toro y moi album downloads Toro y moi album downloads. Artist: Toro Y Moi Album: Anything In Return Released: 2013 Style: Electronic Pop. Format: MP3 320Kbps. Tracklist: 01 – Harm In Change 02 – Say That 03 – So Many Details 04 – Rose Quartz 05 – Touch 06 – Cola 07 – Studies 08 – High Living 09 – Grown Up Calls 10 – Cake 11 – Day One 12 – Never Matter 13 – How’s It Wrong. DOWNLOAD LINKS: 9 Responses. Diego Said, 2013 WTF?How did you guys get this leak? Anyway, thanks for this HIGHLY anticipated release. NAR, once again, you guys are really fast. I really appreciate your work. Thanks a million. Wow! I lov TYM. Thanks! Highly anticipated release indeed! Awesome! thanks… flac please. Review of Anything in Return — 9.1. When the “Freaking Out” EP came out in fall of 2011, it felt like a strong and focused shift for Chaz Bundick. His typically frenetic beats paired with a pulsing disco heart was a welcome direction, feeling less chill and more stadium-fill. On the Freaking Out EP, gone were the mellow vibes that were characteristic of “Underneath the Pine” tracks like “How I Know” and “New Beat”. “Underneath the Pine” broke away from Chillwave, but could probably still see it and wave to it from the backseat. “Freaking Out” was the Chevy Camaro that took Bundick even further away from that dinosaur of 2009 B.C. Everyone couldn’t wait to see what he would do next. Everyone, prepare yourself for “Anything in Return”, the fantastic next step for the ever-evolving Toro y Moi. Bundick’s sentiment that he was “trying” to make a pop record is the driving force behind the album, yet in a traditional Toro y Moi vein. For example, though a cool, confident male voice calmly says, “yeah” and “woo” repeatedly on “Say That” and “So Many Details” respectively, these hip-hop fill words feel less like an awkward shout-out than Toro mixing up a big bowl of incredible music, sprinkled with some memories of rap long since past. The album is remarkably well-produced — on tracks like “Never Matter” and “Cola”, you can hear Bundick’s special touches throughout, creating a fully immersive and unique sound. Bundick crafts a world unrivaled by an artist since Big Boi’s “Sir Lucious Left Foot”. What is that world of sound? Bundick has crafted a specific moment in time and space with this album; it’s a concept album, rising and falling between Drake’s feverish dreams and Usher’s soulful yearnings for another woman circa 1997. But unlike those artists, whose albums typically peter out in to basically filler after songs 1-4, Bundick only picks up speed. While middle tracks “Rose Quartz” and “Touch” can feel like intriguing meanderings, revealing some of Bundick’s craft, he builds these pieces up into a three song string from “Cake” to “Never Matter” that seems to be trying to set the template for where hip hop can go in the new decade. Bundick was a trailblazer with his contributions to “Chillwave”, no matter how small potatoes that was or what the detractors say; now, Bundick is posed to change the game the way Kanye did with his deeply personal and sonically tight tunes. Watch your throne, West. Anyhow, this is an album totally worth listening to with good headphones while driving down a beautiful mountain road, and buy as soon as it comes out. Or if you live in the bay, go check out Toro y Moi play at Noise Pop on Mar. 2nd. Top tracks – Harm in Change – Cola – Never Matter. Toro y moi album downloads. Artist: Toro Y Moi Album: Causers of This (Instrumentals) Release: 2020 Country: USA Genre: Electronic Quality: mp3, 320 kbps Size: 79 MB. Tracklist: 01. Blessa (Instrumental) 02. Minors (Instrumental) 03. Imprint After (Instrumental) 04. Lissoms (Instrumental) 05. Fax Shadow (Instrumental) 06. Thanks Vision (Instrumental) 07. Freak Love (Instrumental) 08. Talamak (Instrumental) 09. You Hid (Instrumental) 10. Low Shoulder (Instrumental) 11. Causers of This (Instrumental) Underneath the Pine. Toro y Moi's debut record, Causers of This, fit firmly in the newly formed chillwave tradition. Chaz Bundick (the sole member of the group) created a sound that was hazy, lazy, and submerged with lots of peaceful melody and an easygoing late-night warmth and charm. On the follow- up, Bundick could have done more of the same and it would have been just fine, thanks to his way with a melody and the invention he put into the lo-fi arrangements. Instead, Underneath the Pine takes some of the chill out of the wave and strips away much of the murk. The resulting record is a shiny, dreamy affair that retains all the hooks and feel of the first album but adds some energy and pop immediacy. The biggest change, apart from the more focused production, is that in between albums Bundick seems to have (mostly) forsaken his shoegaze fetish and discovered Stereolab and their take on space age bachelor pad music. Many of the songs on Underneath have the chiming guitars, blocky organ parts, squiggly synths, and robotic rhythms, as well as the tight and looping vocal harmonies, that Stereolab patented. Bundick adds some soft rock chord changes to the mix, and the resulting sound -- while highly reminiscent of the Lab -- actually ends up sounding quite unique. The real piano (or a reasonable imitation of one) that pops up now and then is a nice touch that distances Underneath from the chillwave aesthetic. The unabashedly fun dance tracks on the album are also a leap forward. While Causers’ "Low Shoulder" was danceable enough, “New Beat” and “Still Sound” leap feet-first onto the dancefloor with steady rocking beats, pumping basslines, and sensually delivered vocals. The keyboards on both tracks are kind of magical too; the shimmering piano runs on "Still Sound" and the cheesy but super-funky synth on "New Beat" are perfect. Based on these songs, Bundick could easily slip out of this whole chillwave thing and become a disco hero. Within the context of the album, though, they provide a boost of energy and fun that makes the record really pop. Underneath the Pine is an improvement in every way on Causers of This, and it should be the start of a long and interesting run of records by Bundick and Toro y Moi. Toro y moi album downloads. There is no disconnect. There is no power off button. Our lives are constantly connected and plugged in. What we’re plugged into is work. Our lives are crafted around our ability to create content. Experiences must be content. Mistakes must be inspirational memes. Our imaginations must be projects. Our lives, as little artists and movers-and-shakers, are molded by our ability to produce things. Toro Y Moi’s album cover for his latest album “Outer Peace” portrays this desire for homeostasis perfectly. He’s pictured in a hyper-modern, bordering futurist in front of a computer and on a bounce ball instead of an office chair. The room is as psychedelic and cathartic as it looks function. He’s surrounded by technology as the room looks like how one would imagine life in a lava lamp would be. These images also express the musical goal of Toro Y Moi on “Outer Peace” too. On the first single called “Freelance,” Chaz Bear, whose vocals are stronger than ever, croons, “Life is only wishing we could load it.” He delivers this message in a modern, atmospheric room while looking into the camera. In eight words he created the slogan that could easily define the next three generations and our relationship with the world around it, our bodies, and even our mortality. Isn’t the biggest goal of technology really to one day be able to make it so death is obsolete as whatever phone you had before the one that’s in your hand a decade ago? The electronica-funk of the album is smooth, relaxed but always bubbling. Like a duck in lake whose feet are ferociously moving yet appearing graceful and calm on the surface. Toro Y Moi’s “Outer Peace” captures the electric exhaustion that is born out of living a life that never ends, that never takes time to self-reflect instead of self-exploit. The music’s awareness of this situation births sinister sexy electric-trap moments like “Monte Carlo” that finds his cadence mimicking those of the second wave trap era like Migos and Lil Uzi Vert. “Miss Me” is a collaboration with Abra, that finds the songstress slithering and seducing over cosmic production as she playfully teases synths with her falsetto. Between the trap-braggadocio and the sensual cosmic lullabies, the thread between “Outer Peace” thematically and music is that we’re all computers that never quite shut down. Perhaps, we go into standby mode every night, but we never shut down, power off, log off, unplug. We just send invoices and make love to remind ourselves that having a body isn’t a total inconvenience between yourself and doing more work; it can be a place of pleasure. But for now — at least this is what I’m gathering from Toro Y Moi — we must confront the internet’s inner demons with a commitment to creating outer peace. And as Toro Y Moi hums on “New House”, that’s “Something I can not buy. Something I can’t afford.” Download Toro y Moi’s Free Surprise Album ‘Samantha’ Toro y Moi just released a 20-track album via Instagram called Samantha . You can download it for free here. The album features Washed Out , Rome Fortune, Nosaj Thing, and Das Racist’s Kool A.D. on a number of tracks. Earlier this year, Toro released a new LP, What For? Toro y Moi, Samantha : 01 Power of Now 02 2 Late [ft. Kool A.D. and SAFE]03 Driving Day 04 Good Song 05 Pitch Black [ft. Rome Fortune]06 Us 2 07 That Night [ft. Kool A.D. and SAFE]08 Stoned at the MoMA 09 Room for 1zone 10 Want [ft. Washed Out]11 ambient Rainbow 12 Benjiminz [ft. Rome Fortune]13 Boo Boo Mobile 14 bytheneck 15 Real Love [ft. Kool A.D.]16 Enough of You [ft. Nosaj Thing]17 The Usual 18 Prayer Hands 19 Holy Nights [ft. SHORE]20 welp, tour’s over. Comments are closed. Recent Posts. “Black Parade” by Beyoncé Flamagra by Flying Lotus: Review Father of the Bride by Vampire Weekend CrasH Talk by ScHoolboy Q Remember When: you listened to music standing still. Recent Comments. On Popular and Unpopular Music. About Pretty Much Amazing. Pretty Much Amazing is a music blog started in 2008 and maintained by Daniel, a self-proclaimed music nerd. PMA was once called “the true keepers of serendipity” in The New Yorker . 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