntlich sollen nicht einmal die Brüder Lumière selbst an die künstlerische Zukunft ihrer Erfindung geglaubt haben, Ende der 1920er Jahre war dann die Be- fürchtung weit verbreitet, mit Einführung des Tons verspiele der Film sein – gerade erst zur Reife gelangtes – künstlerisches Potential und ab den 1960er Jahren stürzte die zunehmende Bedeutung des Fernsehens als ‚Leitmedium’ das Kino in eine tiefe wirtschaftliche und ideelle Krise. Bislang jedoch hat der Film alle diese Tode und Krisen ‚überlebt’, sich an die ste- tig wechselnden Umstände assimiliert und mit der Entwicklung neuer Formate, Gen- res und Stile reagiert. Und auch die Institution Kino ist noch immer nicht ausgestor- ben, wenngleich sich auch hier im Laufe der -
Attila Szalay
ETHAN MANIQUIS EDITOR FEATURES: YEAR OF THE BEETLE C. Strange Films LLC Prod: Creighton Vero, Noona Yoon Dir: Creighton Vero GULLY Reset Content/Sums Film Prod: Alex Georgiou, Ben Pugh Dir: Elderkin Nabil *Official Selection – Narrative Competition – Tribeca Film Festival, 2019 THE ROW Emmett/Furla/Oasis Prod: Randall Emmett, George Furla Dir: Matty Beckerman DISTORTION StageCraft Productions Prod: Tonya Cannon Dir: Mayon Denton FERAL Halcyon Prod: John Landolfi, Mark Young Dir: Mark Young HANDS OF STONE El Fuego Films Prod: Carlos Garcia de Paredes, Dir: Jonathan Jakubowicz Jonathan Jakubowicz, Jay Weisleder THE BADGER GAME Independent Prod: R. J. Gallentine, Joshua Wagner Dir: Joshua Wagner, Thomas Zambeck PANIC 5 BRAVO Videocine Prod: Kuno Becker, Pablo Martinez de Velasco, Dir: Kuno Becker Fernando Perez Gavilan, Jorge Levy SHORTS Warner Bros. Prod: Robert Rodriguez, Alvaro Rodriguez Dir: Robert Rodriguez THE OTHER END OF THE LINE MGM Prod: Ashok Amritraj, Pete Chiarelly, Dir: James Dodson Elizabeth Ingold PLANET TERROR Dimension Flims Prod: Elizabeth Avellan, Robert Rodriguez, Dir: Robert Rodriguez Quentin Tarantino GRINDHOUSE Dimension Films Prod: Robert Rodriguez, Rob Zombie, Dir: Robert Rodriguez, Edgar Wright, Jeff Rendell Quentin Tarantino BEHIND ENEMY LINES II: AXIS OF EVIL 20th Century Fox Prod: James Dodson, Roee Sharon Dir: James Dodson SECUESTRO EXPRESS Mirimax Prod: Sandra Condito, Salomon Jakubowicz, Dir: Jonathan Jakubowicz Jonathan Jakubowicz 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F -
1 I DETTE NUMMER: Omtale Af SAMTLIGE Biograffilm Det Næste
Nr. 163 - Pr. 1. april 2019 - 31 sider – Udarbejdet af Brancheforeningen Danske Biografer I DETTE NUMMER: Omtale af SAMTLIGE biograffilm det næste halve år samt HIGHLIGHTS 2019-2025 Fuldstændig premiereliste på side 24 1 Omtaler af samtlige premieresatte biograffilm det næste halve år: 2019: SHAZAM! (2:12) (SF Studios/WB) DK-premiere: 4/4-2019. (Action/sci-fi) 11 år Hjemmeside: http://www.imdb.com/title/tt0448115/ Med Med Zachary Levi, Jack Dylan Grazer og Asher Angel. Instr.: David F. Sandberg (”Lights Out” (36.100) og ”Annabelle 2: Skabelsen” (64.274 )). I nødens stund får en dreng evnen til at blive en voksen superhelt ved blot at sige et enkelt magisk ord. Som superhelt besidder drengen Solomons visdom, Herkules' styrke, Atlas' udholdenhed, Achilleus' mod og Merkurs hurtighed. Endnu en superhelt fra DC Comics. (Udsendes også i 3-D) PET SEMATARY (1:41) (UIP/Paramount) DK-premiere: 4/4-2019. (Gyser) Hjemmeside: http://www.imdb.com/title/tt0837563/ Med Jason Clarke, John Lithgow, Amy Seimetz og Alyssa Brooke Levine. Instr.: Kevin Kolsch og Dennis Wedmyer. Baseret på en roman af Stephen King. Familien Creed flytter på landet til idyl og ro, tror de. De lokale bonderøve kan nemlig godt lide at køre ræs på vejen ved siden af deres hus, og hvad værre er ligger der en yderst skummel kirkegård for kæledyr i baghaven. På kirkegården lurer onde magiske kræfter, der kan bringe folk tilbage fra de døde. Familien bliver fristet, da den yngste søn dør. Det viser sig dog hurtigt, at lige præcis den fristelse, skulle de have afvist. Efter succesen med “It“ er Stephen King atter kommet i høj kurs.