Product Guide for Dealers & Luthiers
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Ultimate Guitar Online's Revisions: Instrument
1.5 6.0 6.0 178.3 279.6 29.2 120.0 29.2 54.1 171.5 54.1 7.5 11.5 16.0 12.0 4.5 4.5 A B 2.4 6.0 3.0 228.5 54.1 120.4 54.1 151.3 26.5 98.3 26.5 11.5 16.0 5.0 4.5 4.5 10.7 10.7 104.6 C E 4.8 7.2 3.0 6.0 385.3 117.1 54.1 61.9 54.1 51.6 109.6 54.1 26.5 64.2 26.5 11.5 16.0 5.0 4.5 M D 3.0 3.0 23.4 197.1 210.1 26.5 144.2 26.5 26.5 157.1 26.5 5.0 5.0 192.3 F G 3.0 224.7 251.7 26.5 171.7 26.5 26.5 198.8 26.5 5.0 5.0 H J 3.0 3.0 205.7 165.6 26.5 152.7 26.5 26.5 112.6 26.5 5.0 5.0 K L Certain Luthiers Tune The Top By Making The Top Progressively Thinner As It Reaches The Guitar Edge And Remain Full Thickness At The Top. If You Do This Do Not Reduce The Edges Below 2.2mm And Make The Center Slightly Thicker. Center Bridge Brace On 660mm Line For Scale 52.4 Length. (4500 C F Brace Key Numbers. Refer To Brace Diagram Plan For 54.0 Bracing Layouts 20.8 4.8 (4500 G 29.1 R 36.8 Dashed Line Indicates Rossette 85.7 12.7 1.2 Reinforcement Extends Beyond Rossette Approx. -
California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman
ABSTRACT Tinkering has long figured prominently in the history of the electric guitar. During the late 1970s and early 1980s, two guitarists based in the burgeoning Southern California hard rock scene adapted technological tinkering to their musical endeavors. Edward Van Halen, lead guitarist for Van Halen, became the most celebrated rock guitar virtuoso of the 1980s, but was just as noted amongst guitar aficionados for his tinkering with the electric guitar, designing his own instruments out of the remains of guitars that he had dismembered in his own workshop. Greg Ginn, guitarist for Black Flag, ran his own amateur radio supply shop before forming the band, and named his noted independent record label, SST, after the solid state transistors that he used in his own tinkering. This paper explores the ways in which music-based tinkering played a part in the construction of virtuosity around the figure of Van Halen, and the definition of artistic ‘independence’ for the more confrontational Black Flag. It further posits that tinkering in popular music cuts across musical genres, and joins music to broader cultural currents around technology, such as technological enthusiasm, the do-it-yourself (DIY) ethos, and the use of technology for the purposes of fortifying masculinity. Keywords do-it-yourself, electric guitar, masculinity, popular music, technology, sound California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman Tinkering has long been a part of the history of the electric guitar. Indeed, much of the work of electric guitar design, from refinements in body shape to alterations in electronics, could be loosely classified as tinkering. -
Electric Guitars 51
ELECTRIC GUITARS 51. US Masters, Vector, Blue 1. Alvarez Classic Electric, Natural 52. Vester Concert Series, Black/Gold Fractal, Upg 2. Alvarez Classic Electric, Sunburst Sinvader Bridge Hum, Dual Rail Neck 3. Alvarez Electric, White 53. Washburn CT2, Black (upgraded pickups) 4. Alvarez Regulator, Green 54. Washburn CT5, Deluxe, gorgeous figured Blue 5. Bolt USA, SS, Graphic 55. Washburn_JV2, Natural 6. Brian Moore, I8.13, Green 56. Washburn_JV Jr, Flourescent Orange 7. Brian Moore, I2.13, YellowFigured 57. Washburn JB100, White 8. CB Strat guitar, White 58. Washburn KC44V, Green/ Black design 9. CC Clark, Natural 59. Washburn MR250, Red Florentine Figured 10. Charvel 275 Deluxe, Red 60. Washburn N6 (needs assembly) 11. Charvel CX390, Black 61. Washburn P290, Green Transluscent 12. ESP EC100-QM, Red 62. Washburn P290, Blue Green Transluscent 13. Fender Strat Spec. Ed., MIM, Candy Apple Red 63. Washburn P4 Luthier, Natural 14. Fender Strat, MIJ, HSS, Black 64. Washburn Pilsen WI70, Root Beer, Paint Relic’d 15. Fender Squier Showmaster Skull & Crossbones 65. Washburn RR300, Red 16. Fender Squier II, Black Relic’d 66. Washburn SBT-21, Black 17. Fender Squier Bullet, Red w SDuncan Distortion 67. Washburn WI64DL, Black and Gold 18. First Act VW Garage Master SpecEd, W W pg 68. Washburn WI64, Black 19. First Act VW Garage Master Spec Ed, W B pg 69. Washburn WI64, Black, Upg Carvin PU’s 20. Godin G5000, Black (option: Roland Synth PU) 70. Washburn WI66NC, Ebony Figured, Boogie Bros 21. Greco Hollow Body (Jap), Brown 71. Washburn WI66 Pro, Blue Figured Top 22. Harmony solid body electric, White 72. -
Blue Book of Electric Guitars Sixth Edition
Blue Book of Electric Guitars Sixth Edition Gibson Electric Guitars and Basses Edited by S.P. Fjestad Blue Book Publications, Inc. 8009 34th Avenue South, Suite 175 Minneapolis, MN 55425 U.S.A. Phone: 800-877-4867 (U.S.A. and Canada orders only) Phone: 952-854-5229 FAX: 952-853-1486 Email: [email protected] Web site: www.bluebookinc.com Reprinted with permission Copyright 1999 Blue Book Publications, Inc. All Rights Reserved. No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph, FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or transmitted, by translation into any language, nor by recording electronically or otherwise, without the express written permission from the publisher - except by a reviewer, who may quote brief passages for critical articles and/or reviews. Please note: At the request of Blue Book Publications, Inc., all pricing information has been omitted. For detailed pricing information, please either contact Blue Book Publications for ordering information, or visit their web site at www.bluebookinc.com Table of Contents Gibson Background History ----------------------------------------- 3 Identifying Features --------------------------------------------------- 4 Gibson Electric Guitars ---------------------------------- 5 B.B. King Series -------------------------------------------------------- 5 Barney Kessel Series --------------------------------------------------- 6 Byrdland Model --------------------------------------------------------- -
Gibson Declares Bankruptcy
Gibson Declares Bankruptcy David Diaz, CEO,Davenport Laroche Another timeless rock and roll icon is headed to “rehab”. This time, though, it’s not a performer. It’s the brand that tied together some of rock’s biggest names, from Elvis Presley to Keith Richards, Jerry Garcia, Slash, Ace Frehley and Jimmy Page. Each of these icons played Gibson. Slash, in fact, was an official brand ambassador for the guitar brand he proudly played on stage during a meteoric six-year run with Guns ‘n Roses. Seeing one of the new breed of guitar gods ripping through sets on his Gibson inspired a new generation of shredders to grab their Les Paul or Standard, jam and dream. Now, though, Gibson has hit a major roadblock, filing for bankruptcy protection as the company struggles to mitigate half a billion dollars in debt. As a result of the bankruptcy filing, the press is reporting that creditors will “take control” of the company, that was founded way back in 1902 and helped defined American music for more than a century. Because Gibson guitars were so popular for so many years, many are wondering why, exactly, the company is in such dire straits. There are several reasons, though many are blaming the relatively recent acquisition of Philips’ consumer audio division a few years back. That, in fact, is the first thing Gibson’s new ownership plans to let go in an attempt to get the business back in the black. The company will divest itself of the line of headphones, loudspeakers and turntables that have proven to be a drag on profitability. -
Layout 1 (Page 1)
OWNER’S MANUAL 1550-07 GUS © 2007 Gibson Guitar Corp. To the new Gibson owner: Congratulations on the purchase of your new Gibson electric guitar—the world’s most famous electric guitar from the leader of fretted instruments. Please take a few minutes to acquaint yourself with the information in this booklet regarding materials, electronics, “how to,” care, maintenance, and more about your guitar. And then begin enjoying a lifetime of music with your new Gibson. The Components of the Solidbody Electric Guitar 4 Gibson Innovations 6 The History of Gibson Electric Guitars 8 DESIGN AND CONSTRUCTION Body 13 Neck and Headstock 13 Pickups 14 Controls 15 Bridge 17 Tailpiece 18 CARE AND MAINTENANCE Finish 19 Your Guitar on the Road 19 Things to Avoid 20 Strings 21 Install Your Strings Correctly 22 String Gauge 23 Brand of Strings 23 NEW TECHNOLOGY The Gibson Robot Guitar 24 64 Strap Stopbar Tune-o-matic Three-way 12th Fret Button Tailpiece Bridge Pickups Toggle Switch Marker/Inlay Neck Fret Fingerboard Nut Headstock The Components of the Solidbody Electric Guitar Featuring a Les Paul Standard in Heritage Cherry Sunburst Input Jack Tone Volume Binding Body Single Truss Machine Tuning Controls Controls Cutaway Rod Heads Keys Cover 57 Strap Stopbar Tune-o-matic 12th Fret Button Body Tailpiece Bridge Pickups Neck Marker/Inlay Fret Fingerboard Nut Headstock Three-way Toggle Switch The Components of the Solidbody Electric Guitar Featuring a V-Factor Faded in Worn Cherry Input Jack Tone Volume Pickguard Truss Machine Tuning Control Controls Rod Heads Keys Cover 6 Here are just a few of the Gibson innovations that have reshaped the guitar world: 1894 – First archtop guitar 1922 – First ƒ-hole archtop, the L-5 1936 – First professional quality electric guitar, the ES-150 1947 – P-90 single-coil pickup introduced 1948 – First dual-pickup Gibson, the ES-300 1949 – First three-pickup electric, the ES-5 1949 – First hollowbody electric with pointed cutaway, the ES-175 1952 – First Les Paul guitar 1954 – Les Paul Custom and Les Paul Jr. -
Client Price List.Pdf
Page 1 Price List.xls Brand Model DESCRIPTION Retail Price GUITARS CLASSIC GUITARS STARFIRE SAC31 1/8 SIZE 523.09 STARFIRE SAC34 1/2 SIZE 523.09 STARFIRE SAC36 3/4 SIZE 523.089 STARFIRE SAC39 4/4 SIZE 654.189 SUZUKI SG1B 1/2 SIZE NYLON STRING GUITAR WITH BAG 916.389 SUZUKI SG2B 3/4 SIZE NYLON STRING GUITAR WITH BAG 916.389 SUZUKI SG3B 4/4 SIZE NYLON STRING GUITAR WITH BAG 916.389 SUZUKI SCG6CE CLASSIC 4/4 SIZE EELECTRIC CUTAWAY GTR W/NYLON BAG 1566.645 SUZUKI SCG36CE CLASSIC 4/4 SIZE EELECTRIC CUTAWAY GTR W/NYLON BAG 1566.645 ARIA AKN15 CLASSIC 1047.489 ARIA AK20 CLASSIC - 1/4, 1/2, 3/4 1173.35 ARIA AK30 CLASSIC 1566.65 ARIA AK35 CLASSIC 2091.05 ARIA AC25 CLASSIC PRO MADE IN SPAIN - CEDER TOP 6548.445 ARIA AC25CE CLASSIC WITH FISHERMAN PICK UP & EQ 9301.545 ARIA AC35 CLASSIC PRO MADE IN SPAIN - CEDER TOP 8383.845 ARIA AK30CE CLASSIC - WITH PICK UP & EQ. 2615.45 ARIA AC35CE CLASSIC WITH FISHERMAN PICK UP & EQ 10612.545 ARIA AC50SP CLASSIC PRO MADE IN SPAIN - CEDER TOP 11792.445 ARIA AC50CE CLASSIC WITH FISHERMAN PICK UP & EQ 9437.889 ARIA AC70F FLAMENGO CLASSIC MADE IN SPAIN - CEDER TOP 10219.245 ARIA AC70FCE FLAMENCO CLASSIC MADE IN SPAIN - WITH CUTAWAY AND PICKUP 17429.745 ARIA AC80SP CLASSIC PRO MADE IN SPAIN - SPRUCE 18740.745 ARIA AK45 CLASSIC 2163.15 ARIA AK40 CLASSIC-SPRUCE TOP 1304.445 WASHBURN C40 CLASSIC ACOUSTIC GUITAR 1965.189 WASHBURN C44CE CLASSIC ACOUSTIC ELECTRIC GUITAR 2746.545 WASHBURN C80S CLASSIC ACOUSTIC GUITAR 2615.445 WASHBURN C64SCE CLASSIC ACOUSTIC GUITAR 3800.589 WASHBURN ACB40PROWAK AON CLASSIC ELECTRIC BASS -
01437 1965 Epiphone Olympic SB 722D. Sunburst (9.00)
A Fine, All Original Mid-Sixties Two Pick-Up Epiphone Olympic 1965 Epiphone Olympic SB 722D. Sunburst (9.00). #01437 $1,750 This fine and very light guitar weighs just 5.60 lbs. One-piece mahogany neck with a fast thin-to-medium profile. Black faced 'Batwing' headstock with "Epiphone" silk-screened in gold. Rosewood fretboard with 22 original jumbo frets and pearl dot markers. Serial number "323241" stamped in blind on back of headstock. Six-in-a-row 'double-line' Kluson Deluxe tuners with white plastic oval buttons. The scale length is a standard Gibson 24 3/4 inches and the nut width is just over 1 9/16 inches. Two Melody Maker single-coil pickups with nice, balanced outputs of 6.97k and 7.09k. Single-layer white plastic pickguard with inlaid silver Epiphone 'Epsilon' and eight screws. Four controls (two volume, two tone) plus three-way selector switch and jack socket, all on pickguard. Black plastic ribbed-sided knobs with metal tops with red markings. The potentiometers are stamped "134 6508" & "134 6523" (Centralab February & June 1965). Combination ridged "wrap-over" bridge, factory Epiphone Vibrola tailpiece with tubular tremolo arm with walrus-tooth tip. There is a minimal amount of belt-buckle scarring on the back and a few very small surface marks, mainly on the edges. This fine little, all original mid- sixties guitar is in exceptionally fine (9.00) condition. Housed in a later 3-latch black softshell case with blue felt lining (8.50). "The solidbody line got a complete overhaul that gave the models as much first- impression power as the new sharp-pointed, double-cutaway Gibson SG models. -
Christie's to Offer Les Paul's Personal “Number One” ~ the Guitar That
PRESS RELEASE | NEW YORK I FOR IMMEDIATE RELEASE : 18 A U G U S T 2021 CHRISTIE’S TO OFFER LES PAUL’S PERSONAL “NUMBER ONE” ~ THE GUITAR THAT STARTED IT ALL THE FIRST GIBSON LES PAUL GUITAR OWNED & APPROVED BY THE FATHER OF THE SOLID-BODY ELECTRIC GUITAR ~ OFFERED AT CHRISTIE’S ‘EXCEPTIONAL SALE’ ON OCTOBER 13 IN NEW YORK Gibson Incorporated, Kalamazoo, Michigan, Circa 1951-52 The solid-Body Electric Guitar, Known as Les Paul’s “Number One” Les Paul Model Artist's Prototype Estimate: $100,000-150,000 Les Paul “is part of a homespun tradition of scientific wizards that includes Benjamin Franklin and Thomas Edison.” ~The Rock & Roll Hall of Fame New York— Christie’s announces Les Paul’s own personal ‘Number One,’ the very earliest approved production model of the famed Gibson Les Paul electric guitar which monumentally changed the development of Rock’n’Roll in the 20th Century will be featured in The Exceptional Sale on October 13 in New York. Along with Mr. Paul, Gibson Incorporated developed this innovative solid body electric guitar circa 1951-1952 to meet the demanding standards of guitar virtuoso and inventor, Les Paul, who designated this his Number One; the first solid electrified guitar that met with his approval, and was the culmination of his lifelong dream. Kerry Keane, Christie’s consultant and Musical Instruments Specialist, remarks, “In any creation narrative there are always multiple protagonists, but the name Les Paul ranks at the pinnacle when discussing the electric guitar. His development of multi-track recording, and audio effects like delay, echo, and reverb all profoundly influenced how music is reproduced and heard. -
Bass Guitar Owner's Manual Bass Guitar Configuration
Bass Guitar Owner's Manual Bass Guitar Configuration 4 5 6 3 11 7 8 9 10 3 12 1. Volume 7. Position Markers 2. Tone Controls 8. Fret 3. Strap Button 9. Fingerboard 4. Bridge 10. Nut 1 5. Bridge Pickup 11. Tuning Keys 2 6. Neck Pickup 12. String Retainer Control Configuration blend treble tone bass volume bridge volume treble tone neck volume neck volume bridge volume tone Congratulations So, you are the owner of a new Peavey Bass Guitar. Congratulations! Your purchase proves your taste in musical instruments is superb. Peavey offers a wide variety of bass guitars for beginners to professionals, each with unique qualities and features. While our professional luthiers have carefully inspected your guitar, every model requires some initial setup, and periodic maintenance is required for peak performance. To ensure proper care of your quality instrument, visit www.peavey.com/accessories for Peavey-recommended accessories, parts and cleaning supplies. Cleaning & Care When properly cared for, your Peavey bass will offer you years of pleasure. Playing your bass means that you will need to perform regular, general maintenance, such as cleaning and proper storage, to keep it looking and sounding great. Every time you play your bass, body oils and perspiration are transferred to the body, back of the neck, headstock, fingerboards, strings, tuners, pickups and bridge. After you finish performing, but before you put your bass away, take a moment to remove these contaminants. Cleaning - Wood To clean and care for the major wood parts of your bass guitar (body, headstock and the back of the neck), Peavey recommends that you use a clean, soft, lint-free, dry cotton cloth and the specially formulated guitar polish available at www.peavey.com/acces- sories. -
The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel Inmusic Brands Inc
ANAHEIM CONVENTION CENTER 326A 326B 369 370 LEVEL 3: Grotrian Piano Company GmbH Yangtze River Mendelssohn Piano Mason & Hamlin MEETING ROOMS & BOOTHS 300–799 THANK YOU TO OUR SPONSORS LEVELS & HOTELS Piano 323 (Shanghai) Reserved Wilh. Steinberg Fender Fazioli Marketing Co., Ltd. 303D Group Inc. 366 388 Fender 321 Pianoforti Niendorf SPA Dynatone Flügel AT A GLANCE Musical - 319 Corp. und PianoDisc Musical Klavierfabrik 300B2 Samick Instruments 318 340 362GmbH 384 391 Instruments 317 Corporation Music North Corporation 314 335 American A.Geyer Music Corp. Inc. Kawai America Corp 334 356 376 390 393 Schimmel Piano Ravenscroft North Corporation Lowrey ACC North 304BCD Pianos Vienna W. Schimmel 303BC W Katella Ave American International, 374 Gretsch Guitars Music Pianofortefabrik Inc. Inc. Pearl River Piano Jackson 308 330 352 372 389 392 GmbH Guangzhou Pearl River Amason PROFESSIONAL ACC 300E Charvel Digital Musical Instr 305 L88A L88B 300B 300A 304A EVH 303A Arena Outdoor Cafe S West Street 303 • Level 2 • Level 2 • Level 2 • Level 2 DJ String • Lobbies E & D 300a & PTG Museum Display • Lobby B Arena • Mezzanine • Lobby C • Lobby B &Piano Bow Plaza Events DJ/Pro Audio Level 2 Level 3 The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel inMusic Brands Inc. Akai Professional Hotel Way Denon DJ Import Reserved Exhibitor Numark Music Grand Reserved Reserved RANE Reserved Plaza NAMM Meeting Alesis USA, Events D'Angelico Alto Professional Corp. Mackie 209B 206B MARQ Lighting 203B Guitars 210D 210D1 207D 204C Ampeg Hall E Yamaha Zemaitis Guitars Reserved Exhibitor Meinl W Convention Way Taylor Greco Guitars Meeting 212AB 210C 209A 207C 206A Pearl Corporation 203A 201CD Marriott Hotel Guitars Marshall Adams Musical Instruments Pacific Drums & Amplification Percussion Sky Bridge to ACC North Dean Guitars Drum Workshop, Inc. -
Roger Sadowsky Carves a Guitar Neck by Hand
Right: Roger Sadowsky carves a guitar neck by hand. Below: Roger takes a break beneath a wall of customized guitars and basses. ROGER SADOWSKY he job of the instrument maker is to provide a tool that “ allows the musician to express himself. Ultimately, the changes in sound and design don’t come from us, but New York’s T from innovative musicians whose talent demands something new. The most dramatic example we get is people Acclaimed Craftsman from all over the world requesting the ‘Marcus Miller bass sound’.” Tailors Instruments —Roger Sadowsky For Everyone From “Roger was the first repairman to take an interest in my playing. He asked a lot of questions concerning how hard I played, the Springsteen and Sting kinds of music I was involved with, and what sort of sound I was looking for. He has great insight into the wood and To Di Meola And Stern electronics that make up an instrument, and he suggested I try one of his preamps. At the time, I was having trouble conveying my style through my bass. With the preamp, I gradually noticed that I could do more with the instrument and the sound was By Chris Jisi projecting better. What Roger did was give me a sound with which I could communicate my style.” —Marcus Miller PHOTOS BY EBET ROBERTS PHOTOS Similar accolades arrive from all corners of the music busi- New York in 1979, 95% of my clients were top studio and ness for New York luthier/repairman Roger Sadowsky, from guitar touring musicians in town.